Tsp1998-05-26: Difference between revisions
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|- | |- | ||
! align="left" | Capacity | ! align="left" | Capacity | ||
| ~ | | ~15,000 | ||
|- | |- | ||
! align="left" | | ! align="left" | Lineup | ||
| | | Corgan, Iha, Wretzky, Aronoff, Garson, Morris, Hodges | ||
|- | |||
! align="left" | Order of Bands | |||
| The Smashing Pumpkins | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
Line 31: | Line 34: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| SBLive!>PC | | SBLive! > PC | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | WAV-M > CDR-0 > FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp1998-05-26.flacf 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
Line 54: | Line 60: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| SBLive!>PC | | SBLive! > PC | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 63: | Line 69: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | WAV-M > CDR-0 > FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp1998-05-26.flacf 16-bit recording] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Broadcast 2000/01/05. Perfect only. Composite of this and FM #1 circulates (contains all tracks except for Let Me Give the World to You and Transmission). | | Broadcast 2000/01/05. Perfect only. Composite of this and FM #1 circulates (contains all tracks except for Let Me Give the World to You and Transmission). | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| VID | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| 130m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| VHS-5 > DVD | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp1998-05-26.flac16 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Rear, James' side. Beginning of For Martha cuts. VHS-5 > FLAC audio transfer also circulates. | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
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| Broadcast the night of the show. Ava Adore, Daphne Descends, Shame, For Martha, and 1979. | | Broadcast the night of the show. Ava Adore, Daphne Descends, Shame, For Martha, and 1979. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #1 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
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|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | DAT | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
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|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 52m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| No | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | SBD #1 | |||
|- | |||
! align="left" | Source | |||
| SBD | |||
|- | |||
! align="left" | Format | |||
| ADAT | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | | Unknown | ||
|- | |||
! align="left" | Length | |||
| ~130m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Notes | |||
| Vault copy. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | PRO #1a | |||
|- | |||
! align="left" | Source | |||
| TV | |||
|- | |||
! align="left" | Format | |||
| VHS | |||
|- | |||
! align="left" | Equipment | |||
| Pro-Cams | |||
|- | |||
! align="left" | Length | |||
| 10m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | PRO #1 | |||
|- | |||
! align="left" | Source | |||
| PRO | |||
|- | |||
! align="left" | Format | |||
| VID | |||
|- | |||
! align="left" | Equipment | |||
| Pro-Cams | |||
|- | |||
! align="left" | Length | |||
| ~130m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |- | ||
|} | |} | ||
== Setlist == | == Setlist == | ||
Set: | Set: | ||
* To Sheila | * To Sheila | ||
Line 141: | Line 229: | ||
* Tonight, Tonight | * Tonight, Tonight | ||
* Let Me Give the World to You | * Let Me Give the World to You | ||
* ( | * (percussion solo) | ||
** Bullet with Butterfly Wings | ** Bullet with Butterfly Wings | ||
* Shame | * Shame | ||
* For Martha | * For Martha | ||
