Tsp2000-04-22: Difference between revisions
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! align="left" | Venue | ! align="left" | Venue | ||
| Michigan State Fairgrounds | | Michigan State Fairgrounds Coliseum | ||
|- | |- | ||
! align="left" | Location | ! align="left" | Location | ||
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|- | |- | ||
! align="left" | Venue Type | ! align="left" | Venue Type | ||
| | | Coliseum | ||
|- | |||
! align="left" | Capacity | |||
| 5,600 | |||
|- | |||
! align="left" | Lineup | |||
| Corgan, Iha, Chamberlin, Auf der Maur | |||
|- | |||
! align="left" | Order of Bands | |||
| The Smashing Pumpkins | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #1 | ||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| SPPB > M1 | |||
|- | |||
! align="left" | Length | |||
| 122m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DDC-? > CDR | |||
|- | |||
! align="left" | Notes | |||
| SHN filesets labeled as SPPB > M1 are actually AUD #2. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| SS-DSM-6S > PA-6LC3B > M1(48k) | |||
|- | |||
! align="left" | Length | |||
| 122m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DDC-1 > dEdit > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-04-22.DSM-6S.flac16 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Level adjustments during Rock On. Superior to AUD #3. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MD | |||
|- | |||
! align="left" | Equipment | |||
| CSB > MZ-R55 | |||
|- | |||
! align="left" | Length | |||
| 121m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| MD-M > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-04-22.flac16 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Near soundboard. | ||
|- | |||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| CSBMod > M1 | |||
|- | |||
! align="left" | Length | |||
| ~120m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |- | ||
|} | |} | ||
== Setlist == | == Setlist == | ||
---- | ---- | ||
Soundcheck: | |||
* Fuck You | * Fuck You | ||
* Blue Skies Bring Tears | * Blue Skies Bring Tears | ||
* Drown | * Drown | ||
Set: | Set: | ||
* Rock On [Essex] | * Rock On [Essex] [6:27] | ||
* The Everlasting Gaze | * The Everlasting Gaze | ||
* Tear | * Tear | ||
Line 45: | Line 144: | ||
* Heavy Metal Machine | * Heavy Metal Machine | ||
* Bullet with Butterfly Wings | * Bullet with Butterfly Wings | ||
** Once in a Lifetime [Talking Heads] | ** Once in a Lifetime [Talking Heads] [8:54] | ||
Encore One: | |||
Encore | |||
* Blank Page | * Blank Page | ||
* Mayonaise | * Mayonaise | ||
Encore Two: | |||
Encore | |||
* Fuck You | * Fuck You | ||
* Happy Birthday [Hill/Hill/Coleman] | * Happy Birthday [Hill/Hill/Coleman] | ||
* Join Together [The Who] | * Join Together [The Who] | ||
=== Notes === | |||
* To Sheila, Disarm, and Try, Try, Try performed acoustic | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Rock On'''<br> | ||
> '''The Everlasting Gaze'''<br> | |||
'''Tear'''<br> | |||
> '''Glass and the Ghost Children'''<br> | |||
BC: Thank you very much, thank you very much, thank you very much. Thank you very much, Detroit Rock City. It’s always good to be back. Woo! I’d like to introduce to you my friend, my partner, Mr. James Iha.<br> | |||
'''Blew Away'''<br> | |||
'''Stand Inside Your Love'''<br> | |||
BC: Thank you very much, thank you.<br> | |||
'''This Time'''<br> | |||
'''I of the Mourning'''<br> | |||
Le Deux Machina (tape)<br> | |||
'''To Sheila''' (Billy acoustic w/Iha)<br> | |||
'''Disarm''' (acoustic)<br> | |||
BC: On the drums, Mr. Jimmy Chamberlin. Thank you, um, we’d like to play another new song off our album, Machina ''(pronounced “ma-chee-na”)''. The fishes of Sodom... This is a song called Try, Try, Try, Try, Try, Try.<br> | |||
'''Try, Try, Try''' (acoustic)<br> | |||
'''Tonight, Tonight'''<br> | |||
> '''Today'''<br> | |||
Iha: Hello? Hello? Hello? How... Try not to push so much, people are getting crushed up front, be groovy. That’s a public service announcement. Try not to rock out as much.<br> | |||
'''Blue Skies Bring Tears'''<br> | |||
BC: Hahaha. Hahaha. Haha. Hahahaha. Hahaha. That’s right.<br> | |||
'''Heavy Metal Machine'''<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
> '''Once in a Lifetime'''<br> | |||
[encore break]<br> | |||
'''Blank Page'''<br> | |||
(BC over keyboard outro: Thank you.)<br> | |||
> '''Mayonaise'''<br> | |||
Iha: Good night.<br> | |||
BC: God bless you, thank you.<br> | |||
[encore break]<br> | |||
Iha: Thanks a lot. Thanks a lot, you guys have been really awesome. You rock, Detroit Rock City. I’m glad you came out. We have a few more rock jams, are you still ready to rock?<br> | |||
'''Fuck You'''<br> | |||
