Tsp2007-10-16: Difference between revisions
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|- | |- | ||
! align="left" | Venue | ! align="left" | Venue | ||
| Orpheum | | Orpheum Theatre | ||
|- | |- | ||
! align="left" | Location | ! align="left" | Location | ||
Line 16: | Line 16: | ||
! align="left" | Capacity | ! align="left" | Capacity | ||
| 2800 | | 2800 | ||
|- | |||
! align="left" | Lineup | |||
| Corgan, Chamberlin, Schroeder, Reyes, Harriton | |||
|- | |||
! align="left" | Order of Bands | |||
| Explosions in the Sky, The Smashing Pumpkins | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
Line 28: | Line 34: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| Rode NT4>Microtrack( | | Rode NT4>Microtrack(16/44.1) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 37: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | WAV-M>FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/sp2007-10-16 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Orchestra left of center, row J. Mics X-Y on shock mount, taped to backpack, which was in turn taped to the wall of the orchestra entrance ramp. Input is changed from line in to mic for a portion of Heavy Metal Machine, resulting in a lower volume for that portion of the show. Pop 54 seconds into Muzzle. | | Orchestra left of center, row J. Mics X-Y on shock mount, taped to backpack, which was in turn taped to the wall of the orchestra entrance ramp. Input is changed from line in to mic for a portion of Heavy Metal Machine, resulting in a lower volume for that portion of the show. Pop 54 seconds into Muzzle. | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| WAV | |||
|- | |||
! align="left" | Equipment | |||
| CSB>CS Battery Box(flat)>Microtrack(24/96) | |||
|- | |||
! align="left" | Length | |||
| 141m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| WAV-M>FLAC | |||
|- | |- | ||
! align="left" | Live Music Archive | ! align="left" | Live Music Archive | ||
| [http://www.archive.org/details/ | | [http://www.archive.org/details/tsp2007-10-16.flac24 24-bit download] | ||
|- | |||
! align="left" | Notes | |||
| Orchestra right/center, row PP. Cuts near end of Cherub Rock due to battery loss. | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3a | ||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| Hi-MD | |||
|- | |||
! align="left" | Equipment | |||
| CSB>MZ-RH1 | |||
|- | |||
! align="left" | Length | |||
| Unknown | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Notes | |||
| Seated area. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3b | |||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 56: | Line 108: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSB> | | CSB>MZ-NHF800 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 66: | Line 118: | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Seated area. | | Seated area. | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| VID | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| ~110m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Notes | |||
| Missing Superchrist and encores. Cut in one other song. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #2 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| VID | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| ~130m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Notes | |||
| Missing Set the Ray to Jerry and Stand Inside Your Love. VID-M>MP3 audio transfer circulates. | |||
|- | |- | ||
|} | |} | ||
Line 76: | Line 168: | ||
* United States | * United States | ||
** Star Spangled Banner [Key] (tease) | ** Star Spangled Banner [Key] (tease) | ||
** O Canada [Lavallée/Routhier/Weir] (tease) | |||
* Bullet with Butterfly Wings | * Bullet with Butterfly Wings | ||
* Home | * Home | ||
Line 85: | Line 178: | ||
* Doomsday Clock | * Doomsday Clock | ||
* Glass and the Ghost Children | * Glass and the Ghost Children | ||
* Whole Lotta Love [Led Zeppelin] (tease) | |||
* 1979 | * 1979 | ||
* The Crying Tree of Mercury | * The Crying Tree of Mercury | ||
Line 94: | Line 188: | ||
* Heavy Metal Machine | * Heavy Metal Machine | ||
** White Rabbit [Jefferson Airplane] (tease) | ** White Rabbit [Jefferson Airplane] (tease) | ||
** White Horse [Laid Back] (tease) | |||
** On the Road Again [Canned Heat] (tease) | ** On the Road Again [Canned Heat] (tease) | ||
** I Love Rock ' | ** I Love Rock 'n' Roll [The Arrows] (tease) | ||
Encore One: | Encore One: | ||
* Pomp and Circumstances | * Pomp and Circumstances | ||
Line 102: | Line 197: | ||
* Where Boys Fear to Tread | * Where Boys Fear to Tread | ||
* Cherub Rock | * Cherub Rock | ||
=== Notes === | |||
* 1979 and the Crying Tree of Mercury performed acoustic | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | High School Cadets Intro<br> | ||
