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Line 9: Line 9:
|-
|-
! align="left" | Location
! align="left" | Location
| Los Angeles, CA, US
| Hollywood, CA, US
|-
|-
! align="left" | Venue Type
! align="left" | Venue Type
Line 15: Line 15:
|-
|-
! align="left" | Capacity
! align="left" | Capacity
| 1,450
| 1450
|-
! align="left" | Lineup
| Corgan, Iha, Wretzky, Chamberlin, Melvoin
|-
! align="left" | Order of Bands
| The Smashing Pumpkins
|-
|-
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" |  
! bgcolor="#fff9de" colspan="2" align="left" | AUD #1
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| SS-DSM-6 > TCD-D8
|-
! align="left" | Length
| 143m
|-
! align="left" | Complete?
| Yes
|-
! align="left" | Lowest Circulating Generation
| DDC-3(32k) > FLAC
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/SmashingPumpkins1996-02-02.FLAC 16-bit recording]
*[http://www.archive.org/details/tsp1996-02-02.aud1.remaster remaster]
|-
! align="left" | Notes
| Taper pauses at encore breaks. DDC-? > CDR transfer also circulates.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| ANA
|-
! align="left" | Equipment
| WM-D3
|-
! align="left" | Length
| 96m
|-
! align="left" | Complete?
| No
|-
! align="left" | Lowest Circulating Generation
| ANA-M > FLAC
|-
! align="left" | Live Music Archive
| [https://archive.org/details/tsp1996-02-02.d3inc 16-bit recording]
|-
! align="left" | Notes
| Missing acoustic set.
|-
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
|-
! bgcolor="#fff9de" colspan="2" align="left" | SBD #1
|-
! align="left" | Source
| SBD
|-
! align="left" | Format
| ADAT
|-
! align="left" | Equipment
| Unknown
|-
! align="left" | Length
| ~145m
|-
! align="left" | Complete?
| Yes
|-
! align="left" | Notes
| Vault copy.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| Sonic Studios DSM-6 > Sony TCD-D10
|-
! align="left" | Length
| 61m
|-
! align="left" | Complete?
| Unknown
|-
|-
! align="left" | Notes
! align="left" | Notes
|  
| Exists in DAT(M) > FLAC
|-
|-
|}
|}
== Setlist ==
== Setlist ==
----
Set One:
Set 1:
* Tonight, Tonight
* Tonight, Tonight
* In the Arms of Sleep
* In the Arms of Sleep
Line 33: Line 128:
* Thirty-three
* Thirty-three
* Today
* Today
* Lily
* Lily (My One and Only)
* Take Me Down
* Take Me Down
* Beautiful
* Beautiful
* Rocket
* Rocket
* Galapogos
* Galapogos
Set 2:
Set Two:
* Mellon Collie and the Infinite Sadness (over PA)
* Where Boys Fear to Tread
* Where Boys Fear to Tread
* Zero
* Zero
Line 44: Line 140:
* Here Is No Why
* Here Is No Why
* To Forgive
* To Forgive
* (blues jam)
** Born Under a Bad Sign [Jones/Bell] (tease)
* Bullet with Butterfly Wings
* Bullet with Butterfly Wings
* Thru the Eyes of Ruby
* Thru the Eyes of Ruby
Line 50: Line 148:
* Cherub Rock
* Cherub Rock
* Porcelina of the Vast Oceans
* Porcelina of the Vast Oceans
 
Encore One:
Encore 1:
* We Only Come Out at Night
* We Only Come Out at Night
** Lily (My One and Only) (tease)
* X.Y.U.
* X.Y.U.
 
Encore Two:
Encore 2:
* Jellybelly
* Jellybelly
* Silverfuck
* Silverfuck [15:09]
** Space Jam (tease)
** Dose [Filter] (tease)
** Never Let Me Down [Depeche Mode] (tease)
** Never Let Me Down [Depeche Mode] (tease)
** Drown (tease)
** Drown (tease)  
 
