Tsp2000-04-25: Difference between revisions

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|-
|-
! align="left" | Location
! align="left" | Location
| New York City, NY, US
| New York, NY, US
|-
|-
! align="left" | Venue Type
! align="left" | Venue Type
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! align="left" | Capacity
! align="left" | Capacity
| 3000
| 3000
|-
! align="left" | Lineup
| Corgan, Iha, Chamberlin, Auf der Maur
|-
! align="left" | Order of Bands
| The Smashing Pumpkins
|-
|-
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| CSBMod>M1
| CSBMod > M1
|-
|-
! align="left" | Length
! align="left" | Length
| 29m (soundcheck)/115m (show)
| 29m (soundcheck)<br />102m (show)
|-
|-
! align="left" | Complete?
! align="left" | Complete?
Line 37: Line 43:
|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| DAT-?>CDR
| DDC-? > CDR
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/tsp2000-04-25.sc 16-bit download (soundcheck)]
|-
|-
! align="left" | Notes
! align="left" | Notes
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| SPPB>M1
| SPPB > M1
|-
|-
! align="left" | Length
! align="left" | Length
| 115m
| 105m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
Line 60: Line 69:
|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| DAT-?>CDR
| DDC-? > CDR
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| SS-DSM-6S>PA6LC3>M1
| SS-DSM-6S > PA-6LC3 > M1
|-
|-
! align="left" | Length
! align="left" | Length
| ~115m
| 106m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
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|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| DAT-2(48k)
| DDC-2(48k) > dEdit > FLAC
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/tsp2000-04-25.DSM-6S.M1.flac16 16-bit download]
|-
|-
! align="left" | Notes
! align="left" | Notes
| Front of band. Volume adjustments during Pale Scales and Heavy Metal Machine, two blips during Heavy Metal Machine, and a dropout during Blank Page.
| Front of board. Volume adjustments during Pale Scales and Heavy Metal Machine, two blips during Heavy Metal Machine, Blank Page cuts in and contains a dropout.
|-
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4
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|-
|-
! align="left" | Format
! align="left" | Format
| DAT
| MD
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| SS-DSM-6S/L>PA6LC3>TCD-D100
| CSBMod > MZ-R55
|-
|-
! align="left" | Length
! align="left" | Length
| ~115m
| 105m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
| Yes
| Yes
|-
! align="left" | Lowest Circulating Generation
| MD-M > FLAC
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/tsp2000-04-25.flac16 16-bit download]
|-
! align="left" | Notes
| Floor, 20 feet from left stack.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| CSBMod>M1
| SS-DSM-6S/L > PA-6LC3 > TCD-D100 (48k)
|-
|-
! align="left" | Length
! align="left" | Length
| ~115m
| 100m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
| Unknown
| Yes
|-
! align="left" | Lowest Circulating Generation
| DAT-M > FLAC
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/tsp2000-04-25.ssdsm6s.flac16 16-bit download]
|-
! align="left" | Notes
| Left/center, 40-50 feet back.
|-
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #6
! bgcolor="#fff9de" colspan="2" align="left" | AUD #6
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|-
|-
! align="left" | Format
! align="left" | Format
| MD
| DAT
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| CSB>MZ-R55
| CSBMod > M1
|-
|-
! align="left" | Length
! align="left" | Length
| ~115m
| ~105m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
| Unknown
| Unknown
|-
! align="left" | Notes
| Balcony.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #7
! bgcolor="#fff9de" colspan="2" align="left" | AUD #7
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|-
|-
! align="left" | Length
! align="left" | Length
| ~115m
| ~105m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
| Unknown
| Unknown
|-
! align="left" | Notes
| Probably recorded on a Panasonic walkman.
|-
|-
|}
|}
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* Try, Try, Try
* Try, Try, Try
* Ava Adore
* Ava Adore
* Rock On [Essex]
* Rock On [Essex] [7:38]
* Zero
* Zero
* Today
* Today
Line 187: Line 223:
* Blank Page
* Blank Page
* Bullet with Butterfly Wings
* Bullet with Butterfly Wings
** Once in a Lifetime [The Talking Heads]
** Once in a Lifetime [Talking Heads] [7:18]
 
=== Notes ===
* To Sheila, Disarm, Try, Try, Try, and Ava Adore performed acoustic


== Banter ==
== Banter ==
<blockquote>
<blockquote>
(unknown)
'''Pale Scales'''<br>
'''The Everlasting Gaze'''<br>
> '''Heavy Metal Machine'''<br>
'''Age of Innocence'''<br>
'''Glass and the Ghost Children'''<br>
BC: Good evening, good evening, good evening, good evening, good evening.  Good evening.  Thank you very much for coming tonight.  I’d, uh, now like to introduce, uh, my partner, my friend, my muse, Mr. James Iha.<br>
'''Blew Away'''<br>
> '''Stand Inside Your Love'''<br>
'''This Time'''<br>
'''I of the Mourning'''<br>
Le Deux Machina (tape)<br>
'''To Sheila''' (Billy acoustic w/Iha)<br>
'''Disarm''' (acoustic)<br>
BC: Thank you very much, thank you.  We’d like to play, um...uh, a song from our new album, Machina and the Attack of the Missing Toys.  This is called Try, Try, Try.<br>
'''Try, Try, Try''' (acoustic)<br>
BC: On the drums, uh, Mr. Jimmy Chamberlin.<br>
'''Ava Adore''' (acoustic)<br>
'''Rock On'''<br>
> '''Zero'''<br>
BC: See, we’re just toying with you, toy with you.  We can rock anytime we want.<br>
'''Today'''<br>
'''Blue Skies Bring Tears'''<br>
> '''Cherub Rock'''<br>
BC: Thanks a lot.<br>
Iha: ''(growl voice)'' Thanks a lot.<br>
[encore break]<br>
'''Blank Page'''<br>
> '''Bullet with Butterfly Wings'''<br>
> '''Once in a Lifetime'''<br>
Iha: Thank you very much.  Thank you.  Thanks a lot for coming out.  Appreciate you staying.<br>
</blockquote>
</blockquote>


