Tsp1996-05-26: Difference between revisions
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! align="left" | Length | ! align="left" | Length | ||
| | | 128m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 43: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| ANA- | | ANA-1 > FLAC | ||
|- | |- | ||
! align="left" | Live Music Archive | ! align="left" | Live Music Archive | ||
| [http://www.archive.org/details/tsp1996-05-26.flac16 16-bit download] | | [http://www.archive.org/details/tsp1996-05-26.ana1.flac16 16-bit download] | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Porcelina of the Vast Oceans cuts. | | Porcelina of the Vast Oceans cuts. ANA-? > CDR transfer also circulates. | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
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! align="left" | Complete? | ! align="left" | Complete? | ||
| No | | No | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | SBD #1 | |||
|- | |||
! align="left" | Source | |||
| SBD | |||
|- | |||
! align="left" | Format | |||
| ADAT | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| ~135m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Notes | |||
| Vault copy. | |||
|- | |- | ||
|} | |} | ||
Line 87: | Line 107: | ||
* Cherub Rock | * Cherub Rock | ||
* Porcelina of the Vast Oceans | * Porcelina of the Vast Oceans | ||
** Rocket (tease) | |||
Encore One: | Encore One: | ||
* 1979 | * 1979 | ||
Line 95: | Line 116: | ||
Encore Three: | Encore Three: | ||
* Bodies | * Bodies | ||
* Silverfuck | * Silverfuck [29:02] | ||
** Space Jam (tease) | ** Space Jam (tease) | ||
** Dose [Filter] (tease) | |||
* Farewell and Goodnight | * Farewell and Goodnight | ||
=== Notes === | |||
* Rescheduled from 1996-03-18 | |||
* Disarm performed acoustic | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
(unknown) | Mellon Collie and the Infinite Sadness Intro<br> | ||
'''Tonight, Tonight'''<br> | |||
'''Zero'''<br> | |||
BC: Hi, thank you, good evening. Thanks for coming. We’ve come from very far away. [3 unintelligible words].<br> | |||
'''Muzzle'''<br> | |||
'''To Forgive'''<br> | |||
'''Today'''<br> | |||
> '''Fuck You'''<br> | |||
D’arcy: I want to say hello to the people behind us. They’re very, very nice, although it's kinda weird having people behind us. <br> | |||
Iha: Thank you. How is everyone? Groovy? What? Are you screaming about [unintelligible but sounds like “Sundays, I think”]? I for not know what I've done...except play the rock music.<br> | |||
BC: No, they wanna know if you support the All Blacks team. <br> | |||
Iha: ''(New Zealand accent)'' I do not know. I don't know who they are to tell you the truth. <br> | |||
BC: Oh, come on. He played a little rugby in his day. <br> | |||
Iha: I would - what the fuck was that shit when they uh, they score a goal, it was like a dude with a - with a pith helmet and he like runs sometime?<br> | |||
BC: He didn't realize it was Australian rules football.<br> | |||
Iha: Oh. Yeah yeah, yeah yeah, I am playing the ugly American as the devil's advocate, you know, I was - I knew that, I knew that was Australian rules, I was just trying to get you mad, I’m sorry.<br> | |||
BC: Well, thanks for coming. They’re just turning that fucking air conditioning on. Another song from our long, long, long album. <br> | |||
'''Thru the Eyes of Ruby'''<br> | |||
> '''By Starlight'''<br> | |||
'''unknown''' (acoustic tease)<br> | |||
'''Disarm''' (acoustic)<br> | |||
Circus tape<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
'''Cherub Rock'''<br> | |||
'''Porcelina of the Vast Oceans / Rocket'''<br> | |||
[encore break]<br> | |||
Iha: Alright.<br> | |||
BC: We were just uh, we were sitting back there, wondering if you wanted us to come back out but....<br> | |||
Iha: We're so deaf, we’re so deaf we thought everyone had left. <br> | |||
'''1979'''<br> | |||
> '''blues jam'''<br> | |||
