Tsp2000-05-20: Difference between revisions
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! align="left" | Capacity | ! align="left" | Capacity | ||
| | | 5100 | ||
|- | |- | ||
! align="left" | | ! align="left" | Lineup | ||
| | | Corgan, Iha, Chamberlin, Auf der Maur | ||
|- | |||
! align="left" | Order of Bands | |||
| The Smashing Pumpkins | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSBMod>TCD-D7 | | CSBMod > TCD-D7(32k) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| 35m (soundcheck)/129m (show) | | 35m (soundcheck)<br />129m (show) | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
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|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | DDC-? > CDR (soundcheck)<br />DDC-1 > FLAC (show) | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-05-20.sc 16-bit download (soundcheck)]<br />[http://www.archive.org/details/tsp2000-05-20.flac16 16-bit download (show)] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSHEB>M1 | | CSHEB > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Second row | | Second row. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | CSBmod > MZ-R90 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Front of | | Front of board, brickwalled. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ||
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|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | ~30 rows back. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | ||
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|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Includes ten seconds of soundcheck, then show up to partway through Once in a Lifetime. Glass and the Ghost Children cuts. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ||
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|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 10m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | No | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Soundcheck | | Soundcheck, Snail only. | ||
|- | |- | ||
|} | |} | ||
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---- | ---- | ||
Soundcheck: | Soundcheck: | ||
* Snail | * Snail (take one) | ||
* Snail (take two) | |||
* The Everlasting Gaze | * The Everlasting Gaze | ||
* Heavy Metal Machine | * Heavy Metal Machine (take one) | ||
* ( | * Heavy Metal Machine (take two) | ||
* Porcelina of the Vast Oceans | |||
Set: | Set: | ||
* Pale Scales | * Pale Scales | ||
Line 192: | Line 200: | ||
* Blue Skies Bring Tears | * Blue Skies Bring Tears | ||
* Bullet with Butterfly Wings | * Bullet with Butterfly Wings | ||
** Once in a Lifetime [Talking Heads] | ** Once in a Lifetime [Talking Heads] [4:52] | ||
Encore One: | Encore One: | ||
* Mayonaise | * Mayonaise | ||
Line 198: | Line 206: | ||
* With Every Light (false start) | * With Every Light (false start) | ||
* With Every Light | * With Every Light | ||
* Drown | * Drown [8:58] | ||
=== Notes === | |||
* To Sheila, Muzzle, 1979, and Ava Adore performed acoustic | |||
* soundcheck version of Porcelina of the Vast Oceans is the new riff that was used on the fall European tour | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Pale Scales'''<br> | ||
> '''The Everlasting Gaze'''<br> | |||
> '''Heavy Metal Machine'''<br> | |||
'''Pug'''<br> | |||
BC: Good evening, good evening, thank you very much. Thank you very much for coming tonight.<br> | |||
Iha: Thank you.<br> | |||
BC: Like to ''(trips over his words and makes noises for a moment)''. I’d like to introduce a friend of mine to you. He’s originally from San Diego, where he won the World Surfing Championship in 1992, Mr. James Iha.<br> | |||
'''Blew Away'''<br> | |||
'''Stand Inside Your Love'''<br> | |||
'''Glass and the Ghost Children'''<br> | |||
BC: Thank you.<br> | |||
'''Tonight, Tonight'''<br> | |||
'''I of the Mourning'''<br> | |||
Le Deux Machina (tape)<br> | |||
'''To Sheila''' (Billy acoustic w/Iha)<br> | |||
BC: Thank you. You know, when I was, uh....can you hear me?<br> | |||
Iha: Yes.<br> | |||
BC: I’m not very good with talking anymore so...excuse me. Um, when I was a little boy, you know I used to go out in the backyard and stare up at the stars and imagine that it was all these people out there, you know, and it’s sort of the same feeling playing for you, it’s like you’re out there and it’s up there. But then again at the age of 14 if I’d imagined about 4,000 people in my backyard listening to me sing, it would have terrified me and I probably wouldn’t have started playing guitar so sort of counterintuitive if you think about it. I’d like to play, uh - this, wait, you want to marry me? Wait, what’s this sign? No no no no, no no, you do not want to marry me, trust me. The sensitive songwriter part only comes out in the band. But this is to the girl who wants to marry me. And in fact, some of this song has to do with somebody that I was married to back in the old days. ‘Course she’s in jail now and um.... She’s serving 20 years for grievous misuse of my love.<br> | |||
'''Muzzle''' (Billy solo acoustic)<br> | |||
