Tsp1996-07-05: Difference between revisions
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! align="left" | Capacity | ! align="left" | Capacity | ||
| 19,000 | | 19,000 | ||
|- | |||
! align="left" | Lineup | |||
| Corgan, Iha, Wretzky, Chamberlin, Melvoin | |||
|- | |||
! align="left" | Order of Bands | |||
| Garbage, The Smashing Pumpkins | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Circulating Recordings | ! bgcolor="#ffe156" colspan="2" | Circulating Recordings | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | SBD #1a | |||
|- | |||
! align="left" | Source | |||
| SBD | |||
|- | |||
! align="left" | Format | |||
| ADAT | |||
|- | |||
! align="left" | Equipment | |||
| unknown | |||
|- | |||
! align="left" | Length | |||
| 4m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| "The Aeroplane Flies High" official release (reissue only) | |||
|- | |||
! align="left" | Notes | |||
| Bodies only. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #1 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #1 | ||
Line 28: | Line 57: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| SS Mic>PA-6LC3>TCD-D8 | | SS Mic > PA-6LC3 > TCD-D8 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 130m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 37: | Line 66: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | DDC-? > CDR | ||
|- | |- | ||
! align="left" | Live Music Archive | ! align="left" | Live Music Archive | ||
| [http://www.archive.org/details/tsp1996-07-05.SS.flac16 16-bit recording] | | [http://www.archive.org/details/tsp1996-07-05.SS.flac16 16-bit recording] | ||
|- | |||
! align="left" | Notes | |||
| Nosebleeds. Dropouts during Zero and Today. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ||
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|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 122m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | Master > file | ||
|- | |||
! align="left" | Video Link | |||
| [https://youtu.be/UDDbUv5zqYw YouTube] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Center balcony. | | Center balcony. VHS-? > DVD transfer circulates. Master upgrade released via [https://www.youtube.com/watch?v=Z5SjnCSOAD4 youtube] in July 2015. | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSB>TCD-D7 | | CSB > TCD-D7 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 96: | Line 128: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| AT-831B>TCD-D7 | | AT-831B > TCD-D7 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 103: | Line 135: | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Unknown | | Unknown | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | PRO #1 | |||
|- | |||
! align="left" | Source | |||
| PRO | |||
|- | |||
! align="left" | Format | |||
| VID | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| Unknown | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Notes | |||
| At least two angles. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | SBD #1 | |||
|- | |||
! align="left" | Source | |||
| SBD | |||
|- | |||
! align="left" | Format | |||
| ADAT | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| ~130m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Notes | |||
| Vault copy. | |||
|- | |- | ||
|} | |} | ||
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* Cherub Rock | * Cherub Rock | ||
* Porcelina of the Vast Oceans | * Porcelina of the Vast Oceans | ||
** Beautiful ( | ** Beautiful (unfinished) | ||
** Rocket (tease) | ** Rocket (tease) | ||
Encore One: | Encore One: | ||
Line 131: | Line 203: | ||
Encore Three: | Encore Three: | ||
* Bodies | * Bodies | ||
* Silverfuck | * Silverfuck [27:10] | ||
** Space Jam (tease) | ** Space Jam (tease) | ||
** Eye (tease) | |||
** Dose [Filter] (tease) | |||
=== Notes === | |||
* Disarm performed acoustic | |||
* Silverfuck features Jonathon on second drum kit | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | Mellon Collie and the Infinite Sadness Intro<br> | ||
'''Where Boys Fear to Tread'''<br> | |||
> '''Zero'''<br> | |||
BC: Hello. God bless you, thank you for coming. This is a song that goes out to all the lovely people I met today.<br> | |||
'''Fuck You'''<br> | |||
'''To Forgive'''<br> | |||
Classical music tape<br> | |||
> '''Tonight, Tonight'''<br> | |||
> '''Today'''<br> | |||
> Planet of the Apes clip<br> | |||
> '''Thru the Eyes of Ruby'''<br> | |||
> '''By Starlight'''<br> | |||
BC: So I wanna say hi to everybody way up there, it's hard to see you but I know you're up there.<br> | |||
Iha: Hi. Hi.<br> | |||
BC: Hello! Hello!<br> | |||
Iha: Hello.<br> | |||
BC: Care to say something witty?<br> | |||
Iha: Um...boy, what a Fourth of July that was. Did everybody enjoy their Fourth of July? I of course sided with the British again this year. I say we revert back to the old country and become a colonial superpower, come on. Come back, come back.<br> | |||
