Tsp2007-07-10B: Difference between revisions
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|- | |- | ||
! align="left" | Venue | ! align="left" | Venue | ||
| 9:30 | | Nightclub 9:30 | ||
|- | |- | ||
! align="left" | Location | ! align="left" | Location | ||
Line 16: | Line 16: | ||
! align="left" | Capacity | ! align="left" | Capacity | ||
| 1000 | | 1000 | ||
|- | |||
! align="left" | Lineup | |||
| Corgan, Chamberlin, Schroeder, Reyes, Harriton | |||
|- | |||
! align="left" | Order of Bands | |||
| Celebration, The Smashing Pumpkins | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
Line 28: | Line 34: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| AKG 460/ | | AKG 460/CK63 > SD722(24/96) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 37: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | WAV-M > dEdit > FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2007-07-10.akg.flac16 16-bit recording] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Mics handheld in soundboard area, X-Y. | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| WAV | |||
|- | |||
! align="left" | Equipment | |||
| Schoeps MK4V > VMS02IB > R-09(24/48) | |||
|- | |||
! align="left" | Length | |||
| 187m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| WAV-M > dEdit > FLAC | |||
|- | |- | ||
! align="left" | Live Music Archive | ! align="left" | Live Music Archive | ||
| [http://www.archive.org/details/smashingpumpkins2007-07-10. | | [http://www.archive.org/details/smashingpumpkins2007-07-10.mk4v.flac16 16-bit recording]<br>[http://www.archive.org/details/smashingpumpkins2007-07-10.mk4v.flac24 24-bit download] | ||
|- | |- | ||
! | ! align="left" | Notes | ||
| Mics ORTF. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD # | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 53: | Line 83: | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | WAV | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | DPA 4021 > Oade m148 > R-1(mod) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 62: | Line 92: | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| WAV-M > DVD | |||
|- | |||
! align="left" | Notes | |||
| X-Y, connected to a bogen superclamp, handheld in front of board. Circulates synced to AMT #2. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| Schoeps CCM-4 > Sonosax SX-M2 > M1 | |||
|- | |||
! align="left" | Length | |||
| 181m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DAT-M > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2007-07-10.ccm4.flac16 16-bit recording] | |||
|- | |||
! align="left" | Notes | |||
| Front of board, mics in hat, A-B, pointed at stacks. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| VID | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | | Unknown | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD # | ! align="left" | Length | ||
| 112m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| Master > DIVX-M | |||
|- | |||
! align="left" | Notes | |||
| Balcony shot, left side, about 50 feet back. Missing That's the Way (My Love Is). Ends During Heavy Metal Machine. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #2 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MiniDV | |||
|- | |||
! align="left" | Equipment | |||
| Sony DCR-HC38 | |||
|- | |||
! align="left" | Length | |||
| 180m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| MiniDV-M > DVD | |||
|- | |||
! align="left" | Notes | |||
| Railing, center balcony. Handheld. | |||
|- | |||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | |||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 70: | Line 180: | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | WAV | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | Schoeps MK4V > SD722(24bit/96k) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 81: | Line 191: | ||
| Unknown | | Unknown | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | | ! align="left" | Notes | ||
| Front of board, mics in hat. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #3 | |||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 87: | Line 200: | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | MiniDV | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
Line 98: | Line 211: | ||
