Tsp1998-07-31B: Difference between revisions
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|- | |- | ||
! align="left" | Venue | ! align="left" | Venue | ||
| Orpheum | | Orpheum Theatre | ||
|- | |- | ||
! align="left" | Location | ! align="left" | Location | ||
Line 17: | Line 17: | ||
| 2,800 | | 2,800 | ||
|- | |- | ||
! align="left" | | ! align="left" | Lineup | ||
| | | Corgan, Iha, Wretzky, Aronoff, Garson, Morris, Hodges | ||
|- | |||
! align="left" | Order of Bands | |||
| The Smashing Pumpkins | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
Line 40: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT-M>CDR | | DAT-M > CDR | ||
|- | |- | ||
! align="left" | Live Music Archive | ! align="left" | Live Music Archive | ||
| [http://www.archive.org/details/tsp1998-07-31.FM.flac16 16-bit | | [http://www.archive.org/details/tsp1998-07-31.FM.flac16 16-bit download] | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
Line 56: | Line 59: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSBMod>M1 | | CSBMod > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 63: | Line 66: | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Unknown | | Unknown | ||
|- | |||
! align="left" | Notes | |||
| Right side, back of orchestra section. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ||
Line 73: | Line 79: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSBMod>MS702 | | CSBMod > MS702 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | ~105m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Unknown | | Unknown | ||
|- | |||
! align="left" | Notes | |||
| Right side, back of orchestra section. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | built-in > Walkman | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 97: | Line 106: | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Unknown | | Unknown | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | SBD #1 | |||
|- | |||
! align="left" | Source | |||
| SBD | |||
|- | |||
! align="left" | Format | |||
| ADAT | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| ~105m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Notes | |||
| Vault copy. | |||
|- | |- | ||
|} | |} | ||
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* Appels + Oranjes | * Appels + Oranjes | ||
* (percussion solo) | * (percussion solo) | ||
** Where Boys Fear to Tread (tease) | |||
** Bullet with Butterfly Wings | ** Bullet with Butterfly Wings | ||
* Shame | * Shame | ||
Line 119: | Line 149: | ||
Encore: | Encore: | ||
* 1979 | * 1979 | ||
* Blank Page | * Summertime [Gershwin/Heyward] (tease) | ||
** Blank Page | |||
=== Notes === | |||
* Tonight, Tonight, Perfect, and Appels + Oranjes performed acoustic | |||
* Final performance of Appels + Oranjes | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
'''To Sheila'''<br> | |||
> '''Behold! The Night Mare'''<br> | |||
> '''Pug'''<br> | |||
> '''Once Upon a Time'''<br> | |||
> '''Ava Adore'''<br> | |||
'''Tear'''<br> | |||
'''Annie-Dog'''<br> | |||
'''Thru the Eyes of Ruby'''<br> | |||
BC: Thank you very much, thank you. Thank you, naked man, thank you, heh heh. Later on, he's going to get naked for charity, but uh... heh heh heh heh. We'd like to thank you for uh - for coming to share this special night with us, this special charity concert. Take it all off, naked man, take it all off for charity. We may have to donate some money to get you to take your clothes off but um, heh heh heh, heh heh heh heh.<br> | |||
Iha: Yeah, you might want to keep it on.<br> | |||
for charity, but | BC: It's very nice to be back here in Boston, we appreciate you coming out. So uh, heh heh, we'd like to dedicate this song to all of you. This is Tonight, Tonight.<br> | ||