'''United States / Star Spangled Banner / O Canada'''<br> | |||
'''Bullet with Butterfly Wings'''<br> | |||
'''Home'''<br> | |||
BC: Thank you.<br> | |||
'''Bring the Light'''<br> | |||
'''Set the Ray to Jerry'''<br> | |||
BC: Thank you very much, thank you. How is everybody doing, you okay? Welcome to our third and final show here at the Orpheum.<br> | |||
'''Today'''<br> | |||
'''Stand Inside Your Love'''<br> | |||
'''Superchrist'''<br> | |||
> '''Doomsday Clock'''<br> | |||
'''Glass and the Ghost Children'''<br> | |||
BC: Thank you very much, thank you. What’s going on out there, huh? Heh heh, how’s it goin’? I see you’re rockin’ over there. Alright. Heh heh, thank you. I’m just tired, I’m just taking a break, heh heh heh. Talk amongst yourselves.<br> | |||
'''Whole Lotta Love''' (tease - very quiet, 5 notes)<br> | |||
BC: Heh heh heh.<br> | |||
'''1979''' (Billy solo acoustic)<br> | |||
'''The Crying Tree of Mercury''' (Billy solo acoustic)<br> | |||
'''With Every Light''' (acoustic)<br> | |||
'''Tonight, Tonight'''<br> | |||
'''Tarantula'''<br> | |||
'''Ava Adore'''<br> | |||
'''Disarm'''<br> | |||
'''Heavy Metal Machine / White Rabbit / White Horse'''<br> | |||
> '''On the Road Again'''<br> | |||
> '''I Love Rock ‘n’ Roll'''<br> | |||
(BC at beginning: Good people of Boston, put your hands together. We want you to sing along with us on this ending. We know you know the words, don’t act like you don’t. ''(singing)'' I love rock and roll...)<br> | |||
(BC after 2 call-and-responses: Kick it down, Jimmy, kick it down. Bring it down, bring it down. ''(band plays quieter)'' You people are gonna sing. You’re gonna sing your hearts out. Because we know you love rock and roll just as much as I do. ''(singing)'' I love rock and roll...)<br> | |||
(BC right before big rock ending: Boston, goodnight.)<br> | |||
[encore break]<br> | |||
'''Pomp and Circumstances'''<br> | |||
BC: Thank you. That was a song, that was a song from our new album, Zeitgeist. We all know that you brush your teeth to it. Well, that’s the end of the concert, thank you very much for coming. ''(crowd reacts)'' We’re only contracted for 18 songs, that’s it, we’re done. ''(crowd boos)'' Hey man, I used to be a rebel, you see where it got me, fuckin’ nowhere. I wanna sell out like the rest of ‘em. Ever since that internet killed everything, that fuckin’ internet. We had such a good thing going there with the music business about exploiting artists and taking advantage of them, bleeding them dry of all their creative talent, it was such a good system, what happened to it? Fuckin’ internet ruined everything. You used to have to go buy your porn at a store, now you can just get it right there, boom. Fuck, you can find a wife on the internet, everything. I need to go to like alt rock star match dot com or something like that. Or maybe I just need a fine Massachusetts woman. Sturdy, Pilgrim type. Get out there and work my fields. Hey, you like that talk, heh.<br> | |||
Ginger: ''(off mic)'' That’s not a Pumpkin move.<br> | |||
BC: You’re old school, I know you are. Anyway, enough jokin’ around, thank you very much, we’ve had a great time, we hope you’ve enjoyed the concert.<br> | |||
'''Muzzle'''<br> | |||
[encore break]<br> | |||
'''Where Boys Fear to Tread'''<br> | |||
'''Cherub Rock'''<br> | |||
[bow]<br> | |||
BC: I have to say before we go, before I go...Boston has always treated us very well, thank you very much, we appreciate that. I think when you look at our tour and see that we’re not playing a lot of places multiple times, there’s a reason we’re here multiple times: ‘cause Boston has always care of SP. Alright, see you next time.<br> | |||
</blockquote> | </blockquote> | ||
== Photos & Memorabilia == | |||
[[Image:Tsp2007-10-16.jpg|250px|left]] |
Latest revision as of 03:00, 28 September 2024
The Smashing Pumpkins | |
---|---|
Date | 2007-10-16 |
Venue | Orpheum Theatre |
Location | Boston, MA, US |
Venue Type | Theater |
Capacity | 2800 |
Lineup | Corgan, Chamberlin, Schroeder, Reyes, Harriton |
Order of Bands | Explosions in the Sky, The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | WAV |
Equipment | Rode NT4>Microtrack(16/44.1) |
Length | 141m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M>FLAC |
Live Music Archive | 16-bit download |
Notes | Orchestra left of center, row J. Mics X-Y on shock mount, taped to backpack, which was in turn taped to the wall of the orchestra entrance ramp. Input is changed from line in to mic for a portion of Heavy Metal Machine, resulting in a lower volume for that portion of the show. Pop 54 seconds into Muzzle. |
AUD #2 | |
Source | AUD |
Format | WAV |
Equipment | CSB>CS Battery Box(flat)>Microtrack(24/96) |
Length | 141m |
Complete? | No |
Lowest Circulating Generation | WAV-M>FLAC |
