Tsp2000-11-03: Difference between revisions
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Line 17: | Line 17: | ||
| 12,000 | | 12,000 | ||
|- | |- | ||
! align="left" | | ! align="left" | Lineup | ||
| | | Corgan, Iha, Chamberlin, Auf der Maur, Garson, Holmes | ||
|- | |||
! align="left" | Order of Bands | |||
| Catherine Wheel, The Smashing Pumpkins | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
Line 31: | Line 34: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSBMod>M1 | | CSBMod > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| 10m (soundcheck)/124m (show) | | 10m (soundcheck)<br />124m (show) | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 40: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT-M>CDR | | DDC-? > CDR (soundcheck)<br />DAT-M > CDR (show) | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-11-03 16-bit download (show)] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
Line 54: | Line 60: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| SS-DSM-6S>TCD-D100 | | SS-DSM-6S > TCD-D100(44.1k) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 124m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 63: | Line 69: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | DDC-2 > FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-11-03.dsm.d100.flac16 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Taped from stands. | | Taped from stands. Two separate DDC-2 > FLAC transfer circulate. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSBMod>Att(-20db)>MZ-R91 | | CSBMod > Att.(-20db) > MZ-R91 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 86: | Line 95: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| MD-M> | | MD-M > dEdit > SHN | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-11-03.shn 16-bit download] | |||
|- | |- | ||
! align="left" | | ! align="left" | Notes | ||
| MD-M>CDR version also circulates. | | MD-M > CDR version also circulates. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 97: | Line 109: | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | DAT | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | SS-DSM-6S > PA-6LC3(175) > M1(48k) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 122m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | No | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | DAT-M > dEdit > FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-11-03.DSM-6S.M1.flac16 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Dropout in Porcelina of the Vast Oceans. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | |||
! bgcolor="#fff9de" colspan="2" align="left" | | |||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
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|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | VID (miniDV) | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | Unknown | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 121m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| miniDV(M) > MKV | |||
|- | |||
! align="left" | Notes | |||
| Shot from right side stands. | |||
|- | |||
! align="left" | Notes | |||
| YouTube preview https://youtu.be/okVRs3xMxu8 | |||
|- | |||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | ||
Line 173: | Line 197: | ||
* The Everlasting Gaze | * The Everlasting Gaze | ||
* Bullet with Butterfly Wings | * Bullet with Butterfly Wings | ||
** Once in a Lifetime [ | ** Once in a Lifetime [Talking Heads] [4:18] | ||
* Speed Kills | * Speed Kills | ||
* If There Is a God | * If There Is a God | ||
Line 186: | Line 210: | ||
* Blank Page | * Blank Page | ||
* Ava Adore | * Ava Adore | ||
Encore Two: | Encore Two: | ||
* God Save the Queen [traditional] (tease) | * God Save the Queen [traditional] (tease) | ||
* 1979 | * 1979 | ||
=== Notes === | |||
* Glass and the Ghost Children, Today, Stand Inside Your Love, Thirty-three, To Sheila, Disarm, and 1979 performed acoustic | |||
* Last performance of Speed Kills until 2008-08-08 | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | Silent Machines Intro<br> | ||
'''Glass and the Ghost Children''' (acoustic)<br> | |||
> '''Le Deux Machina''' (tease)<br> | |||
> '''Today''' (acoustic)<br> | |||
BC: Thank you very much, thank you very much, good evening.<br> | |||
