Tsp1999-10-31: Difference between revisions
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| 20,000 | | 20,000 | ||
|- | |- | ||
! align="left" | | ! align="left" | Lineup | ||
| | | Corgan, Iha, Chamberlin | ||
|- | |||
! align="left" | Order of Bands | |||
| Brian Wilson, Lucinda Williams, Emmylou Harris, Green Day, The Smashing Pumpkins, Sheryl Crow, Pearl Jam, The Who | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
Line 25: | Line 28: | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
| | | SAT | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | Unknown | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | Unknown | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 40: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| Satellite Feed>CDR | | Satellite Feed > CDR > SHN | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp1999-10-31.shn 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Full show. | | Full show, only source to contain I Shall Be Released. A matrix of the set portion from this source and the Schoeps source circulates. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #1 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #1 | ||
Line 54: | Line 60: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| Schoeps MK4>R-Mod | | Schoeps MK4 > R-Mod | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 63: | Line 69: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | DDC-? > CDR | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp1999-10-31.shn 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Set one only. Circulates matrixed with SBD #1. | | Set one only. Circulates matrixed with SBD #1. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
| | | AUD | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | DAT | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | SS-DSM-6 > SBM-1 > TCD-D8 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | ~30m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | DDC-1 > dEdit > FLAC | ||
|- | |- | ||
! align="left" | | ! align="left" | Live Music Archive | ||
| | | [http://www.archive.org/details/tsp1999-10-31.ssdsm6.flac16 16-bit download] | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | PRO #1a | |||
! bgcolor="#fff9de" colspan="2" align="left" | | |||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
| | | PRO | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | VHS | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | Pro-Cams | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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! align="left" | Complete? | ! align="left" | Complete? | ||
| No | | No | ||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| VHS-1 > DVD | |||
|- | |||
! align="left" | Video Link | |||
| [https://youtu.be/S_0cSauseIU YouTube] | |||
|- | |||
! align="left" | Notes | |||
| VHS-? > VCD transfer also circulates. Does not include I Shall Be Released. | |||
|- | |||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | CSB > TCD-D100 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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! align="left" | Complete? | ! align="left" | Complete? | ||
| No | | No | ||
|- | |||
! align="left" | Notes | |||
| Set one only. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSBMod>M1 | | CSBMod > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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! align="left" | Complete? | ! align="left" | Complete? | ||
| No | | No | ||
|- | |||
! align="left" | Notes | |||
| Lawn. Set one only. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ||
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* Summer | * Summer | ||
* If There Is a God | * If There Is a God | ||
** Stay [U2] | ** Stay (Faraway, So Close!) [U2] | ||
* Smoke on the Water [Deep Purple] (tease) | * Smoke on the Water [Deep Purple] (tease) | ||
* Ol' 55 [Waits] | * Ol' 55 [Waits] | ||
Line 194: | Line 218: | ||
* Disarm | * Disarm | ||
Set Two: | Set Two: | ||
* I Shall Be Released [ | * I Shall Be Released [Dylan] | ||
=== Notes === | |||
* Bridge School Benefit | |||
* Acoustic | |||
* Final performances of Summer, Stay, and Ol' 55 | |||
* Only performance of I Shall Be Released | |||
* I Shall Be Released played as part of closing all-star jam | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
'''Summer''' <br | '''Summer''' (Billy/Iha only)<br> | ||
Iha: | Iha: Thanks.<br> | ||
'''If There | '''If There is a God''' (Billy/Iha only)<br> | ||
> '''Stay''' (Billy/Iha only)<br> | |||
BC: Thank you very much. We'd like to bring out an old friend right now, play some drums, his name is Ian Paice, he's from Deep Purple.<br> | |||
'''Smoke on the Water''' (tease - first 7 notes)<br> | |||
'''Smoke | '''Ol' 55'''<br> | ||
BC: We'd like to play a new song for you that I wrote about two weeks ago so you can let me know if it's any good. It's called, uh - heh heh heh. It's called, uh...<br> | |||
'''Ol' 55'''<br | Guy in crowd: Two weeks old!<br> | ||
BC: Heh heh. It's called “How do you follow The Who on a Sunday afternoon?” Heh heh heh. No, this is called The Age of Innocence and uh, see, if you like it we'll put it on our new album, if you don't like it, we won't, so.... Um, Ian, after you.<br> | |||
'''Age of Innocence'''<br> | |||
so you can let me know if it's any good. It's called, uh. | BC: Thank you. Thank you very much. Now we'd like to take you right back down. Way down. This one goes out to all who have lost their way...which I think means all of us. Heh heh. This is Glass and the Infinite Children. No, you start this one, Ian. Glass and the Ghost Children?<br> | ||
