Zwan2003-01-25: Difference between revisions
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! align="left" | Venue Type | ! align="left" | Venue Type | ||
| Club | | Club | ||
|- | |||
! align="left" | Capacity | |||
| 1100 | |||
|- | |||
! align="left" | Lineup | |||
| Corgan, Chamberlin, Sweeney, Pajo, Lenchantin | |||
|- | |||
! align="left" | Order of Bands | |||
| South of Houston, Zwan | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #1a | ||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MD | |||
|- | |||
! align="left" | Equipment | |||
| Oktava MC012 > PS-2 > AD-20 > MS722 | |||
|- | |||
! align="left" | Length | |||
| 112m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| MD-M > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/zwan2003-01-25.flac16 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Mic stand. Taper used one pair of mics and split the signal into three recorders. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| CSB > battery box > M1(44.1k) | |||
|- | |||
! align="left" | Length | |||
| 114m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DAT-M > SHN | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2003-01-25.shn 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Right side, 10 feet back. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3a | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| WAV | |||
|- | |||
! align="left" | Equipment | |||
| KM140 > Minime > laptop(24/48) | |||
|- | |||
! align="left" | Length | |||
| 120m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| WAV-M > dEdit > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/zwan2003-01-25.km140.flac16 16-bit download]<br>[http://www.archive.org/details/zwan2003-01-25.km140.flac24 24-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Mic stand. Taper used one pair of mics and split the signal into two recorders. | |||
|- | |||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #1b | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| Oktava MC012 > PS-2 > M1 | |||
|- | |||
! align="left" | Length | |||
| 118m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Notes | |||
| Mic stand. Taper used one pair of mics and split the signal into three recorders. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #1c | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| WAV | |||
|- | |||
! align="left" | Equipment | |||
| Oktava MC012 > PS-2 > Zefiro Inbox > VXpocket v2 > laptop(16bit/44.1k) | |||
|- | |||
! align="left" | Length | |||
| 118m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Mic stand. Taper used one pair of mics and split the signal into three recorders. | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3b | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| KM140 > Minime > TCD-D100 | |||
|- | |||
! align="left" | Length | |||
| 118m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Notes | |||
| Mic stand. Taper used one pair of mics and split the signal into two recorders. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| Oktava MC012 Hypercards > PS-2 > M1 | |||
|- | |||
! align="left" | Length | |||
| ~120m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Notes | |||
| Front row, balcony. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | PRO #1 | |||
|- | |||
! align="left" | Source | |||
| PRO | |||
|- | |||
! align="left" | Format | |||
| VID | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| Unknown | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Notes | |||
| Filmed for the band using single swing camera | |||
|- | |- | ||
|} | |} | ||
== Setlist == | == Setlist == | ||
---- | ---- | ||
Set: | |||
* Mary Star of the Sea | * Mary Star of the Sea | ||
* Ride a | * Ride a Black Swan | ||
* Honestly | * Honestly | ||
* For Your Love | * For Your Love | ||
Line 33: | Line 217: | ||
* Jesus, I [Lyte] | * Jesus, I [Lyte] | ||
** God's Gonna Set This World on Fire | ** God's Gonna Set This World on Fire | ||
* Heartsong (abandoned) | |||
* Heartsong | * Heartsong | ||
* Of a Broken Heart | * Of a Broken Heart | ||
Line 38: | Line 223: | ||
* Declarations of Faith | * Declarations of Faith | ||
* A New Poetry | * A New Poetry | ||
Encore One: | |||
Encore | |||
* Come with Me | * Come with Me | ||
* I'm Eighteen [Cooper] | * I'm Eighteen [Cooper] | ||
Encore Two: | |||
Encore | |||
* Riverview | * Riverview | ||
* Spilled Milk | * Spilled Milk | ||
Line 49: | Line 232: | ||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Mary Star of the Sea'''<br> | ||
(BC after lyrics, before outro: Good evening! Welcome to our fifth and final show here, at the Cabaret Metro. We are the Zwan.)<br> | |||
> '''Ride a Black Swan'''<br> | |||
> '''Honestly'''<br> | |||