'''Stand Inside Your Love''' (acoustic)<br> | |||
'''Thirty-three''' (acoustic)<br> | |||
'''To Sheila''' (acoustic)<br> | |||
> '''Blue Skies Bring Tears''' (acoustic)<br> | |||
'''Glass’ Theme'''<br> | |||
'''The Everlasting Gaze'''<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
> '''Once in a Lifetime'''<br> | |||
> '''Sabbra Cadabra''' (tease)<br> | |||
BC: Thank you very much, thank you very much, thank you very much. Good evening, good evening, we’re the Smashing Pumpkins, thank you very much. We’d like to thank the lead singer from Boyzone for letting us open for him tonight.<br> | |||
'''Speed Kills'''<br> | |||
'''If There is a God'''<br> | |||
> '''Cash Car Star'''<br> | |||
> '''Rock On''' (partial)<br> | |||
(BC after Iha intro: Thank you very much, Snakey Tooth, thank you. Thank you. Ladies and gentlemen, ladies and gentlemen...we know that the rock has overwhelmed you, trying to give you a minute to catch your breath. Let you stretch your arms and ''(inhales)'' breathe in this beautiful air. That’s lovely. Everybody take a deep breath. Nobody listens. Yeah. Thank you very much for coming to our concert tonight.)<br> | |||
> '''Heavy Metal Machine'''<br> | |||
'''Disarm''' (acoustic)<br> | |||
> '''Tonight, Tonight'''<br> | |||
'''Porcelina of the Vast Oceans'''<br> | |||
BC: Thank you very much, thank you very much. We’d like to play one more song for you. This next song is featured on our...next album, our eighth album. It’s called Temples of Ulysses. And this song is called Zeus Arrives.<br> | |||
'''I of the Mourning'''<br> | |||
[encore break]<br> | |||
'''Blank Page'''<br> | |||
> '''Ava Adore'''<br> | |||
(BC right before end: That’s the end of our bullshit, thanks.)<br> | |||
BC: That’s what you call Chicago blues.<br> | |||
[encore break]<br> | |||
BC: Thank you, thank you! Thank you very much. Are there any songs you would like to hear?<br> | |||
Iha: [unintelligible sentence.] I would like to uh, thanks for, thank everyone for coming out tonight and uh, I would like to quickly introduce the band. All the way from Brooklyn, New York, on piano, Mr. Mike Garson. [unintelligible sentence.] On crazy keyboards, synthesizers and strange burbuling sounds, the mad professor, Mr. Chris Holmes. All the way from Montreal, Canada, the first lady of the bass guitar, the red vixen herself, Miss Melissa Auf der Maur. Thank you for that exciting accompaniment, Mike. And now, the bruiser, the cruiser, from Joliet, Illinois, on the drums, Mr. Jimmy Chamberlin! Hell of a guitar player too. [unintelligible] acoustic guitar up there. And now on crazy sounds, lead vocals, guitar, sonic destruction, Mr. Billy Corgan!<br> | |||
'''God Save the Queen''' (tease - Mike)<br> | |||
BC: And on lead guitar, on lead guitar, the next mayor of London, Mr. James Iha!<br> | |||
'''1979''' (acoustic, Jimmy plays guitar)<br> | |||
Iha: Thank you very much.<br> | |||
</blockquote> | </blockquote> | ||
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[[Image:20001103.jpg|125px|left]] | [[Image:20001103.jpg|125px|left]] | ||
[[Image:SP2000-11-03ticket.jpg|125px|left]] | [[Image:SP2000-11-03ticket.jpg|125px|left]] | ||
[[Image:Tsp2000-11-03-ticket_(1).jpg|125px|left]] | |||
[[Image:00XXXX-EnglishTourPoster.jpg|125px|left]] | [[Image:00XXXX-EnglishTourPoster.jpg|125px|left]] |
Latest revision as of 19:55, 26 September 2020
The Smashing Pumpkins | |
---|---|
Date | 2000-11-03 |
Venue | Wembley Arena |
Location | London, UK |
Venue Type | Arena |
Capacity | 12,000 |
Lineup | Corgan, Iha, Chamberlin, Auf der Maur, Garson, Holmes |
Order of Bands | Catherine Wheel, The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | CSBMod > M1 |
Length | 10m (soundcheck) 124m (show) |
Complete? | Yes |
Lowest Circulating Generation | DDC-? > CDR (soundcheck) DAT-M > CDR (show) |
Live Music Archive | 16-bit download (show) |
Notes | Soundcheck recorded from outside. |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6S > TCD-D100(44.1k) |
Length | 124m |
Complete? | Yes |
Lowest Circulating Generation | DDC-2 > FLAC |
Live Music Archive | 16-bit download |
Notes | Taped from stands. Two separate DDC-2 > FLAC transfer circulate. |
AUD #3 | |
Source | AUD |
Format | MD |
Equipment | CSBMod > Att.(-20db) > MZ-R91 |