=== Notes ===
* Tonight, Tonight through Take Me Down performed acoustic


== Banter ==
== Banter ==
<blockquote>
<blockquote>
(unknown)
Iha: What's up?<br>
D’arcy: Good evening.<br>
BC: Hello.  Amp shit’s never....  Well, alright.  I can never get this fuckin’ thing working!<br>
'''Tonight, Tonight''' (acoustic)<br>
BC: Thanks, we are the Smashing Pumpkins.  Happy to be so.  Were you there a while, man? Thanks for comin'.<br>
'''In the Arms of Sleep''' (acoustic)<br>
BC: Are you?  So you're the lucky fuckers who got in, huh?<br>
'''Cupid de Locke''' (acoustic)<br>
BC: Thanks a lot.  ''(Billy is doodling on his 12-string)''  Hindu breakdown.<br>
'''Thirty-three''' (acoustic)<br>
BC: ''(deep voice)'' Thank you.<br>
Guy in crowd: Good shit, Billy!<br>
BC: Thank you.  Heh, insert funny joke here?<br>
Iha: Uhhh, heh heh.  I don't have any.<br>
BC: One day I ran into James walking on the street, he was buying some dog food and um, he looked kind of glum.<br>
Iha: Why was that?<br>
BC: Hahahaha.  Because you couldn't find shoes big enough.<br>
Iha: Ahh.<br>
BC: You remember?<br>
Iha: The next song we will play will be a winner, hahaha.<br>
BC: That's kinda cocky!  Can you guarantee that?  What are you gonna do if it's not a winner?<br>
Iha: I have no idea.<br>
BC: You gonna give these people their money back?  Heh, you ain't gettin' your money back, sorry.  If you're disappointed, you get a free pick.<br>
'''Today''' (acoustic)<br>
(BC during extended outro with Iha soloing: Take it, man.)<br>
BC: Wow, that was great.<br>
Iha: Right on.<br>
BC: You pummeled them with blues.<br>
'''Lily''' (acoustic)<br>
Iha: Thank you.<br>
BC: That was called Lily, in case you didn't know.<br>
'''Take Me Down''' (acoustic)<br>
'''Beautiful'''<br>
BC: I'm not very good with stage banter as you well know so...usually I say things that offend so I try not to talk.  Thank you for coming, we appreciate it very much.  Last time we were here, I believe we were completing the Lollapalooza tour.<br>
Iha: That's correct.<br>
BC: I seem to remember doing like a 50 minute jam at the end where all the bands came out, right, you remember?<br>
Iha: Right.<br>
BC: The Breeders and everybody came out, the Beasties, we all did a 50 minute jam, if you were there, I mean, you’ll remember it.<br>
'''Rocket'''<br>
BC: Jimmy is right.<br>
'''Galapogos'''<br>
BC: Thanks.<br>
D’arcy: Thank you.<br>
Iha: Thank you.<br>
[set break]<br>
Mellon Collie and the Infinite Sadness Intro<br>
> '''Where Boys Fear to Tread'''<br>
> '''Zero'''<br>
'''Fuck You'''<br>
D’arcy: That song - that song is called Fuck You and it's dedicated to Lisa Johnson.<br>
'''Here Is No Why'''<br>
BC: Thanks.  We'd like to thank our opening band for being so cool.  I mean, you're okay, I'm okay, he's okay, she's okay, it's just ''we're'' not okay.  You okay?  I'm okay, how 'bout you?<br>
'''To Forgive'''<br>
'''blues jam''' (14 seconds)<br>
(BC: You know what kind of blues I got?)<br>
> '''Born Under a Bad Sign''' (tease - about 6 notes)<br>
> '''Bullet with Butterfly Wings'''<br>
BC: That's right, you're all just rats in the cage.  Just like us.  Except our cages are bigger.<br>
D’arcy: Don’t shit talk.<br>
'''Thru the Eyes of Ruby'''<br>
Iha: Whoa...<br>
BC: ...whoa.<br>
Iha: Thank you guys.<br>
'''1979'''<br>
Iha: We're really - we're really really trying, are you having fun?  Heh.  Are you having a reasonably good time?  Okay.  I hope we're fulfilling rock requirements.  In this next song, we will fulfill the rock requirement.<br>
'''Geek U.S.A.'''<br>
> '''Cherub Rock'''<br>
'''Porcelina of the Vast Oceans'''<br>
D’arcy: Thank you.<br>
[encore break]<br>
Iha: Thank you very much.<br>
BC: Do you have your clean sound on?  Do you have the nice clean sound on?  Good.  Alright, we're gonna try a little community singalong now.  If you've listened to the album one time, you know the words to this song so....<br>
'''Lily''' (tease)<br>
(BC: ''(singing)'' Lily, my one - ''(speaking)'' no, okay, sorry, heh.)<br>
> '''We Only Come Out at Night'''<br>
BC: Thank you very much.  Hey, you people up in the balcony, you're awful quiet up there, what's up?  Wassup, are you rockin' up there or what?<br>
Iha: Hey, man, people are -<br>
BC: Yeah who the fuck are you, huh?<br>
Iha: I’m the motherfuckin’ guy up here keepin' it real.<br>
BC: Wassup?  Wassup?<br>
Iha: Heh.  They’re just keepin’ it real, you know what I'm saying?<br>
BC: Dope ass rhyme time or no?  Would you like to do some dope ass rhymes while I put my guitar on?<br>
''(Jimmy starts a beat)''<br>
Iha: Now, now.  Kick it.  Nah, kick it.<br>
BC: Ah, you're being too alternative.  ''(Jimmy stops)''  Naw, don't be so alternative, man.  Alright, we're gonna play some dope ass jam now.  You don't like this song, you need to get your heart checked, you know what I mean?<br>
'''X.Y.U.'''<br>
[encore break]<br>
Iha: Thanks.  You guys are too kind, heh, and we're too lame, heh heh.<br>
BC: We're serial...  ''(speaking gibberish)''  Shh, shh.  Feel the moment.<br>
'''Jellybelly'''<br>
> '''Silverfuck / Space Jam / Dose / Never Let Me Down Again / Drown'''<br>
(BC over very end: God bless you, goodnight.  Hugs and kisses to all, thank you.)<br>
</blockquote>
</blockquote>
<div style="overflow:auto; height: 1px; ">
 
