Tsp2007-10-15: Difference between revisions
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|- | |- | ||
! align="left" | Venue | ! align="left" | Venue | ||
| Orpheum | | Orpheum Theatre | ||
|- | |- | ||
! align="left" | Location | ! align="left" | Location | ||
Line 22: | Line 22: | ||
! align="left" | Order of Bands | ! align="left" | Order of Bands | ||
| Explosions in the Sky, The Smashing Pumpkins | | Explosions in the Sky, The Smashing Pumpkins | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
Line 37: | Line 34: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| AK40>LC3>KM100>Oade m148>modSBM-1>M1( | | AK40>LC3>KM100>Oade m148>modSBM-1>M1(16/44.1) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT-M>FLAC | | DAT-M>FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/sp2007-10-15.km140.148.sbm.flac16 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Mezzanine, left of center, row A, clamped to railing. Mics DIN. | | Mezzanine, left of center, row A, clamped to railing. Mics DIN. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ||
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|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | WAV-M>FLAC | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
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! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| MD-M>dEdit>FLAC | | MD-M>dEdit>FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2007-10-15.flac16 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Orchestra row R, right of center. | | Orchestra row R, right of center. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ||
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|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | WAV | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | DPA 4021>Sound Devices 722(24/96) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 148m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Yes | | Yes | ||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| WAV-M>FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/sp2007-10-15.flac24 24-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Mics in hat. | |||
|- | |||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | ||
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|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | Hi-MD | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | CSB>MZ-RH1+MZ-NHF800 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #6 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #6 | ||
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|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | Unknown | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | Unknown | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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! align="left" | Complete? | ! align="left" | Complete? | ||
| Unknown | | Unknown | ||
|- | |||
! align="left" | Notes | |||
| Includes part of the soundcheck. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ||
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* Neverlost | * Neverlost | ||
* Lucky 13 | * Lucky 13 | ||
** ( | ** (unknown) | ||
* Tonight, Tonight | * Tonight, Tonight | ||
* Tarantula | * Tarantula | ||
Line 200: | Line 209: | ||
* Heavy Metal Machine | * Heavy Metal Machine | ||
** White Rabbit [Jefferson Airplane] (tease) | ** White Rabbit [Jefferson Airplane] (tease) | ||
** White Horse [Laid Back] (tease) | |||
** On the Road Again [Canned Heat] (tease) | ** On the Road Again [Canned Heat] (tease) | ||
** I Love Rock ' | ** I Love Rock 'n' Roll [The Arrows] (tease) | ||
Encore One: | Encore One: | ||
* Drown | * Drown | ||
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Encore Three: | Encore Three: | ||
* Cherub Rock | * Cherub Rock | ||
=== Notes === | |||
* First performance of Where Boys Fear to Tread since 1997-12-05 | |||
* First performance of Let Me Give the World to You since 2000-11-06 | |||
* Thirty-three, Perfect, and To Sheila performed acoustic | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | Suspiria Intro<br> | ||
'''Where Boys Fear to Tread'''<br> | |||
'''Hummer'''<br> | |||
BC: Thank you!<br> | |||
'''Bring the Light'''<br> | |||
BC: Thank you very much, thank you.<br> | |||
'''Neverlost'''<br> | |||
> '''Lucky 13'''<br> | |||
'''Tonight, Tonight'''<br> | |||
'''Tarantula'''<br> | |||
'''Starz'''<br> | |||
> '''Zero'''<br> | |||
BC: Thank you very much, thank you. Welcome to our concert, we hope you’re having a good time. You know America thinks party and good time, they think Smashing Pumpkins. ‘69 Camaro, big bong, Pumpkins. Open road. Anyway, uh, to all of you that are here, thank you very much, we’re very honored that you’re here tonight, we appreciate it.<br> | |||
'''Starla'''<br> | |||
'''Thirty-three''' (Billy 12-string w/Lisa)<br> | |||
BC: Like to introduce my partner in crime, Mr. Jimmy Chamberlin. Jimmy just said the Red Sox are winning like, 400 to 3. They’re not winning, Jimmy? 4 to 2, Cleveland. Do I have to say it again? Don’t kill the messenger. I am a living example of killing the messenger.<br> | |||
Guy in crowd: That’s life!<br> | |||
BC: Heh heh. Is everybody alright?<br> | |||
'''Perfect''' (Billy acoustic w/Jimmy tambourine)<br> | |||
'''To Sheila''' (acoustic)<br> | |||