Live Music Archive | 24-bit download |
Notes | Orchestra right/center, row PP. Cuts near end of Cherub Rock due to battery loss. |
Unsurfaced Recordings | |
AUD #3a | |
Source | AUD |
Format | Hi-MD |
Equipment | CSB>MZ-RH1 |
Length | Unknown |
Complete? | Yes |
Notes | Seated area. |
AUD #3b | |
Source | AUD |
Format | Hi-MD |
Equipment | CSB>MZ-NHF800 |
Length | Unknown |
Complete? | Yes |
Notes | Seated area. |
AMT #1 | |
Source | AUD |
Format | VID |
Equipment | Unknown |
Length | ~110m |
Complete? | No |
Notes | Missing Superchrist and encores. Cut in one other song. |
AMT #2 | |
Source | AUD |
Format | VID |
Equipment | Unknown |
Length | ~130m |
Complete? | No |
Notes | Missing Set the Ray to Jerry and Stand Inside Your Love. VID-M>MP3 audio transfer circulates. |
Setlist
Soundcheck:
- Pomp and Circumstances
- Let Me Give the World to You
Set:
- United States
- Star Spangled Banner [Key] (tease)
- O Canada [Lavallée/Routhier/Weir] (tease)
- Bullet with Butterfly Wings
- Home
- Bring the Light
- Set the Ray to Jerry
- Today
- Stand Inside Your Love
- Superchrist
- Doomsday Clock
- Glass and the Ghost Children
- Whole Lotta Love [Led Zeppelin] (tease)
- 1979
- The Crying Tree of Mercury
- With Every Light
- Tonight, Tonight
- Tarantula
- Ava Adore
- Disarm
- Heavy Metal Machine
- White Rabbit [Jefferson Airplane] (tease)
- White Horse [Laid Back] (tease)
- On the Road Again [Canned Heat] (tease)
- I Love Rock 'n' Roll [The Arrows] (tease)
Encore One:
- Pomp and Circumstances
- Muzzle
Encore Two:
- Where Boys Fear to Tread
- Cherub Rock
Notes
- 1979 and the Crying Tree of Mercury performed acoustic
Banter
High School Cadets Intro
United States / Star Spangled Banner / O Canada
Bullet with Butterfly Wings
Home
BC: Thank you.
Bring the Light
Set the Ray to Jerry
BC: Thank you very much, thank you. How is everybody doing, you okay? Welcome to our third and final show here at the Orpheum.
Today
Stand Inside Your Love
Superchrist
> Doomsday Clock
Glass and the Ghost Children
BC: Thank you very much, thank you. What’s going on out there, huh? Heh heh, how’s it goin’? I see you’re rockin’ over there. Alright. Heh heh, thank you. I’m just tired, I’m just taking a break, heh heh heh. Talk amongst yourselves.
Whole Lotta Love (tease - very quiet, 5 notes)
BC: Heh heh heh.
1979 (Billy solo acoustic)
The Crying Tree of Mercury (Billy solo acoustic)
With Every Light (acoustic)
Tonight, Tonight
Tarantula
Ava Adore
Disarm
Heavy Metal Machine / White Rabbit / White Horse
> On the Road Again
> I Love Rock ‘n’ Roll
(BC at beginning: Good people of Boston, put your hands together. We want you to sing along with us on this ending. We know you know the words, don’t act like you don’t. (singing) I love rock and roll...)
(BC after 2 call-and-responses: Kick it down, Jimmy, kick it down. Bring it down, bring it down. (band plays quieter) You people are gonna sing. You’re gonna sing your hearts out. Because we know you love rock and roll just as much as I do. (singing) I love rock and roll...)
(BC right before big rock ending: Boston, goodnight.)
[encore break]
Pomp and Circumstances
BC: Thank you. That was a song, that was a song from our new album, Zeitgeist. We all know that you brush your teeth to it. Well, that’s the end of the concert, thank you very much for coming. (crowd reacts) We’re only contracted for 18 songs, that’s it, we’re done. (crowd boos) Hey man, I used to be a rebel, you see where it got me, fuckin’ nowhere. I wanna sell out like the rest of ‘em. Ever since that internet killed everything, that fuckin’ internet. We had such a good thing going there with the music business about exploiting artists and taking advantage of them, bleeding them dry of all their creative talent, it was such a good system, what happened to it? Fuckin’ internet ruined everything. You used to have to go buy your porn at a store, now you can just get it right there, boom. Fuck, you can find a wife on the internet, everything. I need to go to like alt rock star match dot com or something like that. Or maybe I just need a fine Massachusetts woman. Sturdy, Pilgrim type. Get out there and work my fields. Hey, you like that talk, heh.
Ginger: (off mic) That’s not a Pumpkin move.
BC: You’re old school, I know you are. Anyway, enough jokin’ around, thank you very much, we’ve had a great time, we hope you’ve enjoyed the concert.
Muzzle
[encore break]
Where Boys Fear to Tread
Cherub Rock
[bow]
BC: I have to say before we go, before I go...Boston has always treated us very well, thank you very much, we appreciate that. I think when you look at our tour and see that we’re not playing a lot of places multiple times, there’s a reason we’re here multiple times: ‘cause Boston has always care of SP. Alright, see you next time.