Tsp1998-07-14: Difference between revisions
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! align="left" | Capacity | ! align="left" | Capacity | ||
| 17,997 | | 17,997 | ||
|- | |||
! align="left" | Lineup | |||
| Corgan, Iha, Wretzky, Aronoff, Garson, Morris, Hodges | |||
|- | |||
! align="left" | Order of Bands | |||
| Unknown | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| MKE2>M1 | | MKE2 > M1(48k) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 37: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | DDC-2 > FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/sp1998-07-14.flac16 16-bit recording] | |||
|- | |||
! align="left" | Notes | |||
| Occasional screamers. DDC-2 > CDR and DDC-? > CDR transfers also circulate. | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | built-in > HS-JS175W | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Poor quality. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ||
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! align="left" | Complete? | ! align="left" | Complete? | ||
| Unknown | | Unknown | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | SBD #1 | |||
|- | |||
! align="left" | Source | |||
| SBD | |||
|- | |||
! align="left" | Format | |||
| ADAT | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| ~75m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Notes | |||
| Vault copy. | |||
|- | |- | ||
|} | |} | ||
Line 108: | Line 140: | ||
* Perfect | * Perfect | ||
* Tonight, Tonight | * Tonight, Tonight | ||
* ( | * (percussion solo) | ||
** Where Boys Fear to Tread (tease) | ** Where Boys Fear to Tread (tease) | ||
** Zero (tease) | ** Zero (tease) | ||
Line 114: | Line 146: | ||
* Shame | * Shame | ||
* For Martha | * For Martha | ||
=== Notes === | |||
* HORDE Festival | |||
* Perfect and Tonight, Tonight performed acoustic | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | Iha: Hi.<br> | ||
'''To Sheila'''<br> | |||
> '''Behold! The Night Mare'''<br> | |||
> '''Ava Adore'''<br> | |||
'''Tear'''<br> | |||
> '''Crestfallen'''<br> | |||
> '''Pug'''<br> | |||
> '''Thru the Eyes of Ruby'''<br> | |||
BC: Thank you very much, thank you. We don't talk much 'cause we're generally pretty politically incorrect, so uh, but thanks for coming and uh, nice to see all of you, hope you're having a good day. Thanks to Blues Traveler for uh, letting us uh, play?<br> | |||
'''Perfect''' (abandoned immediately when Billy’s 2nd note is wrong)<br> | |||
BC: ''(off mic)'' Now you’re fuckin’ me up.<br> | |||
'''Perfect''' (acoustic)<br> | |||
BC: Thank you very much.<br> | |||
'''Tonight, Tonight''' (acoustic)<br> | |||
'''drum/percussion solo'''<br> | |||
> '''Where Boys Fear to Tread''' (tease)<br> | |||
> '''Zero''' (tease)<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
> '''Shame'''<br> | |||
BC: We have one more song for you, we'd like to thank you for a nice night, thank you very much. I hope you enjoy the rest of your evening.<br> | |||
'''For Martha'''<br> | |||
</blockquote> | </blockquote> | ||
==Photos and Memorabillia== | ==Photos and Memorabillia== | ||
[[Image:ZZZ000795-PO.jpg|125px|left]] | [[Image:ZZZ000795-PO.jpg|125px|left]] | ||
[[Image:Tsp-1998-05120808-TourShirt_back.jpg|125px|left]] |
Latest revision as of 20:33, 13 March 2021
The Smashing Pumpkins | |
---|---|
Date | 1998-07-14 |
Venue | Sandstone Amphitheater |
Location | Bonner Springs, KS, US |
Venue Type | Amphitheater |
Capacity | 17,997 |
Lineup | Corgan, Iha, Wretzky, Aronoff, Garson, Morris, Hodges |
Order of Bands | Unknown |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | MKE2 > M1(48k) |
Length | 75m |
Complete? | Yes |
Lowest Circulating Generation | DDC-2 > FLAC |
Live Music Archive | 16-bit recording |
Notes | Occasional screamers. DDC-2 > CDR and DDC-? > CDR transfers also circulate. |
Unsurfaced Recordings | |
AUD #2 | |
Source | AUD |
Format | ANA |
Equipment | built-in > HS-JS175W |
Length | ~75m |
Complete? | Unknown |
AUD #3 | |
Source | AUD |
Format | ANA |
Equipment | Unknown |
Length | ~75m |
Complete? | Unknown |
Notes | Poor quality. |
AUD #4 | |
Source | AUD |
Format | MCS |
Equipment | Unknown |
Length | ~75m |
Complete? | Unknown |
SBD #1 | |
Source | SBD |
Format | ADAT |
Equipment | Unknown |
Length | ~75m |
Complete? | Yes |
Notes | Vault copy. |
Setlist
Set:
- To Sheila
- Behold! the Night Mare
- Ava Adore
- Tear
- Crestfallen
- Pug
- Thru the Eyes of Ruby
- Perfect
- Tonight, Tonight
- (percussion solo)
- Where Boys Fear to Tread (tease)
- Zero (tease)
- Bullet with Butterfly Wings
- Shame
- For Martha
Notes
- HORDE Festival
- Perfect and Tonight, Tonight performed acoustic
Banter
Iha: Hi.
To Sheila
> Behold! The Night Mare
> Ava Adore
Tear
> Crestfallen
> Pug
> Thru the Eyes of Ruby
BC: Thank you very much, thank you. We don't talk much 'cause we're generally pretty politically incorrect, so uh, but thanks for coming and uh, nice to see all of you, hope you're having a good day. Thanks to Blues Traveler for uh, letting us uh, play?
Perfect (abandoned immediately when Billy’s 2nd note is wrong)
BC: (off mic) Now you’re fuckin’ me up.
Perfect (acoustic)
BC: Thank you very much.
Tonight, Tonight (acoustic)
drum/percussion solo
> Where Boys Fear to Tread (tease)
> Zero (tease)
> Bullet with Butterfly Wings
> Shame
BC: We have one more song for you, we'd like to thank you for a nice night, thank you very much. I hope you enjoy the rest of your evening.
For Martha