Tsp1996-05-02B: Difference between revisions
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|- | |- | ||
! align="left" | Venue Type | ! align="left" | Venue Type | ||
| | | Bullring | ||
|- | |- | ||
! align="left" | Capacity | ! align="left" | Capacity | ||
| 12,000 | | 12,000 | ||
|- | |||
! align="left" | Lineup | |||
| Corgan, Iha, Wretzky, Chamberlin, Melvoin | |||
|- | |||
! align="left" | Order of Bands | |||
| Filter, The Smashing Pumpkins | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
Line 36: | Line 42: | ||
| Yes | | Yes | ||
|- | |- | ||
! align="left" | Lowest | ! align="left" | Lowest Circulating Generation | ||
| ANA- | | ANA-M > DDC-1(48k) > dEdit > FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp1996-05-02..flac16 16-bit recording] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Distant recording. ANA-2 > CDR and ANA-? > CDR transfers also circulate. | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | - | ! bgcolor="#fff9de" colspan="2" align="left" | SBD #1 | ||
|- | |||
! align="left" | Source | |||
| SBD | |||
|- | |||
! align="left" | Format | |||
| ADAT | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| ~140m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Notes | |||
| Vault copy. | |||
|- | |- | ||
|} | |} | ||
Line 59: | Line 86: | ||
* Thru the Eyes of Ruby | * Thru the Eyes of Ruby | ||
** By Starlight | ** By Starlight | ||
* The Girl from Ipanema [Jobim] (tease) | |||
* Disarm | * Disarm | ||
* Bullet with Butterfly Wings | * Bullet with Butterfly Wings | ||
* Cherub Rock | * Cherub Rock | ||
* Porcelina of the Vast Oceans | * Porcelina of the Vast Oceans | ||
** Rocket (tease) | |||
Encore One: | Encore One: | ||
* 1979 | * 1979 | ||
* (blues jam) | |||
* X.Y.U. | * X.Y.U. | ||
Encore Two: | Encore Two: | ||
Line 70: | Line 100: | ||
* Muzzle | * Muzzle | ||
Encore Three: | Encore Three: | ||
* (jazz improv) | |||
* Bodies | * Bodies | ||
* Silverfuck | * Silverfuck [24:00] | ||
** Space Jam (tease) | ** Space Jam (tease) | ||
** Dose [Filter] (tease) | |||
* Farewell and Goodnight | * Farewell and Goodnight | ||
=== Notes === | |||
* Cited by Billy as the band's best show ever | |||
* Disarm performed acoustic | |||
* 1979 with Kerry Brown on drums, Jimmy on guitar | |||
* Silverfuck with Kerry on second drum kit | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
Mellon Collie and the Infinite Sadness Intro<br> | |||
'''Where Boys Fear to Tread'''<br | > '''Where Boys Fear to Tread'''<br> | ||
'''Zero'''<br | > '''Zero'''<br> | ||
BC: Obrigado. Viva la rock.<br> | |||
'''Fuck You'''<br | '''Fuck You'''<br> | ||
BC: Thank you. We're the Smashing Pumpkins. Thank you for coming.<br> | |||
D’arcy: I hope - I hope you like the rain. Every show we play - every show we play, people scream “Water! Water!” so we thought we'd give you some water tonight, hope you like it.<br> | |||
scream | '''To Forgive'''<br> | ||
'''Tonight, Tonight'''<br> | |||
'''To Forgive'''<br | > '''Today'''<br> | ||
'''Tonight, Tonight'''<br | BC: Thank you so much. This is our first time in Portugal. I promise you it won't be our last. Thank you so much. No, no, wait, Filter already played their set, they can't come back on, sorry. Um, we'd like to play another song off our album. I don't know why we wouldn't want to but...this is called Thru the Eyes of Ruby.<br> | ||
'''Today'''<br | '''Thru the Eyes of Ruby'''<br> | ||
> '''By Starlight'''<br> | |||
you it won't be our last. | '''The Girl from Ipanema''' (tease) (acoustic)<br> | ||
played their set, they can't come back on, sorry, | (Iha: [singing unintelligible])<br> | ||