BC: I figure if we can’t play that anymore, that’s when we’re gonna break up the band. When we can’t do that one. ''(Jimmy starts Join Together drums)'' Stop! Thank you. Um, before we play our last song tonight, one more chance to say thank you very much for coming to this concert tonight. As always, we, um, really respect and appreciate the love from people here in Detroit. You’ve made us feel always very welcome. Thank you. I’d like to say happy birthday to my girlfriend, Yelena, who’s here tonight. ''(James starts playing Happy Birthday.)''<br> | |||
Iha: Happy birthday to you. May these good times give you tidings and new wisdom. Maybe, just maybe somewhere of ours, there’s a ring that’s gonna shine on all of us. Happy birthday.<br> | |||
BC: Love you baby, thank you.<br> | |||
'''Join Together'''<br> | |||
Iha: Thanks. Goodnight everybody. Drive safe. Thanks for us travel along.<br> | |||
</blockquote> | </blockquote> | ||
== Photos & Memorabilia == | |||
[[Image:20000422.jpg|150px|left]] | |||
[[Image:Tsp2000-04-22-spfreaks1.jpg|150px|left]] | |||
[[Image:00XXXX-Shirt.jpg|150px|left]] |
Latest revision as of 17:51, 20 August 2020
The Smashing Pumpkins | |
---|---|
Date | 2000-04-22 |
Venue | Michigan State Fairgrounds Coliseum |
Location | Detroit, MI, US |
Venue Type | Coliseum |
Capacity | 5,600 |
Lineup | Corgan, Iha, Chamberlin, Auf der Maur |
Order of Bands | The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | SPPB > M1 |
Length | 122m |
Complete? | Yes |
Lowest Circulating Generation | DDC-? > CDR |
Notes | SHN filesets labeled as SPPB > M1 are actually AUD #2. |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6S > PA-6LC3B > M1(48k) |
Length | 122m |
Complete? | Yes |
Lowest Circulating Generation | DDC-1 > dEdit > FLAC |
Live Music Archive | 16-bit download |
Notes | Level adjustments during Rock On. Superior to AUD #3. |
AUD #3 | |
Source | AUD |
Format | MD |
Equipment | CSB > MZ-R55 |
Length | 121m |
Complete? | Yes |
Lowest Circulating Generation | MD-M > FLAC |
Live Music Archive | 16-bit download |
Notes | Near soundboard. |
Unsurfaced Recordings | |
AUD #4 | |
Source | AUD |
Format | DAT |
Equipment | CSBMod > M1 |
Length | ~120m |
Complete? | Yes |
Setlist
Soundcheck:
- Fuck You
- Blue Skies Bring Tears
- Drown
Set:
- Rock On [Essex] [6:27]
- The Everlasting Gaze
- Tear
- Glass and the Ghost Children
- Blew Away
- Stand Inside Your Love
- This Time
- I of the Mourning
- To Sheila
- Disarm
- With Every Light (tease)
- Try, Try, Try
- Tonight, Tonight
- Today
- Blue Skies Bring Tears
- Heavy Metal Machine
- Bullet with Butterfly Wings
- Once in a Lifetime [Talking Heads] [8:54]
Encore One:
- Blank Page
- Mayonaise
Encore Two:
- Fuck You
- Happy Birthday [Hill/Hill/Coleman]
- Join Together [The Who]
Notes
- To Sheila, Disarm, and Try, Try, Try performed acoustic
Banter
Rock On
> The Everlasting Gaze
Tear
> Glass and the Ghost Children
BC: Thank you very much, thank you very much, thank you very much. Thank you very much, Detroit Rock City. It’s always good to be back. Woo! I’d like to introduce to you my friend, my partner, Mr. James Iha.
Blew Away
Stand Inside Your Love
BC: Thank you very much, thank you.
This Time
I of the Mourning
Le Deux Machina (tape)
To Sheila (Billy acoustic w/Iha)
Disarm (acoustic)
BC: On the drums, Mr. Jimmy Chamberlin. Thank you, um, we’d like to play another new song off our album, Machina (pronounced “ma-chee-na”). The fishes of Sodom... This is a song called Try, Try, Try, Try, Try, Try.
Try, Try, Try (acoustic)
Tonight, Tonight
> Today
Iha: Hello? Hello? Hello? How... Try not to push so much, people are getting crushed up front, be groovy. That’s a public service announcement. Try not to rock out as much.
Blue Skies Bring Tears
BC: Hahaha. Hahaha. Haha. Hahahaha. Hahaha. That’s right.
Heavy Metal Machine
> Bullet with Butterfly Wings
> Once in a Lifetime
[encore break]
Blank Page
(BC over keyboard outro: Thank you.)
> Mayonaise
Iha: Good night.
BC: God bless you, thank you.
[encore break]
Iha: Thanks a lot. Thanks a lot, you guys have been really awesome. You rock, Detroit Rock City. I’m glad you came out. We have a few more rock jams, are you still ready to rock?
Fuck You
BC: I figure if we can’t play that anymore, that’s when we’re gonna break up the band. When we can’t do that one. (Jimmy starts Join Together drums) Stop! Thank you. Um, before we play our last song tonight, one more chance to say thank you very much for coming to this concert tonight. As always, we, um, really respect and appreciate the love from people here in Detroit. You’ve made us feel always very welcome. Thank you. I’d like to say happy birthday to my girlfriend, Yelena, who’s here tonight. (James starts playing Happy Birthday.)
Iha: Happy birthday to you. May these good times give you tidings and new wisdom. Maybe, just maybe somewhere of ours, there’s a ring that’s gonna shine on all of us. Happy birthday.
BC: Love you baby, thank you.
Join Together
Iha: Thanks. Goodnight everybody. Drive safe. Thanks for us travel along.