Tsp2008-08-09: Difference between revisions
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| The Smashing Pumpkins | | The Smashing Pumpkins | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #1 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #1 | ||
Line 31: | Line 31: | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | MD | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | CSC>CS Battery Box>MZ-RH910 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 132m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| MD-M>dEdit>FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2008-08-09.aud.flac 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| ~30 feet from stage, center. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| R-09 | | CSHEB(bass rolloff)>R-09(24/48) | ||
|- | |||
! align="left" | Length | |||
| 133m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| WAV-M>dEdit>FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [https://archive.org/details/tsp2008-08-09.edirol 24-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Floor, left side, three rows back. | |||
|- | |||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| WAV | |||
|- | |||
! align="left" | Equipment | |||
| built-in>R-09 | |||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 64: | Line 101: | ||
|} | |} | ||
== Setlist == | == Setlist == | ||
Soundcheck: | Soundcheck: | ||
* G.L.O.W. | * G.L.O.W. | ||
Line 71: | Line 107: | ||
* Tarantula | * Tarantula | ||
* G.L.O.W. | * G.L.O.W. | ||
* Siva | * Kill Your Parents | ||
** Siva | |||
* Eye | * Eye | ||
* Mayonaise | * Mayonaise | ||
Line 85: | Line 122: | ||
* Today | * Today | ||
* Bullet with Butterfly Wings | * Bullet with Butterfly Wings | ||
* The Beginning | * The Beginning Is the End Is the Beginning | ||
* Heavy Metal Machine | * Heavy Metal Machine (10:18 medley) | ||
** White Rabbit [Jefferson Airplane] (tease) | ** White Rabbit [Jefferson Airplane] (tease) | ||
** White Horse [Laid Back] (tease) | |||
** Glass' Theme | ** Glass' Theme | ||
* Set the Controls for the Heart of the Sun [Pink Floyd] | * Set the Controls for the Heart of the Sun [Pink Floyd] [17:22] | ||
Encore: | Encore: | ||
* We Only Come Out at Night | * We Only Come Out at Night | ||
* In the Summertime [Mungo Jerry] (with | * In the Summertime [Mungo Jerry] | ||
=== Notes === | |||
* Once Upon a Time, Again, Again, Again (The Crux), and The Rose March performed acoustic | |||
* We Only Come Out at Night and In the Summertime with Kris Pooley on accordion | |||
* First show in the Chicago area since 2000-12-02 | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | 2008 Intro<br> | ||
'''Tarantula'''<br> | |||
> '''G.L.O.W.'''<br> | |||
'''Kill Your Parents'''<br> | |||
> '''Siva'''<br> | |||
'''Eye'''<br> | |||
'''Mayonaise'''<br> | |||
> '''Tonight, Tonight'''<br> | |||
> '''Speed Kills'''<br> | |||
BC: Thank you. How are you? Yes. Thank you, I am fine. Yes, how are you? You don’t know? I don’t know either. Heh heh.<br> | |||
'''Transformer'''<br> | |||
'''Superchrist'''<br> | |||
> '''United States / Star Spangled Banner'''<br> | |||
BC: Thank you. ... Thank you very much, thank you. ... Didn’t I used to go out with your sister? Anyway, like to take a moment...to introduce this fantastic band that I get to play in. Amazing, amazing musicians I get to play with every night. Great honor to be on the stage with them. On guitar, Mr. Jeff Schroeder, the Shredder. On the bass guitar, Ms. Ginger Reyes-Pooley. Show ‘em the ring, [unintelligible]. On the keys, Ms. Lisa. And from Joliet, Illinois, my main man, Mr. Jimmy Chamberlin.<br> | |||
'''Once Upon a Time''' (acoustic)<br> | |||
'''Again, Again, Again''' (acoustic)<br> | |||
'''The Rose March''' (acoustic)<br> | |||
BC: Thank you very much. Before we begin part two of the show...like to say a few things. Number one, what a weird world we live in. Why do we live in such a weird world? Don’t know why. Please explain it to me. Number two, I’m totally insane, thank you. I’m not insane because I was born insane, this world makes me insane, thank you. Yes, we’re here to deliver a message of hope. Hope and change, that’s us. I know you’re all tired from marching in the street every day protesting the war, the economy, the ecology. Just like me, we’re all tired, somebody - so much marching. So much protesting. Heh heh heh. But I digress. Like to dedicate this song to you, yes. To you, I don’t know who you are, don’t know who you are, you don’t know who I am, think about that.<br> | |||
Guy in crowd: We love Billy!<br> | |||
BC: I love you too, I’d like to send this song out to you. Thank you for coming tonight, we appreciate you very much.<br> | |||
