Zwan2001-11-21: Difference between revisions
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m Modified AUD5b to AUD6 in line with standards for other releases |
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Line 6: | Line 6: | ||
|- | |- | ||
! align="left" | Venue | ! align="left" | Venue | ||
| | | Roxy | ||
|- | |- | ||
! align="left" | Location | ! align="left" | Location | ||
Line 17: | Line 17: | ||
| 450 | | 450 | ||
|- | |- | ||
! align="left" | | ! align="left" | Lineup | ||
| | | Corgan, Chamberlin, Sweeney, Pajo | ||
|- | |||
! align="left" | Order of Bands | |||
| Abandoned Pools, Zwan | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
Line 31: | Line 34: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| Schoeps MK4>Rmod2K1>SBM-1>M1 (48k) | | Schoeps MK4 > Rmod2K1 > SBM-1 > M1(48k) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 40: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT-M | | DAT-M > dEdit > CDR | ||
|- | |- | ||
! align="left" | | ! align="left" | Live Music Archive | ||
| [http://www.archive.org/ | | [http://www.archive.org/details/zwan2001-11-21-Roth.shnf 16-bit download]<br>[https://archive.org/details/zwan2001-11-21.mk4.flac16 16-bit download (no EQ)] | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ||
Line 54: | Line 57: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| UMK3>M1 | | UMK3 > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 63: | Line 66: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT-M>CDR | | DAT-M > CDR | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Roxy only. Horrible sound. | | Roxy only. Horrible sound quality. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ||
Line 77: | Line 80: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| AT-853>MS722>MD-SR60 | | AT-853 > MS722 > MD-SR60 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 86: | Line 89: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| MD-?>CDR | | MD-? > CDR | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| DPA 4061 > Core Sounds battery box > M1 (48k) | |||
|- | |||
! align="left" | Length | |||
| 86m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DAT-M > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [https://archive.org/details/zwan2001-11-21.dpa4061.flac1648 16-bit download] | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MD | |||
|- | |||
! align="left" | Equipment | |||
| Cheap generic mono lapel mic > Sharp MD MT-15 | |||
|- | |||
! align="left" | Length | |||
| 17m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| MD-M > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [https://archive.org/details/zwan2001-11-21.sc 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Soundcheck only. Recorded from parking lot. Taper experiences recording issues. Starts during El Sol. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ||
Line 97: | Line 149: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | Digital Camera | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 113: | Line 165: | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | - | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #6 | ||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MD | |||
|- | |||
! align="left" | Equipment | |||
| Cheap generic mono lapel mic > Sharp MD MT-15 | |||
|- | |||
! align="left" | Length | |||
| Unknown | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Notes | |||
| Taper of soundcheck also recorded show | |||
|- | |- | ||
|} | |} | ||
== Setlist == | == Setlist == | ||
Soundcheck: | Soundcheck: | ||
* Tonight I'll Be Staying Here With You [Dylan] | * Tonight I'll Be Staying Here With You [Dylan] | ||
