Tsp2000-08-11: Difference between revisions
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! align="left" | Capacity | ! align="left" | Capacity | ||
| 16,000 | | 16,000 | ||
|- | |||
! align="left" | Lineup | |||
| Corgan, Iha, Chamberlin, Auf der Maur | |||
|- | |||
! align="left" | Order of Bands | |||
| Finger Eleven, Sum 41, Treble Charger, Catherine Wheel, Eve 6, A Perfect Circle, Foo Fighters, Our Lady Peace, The Smashing Pumpkins | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
Line 28: | Line 34: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| SS-DSM-6S>PA-6LC3B>M1 | | SS-DSM-6S > PA-6LC3B > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 34: | Line 40: | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | DDC-? > CDR | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-08-11.dsm6s.flac16 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | 15 feet in front of soundboard. First few notes of Sacred + Profane clipped | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ||
Line 51: | Line 60: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| Oade>M1 | | Oade > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 60: | Line 69: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | DDC-? > CDR | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-08-11.shn 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| 50 feet left of soundboard. | | 50 feet left of soundboard. | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MD | |||
|- | |||
! align="left" | Equipment | |||
| AT-853 > Sound Professionals Battery Box > MS722 | |||
|- | |||
! align="left" | Length | |||
| 75m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| MD-M > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-08-11.tsp2000-08-11.at853 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Left of board, facing left stack. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| Sennheiser MKE 2002 > TCD-D8 | |||
|- | |||
! align="left" | Length | |||
| 74m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DAT-M > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-08-11.mke2002.flac16 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| 1 dropout during the 3rd song. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ||
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|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | MiniDV | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
Line 77: | Line 141: | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 75m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 83: | Line 147: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | MiniDV-M > VHS-4 > DVD | ||
|- | |||
! align="left" | Video Link | |||
| [https://youtu.be/9BfU1VklRs8 YouTube] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Shot from back right, shaky camera work throughout start of show. | | Shot from back right of pit, shaky camera work throughout start of show. MiniDV-M > VHS-? > VCD transfer also circulates. | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD # | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 99: | Line 166: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| OKM-IIc>D7 | | OKM-IIc > TCD-D7 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 110: | Line 177: | ||
| Thoroughly distorted. | | Thoroughly distorted. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD # | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #6 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 119: | Line 186: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| SS-DSM-6S>PA-6LC3>M1 | | SS-DSM-6S > PA-6LC3 > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 128: | Line 195: | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| 15 feet front of | | 15 feet in front of soundboard. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD # | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #7 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 139: | Line 206: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| SS-DSM-6S>PA-6LC3>D8 | | SS-DSM-6S > PA-6LC3 > TCD-D8 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 150: | Line 217: | ||
| 20 meters from right stacks. | | 20 meters from right stacks. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD # | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #8 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 159: | Line 226: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | CSB > MZ-R55 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 165: | Line 232: | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #9 | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD # | |||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 179: | Line 243: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | CSBMod | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 188: | Line 252: | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | In front of Billy, 1/5th of the way back from the stage. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD # | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #10 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 199: | Line 263: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | ECM-MS907 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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| Unknown | | Unknown | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD # | ! align="left" | Notes | ||
| Handheld. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #11 | |||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 216: | Line 283: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | Optimus Omnidirectional Tie-Clip Mic > MT-15 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 223: | Line 290: | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Unknown | | Unknown | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #2 | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #2 | ||
Line 258: | Line 322: | ||
* Stand Inside Your Love | * Stand Inside Your Love | ||
* Fuck You | * Fuck You | ||
* Don't You Want Me [Human League] | * Don't You Want Me [The Human League] | ||