another song off our album. | > '''Disarm''' (acoustic)<br> | ||
but | Circus tape<br> | ||
'''Thru the Eyes of Ruby'''<br | > '''Bullet with Butterfly Wings'''<br> | ||
'''By Starlight'''<br | > '''Cherub Rock'''<br> | ||
[ | '''Porcelina of the Vast Oceans / Rocket'''<br> | ||
'''Disarm'''<br | BC: Thanks, goodnight.<br> | ||
'''Bullet with Butterfly Wings'''<br | [encore break]<br> | ||
'''Cherub Rock'''<br | Iha: You fuckin' crazy motherfuckers. Fuckin' Portugal style.<br> | ||
'''Porcelina of the Vast Oceans'''<br | BC: We'd like to introduce a special guest on ze drums. That is Mr. Kerry Brown.<br> | ||
[encore break]<br | Iha: Woooo!<br> | ||
Iha: You fuckin' crazy motherfuckers | BC: Kerry plays in the most famous American band, Catherine. ''(Melvoin messes with effects for a moment)'' Whoa, Jonathan. Um...I'd like to introduce the band at this time. Over there on rhythm guitar, Julio Iglesias! On drums and on for this song, acoustic guitar, Luciano Pavarotti. On the bass guitar, Plácido Domingo.<br> | ||
Iha: And on the microphone, Bryan Adams! We do it all for you.<br> | |||
Mr Kerry Brown. | BC: It cuts like a knife, let me tell you.<br> | ||
Iha: I want you to dance on this next fuckin' song!<br> | |||
'''1979''' (with Kerry Brown on drums, Jimmy plays guitar)<br> | |||
> “Popcorn in all sizes” tape<br> | |||
'''blues jam'''<br> | |||
Domingo<br | > '''X.Y.U.'''<br> | ||
Iha: And on the microphone, Bryan Adams | [encore break]<br> | ||
Iha: Thanks, thanks.<br> | |||
Iha: I want you to dance on this next fuckin' song<br | BC: Thank you. Obrigado? ''(deep voice)'' Obrigado.<br> | ||
'''1979'''<br | Iha: Muy gato.<br> | ||
BC: ''(deep voice)'' Obrigado.<br> | |||
Iha: Como estas.<br> | |||
''' | BC: ''(deep voice)'' Obrigado.<br> | ||
'''X.Y.U.'''<br | Iha: Ahh, it’s hot.<br> | ||
[encore break]<br | BC: We'd like to play a song from our album, Siamese Dreamy. ''(he pronounces as “See-a-meese-a”)''<br> | ||
Iha: | '''Mayonaise'''<br> | ||
BC: Uhhhh....what do you wanna hear? Did it stop raining?<br> | |||
Iha: Muy gato<br | Iha: Yes. It has stopped. The rain has stopped.<br> | ||
BC: ''(British accent)'' See, we can stop the rain, people!<br> | |||
Iha: Como estas<br | Iha: ''(British accent)'' We can make it happen.<br> | ||
BC: ''(British accent)'' If you put your minds together, you can make it stop.<br> | |||
'''Mayonaise'''<br | Iha: ''(British accent)'' The fucking power of music, I fucking tell you.<br> | ||
BC: We'd like you all to join us in this rain dance here.<br> | |||
Iha: The rain has stopped<br | Iha: Oooh!<br> | ||
BC: God bless Freddie Mercury, that just occurred to me so...let's say hi to Freddie Mercury.<br> | |||
Iha: We can make it happen<br | Iha: A show of hands for Freddie.<br> | ||
BC: We dedicate this song to you and to Freddie.<br> | |||
Iha: The fucking power of music, | Iha: Freddie Mercury.<br> | ||
BC: I just, heh heh, wanted to throw that in. It's one of our favorite songs, we hope you like it.<br> | |||
Iha: | Iha: Freddie Mercury!<br> | ||
'''Muzzle'''<br> | |||
Iha: A show of hands for Freddie<br | BC: God bless you, thank you. You guys are the best, thank you.<br> | ||
[encore break]<br> | |||
Iha: Freddie Mercury<br | BC: Ann, can we put on the lights for a second? Hello over there.<br> | ||
Iha: Hello.<br> | |||
Iha: Freddie Mercury<br | BC: Hello over there.<br> | ||
'''Muzzle'''<br | Iha: Hi.<br> | ||
BC: Hello over there.<br> | |||
[encore break]<br | Iha: Ahoy! Hi.<br> | ||
BC: ''(deep voice)'' Hello over there.<br> | |||
Iha: Hello<br | Iha: ''(deep voice)'' Hello! ''(normal voice)'' You crazy! You crazy.<br> | ||
