Tsp1998-06-04B: Difference between revisions
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! align="left" | Capacity | ! align="left" | Capacity | ||
| 11,000 | | 11,000 | ||
|- | |||
! align="left" | Lineup | |||
| Corgan, Iha, Wretzky, Aronoff, Garson, Morris, Hodges | |||
|- | |||
! align="left" | Order of Bands | |||
| Brazilian Drum Band, The Smashing Pumpkins | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
Line 25: | Line 31: | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | DAT | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | Sennheiser Mic > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | ~130m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 37: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | DDC-? > CDR | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp1998-06-04.dat.flac16 16-bit download] | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ||
Line 45: | Line 54: | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | MD | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | ECM-909A | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 127m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | No | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | MD-M > CDR | ||
|- | |- | ||
! | ! align="left" | Live Music Archive | ||
| [http://www.archive.org/details/tsp1998-06-04.dat.flac16 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Beginning of Shame cuts. Some (all?) circulating versions were transferred via analog. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| ECM-717>TCD-D8 | | ECM-717 > TCD-D8 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 127m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DAT-M > CDR | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp1998-06-04.ecm717.flac16 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Mono. | |||
|- | |||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| SS Mic>TCD-D7 | | SS Mic > TCD-D7 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 93: | Line 117: | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | ||
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! align="left" | Complete? | ! align="left" | Complete? | ||
| Unknown | | Unknown | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | SBD #1 | |||
|- | |||
! align="left" | Source | |||
| SBD | |||
|- | |||
! align="left" | Format | |||
| ADAT | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| ~130m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Notes | |||
| Vault copy. | |||
|- | |- | ||
|} | |} | ||
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* Tonight, Tonight | * Tonight, Tonight | ||
* Stumbleine | * Stumbleine | ||
* ( | * (percussion solo) | ||
** Bullet with Butterfly Wings | ** Bullet with Butterfly Wings | ||
* Shame | * Shame | ||
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Encore: | Encore: | ||
* 1979 | * 1979 | ||
* Transmission [Joy Division] | * Transmission [Joy Division] [22:18] | ||
** Help! [The Beatles] (tease) | |||
* Summertime [Gershwin/Heyward] (tease) | |||
=== Notes === | |||
* Perfect, Tonight, Tonight, and Stumbleine performed acoustic | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | D’arcy: Bonsoir.<br> | ||
Iha: Bonsoir.<br> | |||
'''To Sheila'''<br> | |||
> '''Once Upon a Time'''<br> | |||
> '''Ava Adore'''<br> | |||
'''Tear'''<br> | |||
> '''Crestfallen'''<br> | |||
BC: ''(French accent)'' Merci beaucoup. Je m'appelle Billy.<br> | |||
Iha: Je suis, je suis James.<br> | |||
BC: Satan, satan. Satan, heh, heh heh, Satan. ''(unclear if he is actually saying “Satan” or “c’est ton”)''<br> | |||
'''Daphne Descends'''<br> | |||
> '''Thru the Eyes of Ruby'''<br> | |||
'''Perfect''' (acoustic)<br> | |||
BC: How do you say “tonight” in French? ''(imitating crowd all talking at once)'' C’est soir? ''(crowd roars)'' C’est soir? ''(crowd roars)'' C’est soir c’est soir? ''(crowd roars)''<br> | |||
'''Tonight, Tonight''' (acoustic)<br> | |||
'''Stumbleine''' (acoustic)<br> | |||
> '''Zero''' (tease - Billy plays first 3 notes) (acoustic)<br> | |||
> '''drum/percussion solo'''<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
> '''Shame'''<br> | |||
BC: ''(French accent)'' Merci beaucoup, uhhhh, merci. [2 word French phrase, repeated twice].<br> | |||
'''For Martha'''<br> | |||
[encore break]<br> | |||
Iha: Merci, merci beaucoup. Ça va? Ça va bien [2 word French phrase Billy used] allon.<br> | |||
