Zwan2001-12-13A: Difference between revisions
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| 200 | | 200 | ||
|- | |- | ||
! align="left" | | ! align="left" | Lineup | ||
| | | Corgan, Chamberlin, Sweeney, Pajo | ||
|- | |||
! align="left" | Order of Bands | |||
| Remy Zero, Zwan | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| SS-DSM-6S> | | SS-DSM-6S > PA-6LC3B(175) > M1(48k) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 40: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT-M | | DAT-M > SHN | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/zwan2001-12-13a.shnf 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| 20 feet from stage, left side, mics were clipped to a cord on the wall | | 20 feet from stage, left side, mics were clipped to a cord on the wall 10' up. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| DPA 4061> | | DPA 4061 > att.(-20db) > M1(48k) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT-M | | DAT-M > CDR | ||
|- | |||
! align="left" | Live Music Archive | |||
| [https://archive.org/details/zwan2001-12-13.early.dpa4061.flac16 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| 5 feet | | 5 feet FoB. | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | - | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| SS-DSM-6S > PA-6LC2 > M1 | |||
|- | |||
! align="left" | Length | |||
| ~70m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |- | ||
|} | |} | ||
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* Silly Sally | * Silly Sally | ||
=== Notes === | |||
* Acoustic | |||
* First performances of Roma Girl, Careless Love, The Number of the Beast, Freedom Ain't What It Used to Be, The Spy Tra La, Revolve, El-A-Noy, Candy Came Calling, For Your Love, Solace and Serenity, Rings the Bells, God's Gonna Set This World on Fire, and Silly Sally | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | BC: Can we have the lights on? Lights? Lights, lights...lights? Lights! - there you go. ... Alright.<br> | ||
'''Roma Girl'''<br> | |||
BC: It’s uh, heh heh, it’s okay, Careless Love. Careless Love.<br> | |||
'''Careless Love'''<br> | |||
BC: Oh, once.... Like to thank Remy Zero for opening the show. I’m a big fan, I’m a big fan. Although Cinjun did steal my vibe.<br> | |||
'''The Number of the Beast'''<br> | |||
'''Freedom Ain’t What It Used to Be'''<br> | |||
BC: You guys have the [unintelligible]? Thank you.<br> | |||
'''The Spy Tra La'''<br> | |||
BC: Hey, hey. This is a song called Revolve.<br> | |||
'''Revolve'''<br> | |||
Sweeney: Don’t make fun of me. ... [unintelligible off mic]<br> | |||
BC: Peace, heh, let’s try it.<br> | |||
'''El-A-Noy'''<br> | |||
Sweeney: That song was called Illinois.<br> | |||
''(lots of crowd yelling)''<br> | |||
BC: Yeah, the funny thing is we pay guys just to yell like that. Because if it was actually quiet and people could hear the music, it wouldn’t seem like a club and a show and then...so.... So we pay people to yell stupid things and throw stupid things and uh...and shout out cousins we don’t know and uh....<br> | |||
Sweeney: But, it’s ‘cause we all remember our first beer and we all remember our first beer. It’s exciting.<br> | |||
'''Candy Came Calling'''<br> | |||
Guy in crowd: Don’t Let Me Down!<br> | |||
BC: This is the Djali Zwan.<br> | |||
'''For Your Love'''<br> | |||
BC: Thank you very much, thank you.<br> | |||
Guy in crowd: Jesus!<br> | |||
Sweeney: We can’t play Jesus, dude, Jesus plays you.<br> | |||
Guy #2 in crowd: Play [unintelligible]!<br> | |||
Guy #3 in crowd: Shut up!<br> | |||
Guy #2: Just screw you! Screw you!<br> | |||
Sweeney: Dad?!<br> | |||
'''Solace and Serenity'''<br> | |||
> '''Ring the Bells'''<br> | |||
BC: How y’all doin’?<br> | |||
Guy in crowd: How ''you'' doin’?<br> | |||
BC: I’m good, thank you. In fact, I’ve never been better.<br> | |||
'''God’s Gonna Set This World on Fire'''<br> | |||
Guy in crowd: Play a Christmas song!<br> | |||
BC: Yeah, a merry Christmas one. It is the [2 unintelligible words]. ... Like to play one more song, thank you very much for coming. Like to play a song by our other band, the True Poets of Zwan. ''(Sweeney plays two chords)'' There you go. Are you ready there, Matt?<br> | |||
