Tsp2007-05-22: Difference between revisions
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! align="left" | Capacity | ! align="left" | Capacity | ||
| 2800 | | 2800 | ||
|- | |||
! align="left" | Lineup | |||
| Corgan, Chamberlin, Schroeder, Reyes, Harriton | |||
|- | |||
! align="left" | Order of Bands | |||
| The Smashing Pumpkins | |||
|- | |||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #1 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| WAV | |||
|- | |||
! align="left" | Equipment | |||
| MBHO MBP 603A+KA 200N > SD MP-2 > R-09 (24/48) | |||
|- | |||
! align="left" | Length | |||
| 175m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| WAV-M > dEdit > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2007-05-22.mbho.flac16 16-bit download]<br/>[http://www.archive.org/details/tsp2007-05-22.mbho.flac24 24-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Lower balcony, center. Mics DINA in hat (17cm, 90°). | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |- | ||
! | ! align="left" | Format | ||
| WAV | |||
|- | |||
! align="left" | Equipment | |||
| ECM-717 > SP-SPSB-2(95) > iRiver H120 | |||
|- | |||
! align="left" | Length | |||
| 173m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| WAV-M > dEdit > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2007-05-22.ecm717.flac16 16-bit download] | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ||
Line 43: | Line 95: | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| For God and Country only. | | For God and Country only. Shot from floor. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #2 | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #2 | ||
Line 90: | Line 142: | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Clips of United States, Today, Tarantula, and Bullet with Butterfly Wings. | | Clips of United States, Today, Tarantula, and Bullet with Butterfly Wings. | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #4 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MOV | |||
|- | |||
! align="left" | Equipment | |||
| Digital Camera | |||
|- | |||
! align="left" | Length | |||
| ~6m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| MOV-M | |||
|- | |||
! align="left" | Notes | |||
| Clips of Today, Hummer, For God and Country, and To Sheila. Shot from floor, right of center. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #5 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MPG | |||
|- | |||
! align="left" | Equipment | |||
| Digital Camera | |||
|- | |||
! align="left" | Length | |||
| 2m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| MPG-M | |||
|- | |||
! align="left" | Notes | |||
| Clips of Silverfuck. Shot from upper right balcony. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #6 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| AVI | |||
|- | |||
! align="left" | Equipment | |||
| Digital Camera | |||
|- | |||
! align="left" | Length | |||
| 1m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| AVI-M | |||
|- | |||
! align="left" | Notes | |||
| Clips of Muzzle. Shot from floor, right of center. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #7 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MPG | |||
|- | |||
! align="left" | Equipment | |||
| Digital Camera | |||
|- | |||
! align="left" | Length | |||
| 2m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| MPG-M | |||
|- | |||
! align="left" | Notes | |||
| Clip of Disarm. Shot from upper left balcony. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | PRO #1a | |||
|- | |||
! align="left" | Source | |||
| PRO | |||
|- | |||
! align="left" | Format | |||
| VID | |||
|- | |||
! align="left" | Equipment | |||
| Pro-Cams | |||
|- | |||
! align="left" | Length | |||
| 12m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| Master>FLV-M | |||