BC: Oops, I messed up. Heh heh heh. I wasn’t supposed to do that. ... I messed up. You know what, just tune up the, just tune up the other one now. How’s everybody doing? Whoo! I’m so hopped up on red meat still. Hey, how you doin’, man? It’s nice to see everybody. ... Alright, who’s gonna win the Super Bowl? What’s wrong with football? Just ‘cause the Bears suck doesn’t mean you can’t enjoy the game. Anyway, we’d like to dedicate this song to all the Super Bowl competitors, it’s a song called For Your Love.<br> | |||
'''For Your Love'''<br> | |||
'''Settle Down'''<br> | |||
'''Lyric'''<br> | |||
'''Jesus, I'''<br> | |||
> '''God’s Gonna Set This World on Fire'''<br> | |||
'''Heartsong''' (abandoned after first line)<br> | |||
BC: Shit, I forgot the words, heh. ... Sorry about that, heh heh heh. Let’s do it together, Jimmy.<br> | |||
Jimmy: Thank you!<br> | |||
'''Heartsong'''<br> | |||
BC: Thank you very much, sorry about that. That was a song called Heartsong from our new, uh, record, Mary Star. It’s just a [unintelligible]. I’d like to introduce the band to you. On the guitar and the vocals, Mr. Matt Sweeney. On the drums, Mr. Jimmy Chamberlin. Joliet’s own. On the violin and the bass and the vocals, the lovely Paz. On the piano, guitar, the occasional vocal, the slight harmonica, the lovely Dave. Spaghetti Dave.<br> | |||
Sweeney: And that’s Billy Burke.<br> | |||
BC: We’d like to do a sad song for you, in direct opposition to all our other happy songs, this is called Of a Broken Heart.<br> | |||
'''Of a Broken Heart'''<br> | |||
BC: Mr. Jimmy’s having a technical problem, so.... ''(brief Jimmy solo)'' Drum solo, no? He hates drum solos. The whole, the whole, the whole set’s a drum solo. Alright, enough of this horsing around.<br> | |||
'''Endless Summer'''<br> | |||
'''Declarations of Faith'''<br> | |||
'''A New Poetry'''<br> | |||
BC: God bless you, thank you.<br> | |||
[encore break]<br> | |||
BC: Uh, in December, uh, we did a tour and we were really busy, so it was really hard for me to Christmas shop. So, we came up with a new idea which was a Zwan Christmas, which is January 25th. That way there’s no pressure on the Zwan members to get gifts in a timely fashion. So, uh, merry Christmas. Here’s your coal, Dave. You can open it if you want, I think you should open yours especially. ... Of course you notice they didn’t get me anything, but it’s alright. I still love ‘em. ... A Rolling Stone book for Matt. Rolling Stones. It’s signed by Keith, to you. Just kidding. He wouldn’t return my call. Couple more things. You got more than one thing. There’s more in the bag, Dave. Little prog for you. Some Mahavishnu.<br> | |||
Sweeney: Scorpions. ''(crowd cheers)'' And to go with that, Tribal Folk and Café Music of West Africa.<br> | |||
BC: Alright. Thank you very much again, thank you. Before we, uh, before we start, we should take a second to, uh, to thank the staff of the Cabaret Metro or the Metro, whatever it’s called, Joe. I certainly, uh, owe this, this club a, uh, immense gret-a-dat, uh, immense debt of gratitude and, uh, I believe it’s an important part of our city, so...Joe, are you up there? ''(crowd cheering)'' Joe Shanahan, people. Thank you, Joe. And, of course, our great crew for making this a great stay. Thank you, Chicago peoples. Matt, you can plug your ears on this part, just plug your ears. The greatest city in the world. We’d like to dedicate this next song to all of Chicago, it’s called Come With Me.<br> | |||
'''Come With Me'''<br> | |||
'''I’m Eighteen'''<br> | |||
BC: Thank you. Thank you.<br> | |||
[encore break]<br> | |||
'''Riverview'''<br> | |||
> '''Spilled Milk'''<br> | |||
BC: God bless you. | |||
</blockquote> | </blockquote> | ||
== Photos and Memorabilia == | |||
[[Image:0301XX-Shirt.jpg|125px|left]] | |||
[[Image:zwan2003-01-25.jpg|250px|left]] |
Latest revision as of 02:26, 6 October 2024
Zwan | |
---|---|
Date | 2003-01-25 |
Venue | Metro |
Location | Chicago, IL, US |
Venue Type | Club |
Capacity | 1100 |
Lineup | Corgan, Chamberlin, Sweeney, Pajo, Lenchantin |
Order of Bands | South of Houston, Zwan |
Surfaced Recordings | |
AUD #1a | |
Source | AUD |
Format | MD |
Equipment | Oktava MC012 > PS-2 > AD-20 > MS722 |
Length | 112m |
Complete? | Yes |
Lowest Circulating Generation | MD-M > FLAC |
Live Music Archive | 16-bit download |
Notes | Mic stand. Taper used one pair of mics and split the signal into three recorders. |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | CSB > battery box > M1(44.1k) |
Length | 114m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > SHN |
Live Music Archive | 16-bit download |
Notes | Right side, 10 feet back. |
AUD #3a | |
Source | AUD |
Format | WAV |
Equipment | KM140 > Minime > laptop(24/48) |
Length | 120m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M > dEdit > FLAC |
Live Music Archive | 16-bit download 24-bit download |
Notes | Mic stand. Taper used one pair of mics and split the signal into two recorders. |