BC: Thank you. Like to take this moment, seeing as we’re at the halfway point at the concert, to introduce you to the members of the band that are on stage. On lead guitar, Jake “The Snake” Iha. On the lead bass, Tammy “She’ll Go Far” Auf der Maur. And on lead acoustic and lead drums, Fred “What Was Your Name Again?” Chamberlin!<br> | |||
Iha: And ladies and gentlemen, on lead vocals, Barry “The Wombat” Corgan.<br> | |||
'''1979''' (acoustic, Jimmy plays guitar)<br> | |||
'''Ava Adore''' (acoustic)<br> | |||
'''Rock On'''<br> | |||
> '''Zero'''<br> | |||
'''Today'''<br> | |||
'''Snail'''<br> | |||
'''Blue Skies Bring Tears'''<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
> '''Once in a Lifetime'''<br> | |||
BC: Thank you. Goodnight.<br> | |||
Iha: Thanks.<br> | |||
[encore break]<br> | |||
Iha: Thank you very much, thank you. How are you guys doing?<br> | |||
'''Mayonaise'''<br> | |||
Iha: Thank you.<br> | |||
BC: Thank you.<br> | |||
[encore break]<br> | |||
'''With Every Light''' (acoustic)<br> | |||
BC: Thank you, thank you. Before we play our last song...yes, it’s the last song, I’m sure. I used to lie and say it was the last song but I really didn’t mean it but I mean it now.<br> | |||
Iha: Don’t say that!<br> | |||
BC: It’s the last song, James.<br> | |||
Iha: Oh, say it ain’t so, Billy.<br> | |||
BC: But before we play our last song tonight....<br> | |||
Iha: No! Don’t say it. Don’t say those words!<br> | |||
BC: If I really....<br> | |||
Iha: Noooooo! No, no.<br> | |||
BC: Alright.<br> | |||
Iha: Noooooo!<br> | |||
BC: Before we play what is possibly our last song...I’d like to say, I’d like to shout to all the people living down here in the San Diego area.<br> | |||
Iha: Word, word, word.<br> | |||
BC: Ever since the first time we played down here in, I think it was 1991, we’ve always had great shows and great support, so we thank you and say love you, thank you so much. Now we’ve got to hurry because we have an expensive jet waiting and we have to go back to our rich, expensive homes. James has a meeting with Donald Trump in the morning and he absolutely has to get some sleep.<br> | |||
Iha: ''(British accent)'' I’m actually going to Morocco tomorrow, don’t you forget? I’ve got to meet the shah there. And for cry - for fuck’s sake, don’t say it’s the fucking last song.<br> | |||
BC: I can’t believe you’re still working this angle.<br> | |||
Iha: ''(normal voice)'' Noooo!<br> | |||
BC: Anyway, so thanks everybody, thanks for a great night.<br> | |||
'''Drown'''<br> | |||
[bow]<br> | |||
BC: God bless, thank you, god bless.<br> | |||
</blockquote> | </blockquote> | ||
== Photos & Memorabilia == | == Photos & Memorabilia == | ||
[[Image:00XXXX-Shirt.jpg|125px|left]] | [[Image:00XXXX-Shirt.jpg|125px|left]] | ||
[[Image:Tsp2000-05-20.jpg|250px|left]] |
Latest revision as of 01:53, 6 October 2024
The Smashing Pumpkins | |
---|---|
Date | 2000-05-20 |
Venue | Open Air Theatre |
Location | San Diego, CA, US |
Venue Type | Amphitheater |
Capacity | 5100 |
Lineup | Corgan, Iha, Chamberlin, Auf der Maur |
Order of Bands | The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | CSBMod > TCD-D7(32k) |
Length | 35m (soundcheck) 129m (show) |
Complete? | Yes |
Lowest Circulating Generation | DDC-? > CDR (soundcheck) DDC-1 > FLAC (show) |
Live Music Archive | 16-bit download (soundcheck) 16-bit download (show) |
Notes | Soundcheck taped from balcony behind stage, show 50 feet from left stacks. |
Unsurfaced Recordings | |
SBD #1 | |
Source | SBD |
Format | DAT |
Equipment | M1 |
Length | ~130m |
Complete? | Unknown |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | CSHEB > M1 |
Length | 132m |
Complete? | Unknown |
Notes | Second row. |
AUD #3 | |
Source | AUD |
Format | MD |
Equipment | CSBmod > MZ-R90 |
Length | ~130m |
Complete? | Unknown |
Notes | Front of board, brickwalled. |
AUD #4 | |
Source | AUD |
Format | ANA |
Equipment | Radioshack Tie-Clip Mic |
Length | ~130m |
Complete? | Yes |
Notes | ~30 rows back. |
AUD #5 | |
Source | AUD |
Format | MCS |
Equipment | Unknown |
Length | ~105m |
Complete? | No |
Notes | Includes ten seconds of soundcheck, then show up to partway through Once in a Lifetime. Glass and the Ghost Children cuts. |
AMT #1 | |
Source | AUD |
Format | Hi8 |
Equipment | Unknown |
Length | 10m |
Complete? | No |
Notes | Soundcheck, Snail only. |
Setlist
Soundcheck:
- Snail (take one)
- Snail (take two)
- The Everlasting Gaze
- Heavy Metal Machine (take one)
- Heavy Metal Machine (take two)
- Porcelina of the Vast Oceans
Set:
- Pale Scales
- The Everlasting Gaze
- Heavy Metal Machine
- Pug
- Blew Away
- Stand Inside Your Love
- Glass and the Ghost Children
- Tonight, Tonight
- I of the Mourning
- To Sheila
- Muzzle
- 1979
- Ava Adore
- Rock On [Essex]
- Zero
- Today
- Snail
- Blue Skies Bring Tears
- Bullet with Butterfly Wings
- Once in a Lifetime [Talking Heads] [4:52]
Encore One:
- Mayonaise
Encore Two:
- With Every Light (false start)
- With Every Light
- Drown [8:58]
Notes
- To Sheila, Muzzle, 1979, and Ava Adore performed acoustic
- soundcheck version of Porcelina of the Vast Oceans is the new riff that was used on the fall European tour
Banter
Pale Scales
> The Everlasting Gaze
> Heavy Metal Machine
Pug
BC: Good evening, good evening, thank you very much. Thank you very much for coming tonight.
