Tsp2000-04-25: Difference between revisions
added LMA recording |
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Line 9: | Line 9: | ||
|- | |- | ||
! align="left" | Location | ! align="left" | Location | ||
| New York | | New York, NY, US | ||
|- | |- | ||
! align="left" | Venue Type | ! align="left" | Venue Type | ||
Line 16: | Line 16: | ||
! align="left" | Capacity | ! align="left" | Capacity | ||
| 3000 | | 3000 | ||
|- | |||
! align="left" | Lineup | |||
| Corgan, Iha, Chamberlin, Auf der Maur | |||
|- | |||
! align="left" | Order of Bands | |||
| The Smashing Pumpkins | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
Line 28: | Line 34: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSBMod>M1 | | CSBMod > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| 29m (soundcheck)/ | | 29m (soundcheck)<br />102m (show) | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 37: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | DDC-? > CDR | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-04-25.sc 16-bit download (soundcheck)] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
Line 51: | Line 60: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| SPPB>M1 | | SPPB > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 105m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 60: | Line 69: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | DDC-? > CDR | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ||
Line 71: | Line 80: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| SS-DSM-6S> | | SS-DSM-6S > PA-6LC3 > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 106m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 80: | Line 89: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | DDC-2(48k) > dEdit > FLAC | ||
|- | |- | ||
! align="left" | Live Music Archive | ! align="left" | Live Music Archive | ||
| [http://www.archive.org/details/tsp2000-04-25.DSM-6S.M1.flac16 16-bit | | [http://www.archive.org/details/tsp2000-04-25.DSM-6S.M1.flac16 16-bit download] | ||
|- | |- | ||
! | ! align="left" | Notes | ||
| Front of board. Volume adjustments during Pale Scales and Heavy Metal Machine, two blips during Heavy Metal Machine, Blank Page cuts in and contains a dropout. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ||
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|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | MD | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | CSBMod > MZ-R55 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 105m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Yes | | Yes | ||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| MD-M > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-04-25.flac16 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Floor, 20 feet from left stack. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | SS-DSM-6S/L > PA-6LC3 > TCD-D100 (48k) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 100m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DAT-M > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-04-25.ssdsm6s.flac16 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Left/center, 40-50 feet back. | |||
|- | |||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #6 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #6 | ||
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|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | DAT | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | CSBMod > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| ~ | | ~105m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Unknown | | Unknown | ||
|- | |||
! align="left" | Notes | |||
| Balcony. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #7 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #7 | ||
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|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| ~ | | ~105m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Unknown | | Unknown | ||
|- | |||
! align="left" | Notes | |||
| Probably recorded on a Panasonic walkman. | |||
|- | |- | ||
|} | |} | ||
Line 182: | Line 215: | ||
* Try, Try, Try | * Try, Try, Try | ||
* Ava Adore | * Ava Adore | ||
* Rock On [Essex] | * Rock On [Essex] [7:38] | ||
* Zero | * Zero | ||
* Today | * Today | ||
Line 190: | Line 223: | ||
* Blank Page | * Blank Page | ||
* Bullet with Butterfly Wings | * Bullet with Butterfly Wings | ||
** Once in a Lifetime [ | ** Once in a Lifetime [Talking Heads] [7:18] | ||
=== Notes === | |||
* To Sheila, Disarm, Try, Try, Try, and Ava Adore performed acoustic | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Pale Scales'''<br> | ||
'''The Everlasting Gaze'''<br> | |||
> '''Heavy Metal Machine'''<br> | |||
'''Age of Innocence'''<br> | |||
'''Glass and the Ghost Children'''<br> | |||
BC: Good evening, good evening, good evening, good evening, good evening. Good evening. Thank you very much for coming tonight. I’d, uh, now like to introduce, uh, my partner, my friend, my muse, Mr. James Iha.<br> | |||