Jimmy ''(off mic)'': Ah, right.<br> | |||
BC: You start this one.<br> | |||
Jimmy ''(off mic)'': Right?<br> | |||
BC: Yeah, you did.<br> | |||
'''Age of Innocence'''<br | Iha: No you were...<br> | ||
BC: Heh. Oh I start it ''(starts song)''. Sorry, heh heh. Oh, now you start it. I'll finish it though.<br> | |||
'''Glass and the Ghost Children'''<br> | |||
BC: So I'd just like to say that it's a real honor to share the same stage with these great rock legends: The Who, Neil Young, Brian Wilson.<br> | |||
Jimmy ''(off mic)'': Pearl Jam.<br> | |||
BC: Pearl Jam?<br> | |||
Iha: Rockin’.<br> | |||
BC: They're not rock legends yet, they will be though. But thank you to them for inspiring us eternally. Not gonna remember this? Heh heh.<br> | |||
Glass and the Ghost Children? | Iha: Just wing it.<br> | ||
'''Disarm'''<br> | |||
BC: God bless you, thank you.<br> | |||
Iha: Thanks.<br> | |||
Iha: No you were...<br | |||
'''Glass and the Ghost Children'''<br | |||
Iha: | |||
'''Disarm'''<br | |||
Iha: Thanks<br | |||
</blockquote> | </blockquote> | ||
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[[Image:991031-03.jpg|100px|left]] | [[Image:991031-03.jpg|100px|left]] | ||
[[Image:991031-04.jpg|100px|left]] | [[Image:991031-04.jpg|100px|left]] | ||
[[Image:Tsp1999-10-30.jpg|250px|left]] |
Latest revision as of 04:47, 1 October 2024
The Smashing Pumpkins | |
---|---|
Date | 1999-10-31 |
Venue | Shoreline Amphitheater |
Location | Mountain View, CA, US |
Venue Type | Amphitheater |
Capacity | 20,000 |
Lineup | Corgan, Iha, Chamberlin |
Order of Bands | Brian Wilson, Lucinda Williams, Emmylou Harris, Green Day, The Smashing Pumpkins, Sheryl Crow, Pearl Jam, The Who |
Surfaced Recordings | |
SBD #1 | |
Source | SAT |
Format | Unknown |
Equipment | Unknown |
Length | 36m |
Complete? | Yes |
Lowest Circulating Generation | Satellite Feed > CDR > SHN |
Live Music Archive | 16-bit download |
Notes | Full show, only source to contain I Shall Be Released. A matrix of the set portion from this source and the Schoeps source circulates. |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | Schoeps MK4 > R-Mod |
Length | 31m |
Complete? | No |
Lowest Circulating Generation | DDC-? > CDR |
Live Music Archive | 16-bit download |
Notes | Set one only. Circulates matrixed with SBD #1. |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6 > SBM-1 > TCD-D8 |
Length | ~30m |
Complete? | Yes |
Lowest Circulating Generation | DDC-1 > dEdit > FLAC |
Live Music Archive | 16-bit download |
PRO #1a | |
Source | PRO |
Format | VHS |
Equipment | Pro-Cams |
Length | 33m |
Complete? | No |
Lowest Circulating Generation | VHS-1 > DVD |
Video Link | YouTube |
Notes | VHS-? > VCD transfer also circulates. Does not include I Shall Be Released. |
Unsurfaced Recordings | |
AUD #3 | |
Source | AUD |
Format | DAT |
Equipment | CSB > TCD-D100 |
Length | 33m |
Complete? | No |
Notes | Set one only. |
AUD #4 | |
Source | AUD |
Format | DAT |
Equipment | CSBMod > M1 |
Length | 33m |
Complete? | No |
Notes | Lawn. Set one only. |
AMT #1 | |
Source | AUD |
Format | Hi8 |
Equipment | Unknown |
Length | 33m |
Complete? | No |
Notes | Set one only. If There Is a God cuts. |
PRO #1 | |
Source | PRO |
Format | VID |
Equipment | Pro-Cams |
Length | ~40m |
Complete? | Yes |
Setlist
Set One:
- Summer
- If There Is a God
- Stay (Faraway, So Close!) [U2]
- Smoke on the Water [Deep Purple] (tease)
- Ol' 55 [Waits]
- Age of Innocence
- Glass and the Ghost Children
- Disarm
Set Two:
- I Shall Be Released [Dylan]
Notes
- Bridge School Benefit
- Acoustic
- Final performances of Summer, Stay, and Ol' 55
- Only performance of I Shall Be Released
- I Shall Be Released played as part of closing all-star jam
Banter
Summer (Billy/Iha only)
Iha: Thanks.
If There is a God (Billy/Iha only)
> Stay (Billy/Iha only)
BC: Thank you very much. We'd like to bring out an old friend right now, play some drums, his name is Ian Paice, he's from Deep Purple.
Smoke on the Water (tease - first 7 notes)
Ol' 55
BC: We'd like to play a new song for you that I wrote about two weeks ago so you can let me know if it's any good. It's called, uh - heh heh heh. It's called, uh...
Guy in crowd: Two weeks old!
BC: Heh heh. It's called “How do you follow The Who on a Sunday afternoon?” Heh heh heh. No, this is called The Age of Innocence and uh, see, if you like it we'll put it on our new album, if you don't like it, we won't, so.... Um, Ian, after you.
Age of Innocence
BC: Thank you. Thank you very much. Now we'd like to take you right back down. Way down. This one goes out to all who have lost their way...which I think means all of us. Heh heh. This is Glass and the Infinite Children. No, you start this one, Ian. Glass and the Ghost Children?
Jimmy (off mic): Ah, right.
BC: You start this one.
Jimmy (off mic): Right?
BC: Yeah, you did.
Iha: No you were...
BC: Heh. Oh I start it (starts song). Sorry, heh heh. Oh, now you start it. I'll finish it though.
Glass and the Ghost Children
BC: So I'd just like to say that it's a real honor to share the same stage with these great rock legends: The Who, Neil Young, Brian Wilson.
Jimmy (off mic): Pearl Jam.
BC: Pearl Jam?
Iha: Rockin’.
BC: They're not rock legends yet, they will be though. But thank you to them for inspiring us eternally. Not gonna remember this? Heh heh.
Iha: Just wing it.
Disarm
BC: God bless you, thank you.
Iha: Thanks.