| Unknown | | Unknown | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AMT # | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #4 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 104: | Line 217: | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | VHS-C | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
Line 115: | Line 228: | ||
| Unknown | | Unknown | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AMT # | ! align="left" | Notes | ||
| First few rows. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #5 | |||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 121: | Line 237: | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | VID | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
Line 131: | Line 247: | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Unknown | | Unknown | ||
|- | |||
! align="left" | Notes | |||
| Tripod, soundboard area. | |||
|- | |- | ||
|} | |} | ||
Line 160: | Line 279: | ||
* (Come On) Let's Go! | * (Come On) Let's Go! | ||
* Heavy Metal Machine | * Heavy Metal Machine | ||
** White Rabbit [Jefferson Airplane] | ** White Rabbit [Jefferson Airplane] (tease) | ||
* Disarm | * Disarm | ||
* 1979 | * 1979 | ||
Line 167: | Line 286: | ||
* Cherub Rock | * Cherub Rock | ||
Encore Two: | Encore Two: | ||
* Gossamer | * Gossamer [25:28] | ||
Encore Three: | Encore Three: | ||
* Fuck You | * Fuck You | ||
=== Notes === | |||
* Zeitgeist Record Release party | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | [barbershop quartet singing]<br> | ||
'''United States / Star Spangled Banner'''<br> | |||
'''Bleeding the Orchid'''<br> | |||
'''Today'''<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
'''Starla'''<br> | |||
BC: Thank you. ... How’s everybody doing, alright? Yeah. Well, we don’t know if this is the end or the beginning but...it’s either the beginning of the end or the end of the beginning. Or the end of the end of the beginning of the beginning. Yeah. I don’t know what else to say, it’s all good.<br> | |||
'''Shame'''<br> | |||
> '''The Aeroplane Flies High'''<br> | |||
> '''Hummer'''<br> | |||
BC: Thank you. I think I still haven’t recovered from Live Earth. Still feel Jovi-ed, haven’t gotten over my case of the Jovi. We’re all Living on a Prayer, that’s obvious. On a steel horse, I ride. It’s My Life. Runaway? Wow, we’re goin’ way back. Huh? Have a nice day. As you know, today marks the release of our album, Zeitgeist. Who’s actually heard the album at this point? Will you please punch the person next to you who has not heard the album yet? Hard. Thank you. Yeah. Yeah. You know the album’s out when people start actually yelling for the titles. “Shiva.” “Marry me.” You know it’s out. Heh heh. Yeah.<br> | |||
Guy in crowd: Play Free Bird!<br> | |||
BC: Yes. There’s a Lynyrd Skynyrd fan in every crowd. Skynyrd was good, I got no problem with the Skynyrd. I’ve never been Skynyrd but I’ve been Jovi-ed. Think about that. Heh heh. I’m having one of those “I really don’t want to play music” moments, you ever have those? Every day? Let’s put on all the lights for a second, let’s see everybody’s beautiful face, let’s, uh, let’s have a moment. There you go. There you go. “I’ve seen a million faces and I’ve rocked them all.” This is a song from Zeitgeist for those of you who’ve heard it.<br> | |||
'''That’s the Way'''<br> | |||
> '''Doomsday Clock'''<br> | |||
'''Blue Skies Bring Tears'''<br> | |||
BC: This next song, um, also from Zeitgeist. Soon to be released. Um, ahem, thank you. Um, I was in Los Angeles when I wrote this song, but I was thinking of this city, Washington DC. Yes. I was actually thinking of you when I wrote this song. And people just like you. Just kidding, I’m-I’m being nice. Heh heh heh, I love you too. Um, yes, please enjoy.<br> | |||
'''For God and Country''' (acoustic)<br> | |||
'''The Crying Tree of Mercury''' (Billy solo acoustic)<br> | |||
'''Thirty-three''' (Billy 12-string w/Lisa)<br> | |||
'''Rocket''' (Billy solo acoustic)<br> | |||
BC: Thank you. As, uh, some of you may know, we just played nine shows in Asheville, North Carolina. Some of you were there. I’d like to play a new song for you, it doesn’t really have a good title yet. So we’ll just call it “Something Means Something But Nothing Means Nothing.”<br> | |||
'''If All Goes Wrong''' (Billy solo acoustic)<br> | |||
'''Tonight, Tonight'''<br> | |||
'''Tarantula'''<br> | |||