'''Today'''<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
'''The Beginning is the End is the Beginning'''<br> | |||
'''Heavy Metal Machine / White Rabbit / White Horse'''<br> | |||
> '''Glass’ Theme'''<br> | |||
'''Set the Controls for the Heart of the Sun'''<br> | |||
[encore break]<br> | |||
'''We Only Come Out at Night''' (with Kris Pooley on accordion)<br> | |||
> '''In the Summertime''' (with Kris Pooley on accordion)<br> | |||
(BC at beginning of piano outro: Thank you [unintelligible], thank you!)<br> | |||
</blockquote> | </blockquote> | ||
== Photos & Memorabilia == | |||
[[Image:Tsp2008-08-09-poster.jpg|225px|left]] |
Latest revision as of 06:18, 31 October 2023
The Smashing Pumpkins | |
---|---|
Date | 2008-08-09 |
Venue | The Venue (at Horseshoe Casino) |
Location | Hammond, IN, US |
Venue Type | Theater |
Capacity | 3200 |
Lineup | Corgan, Chamberlin, Schroeder, Reyes, Harriton |
Order of Bands | The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | MD |
Equipment | CSC>CS Battery Box>MZ-RH910 |
Length | 132m |
Complete? | Yes |
Lowest Circulating Generation | MD-M>dEdit>FLAC |
Live Music Archive | 16-bit download |
Notes | ~30 feet from stage, center. |
AUD #2 | |
Source | AUD |
Format | WAV |
Equipment | CSHEB(bass rolloff)>R-09(24/48) |
Length | 133m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M>dEdit>FLAC |
Live Music Archive | 24-bit download |
Notes | Floor, left side, three rows back. |
Unsurfaced Recordings | |
AUD #3 | |
Source | AUD |
Format | WAV |
Equipment | built-in>R-09 |
Length | Unknown |
Complete? | No |
Notes | Security issues during United States and Set the Controls for the Heart of the Sun. |
Setlist
Soundcheck:
- G.L.O.W.
- Siva
Set:
- Tarantula
- G.L.O.W.
- Kill Your Parents
- Siva
- Eye
- Mayonaise
- Tonight, Tonight
- Speed Kills
- Transformer
- Superchrist
- United States
- Star Spangled Banner [Key] (tease)
- Once Upon a Time
- Again, Again, Again (The Crux)
- The Rose March
- Today
- Bullet with Butterfly Wings
- The Beginning Is the End Is the Beginning
- Heavy Metal Machine (10:18 medley)
- White Rabbit [Jefferson Airplane] (tease)
- White Horse [Laid Back] (tease)
- Glass' Theme
- Set the Controls for the Heart of the Sun [Pink Floyd] [17:22]
Encore:
- We Only Come Out at Night
- In the Summertime [Mungo Jerry]
Notes
- Once Upon a Time, Again, Again, Again (The Crux), and The Rose March performed acoustic
- We Only Come Out at Night and In the Summertime with Kris Pooley on accordion
- First show in the Chicago area since 2000-12-02
Banter
2008 Intro
Tarantula
> G.L.O.W.
Kill Your Parents
> Siva
Eye
Mayonaise
> Tonight, Tonight
> Speed Kills
BC: Thank you. How are you? Yes. Thank you, I am fine. Yes, how are you? You don’t know? I don’t know either. Heh heh.
Transformer
Superchrist
> United States / Star Spangled Banner
BC: Thank you. ... Thank you very much, thank you. ... Didn’t I used to go out with your sister? Anyway, like to take a moment...to introduce this fantastic band that I get to play in. Amazing, amazing musicians I get to play with every night. Great honor to be on the stage with them. On guitar, Mr. Jeff Schroeder, the Shredder. On the bass guitar, Ms. Ginger Reyes-Pooley. Show ‘em the ring, [unintelligible]. On the keys, Ms. Lisa. And from Joliet, Illinois, my main man, Mr. Jimmy Chamberlin.
Once Upon a Time (acoustic)
Again, Again, Again (acoustic)
The Rose March (acoustic)
BC: Thank you very much. Before we begin part two of the show...like to say a few things. Number one, what a weird world we live in. Why do we live in such a weird world? Don’t know why. Please explain it to me. Number two, I’m totally insane, thank you. I’m not insane because I was born insane, this world makes me insane, thank you. Yes, we’re here to deliver a message of hope. Hope and change, that’s us. I know you’re all tired from marching in the street every day protesting the war, the economy, the ecology. Just like me, we’re all tired, somebody - so much marching. So much protesting. Heh heh heh. But I digress. Like to dedicate this song to you, yes. To you, I don’t know who you are, don’t know who you are, you don’t know who I am, think about that.
Guy in crowd: We love Billy!
BC: I love you too, I’d like to send this song out to you. Thank you for coming tonight, we appreciate you very much.
Today
> Bullet with Butterfly Wings
The Beginning is the End is the Beginning
Heavy Metal Machine / White Rabbit / White Horse
> Glass’ Theme
Set the Controls for the Heart of the Sun
[encore break]
We Only Come Out at Night (with Kris Pooley on accordion)
> In the Summertime (with Kris Pooley on accordion)
(BC at beginning of piano outro: Thank you [unintelligible], thank you!)
Photos & Memorabilia
