Zwan2003-01-22: Difference between revisions
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| 1100 | | 1100 | ||
|- | |- | ||
! align="left" | | ! align="left" | Lineup | ||
| | | Corgan, Chamberlin, Sweeney, Pajo, Lenchantin | ||
|- | |||
! align="left" | Order of Bands | |||
| Assassins, Zwan | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| Oktava | | Oktava MC012 > PS-2 > AD-20 > MS722 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 40: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| MD-M | | MD-M > SHN | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/zwan2003-01-22.Quinto.shnf 16-bit recording] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| 14 | | 14 feet high, on stand. Front of board, DFC. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ||
Line 54: | Line 60: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSBMod>M1 | | CSBMod > M1(44.1k) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 63: | Line 69: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT-M | | DAT-M > SHN | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3a | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3a | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| KM140>Apogee Minime( | | KM140 > Apogee Minime(24bit/48k) > TCD-D100(48k) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 80: | Line 86: | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DAT-M > SHN | |||
|- | |||
! align="left" | Notes | |||
| Mic stand, front of board. Taper used one pair of mics and split the signal into two recorders. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3b | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| WAV | |||
|- | |||
! align="left" | Equipment | |||
| KM140 > Apogee Minime(24bit/48k) > laptop(24bit/48k) | |||
|- | |||
! align="left" | Length | |||
| 107m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | WAV-M > FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/zwan2003-01-22.km140.flac16 16-bit recording] <br />[http://www.archive.org/details/zwan2003-01-22.km140.flac24 24-bit recording] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Mic stand, front of | | Mic stand, in front of soundboard. Taper used one pair of mics and split the signal into two recorders. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| DAB> | | DAB > custom battery Box(85 ) > attenuator > MT-90(mic in) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 102m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
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|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| MD-M | | MD-M > dEdit > SHN | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/zwan2003-01-22.dab.shn 16-bit recording] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Small skip in God's Gonna Set This World on Fire. | | Small skip in God's Gonna Set This World on Fire. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD # | |||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
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|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | MD | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | ECM-717 > Sharp MD | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| MD-M > CDR | |||
|- | |- | ||
! | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD # | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #6 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| ECM-MS907>MZ-R37 | | ECM-MS907 > MZ-R37 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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* Of a Broken Heart | * Of a Broken Heart | ||
* A Certain Kind of Change | * A Certain Kind of Change | ||
=== Notes === | |||
* First performance of A Certain Kind of Change | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Jesus, I'''<br> | ||
> '''God’s Gonna Set This World on Fire'''<br> | |||
'''Declarations of Faith'''<br> | |||
BC: Thank you very much. ... Thank you very much, thank you. We are the Zwan. Thank you very much for coming to our show, this is a song from our new album called El Sol.<br> | |||
'''El Sol'''<br> | |||
'''Never My Love'''<br> | |||
> '''Settle Down'''<br> | |||
'''Honestly'''<br> | |||
'''A New Poetry'''<br> | |||
BC: Thank you very much. ... He says he loves you, don’t worry about it. How’s everybody doing tonight, you alright? Whoo. Thank you. That was a song called New Poetry that we kicked off our last record. It’s not on the new record. Don’t ask me why, this is the question I can’t answer anyway. This next song, um, has Paz on violin. A multitasker. This is another song that’s not on the new record. But it’s a good one, I think. It’s called Friends as Lovers, Lovers as Friends.<br> | |||
'''Friends as Lovers, Lovers as Friends'''<br> | |||
BC: Thank you very much.<br> | |||
'''Ride a Black Swan'''<br> | |||
'''Endless Summer'''<br> | |||
'''Mary Star of the Sea'''<br> | |||
(BC after lyrics, before coda: Thank you very much, thank you, thank you.)<br> | |||
BC: Thank you! Thank you very much.<br> | |||
[encore break]<br> | |||
'''Riverview'''<br> | |||
> '''Spilled Milk'''<br> | |||
BC: Thank you! Jimmy Chamberlin on the drums. Papa Jimmy, Papa Jimmy.<br> | |||
[encore break]<br> | |||
BC: Thank you very much, thank you Chicago ''(pronounced “Chick-cago”)''. My kind of town. Chicago. ... We’d like to play a song for you called Of a Broken Heart. David’s on keyboards, Paz is on violin, Jimmy on drums, Matt on gee-tar.<br> | |||
'''Of a Broken Heart'''<br> | |||