Iha: Thank you.
BC: Like to (trips over his words and makes noises for a moment). I’d like to introduce a friend of mine to you. He’s originally from San Diego, where he won the World Surfing Championship in 1992, Mr. James Iha.
Blew Away
Stand Inside Your Love
Glass and the Ghost Children
BC: Thank you.
Tonight, Tonight
I of the Mourning
Le Deux Machina (tape)
To Sheila (Billy acoustic w/Iha)
BC: Thank you. You know, when I was, uh....can you hear me?
Iha: Yes.
BC: I’m not very good with talking anymore so...excuse me. Um, when I was a little boy, you know I used to go out in the backyard and stare up at the stars and imagine that it was all these people out there, you know, and it’s sort of the same feeling playing for you, it’s like you’re out there and it’s up there. But then again at the age of 14 if I’d imagined about 4,000 people in my backyard listening to me sing, it would have terrified me and I probably wouldn’t have started playing guitar so sort of counterintuitive if you think about it. I’d like to play, uh - this, wait, you want to marry me? Wait, what’s this sign? No no no no, no no, you do not want to marry me, trust me. The sensitive songwriter part only comes out in the band. But this is to the girl who wants to marry me. And in fact, some of this song has to do with somebody that I was married to back in the old days. ‘Course she’s in jail now and um.... She’s serving 20 years for grievous misuse of my love.
Muzzle (Billy solo acoustic)
BC: Thank you. Like to take this moment, seeing as we’re at the halfway point at the concert, to introduce you to the members of the band that are on stage. On lead guitar, Jake “The Snake” Iha. On the lead bass, Tammy “She’ll Go Far” Auf der Maur. And on lead acoustic and lead drums, Fred “What Was Your Name Again?” Chamberlin!
Iha: And ladies and gentlemen, on lead vocals, Barry “The Wombat” Corgan.
1979 (acoustic, Jimmy plays guitar)
Ava Adore (acoustic)
Rock On
> Zero
Today
Snail
Blue Skies Bring Tears
> Bullet with Butterfly Wings
> Once in a Lifetime
BC: Thank you. Goodnight.
Iha: Thanks.
[encore break]
Iha: Thank you very much, thank you. How are you guys doing?
Mayonaise
Iha: Thank you.
BC: Thank you.
[encore break]
With Every Light (acoustic)
BC: Thank you, thank you. Before we play our last song...yes, it’s the last song, I’m sure. I used to lie and say it was the last song but I really didn’t mean it but I mean it now.
Iha: Don’t say that!
BC: It’s the last song, James.
Iha: Oh, say it ain’t so, Billy.
BC: But before we play our last song tonight....
Iha: No! Don’t say it. Don’t say those words!
BC: If I really....
Iha: Noooooo! No, no.
BC: Alright.
Iha: Noooooo!
BC: Before we play what is possibly our last song...I’d like to say, I’d like to shout to all the people living down here in the San Diego area.
Iha: Word, word, word.
BC: Ever since the first time we played down here in, I think it was 1991, we’ve always had great shows and great support, so we thank you and say love you, thank you so much. Now we’ve got to hurry because we have an expensive jet waiting and we have to go back to our rich, expensive homes. James has a meeting with Donald Trump in the morning and he absolutely has to get some sleep.
Iha: (British accent) I’m actually going to Morocco tomorrow, don’t you forget? I’ve got to meet the shah there. And for cry - for fuck’s sake, don’t say it’s the fucking last song.
BC: I can’t believe you’re still working this angle.
Iha: (normal voice) Noooo!
BC: Anyway, so thanks everybody, thanks for a great night.
Drown
[bow]
BC: God bless, thank you, god bless.