Tsp1996-05-04: Difference between revisions
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! align="left" | Venue | ! align="left" | Venue | ||
| Parque | | Parque Natural El Soto | ||
|- | |- | ||
! align="left" | Location | ! align="left" | Location | ||
| Madrid, ES | | Móstoles, Madrid, ES | ||
|- | |- | ||
! align="left" | Venue Type | ! align="left" | Venue Type | ||
| Park | | Park | ||
|- | |||
! align="left" | Capacity | |||
| Unknown | |||
|- | |||
! align="left" | Lineup | |||
| Corgan, Iha, Wretzky, Chamberlin, Melvoin | |||
|- | |||
! align="left" | Order of Bands | |||
| (Festimad stage) Filter, F.F.F., Terrorvision, The Jesus & Mary Chain, The Smashing Pumpkins | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Festimad '96 | | Festimad '96. | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
| Line 28: | Line 37: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| 1991 Sony Mic>Aiwa Walkman | | 1991 Sony Mic > Aiwa Walkman | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 70m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Line 37: | Line 46: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| ANA-M>CDR | | ANA-M > CDR | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp1996-05-04.shn 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Almost all of Thru the Eyes of Ruby is missing. Tape flip between Disarm and Bullet with Butterfly Wings. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | PRO # | ! bgcolor="#fff9de" colspan="2" align="left" | PRO #1a | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
| Line 60: | Line 72: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| VHS-?>DVD | | VHS-? > DVD | ||
|- | |||
! align="left" | Video Link | |||
| [https://youtu.be/FOYUaSstgeM YouTube] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Zero through Tonight Tonight only. VHS-?>ANA-1>CDR audio transfer also circulates, although there is some doubt about the analog generation. | | Zero through Tonight Tonight only. VHS-? > ANA-1 > CDR audio transfer also circulates, although there is some doubt about the analog generation. | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
| Line 79: | Line 94: | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| ~ | | ~80m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Yes | | Yes | ||
|- | |- | ||
|} | |} | ||
== Setlist == | == Setlist == | ||
Set: | Set: | ||
* Mellon Collie and the Infinite Sadness (over PA) | * Mellon Collie and the Infinite Sadness (over PA) | ||
| Line 98: | Line 113: | ||
* Bulls On Parade [Rage Against the Machine] (tease) | * Bulls On Parade [Rage Against the Machine] (tease) | ||
* Thru the Eyes of Ruby | * Thru the Eyes of Ruby | ||
* ( | * The Girl from Ipanema [Jobim] (tease) | ||
** Feliz Navidad [Feliciano] (tease) | ** Feliz Navidad [Feliciano] (tease) | ||
* Disarm | * Disarm | ||
| Line 108: | Line 123: | ||
Encore Two: | Encore Two: | ||
* 1979 | * 1979 | ||
* | * Fade Into You [Mazzy Star] (tease) | ||
* X.Y.U. | * X.Y.U. | ||
=== Notes === | |||
* Final day of the two-day Festimad festival. | |||
* The band took to the stage at 1:30 am. | |||
* Disarm performed acoustic | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | Mellon Collie and the Infinite Sadness Intro<br> | ||
> '''Where Boys Fear to Tread'''<br> | |||
> '''Zero'''<br> | |||
BC: Hola!<br> | |||
'''Fuck You'''<br> | |||
BC: Gracias.<br> | |||
'''To Forgive'''<br> | |||
“Welcome to our circle of friends” tape<br> | |||
> '''Tonight, Tonight'''<br> | |||
> '''Today'''<br> | |||
'''Killing in the Name''' (tease)<br> | |||
BC: Fuck you, I won’t do what you tell me. Fuck you, I won’t do what you tell me. Fuck you, I won’t do what you tell me. Fuck you, I won’t do what you tell me. Fuck you, I won’t do what you tell me.<br> | |||
'''Bulls on Parade''' (tease)<br> | |||
Iha: With a pocket full of shells.<br> | |||
BC: With a pocket full of shells.<br> | |||
'''Thru the Eyes of Ruby'''<br> | |||
'''The Girl from Ipanema''' (tease)<br> | |||
(Iha: [mostly unintelligible singing in high voice])<br> | |||
> '''Feliz Navidad''' (tease)<br> | |||
Iha: Thank you, thank you.<br> | |||
BC: Obrigado.<br> | |||
Iha: ''(singing in high voice while playing guitar)'' I want to thank you, I want to thank you, yeah, oh yeah.<br> | |||
'''Disarm''' (acoustic)<br> | |||