'''Starz'''<br> | |||
'''Zero'''<br> | |||
BC: Just be forewarned, we can rock at any time. Any time we choose, we can rock. I don’t think we can. There is a power in occasionally choosing not to rock. Although, right now I can’t think of what it is. You know, in the old school Pumpkins, we used to have a segment called “Now is the time to yell all the dumb shit that you want to yell now.” I’m gonna bring that back tonight. Now is the time to yell all the dumb shit that you want to yell now, go ahead. Get it all out, just let it out, let it out, Jeff, just let it out. Ginger, just let it go, man. Let it, just get it all out.<br> | |||
Jeff: Happy birthday, John.<br> | |||
BC: Heh heh, okay, now that you’ve let all these, uh, negative emotions out, we’re going to play a song to soothe your sour soul.<br> | |||
'''Neverlost'''<br> | |||
'''(Come On) Let’s Go!'''<br> | |||
> '''Heavy Metal Machine / White Rabbit'''<br> | |||
'''Disarm'''<br> | |||
> '''1979'''<br> | |||
'''Untitled'''<br> | |||
BC: Thank you very much, thank you.<br> | |||
[encore break]<br> | |||
'''Cherub Rock'''<br> | |||
BC: Thank you.<br> | |||
[encore break]<br> | |||
'''Gossamer'''<br> | |||
BC: Thank you.<br> | |||
[encore break]<br> | |||
'''Fuck You'''<br> | |||
BC: Thank you.<br> | |||
[bow]<br> | |||
BC: Thank you very much. God bless you, thank you.<br> | |||
</blockquote> | </blockquote> | ||
== Photos & Memorabilia == | |||
[[Image:Tsp2007-07-10.jpg|250px|left]] | |||
[[Image:Tsp2007-07-10-1.jpg|250px|left]] |
Latest revision as of 06:22, 30 September 2024
The Smashing Pumpkins | |
---|---|
Date | 2007-07-10 |
Venue | Nightclub 9:30 |
Location | Washington, DC, US |
Venue Type | Club |
Capacity | 1000 |
Lineup | Corgan, Chamberlin, Schroeder, Reyes, Harriton |
Order of Bands | Celebration, The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | WAV |
Equipment | AKG 460/CK63 > SD722(24/96) |
Length | 187m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M > dEdit > FLAC |
Live Music Archive | 16-bit recording |
Notes | Mics handheld in soundboard area, X-Y. |
AUD #2 | |
Source | AUD |
Format | WAV |
Equipment | Schoeps MK4V > VMS02IB > R-09(24/48) |
Length | 187m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M > dEdit > FLAC |
Live Music Archive | 16-bit recording 24-bit download |
Notes | Mics ORTF. |
AUD #3 | |
Source | AUD |
Format | WAV |
Equipment | DPA 4021 > Oade m148 > R-1(mod) |
Length | ~180m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M > DVD |
Notes | X-Y, connected to a bogen superclamp, handheld in front of board. Circulates synced to AMT #2. |
AUD #4 | |
Source | AUD |
Format | DAT |
Equipment | Schoeps CCM-4 > Sonosax SX-M2 > M1 |
Length | 181m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > FLAC |
Live Music Archive | 16-bit recording |
Notes | Front of board, mics in hat, A-B, pointed at stacks. |
AMT #1 | |
Source | AUD |
Format | VID |
Equipment | Unknown |
Length | 112m |
Complete? | No |
Lowest Circulating Generation | Master > DIVX-M |
Notes | Balcony shot, left side, about 50 feet back. Missing That's the Way (My Love Is). Ends During Heavy Metal Machine. |
AMT #2 | |
Source | AUD |
Format | MiniDV |
Equipment | Sony DCR-HC38 |
Length | 180m |
Complete? | Yes |
Lowest Circulating Generation | MiniDV-M > DVD |
Notes | Railing, center balcony. Handheld. |
Unsurfaced Recordings | |
AUD #5 | |
Source | AUD |
Format | WAV |
Equipment | Schoeps MK4V > SD722(24bit/96k) |
Length | Unknown |
Complete? | Unknown |
Notes | Front of board, mics in hat. |
AMT #3 | |
Source | AUD |
Format | MiniDV |
Equipment | Unknown |
Length | Unknown |
Complete? | Unknown |
AMT #4 | |
Source | AUD |
Format | VHS-C |
Equipment | Unknown |
Length | Unknown |
Complete? | Unknown |
Notes | First few rows. |
AMT #5 | |
Source | AUD |
Format | VID |
Equipment | Unknown |
Length | Unknown |
Complete? | Unknown |
Notes | Tripod, soundboard area. |
Setlist
Set:
- United States
- Star Spangled Banner [Key] (tease)
- Bleeding the Orchid
- Today
- Bullet with Butterfly Wings
- Starla
- Shame
- The Aeroplane Flies High
- Hummer
- That's the Way (My Love Is)
- Doomsday Clock
- Blue Skies Bring Tears
- For God and Country
- The Crying Tree of Mercury
- Thirty-three
- Rocket
- If All Goes Wrong
- Tonight, Tonight
- Tarantula
- Starz
- Zero
- Neverlost
- (Come On) Let's Go!