|- | |||
! align="left" | Notes | |||
| Zero, Tonight Tonight, and Doomsday Clock. As posted at the official Myspace page. One camera in the lower balcony, two at the front of the stage, and two in the opera balconies on either side. | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | - | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| WAV | |||
|- | |||
! align="left" | Equipment | |||
| SP-CMC-2>iRiver H120 | |||
|- | |||
! align="left" | Length | |||
| ~175m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Notes | |||
| Lower balcony, row three. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MD | |||
|- | |||
! align="left" | Equipment | |||
| Naiko M22 PC>MZ-RH1 | |||
|- | |||
! align="left" | Length | |||
| 172m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Notes | |||
| Lower balcony, center. Recorded in Hi-SP mode (256kbps). Very beginning of United States cut. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #8 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| VID | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| ~175m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Notes | |||
| Pit shot. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | PRO #1 | |||
|- | |||
! align="left" | Source | |||
| PRO | |||
|- | |||
! align="left" | Format | |||
| VID | |||
|- | |||
! align="left" | Equipment | |||
| Pro-Cams | |||
|- | |||
! align="left" | Length | |||
| ~180m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Notes | |||
| One camera in the lower balcony, two at the front of the stage, and two in the opera balconies on either side. | |||
|- | |- | ||
|} | |} | ||
== Setlist == | == Setlist == | ||
Soundcheck: | |||
* Winterlong | |||
* Tarantula | |||
* Untitled | |||
* (unknown) | |||
Set: | Set: | ||
* United States | * United States | ||
* Today | * Today | ||
* Stand Inside Your Love | * Stand Inside Your Love | ||
* Orchid | * Bleeding the Orchid | ||
* Doomsday Clock | * Doomsday Clock | ||
* Home | * Home | ||
Line 110: | Line 359: | ||
* Bullet with Butterfly Wings | * Bullet with Butterfly Wings | ||
** Welcome to the Jungle [Guns N' Roses] (tease) | ** Welcome to the Jungle [Guns N' Roses] (tease) | ||
* Gossamer | * Gossamer [18:30] | ||
** 1969 [The Stooges] (tease) | |||
** Ring Around the Rosie [traditional] (tease) | |||
* For God and Country | * For God and Country | ||
* Thirty-three | * Thirty-three | ||
Line 132: | Line 383: | ||
* Annie-Dog | * Annie-Dog | ||
* Muzzle | * Muzzle | ||
=== Notes === | |||
* Jeff, Ginger, and Lisa's first show | |||
* For God and Country, Thirty-three, Rocket, Winterlong, and To Sheila performed acoustic | |||
* First performances of United States, Bleeding the Orchid, Doomsday Clock, Starz, Tarantula, For God and Country, Gossamer, Winterlong, Neverlost, That's the Way (My Love Is), and Untitled | |||
* With Every Light was on the setlist after Muzzle, but was not played | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | Suspiria Intro<br> | ||
'''United States'''<br> | |||
'''Today'''<br> | |||
'''Stand Inside Your Love'''<br> | |||
'''Bleeding the Orchid'''<br> | |||
'''Doomsday Clock'''<br> | |||
BC: Thank you.<br> | |||
'''Home'''<br> | |||
> '''Hummer'''<br> | |||
'''Starz'''<br> | |||
> '''Tarantula'''<br> | |||
'''Bullet with Butterfly Wings'''<br> | |||
'''Gossamer'''<br> | |||
BC: Thank you very much. We are the Smashing Pumpkins. You should be very afraid. Very afraid. Not of the Smashing Pumpkins. The Smashing Pumpkins are your friends. If you need a helping hand, a shoulder to cry on, some Euros if you can’t pay your rent... The Smashing Pumpkins.<br> | |||
'''For God and Country''' (acoustic)<br> | |||
(BC during intro: This is a song from our new album Zeitgeist. It’s called For God and Country.)<br> | |||