BC: Most people think this next song is about my childhood but it's actually “lay down your arms, let's go back to the old country.”<br> | |||
'''Disarm''' (acoustic)<br> | |||
Circus tape<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
'''Cherub Rock'''<br> | |||
'''Porcelina of the Vast Oceans / Beautiful / Rocket'''<br> | |||
[encore break]<br> | |||
Iha: Yo yo yo, thanks, thanks.<br> | |||
'''1979'''<br> | |||
Iha: Alright. That was fun. Did you all dance a little bit? Heh heh. Maybe not, maybe...maybe you were thinking of...I don't know, the Liberty Bell and all the things it has brought Philadelphia.<br> | |||
'''In-A-Gadda-Da-Vida''' (tease)<br> | |||
(Iha: Yeah, I know that dope ass riff you’re playing. Fuck yeah, here we are in the motherfuckin’ birthplace of the nation, you know what I’m talking about? We’re talkin’ about Washington, Adams, Jefferson, kickin’ that dope ass beat, come on Philadelphia, up on your motherfuckin’ feet. Come on! I can’t fuckin’ hear you! Aw! Damn, this shit’s hot. So hot I’ve gotta get a pot that I’m gonna mix it all in, we’re talkin’ about the birthplace, the cosmopolitan nation, every race, creed and color mixed in, America. Come on! I know it’s the day after Fourth of July but we don’t forget about that shit! Come on!! Fuckin’ jump around like you just don’t motherfuckin’ mother independence care. We’re not talkin’ no Independence Day, we’re talkin’ about our day today, come on. Alright, alright, just settle the fuck down.)<br> | |||
'''X.Y.U.'''<br> | |||
Iha: Goodnight.<br> | |||
[encore break]<br> | |||
Iha: Alright, thanks, thanks again.<br> | |||
BC: Thank you very much. Ethan? ''(crowd cheers for lights being turned on)'' Thank you. Thank you so much. This is one of our older songs, I don't know if you know it. We send it out to you if you're confused like we are.<br> | |||
Iha: Of course. Of course a horse.<br> | |||
BC: I know you're confused 'cause I sure am.<br> | |||
Iha: I haven't got a clue.<br> | |||
BC: Are you confused, Johnny? Cool. We're all confused so join in the confusion.<br> | |||
'''Mayonaise'''<br> | |||
[encore break]<br> | |||
Iha: Hey! We're back, yes, thank you. We're back and we're ready to rock. How about that? Will you take that? We're back and we're ready to rock. Can I hear you say that, “we're back and we're ready to rock.” ''(Billy starts intro feedback for Bodies)'' I can’t hear you! I'm just kidding, just kidding, alright.<br> | |||
'''Bodies'''<br> | |||
> '''Silverfuck / Space Jam / Eye / Dose'''<br> | |||
BC: Thank you. God bless you, goodnight.<br> | |||
</blockquote> | </blockquote> | ||
== Photos & Memorabilia == | == Photos & Memorabilia == | ||
[[Image:96070X-Poster.jpg|125px|left]] | [[Image:96070X-Poster.jpg|125px|left]] | ||
[[Image:Tsp1996-07-05.jpg|250px|left]] | |||
[[Image:Tsp1996-07-xx.jpg|250px|left]] | |||
[[Image:Tsp1996-07-05-1.jpg|250px|left]] | |||
[[Image:Tsp1996-07-05-2.jpg|250px|left]] |
Latest revision as of 06:46, 22 October 2024
The Smashing Pumpkins | |
---|---|
Date | 1996-07-05 |
Venue | Corestates Spectrum |
Location | Philadelphia, PA, US |
Venue Type | Arena |
Capacity | 19,000 |
Lineup | Corgan, Iha, Wretzky, Chamberlin, Melvoin |
Order of Bands | Garbage, The Smashing Pumpkins |
Circulating Recordings | |
SBD #1a | |
Source | SBD |
Format | ADAT |
Equipment | unknown |
Length | 4m |
Complete? | No |
Lowest Circulating Generation | "The Aeroplane Flies High" official release (reissue only) |
Notes | Bodies only. |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | SS Mic > PA-6LC3 > TCD-D8 |
Length | 130m |
Complete? | No |
Lowest Circulating Generation | DDC-? > CDR |
Live Music Archive | 16-bit recording |
Notes | Nosebleeds. Dropouts during Zero and Today. |
AMT #1 | |
Source | AUD |
Format | VID |
Equipment | Unknown |
Length | 122m |
Complete? | Yes |
Lowest Circulating Generation | Master > file |
Video Link | YouTube |
Notes | Center balcony. VHS-? > DVD transfer circulates. Master upgrade released via youtube in July 2015. |
Unsurfaced Recordings | |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | CSB > TCD-D7 |
Length | 129m |
Complete? | Unknown |
AUD #3 | |
Source | AUD |
Format | DAT |
Equipment | AT-831B > TCD-D7 |
Length | ~130m |
Complete? | Unknown |
PRO #1 | |
Source | PRO |
Format | VID |
Equipment | Unknown |
Length | Unknown |
Complete? | Unknown |
Notes | At least two angles. |
SBD #1 | |
Source | SBD |
Format | ADAT |
Equipment | Unknown |
Length | ~130m |
Complete? | Yes |
Notes | Vault copy. |
Setlist
Set:
- Mellon Collie and the Infinite Sadness (over PA)
- Where Boys Fear to Tread
- Zero
- Fuck You
- To Forgive
- Tonight, Tonight
- Today
- Thru the Eyes of Ruby
- By Starlight
- Disarm
- Bullet with Butterfly Wings
- Cherub Rock
- Porcelina of the Vast Oceans
- Beautiful (unfinished)
- Rocket (tease)
Encore One:
- 1979
- In-A-Gadda-Da-Vida [Iron Butterfly] (tease)
- X.Y.U.