BC: D'arcy had to go to the bathroom so it'll just be a minute, if you excuse us.<br> | |||
Iha: Hi<br | Iha: Damn.<br> | ||
'''jazz jam'''<br> | |||
Iha: Ahoy | (Iha: [unintelligible])<br> | ||
BC: Hi, here’s D’arcy, fresh from the bathroom.<br> | |||
Iha: You crazy! You crazy | D’arcy: Can’t a sick person go to the bathroom?<br> | ||
BC: They couldn't wait!<br> | |||
Iha: Damn<br | D’arcy: Neither could I.<br> | ||
[ | Iha: These people want to rock.<br> | ||
BC: Heh heh heh, well, heh heh.<br> | |||
D’arcy: What are you gonna say? What the - what are we playing?<br> | |||
BC: We're playing The Rattler.<br> | |||
Iha: These people want to rock<br | D’arcy: Oh, wait, let me tune down.<br> | ||
BC: Alright. Un momento please, um, heh heh. Alright, my stupid voice is totally shot so please sing along because that way you can't hear me singing. This is a little song we like to call ''(Satanic voice)'' The Rattler.<br> | |||
'''Bodies'''<br> | |||
> '''Silverfuck / Space Jam / Dose''' (with Kerry Brown)<br> | |||
> '''Farewell and Goodnight'''<br> | |||
''(below is over piano outro)''<br> | |||
please sing along | D’arcy: Obrigado.<br> | ||
like to call | BC: Goodnight.<br> | ||
'''Bodies'''<br | Jimmy: Thank you.<br> | ||
'''Silverfuck'''<br | BC: God bless you.<br> | ||
'''Farewell | Iha: Goodnight everybody, bye bye, bye, have a nice night.<br> | ||
BC: You guys are the best.<br> | |||
Jimmy: Voila, fantastique.<br> | |||
Iha: [2 unintelligible words].<br> | |||
Iha: Goodnight everybody, bye bye, have a nice night<br | BC: Of all the concerts we've played so far, this is the best one we've had. Thank you, thank you. You guys are the fuckin' best.<br> | ||
> '''Mellon Collie and the Infinite Sadness''' (tease)<br> | |||
Iha: | |||
</blockquote> | </blockquote> | ||
Latest revision as of 10:17, 24 January 2021
The Smashing Pumpkins | |
---|---|
Date | 1996-05-02 |
Venue | Cascais Bullfight Arena |
Location | Lisbon, PT |
Venue Type | Bullring |
Capacity | 12,000 |
Lineup | Corgan, Iha, Wretzky, Chamberlin, Melvoin |
Order of Bands | Filter, The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | ANA |
Equipment | Unknown |
Length | 137m |
Complete? | Yes |
Lowest Circulating Generation | ANA-M > DDC-1(48k) > dEdit > FLAC |
Live Music Archive | 16-bit recording |
Notes | Distant recording. ANA-2 > CDR and ANA-? > CDR transfers also circulate. |
Unsurfaced Recordings | |
SBD #1 | |
Source | SBD |
Format | ADAT |
Equipment | Unknown |
Length | ~140m |
Complete? | Yes |
Notes | Vault copy. |
Setlist
Set:
- Mellon Collie and the Infinite Sadness (over PA)
- Where Boys Fear to Tread
- Zero
- Fuck You
- To Forgive
- Tonight, Tonight
- Today
- Thru the Eyes of Ruby
- By Starlight
- The Girl from Ipanema [Jobim] (tease)
- Disarm
- Bullet with Butterfly Wings
- Cherub Rock
- Porcelina of the Vast Oceans
- Rocket (tease)
Encore One:
- 1979
- (blues jam)
- X.Y.U.
Encore Two:
- Mayonaise
- Muzzle
Encore Three:
- (jazz improv)
- Bodies
- Silverfuck [24:00]
- Space Jam (tease)
- Dose [Filter] (tease)
- Farewell and Goodnight
Notes
- Cited by Billy as the band's best show ever
- Disarm performed acoustic
- 1979 with Kerry Brown on drums, Jimmy on guitar
- Silverfuck with Kerry on second drum kit
Banter
Mellon Collie and the Infinite Sadness Intro
> Where Boys Fear to Tread
> Zero
BC: Obrigado. Viva la rock.
Fuck You
BC: Thank you. We're the Smashing Pumpkins. Thank you for coming.
D’arcy: I hope - I hope you like the rain. Every show we play - every show we play, people scream “Water! Water!” so we thought we'd give you some water tonight, hope you like it.