BC: Thank you so much. We’d like to, uh, if it’s okay with you, um.... ''(crowd cheers)'' Well, you don’t know what it is yet, don’t.... There’s a lot of wooing but you don’t know what the wooing is wooing, um.... We’d like to play a new song that, uh, we just, uh, came up with about a week ago and, uh... ''(crowd cheers)'' That’s okay, yeah? We like this song very much, it’s called A Certain Kind of Change.<br> | |||
Sweeney ''(off mic)'': What’s it about?<br> | |||
BC: Matt, you don’t care what it’s about.<br> | |||
Sweeney: You already told me what it was about.<br> | |||
BC: Your sh-, your shameless attempts at drawing attention to yourself have failed again. Ladies and gentlemen, this is A Certain Kind of Change.<br> | |||
'''A Certain Kind of Change'''<br> | |||
BC: Thank you very much, thank you. | |||
</blockquote> | </blockquote> | ||
== Photos and Memorabilia == | == Photos and Memorabilia == | ||
[[Image:0301XX-Shirt.jpg|125px|left]] | [[Image:0301XX-Shirt.jpg|125px|left]] |
Latest revision as of 06:06, 5 December 2020
Zwan | |
---|---|
Date | 2003-01-22 |
Venue | Metro |
Location | Chicago, IL, US |
Venue Type | Club |
Capacity | 1100 |
Lineup | Corgan, Chamberlin, Sweeney, Pajo, Lenchantin |
Order of Bands | Assassins, Zwan |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | MD |
Equipment | Oktava MC012 > PS-2 > AD-20 > MS722 |
Length | 110m |
Complete? | Yes |
Lowest Circulating Generation | MD-M > SHN |
Live Music Archive | 16-bit recording |
Notes | 14 feet high, on stand. Front of board, DFC. |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | CSBMod > M1(44.1k) |
Length | ~110m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > SHN |
AUD #3a | |
Source | AUD |
Format | DAT |
Equipment | KM140 > Apogee Minime(24bit/48k) > TCD-D100(48k) |
Length | ~110m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > SHN |
Notes | Mic stand, front of board. Taper used one pair of mics and split the signal into two recorders. |
AUD #3b | |
Source | AUD |
Format | WAV |
Equipment | KM140 > Apogee Minime(24bit/48k) > laptop(24bit/48k) |
Length | 107m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M > FLAC |
Live Music Archive | 16-bit recording 24-bit recording |
Notes | Mic stand, in front of soundboard. Taper used one pair of mics and split the signal into two recorders. |
AUD #4 | |
Source | AUD |
Format | MD |
Equipment | DAB > custom battery Box(85 ) > attenuator > MT-90(mic in) |
Length | 102m |
Complete? | Yes |
Lowest Circulating Generation | MD-M > dEdit > SHN |
Live Music Archive | 16-bit recording |
Notes | Small skip in God's Gonna Set This World on Fire. |
AUD #5 | |
Source | AUD |
Format | MD |
Equipment | ECM-717 > Sharp MD |
Length | ~110m |
Complete? | Yes |
Lowest Circulating Generation | MD-M > CDR |
Unsurfaced Recordings | |
AUD #6 | |
Source | AUD |
Format | MD |
Equipment | ECM-MS907 > MZ-R37 |
Length | ~110m |
Complete? | Unknown |
Notes | Right side, mic taped to balcony. |
Setlist
Set:
- Jesus, I [Lyte]
- God's Gonna Set This World on Fire
- Declarations of Faith
- El Sol
- Never My Love [The Association]
- Settle Down
- Honestly
- A New Poetry
- Friends as Lovers, Lovers as Friends
- Ride a Black Swan
- Endless Summer
- Mary Star of the Sea
Encore One:
- Riverview
- Spilled Milk
Encore Two:
- Of a Broken Heart
- A Certain Kind of Change
Notes
- First performance of A Certain Kind of Change
Banter
Jesus, I
> God’s Gonna Set This World on Fire
Declarations of Faith
BC: Thank you very much. ... Thank you very much, thank you. We are the Zwan. Thank you very much for coming to our show, this is a song from our new album called El Sol.
El Sol
Never My Love
> Settle Down
Honestly
A New Poetry
BC: Thank you very much. ... He says he loves you, don’t worry about it. How’s everybody doing tonight, you alright? Whoo. Thank you. That was a song called New Poetry that we kicked off our last record. It’s not on the new record. Don’t ask me why, this is the question I can’t answer anyway. This next song, um, has Paz on violin. A multitasker. This is another song that’s not on the new record. But it’s a good one, I think. It’s called Friends as Lovers, Lovers as Friends.
Friends as Lovers, Lovers as Friends
BC: Thank you very much.
Ride a Black Swan
Endless Summer
Mary Star of the Sea
(BC after lyrics, before coda: Thank you very much, thank you, thank you.)
BC: Thank you! Thank you very much.
[encore break]
Riverview
> Spilled Milk
BC: Thank you! Jimmy Chamberlin on the drums. Papa Jimmy, Papa Jimmy.
[encore break]
BC: Thank you very much, thank you Chicago (pronounced “Chick-cago”). My kind of town. Chicago. ... We’d like to play a song for you called Of a Broken Heart. David’s on keyboards, Paz is on violin, Jimmy on drums, Matt on gee-tar.
Of a Broken Heart
BC: Thank you so much. We’d like to, uh, if it’s okay with you, um.... (crowd cheers) Well, you don’t know what it is yet, don’t.... There’s a lot of wooing but you don’t know what the wooing is wooing, um.... We’d like to play a new song that, uh, we just, uh, came up with about a week ago and, uh... (crowd cheers) That’s okay, yeah? We like this song very much, it’s called A Certain Kind of Change.
Sweeney (off mic): What’s it about?
BC: Matt, you don’t care what it’s about.
Sweeney: You already told me what it was about.
BC: Your sh-, your shameless attempts at drawing attention to yourself have failed again. Ladies and gentlemen, this is A Certain Kind of Change.
A Certain Kind of Change
BC: Thank you very much, thank you.