'''Thirty-three''' (Billy 12-string w/Lisa)<br> | |||
'''Rocket''' (Billy solo acoustic)<br> | |||
'''Winterlong''' (Billy acoustic w/Lisa)<br> | |||
'''To Sheila''' (acoustic)<br> | |||
(BC over ending: We don’t really need... [?])<br> | |||
'''Glass and the Ghost Children'''<br> | |||
'''Cherub Rock'''<br> | |||
'''1979'''<br> | |||
'''Tonight, Tonight'''<br> | |||
BC: Thank you very much, thank you.<br> | |||
'''Neverlost'''<br> | |||
'''That’s the Way'''<br> | |||
'''Disarm'''<br> | |||
'''Zero'''<br> | |||
'''Untitled'''<br> | |||
[encore break]<br> | |||
'''Shame'''<br> | |||
BC: Thank you very much.<br> | |||
'''Silverfuck'''<br> | |||
BC: Thank you.<br> | |||
[encore break]<br> | |||
'''Annie-Dog'''<br> | |||
BC: Thank you very much. We’d like to play one more song for you but before we do, thank you very much for coming to our first show back. I know we’re already, uh, coming back for a festival in dear old France and I’m sure we’ll come back to Paris and play a big rock explosion. So we hope to see you when we come back and, uh, from our hearts, god bless you, thank you very much... See you on the Champs-Élysées...strolling.<br> | |||
'''Muzzle''' | |||
</blockquote> | </blockquote> | ||
== Photos and Memorabilia == | |||
[[Image:LeGrandRexTicket2.jpg|250px|left]] | |||
[[Image:2007-05-22-setlist.png|250px|left]] | |||
[[Image:Tsp2007-EuropeTourShirt-back.jpg|250px|left]] | |||
[[Image:Tsp2007-05-22.jpg|250px|left]] | |||
[[Image:Tsp2007-05-22-1.jpg|250px|left]] | |||
[[Image:Tsp2007-05-22-2.jpg|250px|left]] | |||
[[Image:Tsp2007-05-22-3.png|250px|left]] | |||
[[Image:Tsp2007-05-22-4.png|250px|left]] | |||
[[Image:Tsp2007-05-22-5.png|250px|left]] | |||
[[Image:Tsp2007-05-22-6.png|250px|left]] | |||
[[Image:Tsp2007-05-22-7.png|250px|left]] |
Latest revision as of 07:13, 22 October 2024
The Smashing Pumpkins | |
---|---|
Date | 2007-05-22 |
Venue | Le Grand Rex |
Location | Paris, FR |
Venue Type | Theater |
Capacity | 2800 |
Lineup | Corgan, Chamberlin, Schroeder, Reyes, Harriton |
Order of Bands | The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | WAV |
Equipment | MBHO MBP 603A+KA 200N > SD MP-2 > R-09 (24/48) |
Length | 175m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M > dEdit > FLAC |
Live Music Archive | 16-bit download 24-bit download |
Notes | Lower balcony, center. Mics DINA in hat (17cm, 90°). |
AUD #2 | |
Source | AUD |
Format | WAV |
Equipment | ECM-717 > SP-SPSB-2(95) > iRiver H120 |
Length | 173m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M > dEdit > FLAC |
Live Music Archive | 16-bit download |
AMT #1 | |
Source | AUD |
Format | VID |
Equipment | Digital Camera |
Length | 4m |
Complete? | No |
Lowest Circulating Generation | Master>FLV-M |
Notes | For God and Country only. Shot from floor. |
AMT #2 | |
Source | AUD |
Format | 3GP |
Equipment | Cell Phone |
Length | 2m |
Complete? | No |
Lowest Circulating Generation | 3GP-M |
Notes | Clips of Hummer, Silverfuck, To Sheila, Zero, and two new songs. |
AMT #3 | |
Source | AUD |
Format | VID |
Equipment | Digital Camera |
Length | 8m |
Complete? | No |
Lowest Circulating Generation | Master>FLV-M |
Notes | Clips of United States, Today, Tarantula, and Bullet with Butterfly Wings. |
AMT #4 | |
Source | AUD |
Format | MOV |
Equipment | Digital Camera |
Length | ~6m |
Complete? | No |
Lowest Circulating Generation | MOV-M |
Notes | Clips of Today, Hummer, For God and Country, and To Sheila. Shot from floor, right of center. |
AMT #5 | |
Source | AUD |
Format | MPG |
Equipment | Digital Camera |
Length | 2m |
Complete? | No |
Lowest Circulating Generation | MPG-M |
Notes | Clips of Silverfuck. Shot from upper right balcony. |
AMT #6 | |
Source | AUD |
Format | AVI |
Equipment | Digital Camera |
Length | 1m |
Complete? | No |
Lowest Circulating Generation | AVI-M |
