Zwan2003-01-23B: Difference between revisions

From SPLRA
Jump to navigation Jump to search
← Older edit
No edit summary
Dave (talk | contribs)
1,701 edits
 
(21 intermediate revisions by 2 users not shown)
Line 16: Line 16:
! align="left" | Capacity
! align="left" | Capacity
| 1100
| 1100
|-
! align="left" | Lineup
| Corgan, Chamberlin, Sweeney, Pajo, Lenchantin
|-
! align="left" | Order of Bands
| King Kong, Zwan
|-
|-
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
Line 28: Line 34:
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| Oktava MC-012 Cards>Denecke PS-2>Denecke AD-20>MS722
| Oktava MC012 > PS-2 > AD-20 > MS722
|-
|-
! align="left" | Length
! align="left" | Length
| 101m
| 91m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
Line 37: Line 43:
|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| MD-M>SHN
| MD-M > CDR-0 > SHN
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/zwan2003-01-23.quinto.shn 16-bit download]
|-
|-
! align="left" | Notes
! align="left" | Notes
| Mic stand. This taper used the same mics and split the input into two different recorders. [http://www.archive.org/audio/etree-details-db.php?id=6108  show @ archive.org].
| Mic stand. Taper used one pair of mics and split the signal into two recorders.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2
Line 51: Line 60:
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| CSBMod>M1
| CSBMod > M1(44.1k)
|-
|-
! align="left" | Length
! align="left" | Length
| 99m
| 89m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
Line 60: Line 69:
|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| DAT-M>SHN
| DAT-M > SHN
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/zwan2003-01-22 16-bit download]
|-
|-
! align="left" | Notes
! align="left" | Notes
| 10 feet FoB.
| 10 feet in front of the soundboard.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3a
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3a
Line 74: Line 86:
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| KM140>Minime>(laptop)
| KM140 > Minime > laptop(24/48)
|-
|-
! align="left" | Length
! align="left" | Length
| 100m
| 101m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
Line 83: Line 95:
|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| Master WAVs>dEdit>FLAC
| WAV-M > dEdit > FLAC
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/zwan2003-01-23.km140.flac16 16-bit download]<br>[http://www.archive.org/details/zwan2003-01-23.km140.flac24 24-bit download]
|-
|-
! align="left" | Notes
! align="left" | Notes
| Mic stand, ORTF, taped at 24bit/48khz. This taper used the same mics and split the input into two different recorders. [http://www.archive.org/details/zwan2003-01-23.km140.flac24 show@archive.org]
| Mic stand, ORTF. Taper used one pair of mics and split the signal into two recorders.
|-
|-
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
Line 99: Line 114:
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| Oktava MC-012 Cards>Denecke PS-2>Zefiro Inbox>VxPocket2>(laptop)
| Oktava MC012 > PS-2 > Zefiro Inbox > VxPocket2 > laptop(16/44.1)
|-
|-
! align="left" | Length
! align="left" | Length
Line 108: Line 123:
|-
|-
! align="left" | Notes
! align="left" | Notes
| Mic stand. Taped at 44.1khz/16bit. This taper used the same mics and split the input into two different recorders.
| Mic stand. Taper used one pair of mics and split the signal into two recorders.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3b
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3b
Line 119: Line 134:
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| KM140>Minime>TCD-D100
| KM140 > Minime > TCD-D100
|-
|-
! align="left" | Length
! align="left" | Length
Line 128: Line 143:
|-
|-
! align="left" | Notes
! align="left" | Notes
| Mic stand. This taper used the same mics and split the input into two different recorders.
| Mic stand. Taper used one pair of mics and split the signal into two recorders.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4
Line 139: Line 154:
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| DAB>DA-120S>MT-877
| DAB > DA-120S > MT-877
|-
|-
! align="left" | Length
! align="left" | Length
Line 175: Line 190:
== Banter ==
== Banter ==
<blockquote>
<blockquote>
(unknown)
'''Lyric'''<br>
'''Endless Summer'''<br>
BC: Thank you!  It’s a little hard to sing about summer today.  ‘Cause I’m so hot.<br>
'''Love Lies in Ruin'''<br>
> '''Declarations of Faith'''<br>
'''Settle Down'''<br>
BC: Thank you very much, thank you very much.  Welcome, welcome, welcome every one and all.  Even those who aren’t here, welcome.  Thank you so much for coming out on a wonderfully brisk Chicago evening.  I, I went to my dentist today and he was like “Yeah, you know, I was in Chicago recently and it was really...it was cold and it was rainy and it was gray” and I was like “And?”  He’s like, “Well, that’s it” and I’m like “And?  That’s no and.”  He doesn’t understand.  Do you understand?  I always say if you have to explain a joke, it’s not funny, so I guess that’s not funny.  But, uh, thank you, Joe.  Um, this next song is, uh, also from Mary Star of the Sea...<br>
Girl in crowd: I love you!<br>
BC: It’s one of our favorite songs, I love you too. At least that’s what I told her last night.  I already told her, ha ha.  ''(rimshot from Jimmy)''  And, uh...<br>
Sweeney: You still got it, dude!<br>
BC: We hope you like this one too, this is called El Sol.<br>
'''El Sol'''<br>
> '''Honestly'''<br>
> '''Riverview'''<br>
> '''Spilled Milk'''<br>
BC: Thank you, heh heh.  Like to take a second to introduce the Zwan.  On the gee-tar, Mr. Matt...Jack...Sweeney.  On the drums, Mr. Jimmy Chamberlin.  On the lovely violin, the sinewy bass, the Paz.  Yes, yes.  Heh heh.  And on the piano, guitar, harmonica, skin flute...heh, Mr. David Pajo ''(pronounced Pa-JOE)''.<br>
Sweeney ''(in weird voice)'': And on guitar, Mr. Billy Corgan.<br>
'''Of a Broken Heart'''<br>
'''Friends as Lovers, Lovers as Friends'''<br>
'''Jesus, I'''<br>
> '''Mary Star of the Sea'''<br>
(BC after lyrics, before outro: Thank you very much, thank you.  We are the Zwan.)<br>
BC: Thank you very much, thank you.<br>
[encore break]<br>
BC: Thank you.<br>
'''I’m Eighteen'''<br>
> '''Baby, Let’s Rock!'''<br>
BC: Thank you, Chicago.  You’re the best, you’re the best, you’re the best.<br>
[encore break]<br>
BC: Thank you very much, thank you. Thanks for making us feel so welcome and special.  “Special.”  That’s such a scary word, isn’t it?  “Special.” ...<br>
Paz: You are special.<br>
BC: Huh?<br>
Paz: You are special.<br>
BC: I’m special?  ''(crowd cheers)''  As in, like, yellow bus special or...?  Sorry.  Heh heh, Jimmy’s ready to go home, okay.  Thanks again, this is a song called New Poetry.<br>
'''A New Poetry'''<br>
BC: God bless you all, thank you very much.  God bless you.
</blockquote>
</blockquote>