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== Photos And Memorabilia ==
</div>
[[Image:96020X-Poster.jpg|125px|left]]
[[Image:tsp1996-02-xx.jpg|250px|left]]
[[Image:Tsp1996-02-palace.png|250px|left]]

Latest revision as of 05:14, 17 November 2024

The Smashing Pumpkins
Date 1996-02-02
Venue Palace
Location Hollywood, CA, US
Venue Type Club
Capacity 1450
Lineup Corgan, Iha, Wretzky, Chamberlin, Melvoin
Order of Bands The Smashing Pumpkins
Surfaced Recordings
AUD #1
Source AUD
Format DAT
Equipment SS-DSM-6 > TCD-D8
Length 143m
Complete? Yes
Lowest Circulating Generation DDC-3(32k) > FLAC
Live Music Archive 16-bit recording
Notes Taper pauses at encore breaks. DDC-? > CDR transfer also circulates.
AUD #2
Source AUD
Format ANA
Equipment WM-D3
Length 96m
Complete? No
Lowest Circulating Generation ANA-M > FLAC
Live Music Archive 16-bit recording
Notes Missing acoustic set.
Unsurfaced Recordings
SBD #1
Source SBD
Format ADAT
Equipment Unknown
Length ~145m
Complete? Yes
Notes Vault copy.
AUD #3
Source AUD
Format DAT
Equipment Sonic Studios DSM-6 > Sony TCD-D10
Length 61m
Complete? Unknown
Notes Exists in DAT(M) > FLAC

Setlist

Set One:

  • Tonight, Tonight
  • In the Arms of Sleep
  • Cupid de Locke
  • Thirty-three
  • Today
  • Lily (My One and Only)
  • Take Me Down
  • Beautiful
  • Rocket
  • Galapogos

Set Two:

  • Mellon Collie and the Infinite Sadness (over PA)
  • Where Boys Fear to Tread
  • Zero
  • Fuck You
  • Here Is No Why
  • To Forgive
  • (blues jam)
    • Born Under a Bad Sign [Jones/Bell] (tease)
  • Bullet with Butterfly Wings
  • Thru the Eyes of Ruby
  • 1979
  • Geek U.S.A.
  • Cherub Rock
  • Porcelina of the Vast Oceans

Encore One:

  • We Only Come Out at Night
    • Lily (My One and Only) (tease)
  • X.Y.U.

Encore Two:

  • Jellybelly
  • Silverfuck [15:09]
    • Space Jam (tease)
    • Dose [Filter] (tease)
    • Never Let Me Down [Depeche Mode] (tease)
    • Drown (tease)