Length | 122m |
Complete? | Yes |
Lowest Circulating Generation | MD-M > dEdit > SHN |
Live Music Archive | 16-bit download |
Notes | MD-M > CDR version also circulates. |
AUD #4 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6S > PA-6LC3(175) > M1(48k) |
Length | 122m |
Complete? | No |
Lowest Circulating Generation | DAT-M > dEdit > FLAC |
Live Music Archive | 16-bit download |
Notes | Dropout in Porcelina of the Vast Oceans. |
AMT #1 | |
Source | AUD |
Format | VID (miniDV) |
Equipment | Unknown |
Length | 121m |
Complete? | Yes |
Lowest Circulating Generation | miniDV(M) > MKV |
Notes | Shot from right side stands. |
Notes | YouTube preview https://youtu.be/okVRs3xMxu8 |
Unsurfaced Recordings | |
AUD #5 | |
Source | AUD |
Format | MD |
Equipment | Unknown |
Length | Unknown |
Complete? | Unknown |
Notes | Taper sings and dances. |
Setlist
Soundcheck:
- Siva
- Games Without Frontiers [Gabriel]
- (drum solo)
Set One:
- Glass and the Ghost Children
- Le Deux Machina (tease)
- Today
- Stand Inside Your Love
- Thirty-three
- To Sheila
- Blue Skies Bring Tears
- (drum solo)
Set Two:
- Glass' Theme
- The Everlasting Gaze
- Bullet with Butterfly Wings
- Once in a Lifetime [Talking Heads] [4:18]
- Speed Kills
- If There Is a God
- Cash Car Star
- Rock On [Essex]
- Heavy Metal Machine
- Disarm
- Tonight, Tonight
- Porcelina of the Vast Oceans
- I of the Mourning
Encore One:
- Blank Page
- Ava Adore
Encore Two:
- God Save the Queen [traditional] (tease)
- 1979
Notes
- Glass and the Ghost Children, Today, Stand Inside Your Love, Thirty-three, To Sheila, Disarm, and 1979 performed acoustic
- Last performance of Speed Kills until 2008-08-08
Banter
Silent Machines Intro
Glass and the Ghost Children (acoustic)
> Le Deux Machina (tease)
> Today (acoustic)
BC: Thank you very much, thank you very much, good evening.
Stand Inside Your Love (acoustic)
Thirty-three (acoustic)
To Sheila (acoustic)
> Blue Skies Bring Tears (acoustic)
Glass’ Theme
The Everlasting Gaze
> Bullet with Butterfly Wings
> Once in a Lifetime
> Sabbra Cadabra (tease)
BC: Thank you very much, thank you very much, thank you very much. Good evening, good evening, we’re the Smashing Pumpkins, thank you very much. We’d like to thank the lead singer from Boyzone for letting us open for him tonight.
Speed Kills
If There is a God
> Cash Car Star
> Rock On (partial)
(BC after Iha intro: Thank you very much, Snakey Tooth, thank you. Thank you. Ladies and gentlemen, ladies and gentlemen...we know that the rock has overwhelmed you, trying to give you a minute to catch your breath. Let you stretch your arms and (inhales) breathe in this beautiful air. That’s lovely. Everybody take a deep breath. Nobody listens. Yeah. Thank you very much for coming to our concert tonight.)
> Heavy Metal Machine
Disarm (acoustic)
> Tonight, Tonight
Porcelina of the Vast Oceans
BC: Thank you very much, thank you very much. We’d like to play one more song for you. This next song is featured on our...next album, our eighth album. It’s called Temples of Ulysses. And this song is called Zeus Arrives.
I of the Mourning
[encore break]
Blank Page
> Ava Adore
(BC right before end: That’s the end of our bullshit, thanks.)
BC: That’s what you call Chicago blues.
[encore break]
BC: Thank you, thank you! Thank you very much. Are there any songs you would like to hear?
Iha: [unintelligible sentence.] I would like to uh, thanks for, thank everyone for coming out tonight and uh, I would like to quickly introduce the band. All the way from Brooklyn, New York, on piano, Mr. Mike Garson. [unintelligible sentence.] On crazy keyboards, synthesizers and strange burbuling sounds, the mad professor, Mr. Chris Holmes. All the way from Montreal, Canada, the first lady of the bass guitar, the red vixen herself, Miss Melissa Auf der Maur. Thank you for that exciting accompaniment, Mike. And now, the bruiser, the cruiser, from Joliet, Illinois, on the drums, Mr. Jimmy Chamberlin! Hell of a guitar player too. [unintelligible] acoustic guitar up there. And now on crazy sounds, lead vocals, guitar, sonic destruction, Mr. Billy Corgan!
God Save the Queen (tease - Mike)
BC: And on lead guitar, on lead guitar, the next mayor of London, Mr. James Iha!
1979 (acoustic, Jimmy plays guitar)
Iha: Thank you very much.