Encore: | Encore: | ||
* Whole Lotta Love [Led Zeppelin] (tease) | |||
* 1979 | * 1979 | ||
* Transmission [Joy Division] | * Transmission [Joy Division] [20:17] | ||
** Let's Dance [Bowie] (tease) | |||
** Help! [Beatles] (tease) | |||
=== Notes === | |||
* Perfect, Tonight, Tonight, and Let Me Give the World to You performed acoustic | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | Iha: Good evening.<br> | ||
'''To Sheila'''<br> | |||
'''Tear'''<br> | |||
BC: Hello. Thank you for coming to the concert. I don’t want to sound like your mom, but all that kind of pushing, people falling over, it’s like, it’s 1998, you can kind of skip all the pushing and people falling over. Hope everyone has a good time, we want everyone to have a good time, we don’t want anyone falling over and uh, heh heh.<br> | |||
Iha: [unintelligible]<br> | |||
BC: A song called Once Upon a Time.<br> | |||
'''Once Upon a Time'''<br> | |||
'''Crestfallen'''<br> | |||
'''Ava Adore'''<br> | |||
'''Daphne Descends'''<br> | |||
'''Thru the Eyes of Ruby'''<br> | |||
BC: Thank y’all very much. Is everybody having a good time?<br> | |||
Iha: [unintelligible]<br> | |||
'''Perfect''' (acoustic)<br> | |||
D’arcy: Tak.<br> | |||
BC: We dedicate this next song to all of you for coming to see us tonight. Of course, you can’t understand anything I’m saying, but that’s cool because I’m still saying it.<br> | |||
'''Tonight, Tonight''' (acoustic)<br> | |||
'''Let Me Give the World to You''' (acoustic)<br> | |||
'''drum/percussion solo'''<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
> '''Shame'''<br> | |||
'''For Martha'''<br> | |||
(BC at 12:56: God bless you, thank you, goodnight.)<br> | |||
[encore break]<br> | |||
Iha: Thank you very much. We appreciate you guys being out here in the cold. And now we’re gonna play a fun song. If you wish to dance, I encourage you...to dance. I want you all to dance.<br> | |||
'''Whole Lotta Love''' (tease - first 5 notes)<br> | |||
Iha: Ow!<br> | |||
'''1979'''<br> | |||
BC: Okay, we’ll play one more. But we’re not sure you can handle it because it’s so...heavy.<br> | |||
'''Transmission / Let’s Dance / Help!'''<br> | |||
(BC at 13:37: We thank you again very much. We send our love out to you. Thank you, Tivoli Gardens, for letting us play. And we admit as Americans that Disney basically ripped off Tivoli Gardens for Disney World, so.... Yes, we’re ashamed but we still enjoy its spoils. Can you see where I’m going with this? You know, there’s - there’s five lands in Disney Land. There’s Frontierland, there’s Adventureland, there’s uh...Tom Sawyer Island - is that in Frontierland? Don’t say it, don’t say it, heh heh heh heh! There’s the land where they keep Walt’s cryogenically frozen.... And then of course James, there’s Futureland. ''(immediately starts outro riff)'')<br> | |||
</blockquote> | </blockquote> | ||
== Photos & Memorabilia == | |||
[[Image:Tsp-1998-05120808-TourShirt_back.jpg|125px|left]] | |||
[[Image:tsp1998-05-26.jpg|250px|left]] |
Latest revision as of 13:28, 18 November 2024
The Smashing Pumpkins | |
---|---|
Date | 1998-05-26 |
Venue | Tivoli Gardens |
Location | Copenhagen, DK |
Venue Type | Plaza |
Capacity | ~15,000 |
Lineup | Corgan, Iha, Wretzky, Aronoff, Garson, Morris, Hodges |
Order of Bands | The Smashing Pumpkins |
Surfaced Recordings | |
FM #1 | |
Source | FM |
Format | WAV |
Equipment | SBLive! > PC |
Length | 90m |
Complete? | No |
Lowest Circulating Generation | WAV-M > CDR-0 > FLAC |
Live Music Archive | 16-bit download |
Notes | Broadcast 1998/08/10. To Sheila, Tear, Once Upon a Time, Crestfallen, Ava Adore, Daphne Descends, Thru the Eyes of Ruby, Tonight, Tonight, Bullet with Butterfly Wings, Shame, For Martha, 1979. A composite of this and FM #2a circulates (contains all tracks except Let Me Give the World to You and Transmission). |
FM #2a | |
Source | FM |
Format | WAV |
Equipment | SBLive! > PC |
Length | 3m |
Complete? | No |