'''Set the Ray to Jerry'''<br> | |||
'''Today'''<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
BC: Thank you. Today I was out in the Boston Common. I was. It’s sad when Ben Franklin hits you up for tickets. Heh. It’s like, it’s been 300 years, let’s move on. Right? Let’s move on. And now, I said - I can’t even do math! ''(laughing very hard through next sentence)'' 200 years. Whatever, it’s been too long. 231 years, thank you. What’s the difference? Anyway, I was sitting on a park bench - this is a true story, I’m not, it’s not one of my funny jokes. I was sitting on a park bench and I met a couple fans who came down from Quebec. ''(light booing)'' Are you booing Quebec? ''(louder booing)'' Hey, you can boo Quebec all you want, they got a lot less fuckin’ guns than we do, I can tell you. Heh heh, at least I can walk around in Quebec and know that I’m not gonna get shot like I am in America. But then again, you have to deal with Canadians so it’s a - it’s a bit of a wash. Haha! I just bury whole countries, vroom vroom. Anyway, so uh, they never got to see the band back in the old days, they’ve been waiting for a long time so I appreciate them coming down here to see the show. I appreciate that many of you are giving up your chance to watch the Red Sox. So we uh, we dedicate this song to you for being here with us tonight, it’s called That’s the Way My Love Is.<br> | |||
'''That’s the Way'''<br> | |||
'''Superchrist'''<br> | |||
'''Heavy Metal Machine / White Rabbit / White Horse'''<br> | |||
> '''On the Road Again'''<br> | |||
> '''I Love Rock ‘n’ Roll'''<br> | |||
(BC at beginning: Good people of Boston, let’s put your hands together one last time. Let’s get a rock and roll party going in here. We’d like you to sing along to this last song. We know that you know the words. Don’t pretend you don’t. ''(singing)'' I love rock and roll...)<br> | |||
(BC over big ending: Thank you very much, thank you! Thank you.)<br> | |||
[encore break]<br> | |||
'''Drown'''<br> | |||
> '''United States / Star Spangled Banner'''<br> | |||
[encore break]<br> | |||
BC: Thank you very kindly, thank you.<br> | |||
'''1979''' (Billy solo acoustic)<br> | |||
'''Let Me Give the World to You'''<br> | |||
(BC right before end: God bless you very much, thank you.)<br> | |||
[bow]<br> | |||
BC: Thank you very much for a really, really good concert, thank you, we appreciate it, appreciate it a lot. Hopefully this - this wonderful concert will lift your spirits and take away the sting of the loss to Cleveland. 4 to 2, 4 to 2, that’s uh, I’m just the messenger. God bless you, thank you.<br> | |||
[encore break]<br> | |||
'''Cherub Rock'''<br> | |||
</blockquote> | </blockquote> | ||
== Photos & Memorabilia == | |||
[[Image:Tsp2007-10-15-ticket.JPG|250px|left]] |
Latest revision as of 20:21, 9 January 2021
The Smashing Pumpkins | |
---|---|
Date | 2007-10-15 |
Venue | Orpheum Theatre |
Location | Boston, MA, US |
Venue Type | Theater |
Capacity | 2800 |
Lineup | Corgan, Chamberlin, Schroeder, Reyes, Harriton |
Order of Bands | Explosions in the Sky, The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | AK40>LC3>KM100>Oade m148>modSBM-1>M1(16/44.1) |
Length | 148m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M>FLAC |
Live Music Archive | 16-bit download |
Notes | Mezzanine, left of center, row A, clamped to railing. Mics DIN. |
AUD #2 | |
Source | AUD |
Format | WAV |
Equipment | ECM-MS907>iPod |
Length | 129m |
Complete? | No |
Lowest Circulating Generation | WAV-M>FLAC |
Notes | Missing the third encore. |
AUD #3 | |
Source | AUD |
Format | Hi-MD |
Equipment | CSB>CS Battery Box (flat)>MZ-RH10 |
Length | 149m |
Complete? | Yes |
Lowest Circulating Generation | MD-M>dEdit>FLAC |
Live Music Archive | 16-bit download |
Notes | Orchestra row R, right of center. |
AUD #4 | |
Source | AUD |
Format | WAV |
Equipment | DPA 4021>Sound Devices 722(24/96) |
Length | 148m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M>FLAC |
Live Music Archive | 24-bit download |
Notes | Mics in hat. |
Unsurfaced Recordings | |
AUD #5 | |
Source | AUD |
Format | Hi-MD |
Equipment | CSB>MZ-RH1+MZ-NHF800 |
Length | Unknown |
Complete? | Yes |
AUD #6 | |
Source | AUD |
Format | Unknown |
Equipment | Unknown |
Length | Unknown |
Complete? | Unknown |
Notes | Includes part of the soundcheck. |
AMT #1 | |
Source | AUD |
Format | VID |
Equipment | Unknown |
Length | Unknown |
Complete? | Unknown |
Setlist
Soundcheck:
- Where Boys Fear to Tread
Set:
- Where Boys Fear to Tread
- Hummer
- Bring the Light
- Neverlost
- Lucky 13
- (unknown)
- Tonight, Tonight
- Tarantula
- Starz
- Zero
- Starla
- Thirty-three
- Perfect
- To Sheila
- Set the Ray to Jerry
- Today
- Bullet with Butterfly Wings
- That's the Way (My Love Is)
- Superchrist
- Heavy Metal Machine
- White Rabbit [Jefferson Airplane] (tease)
- White Horse [Laid Back] (tease)
- On the Road Again [Canned Heat] (tease)
- I Love Rock 'n' Roll [The Arrows] (tease)
Encore One:
- Drown
- United States
- Star Spangled Banner [Key] (tease)
Encore Two:
- 1979
- Let Me Give the World to You
Encore Three:
- Cherub Rock
Notes
- First performance of Where Boys Fear to Tread since 1997-12-05
- First performance of Let Me Give the World to You since 2000-11-06
- Thirty-three, Perfect, and To Sheila performed acoustic
Banter
Suspiria Intro
Where Boys Fear to Tread
Hummer
BC: Thank you!