== Photos and Memorabilia ==
== Photos and Memorabilia ==
[[Image:0301XX-Shirt.jpg|125px|left]]
[[Image:0301XX-Shirt.jpg|125px|left]]

Latest revision as of 06:07, 5 December 2020

Zwan
Date 2003-01-23
Venue Metro
Location Chicago, IL, US
Venue Type Club
Capacity 1100
Lineup Corgan, Chamberlin, Sweeney, Pajo, Lenchantin
Order of Bands King Kong, Zwan
Surfaced Recordings
AUD #1a
Source AUD
Format MD
Equipment Oktava MC012 > PS-2 > AD-20 > MS722
Length 91m
Complete? Yes
Lowest Circulating Generation MD-M > CDR-0 > SHN
Live Music Archive 16-bit download
Notes Mic stand. Taper used one pair of mics and split the signal into two recorders.
AUD #2
Source AUD
Format DAT
Equipment CSBMod > M1(44.1k)
Length 89m
Complete? Yes
Lowest Circulating Generation DAT-M > SHN
Live Music Archive 16-bit download
Notes 10 feet in front of the soundboard.
AUD #3a
Source AUD
Format WAV
Equipment KM140 > Minime > laptop(24/48)
Length 101m
Complete? Yes
Lowest Circulating Generation WAV-M > dEdit > FLAC
Live Music Archive 16-bit download
24-bit download
Notes Mic stand, ORTF. Taper used one pair of mics and split the signal into two recorders.
Unsurfaced Recordings
AUD #1b
Source AUD
Format WAV
Equipment Oktava MC012 > PS-2 > Zefiro Inbox > VxPocket2 > laptop(16/44.1)
Length 101m
Complete? Yes
Notes Mic stand. Taper used one pair of mics and split the signal into two recorders.
AUD #3b
Source AUD
Format DAT
Equipment KM140 > Minime > TCD-D100
Length 101m
Complete? Yes
Notes Mic stand. Taper used one pair of mics and split the signal into two recorders.
AUD #4
Source AUD
Format MD
Equipment DAB > DA-120S > MT-877
Length ~100m
Complete? Yes
Notes 10 feet from right stack.