- Heavy Metal Machine
- White Rabbit [Jefferson Airplane] (tease)
- Disarm
- 1979
- Untitled
Encore One:
- Cherub Rock
Encore Two:
- Gossamer [25:28]
Encore Three:
- Fuck You
Notes
- Zeitgeist Record Release party
Banter
[barbershop quartet singing]
United States / Star Spangled Banner
Bleeding the Orchid
Today
> Bullet with Butterfly Wings
Starla
BC: Thank you. ... How’s everybody doing, alright? Yeah. Well, we don’t know if this is the end or the beginning but...it’s either the beginning of the end or the end of the beginning. Or the end of the end of the beginning of the beginning. Yeah. I don’t know what else to say, it’s all good.
Shame
> The Aeroplane Flies High
> Hummer
BC: Thank you. I think I still haven’t recovered from Live Earth. Still feel Jovi-ed, haven’t gotten over my case of the Jovi. We’re all Living on a Prayer, that’s obvious. On a steel horse, I ride. It’s My Life. Runaway? Wow, we’re goin’ way back. Huh? Have a nice day. As you know, today marks the release of our album, Zeitgeist. Who’s actually heard the album at this point? Will you please punch the person next to you who has not heard the album yet? Hard. Thank you. Yeah. Yeah. You know the album’s out when people start actually yelling for the titles. “Shiva.” “Marry me.” You know it’s out. Heh heh. Yeah.
Guy in crowd: Play Free Bird!
BC: Yes. There’s a Lynyrd Skynyrd fan in every crowd. Skynyrd was good, I got no problem with the Skynyrd. I’ve never been Skynyrd but I’ve been Jovi-ed. Think about that. Heh heh. I’m having one of those “I really don’t want to play music” moments, you ever have those? Every day? Let’s put on all the lights for a second, let’s see everybody’s beautiful face, let’s, uh, let’s have a moment. There you go. There you go. “I’ve seen a million faces and I’ve rocked them all.” This is a song from Zeitgeist for those of you who’ve heard it.
That’s the Way
> Doomsday Clock
Blue Skies Bring Tears
BC: This next song, um, also from Zeitgeist. Soon to be released. Um, ahem, thank you. Um, I was in Los Angeles when I wrote this song, but I was thinking of this city, Washington DC. Yes. I was actually thinking of you when I wrote this song. And people just like you. Just kidding, I’m-I’m being nice. Heh heh heh, I love you too. Um, yes, please enjoy.
For God and Country (acoustic)
The Crying Tree of Mercury (Billy solo acoustic)
Thirty-three (Billy 12-string w/Lisa)
Rocket (Billy solo acoustic)
BC: Thank you. As, uh, some of you may know, we just played nine shows in Asheville, North Carolina. Some of you were there. I’d like to play a new song for you, it doesn’t really have a good title yet. So we’ll just call it “Something Means Something But Nothing Means Nothing.”
If All Goes Wrong (Billy solo acoustic)
Tonight, Tonight
Tarantula
Starz
Zero
BC: Just be forewarned, we can rock at any time. Any time we choose, we can rock. I don’t think we can. There is a power in occasionally choosing not to rock. Although, right now I can’t think of what it is. You know, in the old school Pumpkins, we used to have a segment called “Now is the time to yell all the dumb shit that you want to yell now.” I’m gonna bring that back tonight. Now is the time to yell all the dumb shit that you want to yell now, go ahead. Get it all out, just let it out, let it out, Jeff, just let it out. Ginger, just let it go, man. Let it, just get it all out.
Jeff: Happy birthday, John.
BC: Heh heh, okay, now that you’ve let all these, uh, negative emotions out, we’re going to play a song to soothe your sour soul.
Neverlost
(Come On) Let’s Go!
> Heavy Metal Machine / White Rabbit
Disarm
> 1979
Untitled
BC: Thank you very much, thank you.
[encore break]
Cherub Rock
BC: Thank you.
[encore break]
Gossamer
BC: Thank you.
[encore break]
Fuck You
BC: Thank you.
[bow]
BC: Thank you very much. God bless you, thank you.