** Du Hast [Rammstein] (tease) | ** Du Hast [Rammstein] (tease) | ||
* I of the Mourning | * I of the Mourning | ||
Line 264: | Line 328: | ||
* Cherub Rock | * Cherub Rock | ||
* Bullet with Butterfly Wings | * Bullet with Butterfly Wings | ||
** Once in a Lifetime [Talking Heads] | ** Once in a Lifetime [Talking Heads] [3:45] | ||
* Drown [5:51] | |||
* Drown | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Glass and the Ghost Children'''<br> | ||
'''The Everlasting Gaze'''<br> | |||
> '''Heavy Metal Machine'''<br> | |||
> '''The Sacred and Profane'''<br> | |||
'''Mayonaise'''<br> | |||
'''Stand Inside Your Love'''<br> | |||
BC: Thank you, thank you.<br> | |||
'''Fuck You'''<br> | |||
'''Don't You Want Me'''<br> | |||
(Melissa over intro: This is a very Ontario special. Very good. Oh yes, Canada, I hear it.)<br> | |||
Melissa: Oh thank you!<br> | |||
Iha: ''(screams)''<br> | |||
'''I of the Mourning'''<br> | |||
BC: Thank you all very much, thank you all very much. Everybody doing alright? You doin' alright, you doin' alright?<br> | |||
'''Once Upon a Time'''<br> | |||
> '''Cherub Rock'''<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
> '''Once in a Lifetime'''<br> | |||
BC: Thank you very much, thank you very much, thank you very much. We'd like to play one more song before we go away. It's true, it's true. Um, but before we play this last song, thank you very much for sticking around to the end to see us play. We hope you had a good time. There's a lot of great bands, so thank you to the band. And to the fans of our band for the past ten years. We couldn't have done it without you so thank you very much, thank you.<br> | |||
'''Drown'''<br> | |||
</blockquote> | </blockquote> | ||
Line 277: | Line 359: | ||
[[Image:0008XX-Poster1.jpg|125px|left]] | [[Image:0008XX-Poster1.jpg|125px|left]] | ||
[[Image:0008XX-Poster2.jpg|125px|left]] | [[Image:0008XX-Poster2.jpg|125px|left]] | ||
[[Image:tsp2000-summersault.jpg|250px|left]] |
Latest revision as of 00:43, 5 October 2024
The Smashing Pumpkins | |
---|---|
Date | 2000-08-11 |
Venue | Molson Park |
Location | Barrie, ON, CA |
Venue Type | Amphitheater |
Capacity | 16,000 |
Lineup | Corgan, Iha, Chamberlin, Auf der Maur |
Order of Bands | Finger Eleven, Sum 41, Treble Charger, Catherine Wheel, Eve 6, A Perfect Circle, Foo Fighters, Our Lady Peace, The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6S > PA-6LC3B > M1 |
Length | 73m |
Complete? | Yes |
Lowest Circulating Generation | DDC-? > CDR |
Live Music Archive | 16-bit download |
Notes | 15 feet in front of soundboard. First few notes of Sacred + Profane clipped |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | Oade > M1 |
Length | 75m |
Complete? | Yes |
Lowest Circulating Generation | DDC-? > CDR |
Live Music Archive | 16-bit download |
Notes | 50 feet left of soundboard. |
AUD #3 | |
Source | AUD |
Format | MD |
Equipment | AT-853 > Sound Professionals Battery Box > MS722 |
Length | 75m |
Complete? | Yes |
Lowest Circulating Generation | MD-M > FLAC |
Live Music Archive | 16-bit download |
Notes | Left of board, facing left stack. |
AUD #4 | |
Source | AUD |
Format | DAT |
Equipment | Sennheiser MKE 2002 > TCD-D8 |
Length | 74m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > FLAC |
Live Music Archive | 16-bit download |
Notes | 1 dropout during the 3rd song. |
AMT #1 | |
Source | AUD |
Format | MiniDV |
Equipment | Unknown |
Length | 75m |
Complete? | Yes |
Lowest Circulating Generation | MiniDV-M > VHS-4 > DVD |
Video Link | YouTube |
Notes | Shot from back right of pit, shaky camera work throughout start of show. MiniDV-M > VHS-? > VCD transfer also circulates. |
Unsurfaced Recordings | |
AUD #5 | |
Source | AUD |
Format | DAT |
Equipment | OKM-IIc > TCD-D7 |
Length | Unknown |
Complete? | Unknown |
Notes | Thoroughly distorted. |
AUD #6 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6S > PA-6LC3 > M1 |
Length | 73m |
Complete? | Yes |
Notes | 15 feet in front of soundboard. |
AUD #7 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6S > PA-6LC3 > TCD-D8 |
Length | ~75m |
Complete? | Unknown |
Notes | 20 meters from right stacks. |
AUD #8 | |
Source | AUD |
Format | MD |
Equipment | CSB > MZ-R55 |
Length | ~75m |
Complete? | Yes |
AUD #9 | |
Source | AUD |
Format | MD |
Equipment | CSBMod |
Length | ~75m |
Complete? | Unknown |
Notes | In front of Billy, 1/5th of the way back from the stage. |
AUD #10 | |
Source | AUD |
Format | MD |
Equipment | ECM-MS907 |
Length | ~75m |
Complete? | Unknown |
Notes | Handheld. |
AUD #11 | |
Source | AUD |
Format | MD |
Equipment | Optimus Omnidirectional Tie-Clip Mic > MT-15 |
Length | ~75m |
Complete? | Unknown |
AMT #2 | |
Source | AUD |
Format | VID |
Equipment | CSBMod |
Length | ~75m |
Complete? | Unknown |
Notes | In front of Billy, 1/5th back from stage. |
Setlist
Set:
- Glass and the Ghost Children
- The Everlasting Gaze
- Heavy Metal Machine
- The Sacred and Profane
- Mayonaise
- Stand Inside Your Love
- Fuck You
- Don't You Want Me [The Human League]
- Du Hast [Rammstein] (tease)
- I of the Mourning
- Once Upon a Time
- Cherub Rock
- Bullet with Butterfly Wings
- Once in a Lifetime [Talking Heads] [3:45]
- Drown [5:51]
Banter
Glass and the Ghost Children
The Everlasting Gaze
> Heavy Metal Machine
> The Sacred and Profane
Mayonaise
Stand Inside Your Love
BC: Thank you, thank you.
Fuck You
Don't You Want Me
(Melissa over intro: This is a very Ontario special. Very good. Oh yes, Canada, I hear it.)
Melissa: Oh thank you!
Iha: (screams)
I of the Mourning
BC: Thank you all very much, thank you all very much. Everybody doing alright? You doin' alright, you doin' alright?
Once Upon a Time
> Cherub Rock
> Bullet with Butterfly Wings
> Once in a Lifetime
BC: Thank you very much, thank you very much, thank you very much. We'd like to play one more song before we go away. It's true, it's true. Um, but before we play this last song, thank you very much for sticking around to the end to see us play. We hope you had a good time. There's a lot of great bands, so thank you to the band. And to the fans of our band for the past ten years. We couldn't have done it without you so thank you very much, thank you.
Drown