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[[Image:000425-05.jpg|166px|left]]
[[Image:000425-05.jpg|166px|left]]
[[Image:000425-sign.jpg|166px|left]]
[[Image:000425-sign.jpg|166px|left]]
[[Image:tsp2000-04-25.png|250px|left]]
[[Image:tsp2000-04-25-1.jpg|250px|left]]

Latest revision as of 02:12, 25 October 2024

The Smashing Pumpkins
Date 2000-04-25
Venue Hammerstein Ballroom
Location New York, NY, US
Venue Type Ballroom
Capacity 3000
Lineup Corgan, Iha, Chamberlin, Auf der Maur
Order of Bands The Smashing Pumpkins
Surfaced Recordings
AUD #1
Source AUD
Format DAT
Equipment CSBMod > M1
Length 29m (soundcheck)
102m (show)
Complete? Yes
Lowest Circulating Generation DDC-? > CDR
Live Music Archive 16-bit download (soundcheck)
Notes Soundcheck recorded through an open door.
AUD #2
Source AUD
Format DAT
Equipment SPPB > M1
Length 105m
Complete? Yes
Lowest Circulating Generation DDC-? > CDR
AUD #3
Source AUD
Format DAT
Equipment SS-DSM-6S > PA-6LC3 > M1
Length 106m
Complete? No
Lowest Circulating Generation DDC-2(48k) > dEdit > FLAC
Live Music Archive 16-bit download
Notes Front of board. Volume adjustments during Pale Scales and Heavy Metal Machine, two blips during Heavy Metal Machine, Blank Page cuts in and contains a dropout.
AUD #4
Source AUD
Format MD
Equipment CSBMod > MZ-R55
Length 105m
Complete? Yes
Lowest Circulating Generation MD-M > FLAC
Live Music Archive 16-bit download
Notes Floor, 20 feet from left stack.
AUD #5
Source AUD
Format DAT
Equipment SS-DSM-6S/L > PA-6LC3 > TCD-D100 (48k)
Length 100m
Complete? Yes
Lowest Circulating Generation DAT-M > FLAC
Live Music Archive 16-bit download
Notes Left/center, 40-50 feet back.
Unsurfaced Recordings
AUD #6
Source AUD
Format DAT
Equipment CSBMod > M1
Length ~105m
Complete? Unknown
Notes Balcony.
AUD #7
Source AUD
Format ANA
Equipment Unknown
Length ~105m
Complete? Unknown
Notes Probably recorded on a Panasonic walkman.

Setlist

Soundcheck:

  • (jam)
  • Heavy Metal Machine
  • The Everlasting Gaze
  • Blue Skies Bring Tears (take one)
  • Blue Skies Bring Tears (take two)
  • Drown

Set:

  • Pale Scales
  • The Everlasting Gaze
  • Heavy Metal Machine
  • Age of Innocence
  • Glass and the Ghost Children
  • Blew Away
  • Stand Inside Your Love
  • This Time
  • I of the Mourning
  • To Sheila
  • Disarm
  • Try, Try, Try
  • Ava Adore
  • Rock On [Essex] [7:38]
  • Zero
  • Today
  • Blue Skies Bring Tears
  • Cherub Rock

Encore:

  • Blank Page
  • Bullet with Butterfly Wings
    • Once in a Lifetime [Talking Heads] [7:18]

Notes

  • To Sheila, Disarm, Try, Try, Try, and Ava Adore performed acoustic

Banter

Pale Scales
The Everlasting Gaze
> Heavy Metal Machine
Age of Innocence
Glass and the Ghost Children
BC: Good evening, good evening, good evening, good evening, good evening. Good evening. Thank you very much for coming tonight. I’d, uh, now like to introduce, uh, my partner, my friend, my muse, Mr. James Iha.
Blew Away
> Stand Inside Your Love
This Time
I of the Mourning
Le Deux Machina (tape)
To Sheila (Billy acoustic w/Iha)
Disarm (acoustic)
BC: Thank you very much, thank you. We’d like to play, um...uh, a song from our new album, Machina and the Attack of the Missing Toys. This is called Try, Try, Try.
Try, Try, Try (acoustic)
BC: On the drums, uh, Mr. Jimmy Chamberlin.
Ava Adore (acoustic)
Rock On
> Zero
BC: See, we’re just toying with you, toy with you. We can rock anytime we want.
Today
Blue Skies Bring Tears
> Cherub Rock
BC: Thanks a lot.
Iha: (growl voice) Thanks a lot.
[encore break]
Blank Page
> Bullet with Butterfly Wings
> Once in a Lifetime
Iha: Thank you very much. Thank you. Thanks a lot for coming out. Appreciate you staying.

Photos & Memorabilia

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