Line 131: | Line 200: | ||
* The Empty Sea | * The Empty Sea | ||
* Glorious | * Glorious | ||
* How Things Are Supposed To Be | * How Things Are Supposed To Be | ||
** Cast a Stone | ** Cast a Stone | ||
* Don't Let Me Down [The Beatles] | * Don't Let Me Down [The Beatles] | ||
* Jesus, I [Lyte] | * Jesus, I [Lyte] | ||
** I'm Waiting for the Man [Velvet Underground] (tease) | ** I'm Waiting for the Man [The Velvet Underground] (tease) | ||
* The Shining Path | * The Shining Path | ||
* What Have They Done to Me | * What Have They Done to Me | ||
* Who We Be [DMX] (tease) | |||
* Sorrow | * Sorrow | ||
* Who We Be [DMX] (tease) | * Who We Be [DMX] (tease) | ||
Line 143: | Line 213: | ||
Encore: | Encore: | ||
* Of a Broken Heart | * Of a Broken Heart | ||
=== Notes === | |||
* Final performances of Never Give Up, The Empty Sea, What Have They Done To Me, The Shining Path, My Life and Times, and Chrysanthemum | |||
* How Things Are Supposed to Be performed instrumental | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Chrysanthemum'''<br> | ||
'''Never Give Up'''<br> | |||
'''El Sol'''<br> | |||
BC: Thank you very much, thank you.<br> | |||
'''The Empty Sea'''<br> | |||
'''Glorious'''<br> | |||
'''How Things Are Supposed to Be'''<br> | |||
> '''Cast a Stone'''<br> | |||
'''Don’t Let Me Down'''<br> | |||
BC: God bless the Beatles, god rest them.<br> | |||
'''Jesus, I / I’m Waiting for the Man'''<br> | |||
BC: Thank you very much, thank you. Like to say hello to all my friends.<br> | |||
'''The Shining Path'''<br> | |||
Sweeney: Dude!<br> | |||
'''What Have They Done to Me'''<br> | |||
BC: Thank you very much, thank you.<br> | |||
'''Who We Be''' (tease - Sweeney makes noises to emulate the melody)<br> | |||
'''Sorrow'''<br> | |||
'''Who We Be''' (tease - full band)<br> | |||
Sweeney: This is Reign in Blood. Some... DMX is ''(illustrates guitar strumming)''<br> | |||
BC: They don’t know...who we be. They don’t know...who we be. They don’t know...who we be. ''(drums and guitars stop)'' I like that song, that was a good song.<br> | |||
Sweeney: But it’s, it’s, ''(illustrates guitar strumming)'', not ''(illustrates slightly different strumming)''.<br> | |||
BC: I don’t fucking care. I don’t - I don’t even like rap. I think rap sucks but I like that song. ''(audience disapproves)'' No no, I like rap, I’m sorry. I’ve made peace with all rap.<br> | |||
Sweeney: Do - do you really not like rap, dude?<br> | |||
BC: I’m old school, you know? I was into like Kid ‘n Play and uh, Schoolly D and Heavy D and...<br> | |||
Sweeney: And we’re gonna do this....<br> | |||
BC: The Windy Ci - the Windy City Marvel, do you know that one? That was a big rapper in Chicago.<br> | |||
Sweeney: Let’s just do the The Signifying Rapper by Schoolly D, right? Okay, let’s not.<br> | |||
'''My Life and Times'''<br> | |||
BC: Thank you very much, thank you, god bless you.<br> | |||
[encore break]<br> | |||
'''Of a Broken Heart'''<br> | |||
BC: Thank you.<br> | |||
Sweeney: Frank!<br> | |||
</blockquote> | </blockquote> | ||
== Photos and Memorabilia == | == Photos and Memorabilia == | ||
[[Image:2001-11-21_stub.jpg|125px|left]] | [[Image:2001-11-21_stub.jpg|125px|left]] | ||
[[Image:zwan2001-11-21.jpg|250px|left]] |
Latest revision as of 07:13, 19 November 2024
Zwan | |
---|---|
Date | 2001-11-21 |
Venue | Roxy |
Location | West Hollywood, CA, US |
Venue Type | Club |
Capacity | 450 |
Lineup | Corgan, Chamberlin, Sweeney, Pajo |
Order of Bands | Abandoned Pools, Zwan |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | Schoeps MK4 > Rmod2K1 > SBM-1 > M1(48k) |
Length | 76m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > dEdit > CDR |