BC: Thanks for staying to see us. We appreciate it. What time is it? It's very late. You all should be in bed. It's too late!<br> | |||
Audience: No!<br> | |||
Iha: Oh! Ah! Oh!<br> | |||
D’arcy: We're glad you're not though. We're glad you're not in bed though, thank you for staying up.<br> | |||
BC: Can you - can you put the lights on out there, please? Wow.<br> | |||
D’arcy: Whoa!<br> | |||
BC: Heh heh. Hey!<br> | |||
Iha: Ooh, it's psychedelic.<br> | |||
BC: Wow. You sure are a lot of people, thank you so much.<br> | |||
Iha: Whoa! Check out the - the fuckin' thing out there, it’s like a sheet.<br> | |||
BC: We love playing in Spain. You guys are fuckin’ great.<br> | |||
Iha: It's a mad cow!<br> | |||
BC: Look!, it’s heh...it’s a mad - no, it's a mad leopard.<br> | |||
Iha: Oh. Don't be cruel to animals.<br> | |||
BC: Yeah, what's with the bullfighting thing, that's what we wanna know. What about the poor toros?<br> | |||
D’arcy: That would be me.<br> | |||
Iha: No, they don't - they don’t kill the bulls anymore, they just - they take them to the slaughterhouse afterwards.<br> | |||
D’arcy: Oh good, that makes me feel much better.<br> | |||
'''Bullet with Butterfly Wings'''<br> | |||
> '''Cherub Rock'''<br> | |||
[encore break]<br> | |||
'''Porcelina of the Vast Oceans / Rocket'''<br> | |||
BC: Thanks.<br> | |||
[encore break]<br> | |||
BC: Shhh. Shhh. Shh. It's very, shhh, it’s very late, you don't wanna wake the neighbors.<br> | |||
Iha: ''(very quiet)'' You die in hell.<br> | |||
BC: ''(Wolfman Jack impression)'' You fuckin' motherfucker.<br> | |||
Iha: Muchos, muchos gracias.<br> | |||
BC: Boutros Boutros-Ghali?<br> | |||
Iha: Yes.<br> | |||
BC: Thank you again, even all you people way, way in the back there, thank you. ''(Southern accent)'' Thank you very much, we're from America, we thank you very much.<br> | |||
Iha: ''(Southern accent)'' Goddamnit, thank you very fuckin’ much!<br> | |||
BC: ''(Southern accent)'' It's really great of you all to be here, thank you very much. I really appreciate it.<br> | |||
Iha: ''(Southern accent)'' We're from Texas, play that son of a bitch!<br> | |||
'''1979'''<br> | |||
> “Popcorn in all sizes” tape<br> | |||
> '''Fade Into You''' (tease)<br> | |||
> '''X.Y.U.'''<br> | |||
BC: ''Thank'' you.<br> | |||
</blockquote> | </blockquote> | ||
| Line 123: | Line 204: | ||
[[Image:19960504-4.jpg|100px|left]] | [[Image:19960504-4.jpg|100px|left]] | ||
[[Image:19960504-5.jpg|100px|left]] | [[Image:19960504-5.jpg|100px|left]] | ||
[[Image:tsp1996-05-04.jpg|250px|left]] | |||
Latest revision as of 02:21, 17 November 2024
| The Smashing Pumpkins | |
|---|---|
| Date | 1996-05-04 |
| Venue | Parque Natural El Soto |
| Location | Móstoles, Madrid, ES |
| Venue Type | Park |
| Capacity | Unknown |
| Lineup | Corgan, Iha, Wretzky, Chamberlin, Melvoin |
| Order of Bands | (Festimad stage) Filter, F.F.F., Terrorvision, The Jesus & Mary Chain, The Smashing Pumpkins |
| Notes | Festimad '96. |
| Surfaced Recordings | |
| AUD #1 | |
| Source | AUD |
| Format | ANA |
| Equipment | 1991 Sony Mic > Aiwa Walkman |
| Length | 70m |
| Complete? | No |
| Lowest Circulating Generation | ANA-M > CDR |
| Live Music Archive | 16-bit download |
| Notes | Almost all of Thru the Eyes of Ruby is missing. Tape flip between Disarm and Bullet with Butterfly Wings. |
| PRO #1a | |
| Source | TV |
| Format | VHS |
| Equipment | Unknown |
| Length | 16m |
| Complete? | No |
| Lowest Circulating Generation | VHS-? > DVD |
| Video Link | YouTube |
| Notes | Zero through Tonight Tonight only. VHS-? > ANA-1 > CDR audio transfer also circulates, although there is some doubt about the analog generation. |
| Unsurfaced Recordings | |
| PRO #1 | |
| Source | PRO |
| Format | VID |
| Equipment | Unknown |
| Length | ~80m |
| Complete? | Yes |
Setlist
Set:
- Mellon Collie and the Infinite Sadness (over PA)
- Where Boys Fear to Tread
- Zero
- Fuck You
- To Forgive
- Tonight, Tonight
- Today
- Killing In The Name Of [Rage Against the Machine] (tease)
- Bulls On Parade [Rage Against the Machine] (tease)
- Thru the Eyes of Ruby
- The Girl from Ipanema [Jobim] (tease)
- Feliz Navidad [Feliciano] (tease)
- Disarm
- Bullet with Butterfly Wings
- Cherub Rock
Encore One:
- Porcelina of the Vast Oceans
- Rocket (tease)
Encore Two:
- 1979
- Fade Into You [Mazzy Star] (tease)
- X.Y.U.