BC: Okay, I can do this. Un new set neuf!<br> | |||
'''1979'''<br> | |||
'''Transmission / Help!''' (tease)<br> | |||
(BC at 17:15: Yeah. And then all the UFOs came, just like in The X-Files. And they colonized the earth and they said there is no more rock and it was the end and it was sad. Heh, but it was probably for the best. So we leave you at the end of the story where the earth is taken over by aliens and of course, they’re controlling the radio transmissions. There’s no longer any free airwaves and we’re all forced to listen to Celine Dion for the rest of our lives. That’s right. You’ll all be forced to listen to Celine Dion for the rest of your lives. Bye bye.)<br> | |||
(BC at 20:47: ''(French accent)'' God bless you, Paree, god bless you. Bonsoir! Bonsoir! ... Je t'aime Paree, je t'aime Paree!)<br> | |||
> '''Summertime''' (tease - Mike solo)<br> | |||
</blockquote> | </blockquote> | ||
== Photos & Memorabilia == | |||
[[Image:Tsp-1998-05120808-TourShirt_back.jpg|125px|left]] |
Latest revision as of 13:40, 22 December 2020
The Smashing Pumpkins | |
---|---|
Date | 1998-06-04 |
Venue | Palais des Sports |
Location | Paris, FR |
Venue Type | Arena |
Capacity | 11,000 |
Lineup | Corgan, Iha, Wretzky, Aronoff, Garson, Morris, Hodges |
Order of Bands | Brazilian Drum Band, The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | Sennheiser Mic > M1 |
Length | ~130m |
Complete? | Yes |
Lowest Circulating Generation | DDC-? > CDR |
Live Music Archive | 16-bit download |
AUD #2 | |
Source | AUD |
Format | MD |
Equipment | ECM-909A |
Length | 127m |
Complete? | No |
Lowest Circulating Generation | MD-M > CDR |
Live Music Archive | 16-bit download |
Notes | Beginning of Shame cuts. Some (all?) circulating versions were transferred via analog. |
AUD #3 | |
Source | AUD |
Format | DAT |
Equipment | ECM-717 > TCD-D8 |
Length | 127m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > CDR |
Live Music Archive | 16-bit download |
Notes | Mono. |
Unsurfaced Recordings | |
AUD #4 | |
Source | AUD |
Format | DAT |
Equipment | SS Mic > TCD-D7 |
Length | ~130m |
Complete? | Yes |
AUD #5 | |
Source | AUD |
Format | ANA |
Equipment | Unknown |
Length | Unknown |
Complete? | Unknown |
SBD #1 | |
Source | SBD |
Format | ADAT |
Equipment | Unknown |
Length | ~130m |
Complete? | Yes |
Notes | Vault copy. |
Setlist
Set:
- To Sheila
- Once Upon a Time
- Ava Adore
- Tear
- Crestfallen
- Daphne Descends
- Thru the Eyes of Ruby
- Perfect
- Tonight, Tonight
- Stumbleine
- (percussion solo)
- Bullet with Butterfly Wings
- Shame
- For Martha
Encore:
- 1979
- Transmission [Joy Division] [22:18]
- Help! [The Beatles] (tease)
- Summertime [Gershwin/Heyward] (tease)
Notes
- Perfect, Tonight, Tonight, and Stumbleine performed acoustic
Banter
D’arcy: Bonsoir.
Iha: Bonsoir.
To Sheila
> Once Upon a Time
> Ava Adore
Tear
> Crestfallen
BC: (French accent) Merci beaucoup. Je m'appelle Billy.
Iha: Je suis, je suis James.
BC: Satan, satan. Satan, heh, heh heh, Satan. (unclear if he is actually saying “Satan” or “c’est ton”)
Daphne Descends
> Thru the Eyes of Ruby
Perfect (acoustic)
BC: How do you say “tonight” in French? (imitating crowd all talking at once) C’est soir? (crowd roars) C’est soir? (crowd roars) C’est soir c’est soir? (crowd roars)
Tonight, Tonight (acoustic)
Stumbleine (acoustic)
> Zero (tease - Billy plays first 3 notes) (acoustic)
> drum/percussion solo
> Bullet with Butterfly Wings
> Shame
BC: (French accent) Merci beaucoup, uhhhh, merci. [2 word French phrase, repeated twice].
For Martha
[encore break]
Iha: Merci, merci beaucoup. Ça va? Ça va bien [2 word French phrase Billy used] allon.
BC: Okay, I can do this. Un new set neuf!
1979
Transmission / Help! (tease)
(BC at 17:15: Yeah. And then all the UFOs came, just like in The X-Files. And they colonized the earth and they said there is no more rock and it was the end and it was sad. Heh, but it was probably for the best. So we leave you at the end of the story where the earth is taken over by aliens and of course, they’re controlling the radio transmissions. There’s no longer any free airwaves and we’re all forced to listen to Celine Dion for the rest of our lives. That’s right. You’ll all be forced to listen to Celine Dion for the rest of your lives. Bye bye.)
(BC at 20:47: (French accent) God bless you, Paree, god bless you. Bonsoir! Bonsoir! ... Je t'aime Paree, je t'aime Paree!)
> Summertime (tease - Mike solo)