To Forgive
Tonight, Tonight
> Today
BC: Thank you so much. This is our first time in Portugal. I promise you it won't be our last. Thank you so much. No, no, wait, Filter already played their set, they can't come back on, sorry. Um, we'd like to play another song off our album. I don't know why we wouldn't want to but...this is called Thru the Eyes of Ruby.
Thru the Eyes of Ruby
> By Starlight
The Girl from Ipanema (tease) (acoustic)
(Iha: [singing unintelligible])
> Disarm (acoustic)
Circus tape
> Bullet with Butterfly Wings
> Cherub Rock
Porcelina of the Vast Oceans / Rocket
BC: Thanks, goodnight.
[encore break]
Iha: You fuckin' crazy motherfuckers. Fuckin' Portugal style.
BC: We'd like to introduce a special guest on ze drums. That is Mr. Kerry Brown.
Iha: Woooo!
BC: Kerry plays in the most famous American band, Catherine. (Melvoin messes with effects for a moment) Whoa, Jonathan. Um...I'd like to introduce the band at this time. Over there on rhythm guitar, Julio Iglesias! On drums and on for this song, acoustic guitar, Luciano Pavarotti. On the bass guitar, Plácido Domingo.
Iha: And on the microphone, Bryan Adams! We do it all for you.
BC: It cuts like a knife, let me tell you.
Iha: I want you to dance on this next fuckin' song!
1979 (with Kerry Brown on drums, Jimmy plays guitar)
> “Popcorn in all sizes” tape
blues jam
> X.Y.U.
[encore break]
Iha: Thanks, thanks.
BC: Thank you. Obrigado? (deep voice) Obrigado.
Iha: Muy gato.
BC: (deep voice) Obrigado.
Iha: Como estas.
BC: (deep voice) Obrigado.
Iha: Ahh, it’s hot.
BC: We'd like to play a song from our album, Siamese Dreamy. (he pronounces as “See-a-meese-a”)
Mayonaise
BC: Uhhhh....what do you wanna hear? Did it stop raining?
Iha: Yes. It has stopped. The rain has stopped.
BC: (British accent) See, we can stop the rain, people!
Iha: (British accent) We can make it happen.
BC: (British accent) If you put your minds together, you can make it stop.
Iha: (British accent) The fucking power of music, I fucking tell you.
BC: We'd like you all to join us in this rain dance here.
Iha: Oooh!
BC: God bless Freddie Mercury, that just occurred to me so...let's say hi to Freddie Mercury.
Iha: A show of hands for Freddie.
BC: We dedicate this song to you and to Freddie.
Iha: Freddie Mercury.
BC: I just, heh heh, wanted to throw that in. It's one of our favorite songs, we hope you like it.
Iha: Freddie Mercury!
Muzzle
BC: God bless you, thank you. You guys are the best, thank you.
[encore break]
BC: Ann, can we put on the lights for a second? Hello over there.
Iha: Hello.
BC: Hello over there.
Iha: Hi.
BC: Hello over there.
Iha: Ahoy! Hi.
BC: (deep voice) Hello over there.
Iha: (deep voice) Hello! (normal voice) You crazy! You crazy.
BC: D'arcy had to go to the bathroom so it'll just be a minute, if you excuse us.
Iha: Damn.
jazz jam
(Iha: [unintelligible])
BC: Hi, here’s D’arcy, fresh from the bathroom.
D’arcy: Can’t a sick person go to the bathroom?
BC: They couldn't wait!
D’arcy: Neither could I.
Iha: These people want to rock.
BC: Heh heh heh, well, heh heh.
D’arcy: What are you gonna say? What the - what are we playing?
BC: We're playing The Rattler.
D’arcy: Oh, wait, let me tune down.
BC: Alright. Un momento please, um, heh heh. Alright, my stupid voice is totally shot so please sing along because that way you can't hear me singing. This is a little song we like to call (Satanic voice) The Rattler.
Bodies
> Silverfuck / Space Jam / Dose (with Kerry Brown)
> Farewell and Goodnight
(below is over piano outro)
D’arcy: Obrigado.
BC: Goodnight.
Jimmy: Thank you.
BC: God bless you.
Iha: Goodnight everybody, bye bye, bye, have a nice night.
BC: You guys are the best.
Jimmy: Voila, fantastique.
Iha: [2 unintelligible words].
BC: Of all the concerts we've played so far, this is the best one we've had. Thank you, thank you. You guys are the fuckin' best.
> Mellon Collie and the Infinite Sadness (tease)