'''Blew Away'''<br> | |||
> '''Stand Inside Your Love'''<br> | |||
'''This Time'''<br> | |||
'''I of the Mourning'''<br> | |||
Le Deux Machina (tape)<br> | |||
'''To Sheila''' (Billy acoustic w/Iha)<br> | |||
'''Disarm''' (acoustic)<br> | |||
BC: Thank you very much, thank you. We’d like to play, um...uh, a song from our new album, Machina and the Attack of the Missing Toys. This is called Try, Try, Try.<br> | |||
'''Try, Try, Try''' (acoustic)<br> | |||
BC: On the drums, uh, Mr. Jimmy Chamberlin.<br> | |||
'''Ava Adore''' (acoustic)<br> | |||
'''Rock On'''<br> | |||
> '''Zero'''<br> | |||
BC: See, we’re just toying with you, toy with you. We can rock anytime we want.<br> | |||
'''Today'''<br> | |||
'''Blue Skies Bring Tears'''<br> | |||
> '''Cherub Rock'''<br> | |||
BC: Thanks a lot.<br> | |||
Iha: ''(growl voice)'' Thanks a lot.<br> | |||
[encore break]<br> | |||
'''Blank Page'''<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
> '''Once in a Lifetime'''<br> | |||
Iha: Thank you very much. Thank you. Thanks a lot for coming out. Appreciate you staying.<br> | |||
</blockquote> | </blockquote> | ||
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[[Image:000425-05.jpg|166px|left]] | [[Image:000425-05.jpg|166px|left]] | ||
[[Image:000425-sign.jpg|166px|left]] | [[Image:000425-sign.jpg|166px|left]] | ||
[[Image:tsp2000-04-25.png|250px|left]] | |||
[[Image:tsp2000-04-25-1.jpg|250px|left]] |
Latest revision as of 02:12, 25 October 2024
The Smashing Pumpkins | |
---|---|
Date | 2000-04-25 |
Venue | Hammerstein Ballroom |
Location | New York, NY, US |
Venue Type | Ballroom |
Capacity | 3000 |
Lineup | Corgan, Iha, Chamberlin, Auf der Maur |
Order of Bands | The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | CSBMod > M1 |
Length | 29m (soundcheck) 102m (show) |
Complete? | Yes |
Lowest Circulating Generation | DDC-? > CDR |
Live Music Archive | 16-bit download (soundcheck) |
Notes | Soundcheck recorded through an open door. |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | SPPB > M1 |
Length | 105m |
Complete? | Yes |
Lowest Circulating Generation | DDC-? > CDR |
AUD #3 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6S > PA-6LC3 > M1 |
Length | 106m |
Complete? | No |
Lowest Circulating Generation | DDC-2(48k) > dEdit > FLAC |
Live Music Archive | 16-bit download |
Notes | Front of board. Volume adjustments during Pale Scales and Heavy Metal Machine, two blips during Heavy Metal Machine, Blank Page cuts in and contains a dropout. |
AUD #4 | |
Source | AUD |
Format | MD |
Equipment | CSBMod > MZ-R55 |
Length | 105m |
Complete? | Yes |
Lowest Circulating Generation | MD-M > FLAC |
Live Music Archive | 16-bit download |
Notes | Floor, 20 feet from left stack. |
AUD #5 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6S/L > PA-6LC3 > TCD-D100 (48k) |
Length | 100m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > FLAC |
Live Music Archive | 16-bit download |
Notes | Left/center, 40-50 feet back. |
Unsurfaced Recordings | |
AUD #6 | |
Source | AUD |
Format | DAT |
Equipment | CSBMod > M1 |
Length | ~105m |
Complete? | Unknown |
Notes | Balcony. |
AUD #7 | |
Source | AUD |
Format | ANA |
Equipment | Unknown |
Length | ~105m |
Complete? | Unknown |
Notes | Probably recorded on a Panasonic walkman. |
Setlist
Soundcheck:
- (jam)
- Heavy Metal Machine
- The Everlasting Gaze
- Blue Skies Bring Tears (take one)
- Blue Skies Bring Tears (take two)
- Drown
Set:
- Pale Scales
- The Everlasting Gaze
- Heavy Metal Machine
- Age of Innocence
- Glass and the Ghost Children
- Blew Away
- Stand Inside Your Love
- This Time
- I of the Mourning
- To Sheila
- Disarm
- Try, Try, Try
- Ava Adore
- Rock On [Essex] [7:38]
- Zero
- Today
- Blue Skies Bring Tears
- Cherub Rock
Encore:
- Blank Page
- Bullet with Butterfly Wings
- Once in a Lifetime [Talking Heads] [7:18]
Notes
- To Sheila, Disarm, Try, Try, Try, and Ava Adore performed acoustic
Banter
Pale Scales
The Everlasting Gaze
> Heavy Metal Machine
Age of Innocence
Glass and the Ghost Children
BC: Good evening, good evening, good evening, good evening, good evening. Good evening. Thank you very much for coming tonight. I’d, uh, now like to introduce, uh, my partner, my friend, my muse, Mr. James Iha.
Blew Away
> Stand Inside Your Love
This Time
I of the Mourning
Le Deux Machina (tape)
To Sheila (Billy acoustic w/Iha)
Disarm (acoustic)
BC: Thank you very much, thank you. We’d like to play, um...uh, a song from our new album, Machina and the Attack of the Missing Toys. This is called Try, Try, Try.
Try, Try, Try (acoustic)
BC: On the drums, uh, Mr. Jimmy Chamberlin.
Ava Adore (acoustic)
Rock On
> Zero
BC: See, we’re just toying with you, toy with you. We can rock anytime we want.
Today
Blue Skies Bring Tears
> Cherub Rock
BC: Thanks a lot.
Iha: (growl voice) Thanks a lot.
[encore break]
Blank Page
> Bullet with Butterfly Wings
> Once in a Lifetime
Iha: Thank you very much. Thank you. Thanks a lot for coming out. Appreciate you staying.