Notes
- Final day of the two-day Festimad festival.
- The band took to the stage at 1:30 am.
- Disarm performed acoustic
Banter
Mellon Collie and the Infinite Sadness Intro
> Where Boys Fear to Tread
> Zero
BC: Hola!
Fuck You
BC: Gracias.
To Forgive
“Welcome to our circle of friends” tape
> Tonight, Tonight
> Today
Killing in the Name (tease)
BC: Fuck you, I won’t do what you tell me. Fuck you, I won’t do what you tell me. Fuck you, I won’t do what you tell me. Fuck you, I won’t do what you tell me. Fuck you, I won’t do what you tell me.
Bulls on Parade (tease)
Iha: With a pocket full of shells.
BC: With a pocket full of shells.
Thru the Eyes of Ruby
The Girl from Ipanema (tease)
(Iha: [mostly unintelligible singing in high voice])
> Feliz Navidad (tease)
Iha: Thank you, thank you.
BC: Obrigado.
Iha: (singing in high voice while playing guitar) I want to thank you, I want to thank you, yeah, oh yeah.
Disarm (acoustic)
BC: Thanks for staying to see us. We appreciate it. What time is it? It's very late. You all should be in bed. It's too late!
Audience: No!
Iha: Oh! Ah! Oh!
D’arcy: We're glad you're not though. We're glad you're not in bed though, thank you for staying up.
BC: Can you - can you put the lights on out there, please? Wow.
D’arcy: Whoa!
BC: Heh heh. Hey!
Iha: Ooh, it's psychedelic.
BC: Wow. You sure are a lot of people, thank you so much.
Iha: Whoa! Check out the - the fuckin' thing out there, it’s like a sheet.
BC: We love playing in Spain. You guys are fuckin’ great.
Iha: It's a mad cow!
BC: Look!, it’s heh...it’s a mad - no, it's a mad leopard.
Iha: Oh. Don't be cruel to animals.
BC: Yeah, what's with the bullfighting thing, that's what we wanna know. What about the poor toros?
D’arcy: That would be me.
Iha: No, they don't - they don’t kill the bulls anymore, they just - they take them to the slaughterhouse afterwards.
D’arcy: Oh good, that makes me feel much better.
Bullet with Butterfly Wings
> Cherub Rock
[encore break]
Porcelina of the Vast Oceans / Rocket
BC: Thanks.
[encore break]
BC: Shhh. Shhh. Shh. It's very, shhh, it’s very late, you don't wanna wake the neighbors.
Iha: (very quiet) You die in hell.
BC: (Wolfman Jack impression) You fuckin' motherfucker.
Iha: Muchos, muchos gracias.
BC: Boutros Boutros-Ghali?
Iha: Yes.
BC: Thank you again, even all you people way, way in the back there, thank you. (Southern accent) Thank you very much, we're from America, we thank you very much.
Iha: (Southern accent) Goddamnit, thank you very fuckin’ much!
BC: (Southern accent) It's really great of you all to be here, thank you very much. I really appreciate it.
Iha: (Southern accent) We're from Texas, play that son of a bitch!
1979
> “Popcorn in all sizes” tape
> Fade Into You (tease)
> X.Y.U.
BC: Thank you.
Photos And Memorabilia
