Bc2010-09-30: Difference between revisions
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Added AMT#1 based on new information about the recording. Partial footage potentially included in the AMT MIX |
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! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
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! bgcolor="#fff9de" colspan="2" align="left" | AMT | ! bgcolor="#fff9de" colspan="2" align="left" | AMT MIX | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
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|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Multiple cam mix. | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | - | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| VID | |||
|- | |||
! align="left" | Equipment | |||
| iPhone 4 | |||
|- | |||
! align="left" | Length | |||
| ~45m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Notes | |||
| Recorded on a stand from the sound mixer. | |||
|- | |- | ||
|} | |} | ||
== Setlist == | == Setlist == | ||
Set: | Set: | ||
* A Stitch in Time | * A Stitch in Time | ||
| Line 70: | Line 87: | ||
* Acoustic | * Acoustic | ||
* Only performance of Jesus Needs a Hit | * Only performance of Jesus Needs a Hit | ||
* First performance of In the Arms of Sleep since 1997-12-05 | * First performance of In the Arms of Sleep since 1997-12-05 and the last until 2012-09-13 | ||
* First performance of To Sheila since 2008-04-16 | * First performance of To Sheila since 2008-04-16 | ||
== Banter == | == Banter == | ||
< | <p><strong>guitar improv during book reading</strong> (with Claire Fercak)</p> | ||
( | |||
</ | <p>BC: [cuts in] Play a few songs.</p> | ||
<p><strong>A Stitch in Time</strong></p> | |||
<p>BC: Thank you.</p> | |||
<p><strong>Spangled</strong></p> | |||
<p>BC: Thank you.</p> | |||
<p><strong>A Song for a Son</strong></p> | |||
<p>BC: [cuts in] ...called Freak. It’s about my...messed up country in America. Not that you know anything about America, but uh....</p> | |||
<p><strong>Freak</strong></p> | |||
<p>BC: See? You write a song about how messed up America is and then it becomes a hit in America, it’s perfect.</p> | |||
<p><strong>In the Arms of Sleep</strong></p> | |||
<p>BC: Thank you.</p> | |||
<p><strong>To Sheila</strong> (abandoned - guitar is out of tune)</p> | |||
<p>BC: How you all doin’, you okay? Alright. <strong>(tuning guitar, which continues through rest of banter)</strong> I have no guitar tech.<br> | |||
Guy in crowd: Want a tuner?<br> | |||
BC: No, no. I’m very spoiled, I’m not used to having a tuner. If you’re out of tune, Claire, they start booing. Very fast. Okay, we try that.</p> | |||
<p><strong>To Sheila</strong></p> | |||
<p>BC: Thank you very much, thank you. Okay, so to mark this special occasion--it is a special occasion. Occasion speciale? Yeah. I just made that up, it was very good. Um, I’d like to play a new new new song that I just wrote a few days ago, so you’re the first people to hear this song. So when you go on the internet say, “The song suck, no good,” you’ll never hear it again. So you have a very big responsibility to like this song. The song is called Jesus Needs a Hit.</p> | |||
<p><strong>Jesus Needs a Hit</strong> (abandoned after 3rd line)</p> | |||
<p>BC: Aw shit, I fucked it up already. Dammit! <strong>(to Fercak)</strong> Here, you play it. She’s very good.<br> | |||
Claire Fercak: [sentence in French]. It’s your job to play.<br> | |||
BC: It’s my job?<br> | |||
Fercak: Yes.<br> | |||
BC: Okay. I’ll try again.</p> | |||
<p><strong>Jesus Needs a Hit</strong></p> | |||
<p>BC: Merci beaucoup! Thank you so much, thank you.</p> | |||
<p><strong>(Billy gets off his stool and places his guitar in a case on the floor while the audience claps; Fercak does not move from her stool)</strong></p> | |||
<p>Fercak: [sentence in French].<br> | |||
BC: What? No speak Español. Is that the “one more” clap? Alright. <strong>(picks back up guitar)</strong> Okay, one more and then we sign books.</p> | |||
<p><strong>Tonight, Tonight</strong></p> | |||
<p>BC: Okay!</p> | |||
== Photos & Memorabilia == | == Photos & Memorabilia == | ||
Latest revision as of 03:46, 29 December 2024
| Billy Corgan | |
|---|---|
| Date | 2010-09-30 |
| Venue | Atout-Livre |
| Location | Paris, FR |
| Venue Type | Bookstore |
| Capacity | 170 |
| Lineup | Corgan |
| Order of Bands | Billy Corgan |
| Surfaced Recordings | |
| AMT MIX | |
| Source | AUD |
| Format | VID |
| Equipment | Unknown |
| Length | ~45m |
| Complete? | Yes |
| Lowest Circulating Generation | VID-M>DVD |
| Notes | Multiple cam mix. |
| Unsurfaced Recordings | |
| AMT #1 | |
| Source | AUD |
| Format | VID |
| Equipment | iPhone 4 |
| Length | ~45m |
| Complete? | Yes |
| Notes | Recorded on a stand from the sound mixer. |
Setlist
Set:
- A Stitch in Time
- Spangled
- A Song for a Son
- Freak
- In the Arms of Sleep
- To Sheila
- Jesus Needs a Hit
Encore:
- Tonight, Tonight
Notes
- Book presentation of "Chants Magnétiques" by Claire Fercak & Billy Corgan; musical reading and book signing
- Acoustic
- Only performance of Jesus Needs a Hit
- First performance of In the Arms of Sleep since 1997-12-05 and the last until 2012-09-13
- First performance of To Sheila since 2008-04-16
Banter
guitar improv during book reading (with Claire Fercak)
BC: [cuts in] Play a few songs.
A Stitch in Time
BC: Thank you.
Spangled
BC: Thank you.
A Song for a Son
BC: [cuts in] ...called Freak. It’s about my...messed up country in America. Not that you know anything about America, but uh....
Freak
BC: See? You write a song about how messed up America is and then it becomes a hit in America, it’s perfect.
In the Arms of Sleep
BC: Thank you.
To Sheila (abandoned - guitar is out of tune)
BC: How you all doin’, you okay? Alright. (tuning guitar, which continues through rest of banter) I have no guitar tech.
Guy in crowd: Want a tuner?
BC: No, no. I’m very spoiled, I’m not used to having a tuner. If you’re out of tune, Claire, they start booing. Very fast. Okay, we try that.
To Sheila
BC: Thank you very much, thank you. Okay, so to mark this special occasion--it is a special occasion. Occasion speciale? Yeah. I just made that up, it was very good. Um, I’d like to play a new new new song that I just wrote a few days ago, so you’re the first people to hear this song. So when you go on the internet say, “The song suck, no good,” you’ll never hear it again. So you have a very big responsibility to like this song. The song is called Jesus Needs a Hit.
Jesus Needs a Hit (abandoned after 3rd line)
BC: Aw shit, I fucked it up already. Dammit! (to Fercak) Here, you play it. She’s very good.
Claire Fercak: [sentence in French]. It’s your job to play.
BC: It’s my job?
Fercak: Yes.
BC: Okay. I’ll try again.
Jesus Needs a Hit
BC: Merci beaucoup! Thank you so much, thank you.
(Billy gets off his stool and places his guitar in a case on the floor while the audience claps; Fercak does not move from her stool)
Fercak: [sentence in French].
BC: What? No speak Español. Is that the “one more” clap? Alright. (picks back up guitar) Okay, one more and then we sign books.
Tonight, Tonight
BC: Okay!
Photos & Memorabilia
.jpg)