Encore Two:
- Mayonaise
Encore Three:
- Bodies
- Silverfuck [27:10]
- Space Jam (tease)
- Eye (tease)
- Dose [Filter] (tease)
Notes
- Disarm performed acoustic
- Silverfuck features Jonathon on second drum kit
Banter
Mellon Collie and the Infinite Sadness Intro
Where Boys Fear to Tread
> Zero
BC: Hello. God bless you, thank you for coming. This is a song that goes out to all the lovely people I met today.
Fuck You
To Forgive
Classical music tape
> Tonight, Tonight
> Today
> Planet of the Apes clip
> Thru the Eyes of Ruby
> By Starlight
BC: So I wanna say hi to everybody way up there, it's hard to see you but I know you're up there.
Iha: Hi. Hi.
BC: Hello! Hello!
Iha: Hello.
BC: Care to say something witty?
Iha: Um...boy, what a Fourth of July that was. Did everybody enjoy their Fourth of July? I of course sided with the British again this year. I say we revert back to the old country and become a colonial superpower, come on. Come back, come back.
BC: Most people think this next song is about my childhood but it's actually “lay down your arms, let's go back to the old country.”
Disarm (acoustic)
Circus tape
> Bullet with Butterfly Wings
Cherub Rock
Porcelina of the Vast Oceans / Beautiful / Rocket
[encore break]
Iha: Yo yo yo, thanks, thanks.
1979
Iha: Alright. That was fun. Did you all dance a little bit? Heh heh. Maybe not, maybe...maybe you were thinking of...I don't know, the Liberty Bell and all the things it has brought Philadelphia.
In-A-Gadda-Da-Vida (tease)
(Iha: Yeah, I know that dope ass riff you’re playing. Fuck yeah, here we are in the motherfuckin’ birthplace of the nation, you know what I’m talking about? We’re talkin’ about Washington, Adams, Jefferson, kickin’ that dope ass beat, come on Philadelphia, up on your motherfuckin’ feet. Come on! I can’t fuckin’ hear you! Aw! Damn, this shit’s hot. So hot I’ve gotta get a pot that I’m gonna mix it all in, we’re talkin’ about the birthplace, the cosmopolitan nation, every race, creed and color mixed in, America. Come on! I know it’s the day after Fourth of July but we don’t forget about that shit! Come on!! Fuckin’ jump around like you just don’t motherfuckin’ mother independence care. We’re not talkin’ no Independence Day, we’re talkin’ about our day today, come on. Alright, alright, just settle the fuck down.)
X.Y.U.
Iha: Goodnight.
[encore break]
Iha: Alright, thanks, thanks again.
BC: Thank you very much. Ethan? (crowd cheers for lights being turned on) Thank you. Thank you so much. This is one of our older songs, I don't know if you know it. We send it out to you if you're confused like we are.
Iha: Of course. Of course a horse.
BC: I know you're confused 'cause I sure am.
Iha: I haven't got a clue.
BC: Are you confused, Johnny? Cool. We're all confused so join in the confusion.
Mayonaise
[encore break]
Iha: Hey! We're back, yes, thank you. We're back and we're ready to rock. How about that? Will you take that? We're back and we're ready to rock. Can I hear you say that, “we're back and we're ready to rock.” (Billy starts intro feedback for Bodies) I can’t hear you! I'm just kidding, just kidding, alright.
Bodies
> Silverfuck / Space Jam / Eye / Dose
BC: Thank you. God bless you, goodnight.