'''Of a Broken Heart'''<br> | |||
[encore break]<br> | |||
'''Silly Sally'''<br> | |||
BC: Heh heh heh, thank you. God bless you, thank you very much. ... They’re uh, they’re Smashing Pumpkin picks, I’m very sorry.<br> | |||
</blockquote> | </blockquote> | ||
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[[Image:2001-12-13a_sorry.jpg|125px|left]] | [[Image:2001-12-13a_sorry.jpg|125px|left]] | ||
[[Image:011213-Poster.jpg|125px|left]] | [[Image:011213-Poster.jpg|125px|left]] | ||
[[Image:zwan2001-12-13.jpg|250px|left]] |
Latest revision as of 05:22, 1 October 2024
Zwan | |
---|---|
Date | 2001-12-13 |
Venue | The Intersection |
Location | Grand Rapids, MI, US |
Venue Type | Club |
Capacity | 200 |
Lineup | Corgan, Chamberlin, Sweeney, Pajo |
Order of Bands | Remy Zero, Zwan |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6S > PA-6LC3B(175) > M1(48k) |
Length | 68m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > SHN |
Live Music Archive | 16-bit download |
Notes | 20 feet from stage, left side, mics were clipped to a cord on the wall 10' up. |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | DPA 4061 > att.(-20db) > M1(48k) |
Length | 67m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > CDR |
Live Music Archive | 16-bit download |
Notes | 5 feet FoB. |
Unsurfaced Recordings | |
AUD #3 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6S > PA-6LC2 > M1 |
Length | ~70m |
Complete? | Yes |
Setlist
Set:
- Roma Girl
- Careless Love [traditional]
- The Number of the Beast [Iron Maiden]
- Freedom Ain't What It Used to Be
- The Spy Tra La
- Revolve
- El-A-Noy
- Candy Came Calling
- For Your Love
- Solace and Serenity
- Ring the Bells
- God's Gonna Set This World on Fire
- Of a Broken Heart
Encore:
- Silly Sally
Notes
- Acoustic
- First performances of Roma Girl, Careless Love, The Number of the Beast, Freedom Ain't What It Used to Be, The Spy Tra La, Revolve, El-A-Noy, Candy Came Calling, For Your Love, Solace and Serenity, Rings the Bells, God's Gonna Set This World on Fire, and Silly Sally
Banter
BC: Can we have the lights on? Lights? Lights, lights...lights? Lights! - there you go. ... Alright.
Roma Girl
BC: It’s uh, heh heh, it’s okay, Careless Love. Careless Love.
Careless Love
BC: Oh, once.... Like to thank Remy Zero for opening the show. I’m a big fan, I’m a big fan. Although Cinjun did steal my vibe.
The Number of the Beast
Freedom Ain’t What It Used to Be
BC: You guys have the [unintelligible]? Thank you.
The Spy Tra La
BC: Hey, hey. This is a song called Revolve.
Revolve
Sweeney: Don’t make fun of me. ... [unintelligible off mic]
BC: Peace, heh, let’s try it.
El-A-Noy
Sweeney: That song was called Illinois.
(lots of crowd yelling)
BC: Yeah, the funny thing is we pay guys just to yell like that. Because if it was actually quiet and people could hear the music, it wouldn’t seem like a club and a show and then...so.... So we pay people to yell stupid things and throw stupid things and uh...and shout out cousins we don’t know and uh....
Sweeney: But, it’s ‘cause we all remember our first beer and we all remember our first beer. It’s exciting.
Candy Came Calling
Guy in crowd: Don’t Let Me Down!
BC: This is the Djali Zwan.
For Your Love
BC: Thank you very much, thank you.
Guy in crowd: Jesus!
Sweeney: We can’t play Jesus, dude, Jesus plays you.
Guy #2 in crowd: Play [unintelligible]!
Guy #3 in crowd: Shut up!
Guy #2: Just screw you! Screw you!
Sweeney: Dad?!
Solace and Serenity
> Ring the Bells
BC: How y’all doin’?
Guy in crowd: How you doin’?
BC: I’m good, thank you. In fact, I’ve never been better.
God’s Gonna Set This World on Fire
Guy in crowd: Play a Christmas song!
BC: Yeah, a merry Christmas one. It is the [2 unintelligible words]. ... Like to play one more song, thank you very much for coming. Like to play a song by our other band, the True Poets of Zwan. (Sweeney plays two chords) There you go. Are you ready there, Matt?
Of a Broken Heart
[encore break]
Silly Sally
BC: Heh heh heh, thank you. God bless you, thank you very much. ... They’re uh, they’re Smashing Pumpkin picks, I’m very sorry.