(BC about a minute in: You know we come from Chicago. The home of the blues.)<br> | |||
Iha: Oh god, that was so painful. And now, we're gonna play the cyber-blues. Our style of blues.<br> | |||
BC: Thank you for fighting [unintelligible].<br> | |||
Iha: ''(New Zealand accent)'' Who has a bow and arrow to shoot yonder past a cap? I beg of thee, take me away from this rock tour, I’m so fearless.<br> | |||
BC: Can we put on the lights for a second there, Aaron? No, up, not down, no no no. Put the lights on. Those lights, thank you. Just wanted to say hello, hello. Hello.<br> | |||
Iha: Woo! [2 unintelligible words]<br> | |||
BC: I'd like to say hello to Officer Friendly right there. To protect and serve.<br> | |||
Iha: ''(New Zealand accent)'' I would like to this one, he's been looking at my bum, he has. [unintelligible]<br> | |||
BC: [unintelligible], trying to protect your bum. That's why he's looking at it. He's there to protect it. <br> | |||
Iha: Protect my bum! Whoa whoa whoa whoa whoa! Whoa! Whoa! ''(drumroll from Jimmy with crashing cymbals)''<br> | |||
BC: See...<br> | |||
Iha: Ladies and gentlemen, [unintelligible as Billy talks over him].<br> | |||
BC: ...Officer Friendly was distracted by that rant. <br> | |||
Iha: Ladies and gentlemen, sit the fuck down. Don't lose your fuckin’ minds. <br> | |||
BC: And if you come up on this stage, we will kick your ass. <br> | |||
'''X.Y.U.'''<br> | |||
[encore break]<br> | |||
Iha: Thanks you. Ever since I was young, I wanted people of all races and all nations to get together and get it on!<br> | |||
BC: Thank you, you guys are totally great, we appreciate it so much...you don’t even know.<br> | |||
'''Mayonaise'''<br> | |||
BC: God bless you, thank you. <br> | |||
[encore break]<br> | |||
Iha: Get the fuck up! [unintelligible sentence.] I’m your fucking rock and roll captain! “What do you mean, how can you say that with that thing in your hair?” [unintelligible sentence.] No, I'm just kidding, thank you very much. We're very glad you came and uh, we'll be rocking any second. <br> | |||
BC: But I don’t do one. I don’t.<br> | |||
Iha: Well, thank you!...for the [unintelligible word].<br> | |||
BC: [unintelligible] Thank you. Thank you. And the two? [unintelligible]<br> | |||
Iha: [unintelligible]. Fuck it. [unintelligible].<br> | |||
'''unknown''' (tease - Melvoin playing classical music)<br> | |||
'''Bodies'''<br> | |||
> '''Silverfuck / Space Jam / Dose'''<br> | |||
> '''Farewell and Goodnight'''<br> | |||
''(below is over piano outro)''<br> | |||
BC: Come on and clap, you motherfuckers.<br> | |||
D’arcy: Thank you. Thank you, goodnight.<br> | |||
Iha: Goodnight everybody, goodnight, bye bye.<br> | |||
Jimmy: Thank you.<br> | |||
Iha: Drive home safe, goodbye, bye everyone.<br> | |||
</blockquote> | </blockquote> |
Latest revision as of 20:37, 28 January 2021
The Smashing Pumpkins | |
---|---|
Date | 1996-05-26 |
Venue | Town Hall |
Location | Christchurch, NZ |
Venue Type | Concert Hall |
Capacity | 2584 |
Lineup | Corgan, Iha, Wretzky, Chamberlin, Melvoin |
Order of Bands | Def FX, The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | ANA |
Equipment | Unknown |
Length | 128m |
Complete? | No |
Lowest Circulating Generation | ANA-1 > FLAC |
Live Music Archive | 16-bit download |
Notes | Porcelina of the Vast Oceans cuts. ANA-? > CDR transfer also circulates. |
Unsurfaced Recordings | |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | Unknown |
Length | ~110m |
Complete? | No |
SBD #1 | |
Source | SBD |
Format | ADAT |
Equipment | Unknown |
Length | ~135m |
Complete? | Yes |
Notes | Vault copy. |
Setlist
Set:
- Mellon Collie and the Infinite Sadness (over PA)
- Tonight, Tonight
- Zero
- Muzzle
- To Forgive
- Today
- Fuck You
- Thru the Eyes of Ruby
- By Starlight
- Disarm
- Bullet with Butterfly Wings
- Cherub Rock
- Porcelina of the Vast Oceans
- Rocket (tease)
Encore One:
- 1979
- (blues jam)
- X.Y.U.