Notes

  • Tonight, Tonight through Take Me Down performed acoustic

Banter

Iha: What's up?
D’arcy: Good evening.
BC: Hello. Amp shit’s never.... Well, alright. I can never get this fuckin’ thing working!
Tonight, Tonight (acoustic)
BC: Thanks, we are the Smashing Pumpkins. Happy to be so. Were you there a while, man? Thanks for comin'.
In the Arms of Sleep (acoustic)
BC: Are you? So you're the lucky fuckers who got in, huh?
Cupid de Locke (acoustic)
BC: Thanks a lot. (Billy is doodling on his 12-string) Hindu breakdown.
Thirty-three (acoustic)
BC: (deep voice) Thank you.
Guy in crowd: Good shit, Billy!
BC: Thank you. Heh, insert funny joke here?
Iha: Uhhh, heh heh. I don't have any.
BC: One day I ran into James walking on the street, he was buying some dog food and um, he looked kind of glum.
Iha: Why was that?
BC: Hahahaha. Because you couldn't find shoes big enough.
Iha: Ahh.
BC: You remember?
Iha: The next song we will play will be a winner, hahaha.
BC: That's kinda cocky! Can you guarantee that? What are you gonna do if it's not a winner?
Iha: I have no idea.
BC: You gonna give these people their money back? Heh, you ain't gettin' your money back, sorry. If you're disappointed, you get a free pick.
Today (acoustic)
(BC during extended outro with Iha soloing: Take it, man.)
BC: Wow, that was great.
Iha: Right on.
BC: You pummeled them with blues.
Lily (acoustic)
Iha: Thank you.
BC: That was called Lily, in case you didn't know.
Take Me Down (acoustic)
Beautiful
BC: I'm not very good with stage banter as you well know so...usually I say things that offend so I try not to talk. Thank you for coming, we appreciate it very much. Last time we were here, I believe we were completing the Lollapalooza tour.
Iha: That's correct.
BC: I seem to remember doing like a 50 minute jam at the end where all the bands came out, right, you remember?
Iha: Right.
BC: The Breeders and everybody came out, the Beasties, we all did a 50 minute jam, if you were there, I mean, you’ll remember it.
Rocket
BC: Jimmy is right.
Galapogos
BC: Thanks.
D’arcy: Thank you.
Iha: Thank you.
[set break]
Mellon Collie and the Infinite Sadness Intro
> Where Boys Fear to Tread
> Zero
Fuck You
D’arcy: That song - that song is called Fuck You and it's dedicated to Lisa Johnson.
Here Is No Why
BC: Thanks. We'd like to thank our opening band for being so cool. I mean, you're okay, I'm okay, he's okay, she's okay, it's just we're not okay. You okay? I'm okay, how 'bout you?
To Forgive
blues jam (14 seconds)
(BC: You know what kind of blues I got?)
> Born Under a Bad Sign (tease - about 6 notes)
> Bullet with Butterfly Wings
BC: That's right, you're all just rats in the cage. Just like us. Except our cages are bigger.
D’arcy: Don’t shit talk.
Thru the Eyes of Ruby
Iha: Whoa...
BC: ...whoa.
Iha: Thank you guys.
1979
Iha: We're really - we're really really trying, are you having fun? Heh. Are you having a reasonably good time? Okay. I hope we're fulfilling rock requirements. In this next song, we will fulfill the rock requirement.
Geek U.S.A.
> Cherub Rock
Porcelina of the Vast Oceans
D’arcy: Thank you.
[encore break]
Iha: Thank you very much.
BC: Do you have your clean sound on? Do you have the nice clean sound on? Good. Alright, we're gonna try a little community singalong now. If you've listened to the album one time, you know the words to this song so....
Lily (tease)
(BC: (singing) Lily, my one - (speaking) no, okay, sorry, heh.)
> We Only Come Out at Night
BC: Thank you very much. Hey, you people up in the balcony, you're awful quiet up there, what's up? Wassup, are you rockin' up there or what?
Iha: Hey, man, people are -
BC: Yeah who the fuck are you, huh?
Iha: I’m the motherfuckin’ guy up here keepin' it real.
BC: Wassup? Wassup?
Iha: Heh. They’re just keepin’ it real, you know what I'm saying?
BC: Dope ass rhyme time or no? Would you like to do some dope ass rhymes while I put my guitar on?
(Jimmy starts a beat)
Iha: Now, now. Kick it. Nah, kick it.
BC: Ah, you're being too alternative. (Jimmy stops) Naw, don't be so alternative, man. Alright, we're gonna play some dope ass jam now. You don't like this song, you need to get your heart checked, you know what I mean?
X.Y.U.
[encore break]
Iha: Thanks. You guys are too kind, heh, and we're too lame, heh heh.
BC: We're serial... (speaking gibberish) Shh, shh. Feel the moment.
Jellybelly
> Silverfuck / Space Jam / Dose / Never Let Me Down Again / Drown
(BC over very end: God bless you, goodnight. Hugs and kisses to all, thank you.)

Photos And Memorabilia