Zwan2003-01-23B: Difference between revisions
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! align="left" | Capacity | ! align="left" | Capacity | ||
| 1100 | | 1100 | ||
|- | |||
! align="left" | Lineup | |||
| Corgan, Chamberlin, Sweeney, Pajo, Lenchantin | |||
|- | |||
! align="left" | Order of Bands | |||
| King Kong, Zwan | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| Oktava | | Oktava MC012 > PS-2 > AD-20 > MS722 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 91m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
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|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| MD-M>SHN | | MD-M > CDR-0 > SHN | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/zwan2003-01-23.quinto.shn 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Mic stand. | | Mic stand. Taper used one pair of mics and split the signal into two recorders. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSBMod>M1 | | CSBMod > M1(44.1k) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 89m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
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|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT-M>SHN | | DAT-M > SHN | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/zwan2003-01-22 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| 10 feet | | 10 feet in front of the soundboard. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3a | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3a | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| KM140>Minime>( | | KM140 > Minime > laptop(24/48) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 101m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
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|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | WAV-M > dEdit > FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/zwan2003-01-23.km140.flac16 16-bit download]<br>[http://www.archive.org/details/zwan2003-01-23.km140.flac24 24-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Mic stand, ORTF | | Mic stand, ORTF. Taper used one pair of mics and split the signal into two recorders. | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| Oktava | | Oktava MC012 > PS-2 > Zefiro Inbox > VxPocket2 > laptop(16/44.1) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Mic stand. | | Mic stand. Taper used one pair of mics and split the signal into two recorders. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3b | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3b | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| KM140>Minime>TCD-D100 | | KM140 > Minime > TCD-D100 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Mic stand. | | Mic stand. Taper used one pair of mics and split the signal into two recorders. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| DAB>DA-120S>MT-877 | | DAB > DA-120S > MT-877 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Lyric'''<br> | ||
'''Endless Summer'''<br> | |||
BC: Thank you! It’s a little hard to sing about summer today. ‘Cause I’m so hot.<br> | |||
'''Love Lies in Ruin'''<br> | |||
> '''Declarations of Faith'''<br> | |||
'''Settle Down'''<br> | |||
BC: Thank you very much, thank you very much. Welcome, welcome, welcome every one and all. Even those who aren’t here, welcome. Thank you so much for coming out on a wonderfully brisk Chicago evening. I, I went to my dentist today and he was like “Yeah, you know, I was in Chicago recently and it was really...it was cold and it was rainy and it was gray” and I was like “And?” He’s like, “Well, that’s it” and I’m like “And? That’s no and.” He doesn’t understand. Do you understand? I always say if you have to explain a joke, it’s not funny, so I guess that’s not funny. But, uh, thank you, Joe. Um, this next song is, uh, also from Mary Star of the Sea...<br> | |||
Girl in crowd: I love you!<br> | |||
BC: It’s one of our favorite songs, I love you too. At least that’s what I told her last night. I already told her, ha ha. ''(rimshot from Jimmy)'' And, uh...<br> | |||
Sweeney: You still got it, dude!<br> | |||
BC: We hope you like this one too, this is called El Sol.<br> | |||
'''El Sol'''<br> | |||
> '''Honestly'''<br> | |||
> '''Riverview'''<br> | |||
> '''Spilled Milk'''<br> | |||
BC: Thank you, heh heh. Like to take a second to introduce the Zwan. On the gee-tar, Mr. Matt...Jack...Sweeney. On the drums, Mr. Jimmy Chamberlin. On the lovely violin, the sinewy bass, the Paz. Yes, yes. Heh heh. And on the piano, guitar, harmonica, skin flute...heh, Mr. David Pajo ''(pronounced Pa-JOE)''.<br> | |||
Sweeney ''(in weird voice)'': And on guitar, Mr. Billy Corgan.<br> | |||
'''Of a Broken Heart'''<br> | |||
'''Friends as Lovers, Lovers as Friends'''<br> | |||
'''Jesus, I'''<br> | |||
> '''Mary Star of the Sea'''<br> | |||
(BC after lyrics, before outro: Thank you very much, thank you. We are the Zwan.)<br> | |||
BC: Thank you very much, thank you.<br> | |||
[encore break]<br> | |||
BC: Thank you.<br> | |||
'''I’m Eighteen'''<br> | |||
> '''Baby, Let’s Rock!'''<br> | |||