Unsurfaced Recordings | |
AUD #1b | |
Source | AUD |
Format | DAT |
Equipment | Oktava MC012 > PS-2 > M1 |
Length | 118m |
Complete? | Yes |
Notes | Mic stand. Taper used one pair of mics and split the signal into three recorders. |
AUD #1c | |
Source | AUD |
Format | WAV |
Equipment | Oktava MC012 > PS-2 > Zefiro Inbox > VXpocket v2 > laptop(16bit/44.1k) |
Length | 118m |
Complete? | Yes |
Notes | Mic stand. Taper used one pair of mics and split the signal into three recorders. |
AUD #3b | |
Source | AUD |
Format | DAT |
Equipment | KM140 > Minime > TCD-D100 |
Length | 118m |
Complete? | Unknown |
Notes | Mic stand. Taper used one pair of mics and split the signal into two recorders. |
AUD #4 | |
Source | AUD |
Format | DAT |
Equipment | Oktava MC012 Hypercards > PS-2 > M1 |
Length | ~120m |
Complete? | Yes |
Notes | Front row, balcony. |
PRO #1 | |
Source | PRO |
Format | VID |
Equipment | Unknown |
Length | Unknown |
Complete? | No |
Notes | Filmed for the band using single swing camera |
Setlist
Set:
- Mary Star of the Sea
- Ride a Black Swan
- Honestly
- For Your Love
- Settle Down
- Lyric
- Jesus, I [Lyte]
- God's Gonna Set This World on Fire
- Heartsong (abandoned)
- Heartsong
- Of a Broken Heart
- Endless Summer
- Declarations of Faith
- A New Poetry
Encore One:
- Come with Me
- I'm Eighteen [Cooper]
Encore Two:
- Riverview
- Spilled Milk
Banter
Mary Star of the Sea
(BC after lyrics, before outro: Good evening! Welcome to our fifth and final show here, at the Cabaret Metro. We are the Zwan.)
> Ride a Black Swan
> Honestly
BC: Oops, I messed up. Heh heh heh. I wasn’t supposed to do that. ... I messed up. You know what, just tune up the, just tune up the other one now. How’s everybody doing? Whoo! I’m so hopped up on red meat still. Hey, how you doin’, man? It’s nice to see everybody. ... Alright, who’s gonna win the Super Bowl? What’s wrong with football? Just ‘cause the Bears suck doesn’t mean you can’t enjoy the game. Anyway, we’d like to dedicate this song to all the Super Bowl competitors, it’s a song called For Your Love.
For Your Love
Settle Down
Lyric
Jesus, I
> God’s Gonna Set This World on Fire
Heartsong (abandoned after first line)
BC: Shit, I forgot the words, heh. ... Sorry about that, heh heh heh. Let’s do it together, Jimmy.
Jimmy: Thank you!
Heartsong
BC: Thank you very much, sorry about that. That was a song called Heartsong from our new, uh, record, Mary Star. It’s just a [unintelligible]. I’d like to introduce the band to you. On the guitar and the vocals, Mr. Matt Sweeney. On the drums, Mr. Jimmy Chamberlin. Joliet’s own. On the violin and the bass and the vocals, the lovely Paz. On the piano, guitar, the occasional vocal, the slight harmonica, the lovely Dave. Spaghetti Dave.
Sweeney: And that’s Billy Burke.
BC: We’d like to do a sad song for you, in direct opposition to all our other happy songs, this is called Of a Broken Heart.
Of a Broken Heart
BC: Mr. Jimmy’s having a technical problem, so.... (brief Jimmy solo) Drum solo, no? He hates drum solos. The whole, the whole, the whole set’s a drum solo. Alright, enough of this horsing around.
Endless Summer
Declarations of Faith
A New Poetry
BC: God bless you, thank you.
[encore break]
BC: Uh, in December, uh, we did a tour and we were really busy, so it was really hard for me to Christmas shop. So, we came up with a new idea which was a Zwan Christmas, which is January 25th. That way there’s no pressure on the Zwan members to get gifts in a timely fashion. So, uh, merry Christmas. Here’s your coal, Dave. You can open it if you want, I think you should open yours especially. ... Of course you notice they didn’t get me anything, but it’s alright. I still love ‘em. ... A Rolling Stone book for Matt. Rolling Stones. It’s signed by Keith, to you. Just kidding. He wouldn’t return my call. Couple more things. You got more than one thing. There’s more in the bag, Dave. Little prog for you. Some Mahavishnu.
Sweeney: Scorpions. (crowd cheers) And to go with that, Tribal Folk and Café Music of West Africa.
BC: Alright. Thank you very much again, thank you. Before we, uh, before we start, we should take a second to, uh, to thank the staff of the Cabaret Metro or the Metro, whatever it’s called, Joe. I certainly, uh, owe this, this club a, uh, immense gret-a-dat, uh, immense debt of gratitude and, uh, I believe it’s an important part of our city, so...Joe, are you up there? (crowd cheering) Joe Shanahan, people. Thank you, Joe. And, of course, our great crew for making this a great stay. Thank you, Chicago peoples. Matt, you can plug your ears on this part, just plug your ears. The greatest city in the world. We’d like to dedicate this next song to all of Chicago, it’s called Come With Me.
Come With Me
I’m Eighteen
BC: Thank you. Thank you.
[encore break]
Riverview
> Spilled Milk
BC: God bless you.