Encore Two:
- Mayonaise
Encore Three:
- Bodies
- Silverfuck [29:02]
- Space Jam (tease)
- Dose [Filter] (tease)
- Farewell and Goodnight
Notes
- Rescheduled from 1996-03-18
- Disarm performed acoustic
Banter
Mellon Collie and the Infinite Sadness Intro
Tonight, Tonight
Zero
BC: Hi, thank you, good evening. Thanks for coming. We’ve come from very far away. [3 unintelligible words].
Muzzle
To Forgive
Today
> Fuck You
D’arcy: I want to say hello to the people behind us. They’re very, very nice, although it's kinda weird having people behind us.
Iha: Thank you. How is everyone? Groovy? What? Are you screaming about [unintelligible but sounds like “Sundays, I think”]? I for not know what I've done...except play the rock music.
BC: No, they wanna know if you support the All Blacks team.
Iha: (New Zealand accent) I do not know. I don't know who they are to tell you the truth.
BC: Oh, come on. He played a little rugby in his day.
Iha: I would - what the fuck was that shit when they uh, they score a goal, it was like a dude with a - with a pith helmet and he like runs sometime?
BC: He didn't realize it was Australian rules football.
Iha: Oh. Yeah yeah, yeah yeah, I am playing the ugly American as the devil's advocate, you know, I was - I knew that, I knew that was Australian rules, I was just trying to get you mad, I’m sorry.
BC: Well, thanks for coming. They’re just turning that fucking air conditioning on. Another song from our long, long, long album.
Thru the Eyes of Ruby
> By Starlight
unknown (acoustic tease)
Disarm (acoustic)
Circus tape
> Bullet with Butterfly Wings
Cherub Rock
Porcelina of the Vast Oceans / Rocket
[encore break]
Iha: Alright.
BC: We were just uh, we were sitting back there, wondering if you wanted us to come back out but....
Iha: We're so deaf, we’re so deaf we thought everyone had left.
1979
> blues jam
(BC about a minute in: You know we come from Chicago. The home of the blues.)
Iha: Oh god, that was so painful. And now, we're gonna play the cyber-blues. Our style of blues.
BC: Thank you for fighting [unintelligible].
Iha: (New Zealand accent) Who has a bow and arrow to shoot yonder past a cap? I beg of thee, take me away from this rock tour, I’m so fearless.
BC: Can we put on the lights for a second there, Aaron? No, up, not down, no no no. Put the lights on. Those lights, thank you. Just wanted to say hello, hello. Hello.
Iha: Woo! [2 unintelligible words]
BC: I'd like to say hello to Officer Friendly right there. To protect and serve.
Iha: (New Zealand accent) I would like to this one, he's been looking at my bum, he has. [unintelligible]
BC: [unintelligible], trying to protect your bum. That's why he's looking at it. He's there to protect it.
Iha: Protect my bum! Whoa whoa whoa whoa whoa! Whoa! Whoa! (drumroll from Jimmy with crashing cymbals)
BC: See...
Iha: Ladies and gentlemen, [unintelligible as Billy talks over him].
BC: ...Officer Friendly was distracted by that rant.
Iha: Ladies and gentlemen, sit the fuck down. Don't lose your fuckin’ minds.
BC: And if you come up on this stage, we will kick your ass.
X.Y.U.
[encore break]
Iha: Thanks you. Ever since I was young, I wanted people of all races and all nations to get together and get it on!
BC: Thank you, you guys are totally great, we appreciate it so much...you don’t even know.
Mayonaise
BC: God bless you, thank you.
[encore break]
Iha: Get the fuck up! [unintelligible sentence.] I’m your fucking rock and roll captain! “What do you mean, how can you say that with that thing in your hair?” [unintelligible sentence.] No, I'm just kidding, thank you very much. We're very glad you came and uh, we'll be rocking any second.
BC: But I don’t do one. I don’t.
Iha: Well, thank you!...for the [unintelligible word].
BC: [unintelligible] Thank you. Thank you. And the two? [unintelligible]
Iha: [unintelligible]. Fuck it. [unintelligible].
unknown (tease - Melvoin playing classical music)
Bodies
> Silverfuck / Space Jam / Dose
> Farewell and Goodnight
(below is over piano outro)
BC: Come on and clap, you motherfuckers.
D’arcy: Thank you. Thank you, goodnight.
Iha: Goodnight everybody, goodnight, bye bye.
Jimmy: Thank you.
Iha: Drive home safe, goodbye, bye everyone.