BC: Thank you, Chicago. You’re the best, you’re the best, you’re the best.<br> | |||
[encore break]<br> | |||
BC: Thank you very much, thank you. Thanks for making us feel so welcome and special. “Special.” That’s such a scary word, isn’t it? “Special.” ...<br> | |||
Paz: You are special.<br> | |||
BC: Huh?<br> | |||
Paz: You are special.<br> | |||
BC: I’m special? ''(crowd cheers)'' As in, like, yellow bus special or...? Sorry. Heh heh, Jimmy’s ready to go home, okay. Thanks again, this is a song called New Poetry.<br> | |||
'''A New Poetry'''<br> | |||
BC: God bless you all, thank you very much. God bless you. | |||
</blockquote> | </blockquote> | ||
== Photos and Memorabilia == | == Photos and Memorabilia == | ||
[[Image:0301XX-Shirt.jpg|125px|left]] | [[Image:0301XX-Shirt.jpg|125px|left]] |
Latest revision as of 07:07, 5 December 2020
Zwan | |
---|---|
Date | 2003-01-23 |
Venue | Metro |
Location | Chicago, IL, US |
Venue Type | Club |
Capacity | 1100 |
Lineup | Corgan, Chamberlin, Sweeney, Pajo, Lenchantin |
Order of Bands | King Kong, Zwan |
Surfaced Recordings | |
AUD #1a | |
Source | AUD |
Format | MD |
Equipment | Oktava MC012 > PS-2 > AD-20 > MS722 |
Length | 91m |
Complete? | Yes |
Lowest Circulating Generation | MD-M > CDR-0 > SHN |
Live Music Archive | 16-bit download |
Notes | Mic stand. Taper used one pair of mics and split the signal into two recorders. |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | CSBMod > M1(44.1k) |
Length | 89m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > SHN |
Live Music Archive | 16-bit download |
Notes | 10 feet in front of the soundboard. |
AUD #3a | |
Source | AUD |
Format | WAV |
Equipment | KM140 > Minime > laptop(24/48) |
Length | 101m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M > dEdit > FLAC |
Live Music Archive | 16-bit download 24-bit download |
Notes | Mic stand, ORTF. Taper used one pair of mics and split the signal into two recorders. |
Unsurfaced Recordings | |
AUD #1b | |
Source | AUD |
Format | WAV |
Equipment | Oktava MC012 > PS-2 > Zefiro Inbox > VxPocket2 > laptop(16/44.1) |
Length | 101m |
Complete? | Yes |
Notes | Mic stand. Taper used one pair of mics and split the signal into two recorders. |
AUD #3b | |
Source | AUD |
Format | DAT |
Equipment | KM140 > Minime > TCD-D100 |
Length | 101m |
Complete? | Yes |
Notes | Mic stand. Taper used one pair of mics and split the signal into two recorders. |
AUD #4 | |
Source | AUD |
Format | MD |
Equipment | DAB > DA-120S > MT-877 |
Length | ~100m |
Complete? | Yes |
Notes | 10 feet from right stack. |
Setlist
Set:
- Lyric
- Endless Summer
- Love Lies in Ruin
- Declarations of Faith
- Settle Down
- El Sol
- Honestly
- Riverview
- Spilled Milk
- Of a Broken Heart
- Friends as Lovers, Lovers as Friends
- Jesus, I [Lyte]
- Mary Star of the Sea
Encore One:
- I'm Eighteen [Cooper]
- Baby, Let's Rock
Encore Two:
- A New Poetry
Banter
Lyric
Endless Summer
BC: Thank you! It’s a little hard to sing about summer today. ‘Cause I’m so hot.
Love Lies in Ruin
> Declarations of Faith
Settle Down
BC: Thank you very much, thank you very much. Welcome, welcome, welcome every one and all. Even those who aren’t here, welcome. Thank you so much for coming out on a wonderfully brisk Chicago evening. I, I went to my dentist today and he was like “Yeah, you know, I was in Chicago recently and it was really...it was cold and it was rainy and it was gray” and I was like “And?” He’s like, “Well, that’s it” and I’m like “And? That’s no and.” He doesn’t understand. Do you understand? I always say if you have to explain a joke, it’s not funny, so I guess that’s not funny. But, uh, thank you, Joe. Um, this next song is, uh, also from Mary Star of the Sea...
Girl in crowd: I love you!
BC: It’s one of our favorite songs, I love you too. At least that’s what I told her last night. I already told her, ha ha. (rimshot from Jimmy) And, uh...
Sweeney: You still got it, dude!
BC: We hope you like this one too, this is called El Sol.
El Sol
> Honestly
> Riverview
> Spilled Milk
BC: Thank you, heh heh. Like to take a second to introduce the Zwan. On the gee-tar, Mr. Matt...Jack...Sweeney. On the drums, Mr. Jimmy Chamberlin. On the lovely violin, the sinewy bass, the Paz. Yes, yes. Heh heh. And on the piano, guitar, harmonica, skin flute...heh, Mr. David Pajo (pronounced Pa-JOE).
Sweeney (in weird voice): And on guitar, Mr. Billy Corgan.
Of a Broken Heart
Friends as Lovers, Lovers as Friends
Jesus, I
> Mary Star of the Sea
(BC after lyrics, before outro: Thank you very much, thank you. We are the Zwan.)
BC: Thank you very much, thank you.
[encore break]
BC: Thank you.
I’m Eighteen
> Baby, Let’s Rock!
BC: Thank you, Chicago. You’re the best, you’re the best, you’re the best.
[encore break]
BC: Thank you very much, thank you. Thanks for making us feel so welcome and special. “Special.” That’s such a scary word, isn’t it? “Special.” ...
Paz: You are special.
BC: Huh?
Paz: You are special.
BC: I’m special? (crowd cheers) As in, like, yellow bus special or...? Sorry. Heh heh, Jimmy’s ready to go home, okay. Thanks again, this is a song called New Poetry.
A New Poetry
BC: God bless you all, thank you very much. God bless you.