Setlist

Set:

  • Lyric
  • Endless Summer
  • Love Lies in Ruin
  • Declarations of Faith
  • Settle Down
  • El Sol
  • Honestly
  • Riverview
  • Spilled Milk
  • Of a Broken Heart
  • Friends as Lovers, Lovers as Friends
  • Jesus, I [Lyte]
    • Mary Star of the Sea

Encore One:

  • I'm Eighteen [Cooper]
  • Baby, Let's Rock

Encore Two:

  • A New Poetry

Banter

Lyric
Endless Summer
BC: Thank you! It’s a little hard to sing about summer today. ‘Cause I’m so hot.
Love Lies in Ruin
> Declarations of Faith
Settle Down
BC: Thank you very much, thank you very much. Welcome, welcome, welcome every one and all. Even those who aren’t here, welcome. Thank you so much for coming out on a wonderfully brisk Chicago evening. I, I went to my dentist today and he was like “Yeah, you know, I was in Chicago recently and it was really...it was cold and it was rainy and it was gray” and I was like “And?” He’s like, “Well, that’s it” and I’m like “And? That’s no and.” He doesn’t understand. Do you understand? I always say if you have to explain a joke, it’s not funny, so I guess that’s not funny. But, uh, thank you, Joe. Um, this next song is, uh, also from Mary Star of the Sea...
Girl in crowd: I love you!
BC: It’s one of our favorite songs, I love you too. At least that’s what I told her last night. I already told her, ha ha. (rimshot from Jimmy) And, uh...
Sweeney: You still got it, dude!
BC: We hope you like this one too, this is called El Sol.
El Sol
> Honestly
> Riverview
> Spilled Milk
BC: Thank you, heh heh. Like to take a second to introduce the Zwan. On the gee-tar, Mr. Matt...Jack...Sweeney. On the drums, Mr. Jimmy Chamberlin. On the lovely violin, the sinewy bass, the Paz. Yes, yes. Heh heh. And on the piano, guitar, harmonica, skin flute...heh, Mr. David Pajo (pronounced Pa-JOE).
Sweeney (in weird voice): And on guitar, Mr. Billy Corgan.
Of a Broken Heart
Friends as Lovers, Lovers as Friends
Jesus, I
> Mary Star of the Sea
(BC after lyrics, before outro: Thank you very much, thank you. We are the Zwan.)
BC: Thank you very much, thank you.
[encore break]
BC: Thank you.
I’m Eighteen
> Baby, Let’s Rock!
BC: Thank you, Chicago. You’re the best, you’re the best, you’re the best.
[encore break]
BC: Thank you very much, thank you. Thanks for making us feel so welcome and special. “Special.” That’s such a scary word, isn’t it? “Special.” ...
Paz: You are special.
BC: Huh?
Paz: You are special.
BC: I’m special? (crowd cheers) As in, like, yellow bus special or...? Sorry. Heh heh, Jimmy’s ready to go home, okay. Thanks again, this is a song called New Poetry.
A New Poetry
BC: God bless you all, thank you very much. God bless you.

Photos and Memorabilia

Retrieved from "https://www.splra.org/wiki/index.php?title=Zwan2003-01-23B&oldid=41817"