Lowest Circulating Generation | WAV-M > CDR-0 > FLAC |
Live Music Archive | 16-bit recording |
Notes | Broadcast 2000/01/05. Perfect only. Composite of this and FM #1 circulates (contains all tracks except for Let Me Give the World to You and Transmission). |
AMT #1 | |
Source | AUD |
Format | VID |
Equipment | Unknown |
Length | 130m |
Complete? | No |
Lowest Circulating Generation | VHS-5 > DVD |
Live Music Archive | 16-bit download |
Notes | Rear, James' side. Beginning of For Martha cuts. VHS-5 > FLAC audio transfer also circulates. |
Unsurfaced Recordings | |
FM #2 | |
Source | FM |
Format | WAV |
Equipment | SBLive!>PC |
Length | 50m |
Complete? | No |
Notes | Broadcast 2000/01/05. Once Upon a Time, Crestfallen, Ava Adore, Daphne Descends, Thru the Eyes of Ruby, Perfect, Tonight Tonight, Bullet with Butterfly Wings (edited). |
FM #3 | |
Source | FM |
Format | ANA |
Equipment | Unknown |
Length | 45m (?) |
Complete? | No |
Notes | Broadcast the night of the show. Ava Adore, Daphne Descends, Shame, For Martha, and 1979. |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | Unknown |
Length | 52m |
Complete? | No |
SBD #1 | |
Source | SBD |
Format | ADAT |
Equipment | Unknown |
Length | ~130m |
Complete? | Yes |
Notes | Vault copy. |
PRO #1a | |
Source | TV |
Format | VHS |
Equipment | Pro-Cams |
Length | 10m |
Complete? | No |
PRO #1 | |
Source | PRO |
Format | VID |
Equipment | Pro-Cams |
Length | ~130m |
Complete? | Yes |
Setlist
Set:
- To Sheila
- Tear
- Once Upon a Time
- Crestfallen
- Ava Adore
- Daphne Descends
- Thru the Eyes of Ruby
- Perfect
- Tonight, Tonight
- Let Me Give the World to You
- (percussion solo)
- Bullet with Butterfly Wings
- Shame
- For Martha
Encore:
- Whole Lotta Love [Led Zeppelin] (tease)
- 1979
- Transmission [Joy Division] [20:17]
- Let's Dance [Bowie] (tease)
- Help! [Beatles] (tease)
Notes
- Perfect, Tonight, Tonight, and Let Me Give the World to You performed acoustic
Banter
Iha: Good evening.
To Sheila
Tear
BC: Hello. Thank you for coming to the concert. I don’t want to sound like your mom, but all that kind of pushing, people falling over, it’s like, it’s 1998, you can kind of skip all the pushing and people falling over. Hope everyone has a good time, we want everyone to have a good time, we don’t want anyone falling over and uh, heh heh.
Iha: [unintelligible]
BC: A song called Once Upon a Time.
Once Upon a Time
Crestfallen
Ava Adore
Daphne Descends
Thru the Eyes of Ruby
BC: Thank y’all very much. Is everybody having a good time?
Iha: [unintelligible]
Perfect (acoustic)
D’arcy: Tak.
BC: We dedicate this next song to all of you for coming to see us tonight. Of course, you can’t understand anything I’m saying, but that’s cool because I’m still saying it.
Tonight, Tonight (acoustic)
Let Me Give the World to You (acoustic)
drum/percussion solo
> Bullet with Butterfly Wings
> Shame
For Martha
(BC at 12:56: God bless you, thank you, goodnight.)
[encore break]
Iha: Thank you very much. We appreciate you guys being out here in the cold. And now we’re gonna play a fun song. If you wish to dance, I encourage you...to dance. I want you all to dance.
Whole Lotta Love (tease - first 5 notes)
Iha: Ow!
1979
BC: Okay, we’ll play one more. But we’re not sure you can handle it because it’s so...heavy.
Transmission / Let’s Dance / Help!
(BC at 13:37: We thank you again very much. We send our love out to you. Thank you, Tivoli Gardens, for letting us play. And we admit as Americans that Disney basically ripped off Tivoli Gardens for Disney World, so.... Yes, we’re ashamed but we still enjoy its spoils. Can you see where I’m going with this? You know, there’s - there’s five lands in Disney Land. There’s Frontierland, there’s Adventureland, there’s uh...Tom Sawyer Island - is that in Frontierland? Don’t say it, don’t say it, heh heh heh heh! There’s the land where they keep Walt’s cryogenically frozen.... And then of course James, there’s Futureland. (immediately starts outro riff))