'''Tonight, Tonight''' (acoustic)<br> | |||
charity concert. Take it all off, naked man, take it all off | '''Perfect''' (acoustic)<br> | ||
'''Appels + Oranjes''' (acoustic)<br> | |||
money to get you to take | BC: Thank you.<br> | ||
Iha: | > '''drum/percussion solo'''<br> | ||
> '''Where Boys Fear to Tread''' (tease)<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
this song to all of you. This is Tonight, Tonight.<br> | > '''Shame'''<br> | ||
'''For Martha'''<br> | |||
BC: God bless you, thank you, goodnight.<br> | |||
[encore break]<br> | |||
'''1979'''<br> | |||
< | > '''Summertime''' (tease)<br> | ||
> '''Blank Page'''<br> | |||
BC: God bless you, thank you.<br> | |||
< | |||
Iha: Thanks a lot. Night.<br> | Iha: Thanks a lot. Night.<br> | ||
</blockquote> | </blockquote> | ||
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[[Image:980731.jpg|125px|left]] | [[Image:980731.jpg|125px|left]] | ||
[[Image:980731-Poster.jpg|105px|left]] | [[Image:980731-Poster.jpg|105px|left]] | ||
[[Image:Tsp-1998-05120808-TourShirt_back.jpg|105px|left]] |
Latest revision as of 17:18, 16 December 2020
The Smashing Pumpkins | |
---|---|
Date | 1998-07-31 |
Venue | Orpheum Theatre |
Location | Boston, MA, US |
Venue Type | Theater |
Capacity | 2,800 |
Lineup | Corgan, Iha, Wretzky, Aronoff, Garson, Morris, Hodges |
Order of Bands | The Smashing Pumpkins |
Surfaced Recordings | |
FM #1 | |
Source | FM |
Format | DAT |
Equipment | R300 |
Length | 103m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > CDR |
Live Music Archive | 16-bit download |
Unsurfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | CSBMod > M1 |
Length | 107m |
Complete? | Unknown |
Notes | Right side, back of orchestra section. |
AUD #2 | |
Source | AUD |
Format | MD |
Equipment | CSBMod > MS702 |
Length | ~105m |
Complete? | Unknown |
Notes | Right side, back of orchestra section. |
AUD #3 | |
Source | AUD |
Format | ANA |
Equipment | built-in > Walkman |
Length | Unknown |
Complete? | Unknown |
SBD #1 | |
Source | SBD |
Format | ADAT |
Equipment | Unknown |
Length | ~105m |
Complete? | Yes |
Notes | Vault copy. |
Setlist
Set:
- To Sheila
- Behold! the Night Mare
- Pug
- Once Upon a Time
- Ava Adore
- Tear
- Annie-Dog
- Thru the Eyes of Ruby
- Tonight, Tonight
- Perfect
- Appels + Oranjes
- (percussion solo)
- Where Boys Fear to Tread (tease)
- Bullet with Butterfly Wings
- Shame
- For Martha
Encore:
- 1979
- Summertime [Gershwin/Heyward] (tease)
- Blank Page
Notes
- Tonight, Tonight, Perfect, and Appels + Oranjes performed acoustic
- Final performance of Appels + Oranjes
Banter
To Sheila
> Behold! The Night Mare
> Pug
> Once Upon a Time
> Ava Adore
Tear
Annie-Dog
Thru the Eyes of Ruby
BC: Thank you very much, thank you. Thank you, naked man, thank you, heh heh. Later on, he's going to get naked for charity, but uh... heh heh heh heh. We'd like to thank you for uh - for coming to share this special night with us, this special charity concert. Take it all off, naked man, take it all off for charity. We may have to donate some money to get you to take your clothes off but um, heh heh heh, heh heh heh heh.
Iha: Yeah, you might want to keep it on.
BC: It's very nice to be back here in Boston, we appreciate you coming out. So uh, heh heh, we'd like to dedicate this song to all of you. This is Tonight, Tonight.
Tonight, Tonight (acoustic)
Perfect (acoustic)
Appels + Oranjes (acoustic)
BC: Thank you.
> drum/percussion solo
> Where Boys Fear to Tread (tease)
> Bullet with Butterfly Wings
> Shame
For Martha
BC: God bless you, thank you, goodnight.
[encore break]
1979
> Summertime (tease)
> Blank Page
BC: God bless you, thank you.
Iha: Thanks a lot. Night.