Live Music Archive | 16-bit download 16-bit download (no EQ) |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | UMK3 > M1 |
Length | 2m |
Complete? | No |
Lowest Circulating Generation | DAT-M > CDR |
Notes | Roxy only. Horrible sound quality. |
AUD #3 | |
Source | AUD |
Format | MD |
Equipment | AT-853 > MS722 > MD-SR60 |
Length | 77m |
Complete? | Yes |
Lowest Circulating Generation | MD-? > CDR |
AUD #4 | |
Source | AUD |
Format | DAT |
Equipment | DPA 4061 > Core Sounds battery box > M1 (48k) |
Length | 86m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > FLAC |
Live Music Archive | 16-bit download |
AUD #5 | |
Source | AUD |
Format | MD |
Equipment | Cheap generic mono lapel mic > Sharp MD MT-15 |
Length | 17m |
Complete? | No |
Lowest Circulating Generation | MD-M > FLAC |
Live Music Archive | 16-bit download |
Notes | Soundcheck only. Recorded from parking lot. Taper experiences recording issues. Starts during El Sol. |
AMT #1 | |
Source | AUD |
Format | MPG |
Equipment | Digital Camera |
Length | 2m |
Complete? | No |
Lowest Circulating Generation | MPG-M |
Notes | Clips of Glorious, Of a Broken Heart, Don't Let Me Down, and Chrysanthemum. |
Unsurfaced Recordings | |
AUD #6 | |
Source | AUD |
Format | MD |
Equipment | Cheap generic mono lapel mic > Sharp MD MT-15 |
Length | Unknown |
Complete? | Yes |
Notes | Taper of soundcheck also recorded show |
Setlist
Soundcheck:
- Tonight I'll Be Staying Here With You [Dylan]
- El Sol
- Glorious
- W. P.
- Roxy
- What Have They Done to Me
Set:
- Chrysanthenum
- Never Give Up
- El Sol
- The Empty Sea
- Glorious
- How Things Are Supposed To Be
- Cast a Stone
- Don't Let Me Down [The Beatles]
- Jesus, I [Lyte]
- I'm Waiting for the Man [The Velvet Underground] (tease)
- The Shining Path
- What Have They Done to Me
- Who We Be [DMX] (tease)
- Sorrow
- Who We Be [DMX] (tease)
- My Life and Times
Encore:
- Of a Broken Heart
Notes
- Final performances of Never Give Up, The Empty Sea, What Have They Done To Me, The Shining Path, My Life and Times, and Chrysanthemum
- How Things Are Supposed to Be performed instrumental
Banter
Chrysanthemum
Never Give Up
El Sol
BC: Thank you very much, thank you.
The Empty Sea
Glorious
How Things Are Supposed to Be
> Cast a Stone
Don’t Let Me Down
BC: God bless the Beatles, god rest them.
Jesus, I / I’m Waiting for the Man
BC: Thank you very much, thank you. Like to say hello to all my friends.
The Shining Path
Sweeney: Dude!
What Have They Done to Me
BC: Thank you very much, thank you.
Who We Be (tease - Sweeney makes noises to emulate the melody)
Sorrow
Who We Be (tease - full band)
Sweeney: This is Reign in Blood. Some... DMX is (illustrates guitar strumming)
BC: They don’t know...who we be. They don’t know...who we be. They don’t know...who we be. (drums and guitars stop) I like that song, that was a good song.
Sweeney: But it’s, it’s, (illustrates guitar strumming), not (illustrates slightly different strumming).
BC: I don’t fucking care. I don’t - I don’t even like rap. I think rap sucks but I like that song. (audience disapproves) No no, I like rap, I’m sorry. I’ve made peace with all rap.
Sweeney: Do - do you really not like rap, dude?
BC: I’m old school, you know? I was into like Kid ‘n Play and uh, Schoolly D and Heavy D and...
Sweeney: And we’re gonna do this....
BC: The Windy Ci - the Windy City Marvel, do you know that one? That was a big rapper in Chicago.
Sweeney: Let’s just do the The Signifying Rapper by Schoolly D, right? Okay, let’s not.
My Life and Times
BC: Thank you very much, thank you, god bless you.
[encore break]
Of a Broken Heart
BC: Thank you.
Sweeney: Frank!