Notes | Clips of Muzzle. Shot from floor, right of center. |
AMT #7 | |
Source | AUD |
Format | MPG |
Equipment | Digital Camera |
Length | 2m |
Complete? | No |
Lowest Circulating Generation | MPG-M |
Notes | Clip of Disarm. Shot from upper left balcony. |
PRO #1a | |
Source | PRO |
Format | VID |
Equipment | Pro-Cams |
Length | 12m |
Complete? | No |
Lowest Circulating Generation | Master>FLV-M |
Notes | Zero, Tonight Tonight, and Doomsday Clock. As posted at the official Myspace page. One camera in the lower balcony, two at the front of the stage, and two in the opera balconies on either side. |
Unsurfaced Recordings | |
AUD #3 | |
Source | AUD |
Format | WAV |
Equipment | SP-CMC-2>iRiver H120 |
Length | ~175m |
Complete? | Yes |
Notes | Lower balcony, row three. |
AUD #4 | |
Source | AUD |
Format | MD |
Equipment | Naiko M22 PC>MZ-RH1 |
Length | 172m |
Complete? | No |
Notes | Lower balcony, center. Recorded in Hi-SP mode (256kbps). Very beginning of United States cut. |
AMT #8 | |
Source | AUD |
Format | VID |
Equipment | Unknown |
Length | ~175m |
Complete? | Yes |
Notes | Pit shot. |
PRO #1 | |
Source | PRO |
Format | VID |
Equipment | Pro-Cams |
Length | ~180m |
Complete? | Yes |
Notes | One camera in the lower balcony, two at the front of the stage, and two in the opera balconies on either side. |
Setlist
Soundcheck:
- Winterlong
- Tarantula
- Untitled
- (unknown)
Set:
- United States
- Today
- Stand Inside Your Love
- Bleeding the Orchid
- Doomsday Clock
- Home
- Hummer
- Starz
- Tarantula
- Bullet with Butterfly Wings
- Welcome to the Jungle [Guns N' Roses] (tease)
- Gossamer [18:30]
- 1969 [The Stooges] (tease)
- Ring Around the Rosie [traditional] (tease)
- For God and Country
- Thirty-three
- Rocket
- Winterlong
- To Sheila
- Glass and the Ghost Children
- Cherub Rock
- 1979
- Tonight, Tonight
- Neverlost
- That's the Way (My Love Is)
- Disarm
- Zero
- Untitled
Encore One:
- Shame
- Silverfuck
- The End [The Doors] (tease)
Encore Two:
- Annie-Dog
- Muzzle
Notes
- Jeff, Ginger, and Lisa's first show
- For God and Country, Thirty-three, Rocket, Winterlong, and To Sheila performed acoustic
- First performances of United States, Bleeding the Orchid, Doomsday Clock, Starz, Tarantula, For God and Country, Gossamer, Winterlong, Neverlost, That's the Way (My Love Is), and Untitled
- With Every Light was on the setlist after Muzzle, but was not played
Banter
Suspiria Intro
United States
Today
Stand Inside Your Love
Bleeding the Orchid
Doomsday Clock
BC: Thank you.
Home
> Hummer
Starz
> Tarantula
Bullet with Butterfly Wings
Gossamer
BC: Thank you very much. We are the Smashing Pumpkins. You should be very afraid. Very afraid. Not of the Smashing Pumpkins. The Smashing Pumpkins are your friends. If you need a helping hand, a shoulder to cry on, some Euros if you can’t pay your rent... The Smashing Pumpkins.
For God and Country (acoustic)
(BC during intro: This is a song from our new album Zeitgeist. It’s called For God and Country.)
Thirty-three (Billy 12-string w/Lisa)
Rocket (Billy solo acoustic)
Winterlong (Billy acoustic w/Lisa)
To Sheila (acoustic)
(BC over ending: We don’t really need... [?])
Glass and the Ghost Children
Cherub Rock
1979
Tonight, Tonight
BC: Thank you very much, thank you.
Neverlost
That’s the Way
Disarm
Zero
Untitled
[encore break]
Shame
BC: Thank you very much.
Silverfuck
BC: Thank you.
[encore break]
Annie-Dog
BC: Thank you very much. We’d like to play one more song for you but before we do, thank you very much for coming to our first show back. I know we’re already, uh, coming back for a festival in dear old France and I’m sure we’ll come back to Paris and play a big rock explosion. So we hope to see you when we come back and, uh, from our hearts, god bless you, thank you very much... See you on the Champs-Élysées...strolling.
Muzzle