Bring the Light
BC: Thank you very much, thank you.
Neverlost
> Lucky 13
Tonight, Tonight
Tarantula
Starz
> Zero
BC: Thank you very much, thank you. Welcome to our concert, we hope you’re having a good time. You know America thinks party and good time, they think Smashing Pumpkins. ‘69 Camaro, big bong, Pumpkins. Open road. Anyway, uh, to all of you that are here, thank you very much, we’re very honored that you’re here tonight, we appreciate it.
Starla
Thirty-three (Billy 12-string w/Lisa)
BC: Like to introduce my partner in crime, Mr. Jimmy Chamberlin. Jimmy just said the Red Sox are winning like, 400 to 3. They’re not winning, Jimmy? 4 to 2, Cleveland. Do I have to say it again? Don’t kill the messenger. I am a living example of killing the messenger.
Guy in crowd: That’s life!
BC: Heh heh. Is everybody alright?
Perfect (Billy acoustic w/Jimmy tambourine)
To Sheila (acoustic)
Set the Ray to Jerry
Today
> Bullet with Butterfly Wings
BC: Thank you. Today I was out in the Boston Common. I was. It’s sad when Ben Franklin hits you up for tickets. Heh. It’s like, it’s been 300 years, let’s move on. Right? Let’s move on. And now, I said - I can’t even do math! (laughing very hard through next sentence) 200 years. Whatever, it’s been too long. 231 years, thank you. What’s the difference? Anyway, I was sitting on a park bench - this is a true story, I’m not, it’s not one of my funny jokes. I was sitting on a park bench and I met a couple fans who came down from Quebec. (light booing) Are you booing Quebec? (louder booing) Hey, you can boo Quebec all you want, they got a lot less fuckin’ guns than we do, I can tell you. Heh heh, at least I can walk around in Quebec and know that I’m not gonna get shot like I am in America. But then again, you have to deal with Canadians so it’s a - it’s a bit of a wash. Haha! I just bury whole countries, vroom vroom. Anyway, so uh, they never got to see the band back in the old days, they’ve been waiting for a long time so I appreciate them coming down here to see the show. I appreciate that many of you are giving up your chance to watch the Red Sox. So we uh, we dedicate this song to you for being here with us tonight, it’s called That’s the Way My Love Is.
That’s the Way
Superchrist
Heavy Metal Machine / White Rabbit / White Horse
> On the Road Again
> I Love Rock ‘n’ Roll
(BC at beginning: Good people of Boston, let’s put your hands together one last time. Let’s get a rock and roll party going in here. We’d like you to sing along to this last song. We know that you know the words. Don’t pretend you don’t. (singing) I love rock and roll...)
(BC over big ending: Thank you very much, thank you! Thank you.)
[encore break]
Drown
> United States / Star Spangled Banner
[encore break]
BC: Thank you very kindly, thank you.
1979 (Billy solo acoustic)
Let Me Give the World to You
(BC right before end: God bless you very much, thank you.)
[bow]
BC: Thank you very much for a really, really good concert, thank you, we appreciate it, appreciate it a lot. Hopefully this - this wonderful concert will lift your spirits and take away the sting of the loss to Cleveland. 4 to 2, 4 to 2, that’s uh, I’m just the messenger. God bless you, thank you.
[encore break]
Cherub Rock