Tsp2007-11-18: Difference between revisions
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! align="left" | Order of Bands | ! align="left" | Order of Bands | ||
| What Made Milwaukee Famous, The Smashing Pumpkins | | What Made Milwaukee Famous, The Smashing Pumpkins | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
Line 37: | Line 34: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| ECM-717>R-09 | | ECM-717>R-09(24/48) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 46: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | WAV-M>dEdit>FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2007-11-18.ecm717.flac16 16-bit download]<br>[http://www.archive.org/details/tsp2007-11-18.ecm717.flac24 24-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Section 407, row K, seat 3 (balcony, DFC). | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| WAV | |||
|- | |||
! align="left" | Equipment | |||
| SS-DSM-6S>PA-6LC3>M1(7-pin out)>Nomad JB3(optical in) | |||
|- | |||
! align="left" | Length | |||
| 122m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| WAV-M>FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2007-11-18.dsm6s 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Section 103, row O, seat 13 (first row of seats behind pit, roughly DFC). | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| WAV | |||
|- | |||
! align="left" | Equipment | |||
| AT-943(3-wire hyperplane mod)>Hyperplane 3-wire Battery Box>Microtrack(24/48) | |||
|- | |||
! align="left" | Length | |||
| 122m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| WAV-M>dEdit>FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2007-11-18.sp-mod.flac24 24-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Section 30, row CCC, seat 7 (stage right, balcony, about halfway to the back of the venue). | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| WAV | |||
|- | |||
! align="left" | Equipment | |||
| Schoeps MK4 > Nbox+ > FR-2 LE(24/44.1) | |||
|- | |||
! align="left" | Length | |||
| 122m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| WAV-M > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2007-11-18.mk4.flac24 24-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Floor, center. | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | ||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| Unknown | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| Unknown | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Notes | |||
| Section 309 (stage right, balcony, about halfway to the back of the venue). | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | |||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 56: | Line 157: | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| MiniDV | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | | Unknown | ||
|- | |||
! align="left" | Length | |||
| ~120m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Notes | |||
| Section 309 (stage right, balcony, about halfway to the back of the venue). Tape flip in 1979. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #2 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MiniDV | |||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | Sony DCR PC-1000 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 66: | Line 187: | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Unknown | | Unknown | ||
|- | |||
! align="left" | Notes | |||
| Directly in front of the filmer of AMT #1. | |||
|- | |- | ||
|} | |} | ||
Line 74: | Line 198: | ||
* Let Me Give the World to You | * Let Me Give the World to You | ||
* Lucky 13 | * Lucky 13 | ||
* Doomsday Clock | * Doomsday Clock | ||
* Iron Man [Black Sabbath] | * Iron Man [Black Sabbath] | ||
Line 88: | Line 211: | ||
* Disarm | * Disarm | ||
* Lucky 13 | * Lucky 13 | ||
** ( | ** (unknown) | ||
* That's the Way (My Love Is) | * That's the Way (My Love Is) | ||
* Hummer | * Hummer | ||
* 1979 | * 1979 | ||
* Perfect | * Perfect | ||
* Today | * Today | ||
* Stand Inside Your Love | * Stand Inside Your Love | ||
Line 99: | Line 222: | ||
* Heavy Metal Machine | * Heavy Metal Machine | ||
** White Rabbit [Jefferson Airplane] (tease) | ** White Rabbit [Jefferson Airplane] (tease) | ||
** White Horse [Laid Back] (tease) | |||
** Iron Man [Black Sabbath] (tease) | ** Iron Man [Black Sabbath] (tease) | ||
** On the Road Again [Canned Heat] (tease) | ** On the Road Again [Canned Heat] (tease) | ||
** I Love Rock ' | ** I Love Rock 'n' Roll [The Arrows] (tease) | ||
Encore: | Encore: | ||
* Pomp and Circumstances | * Pomp and Circumstances | ||
* Cherub Rock | * Cherub Rock | ||
=== Notes === | |||
* Rescheduled from 2007-11-03 | |||
* Final performances of Lucky 13 and Pomp and Circumstances | |||
* One of the balcony stacks blew out during Disarm | |||
* 1979 and Perfect performed acoustic | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | High School Cadets Intro<br> | ||
'''United States / Star Spangled Banner'''<br> | |||
'''Bullet with Butterfly Wings'''<br> | |||
BC: Alriiight. We finally made it, thank you very much! We’d like to thank each and every one of you for coming tonight. Thank you, thank you, thank you.<br> | |||
'''Drown'''<br> | |||
'''Bring the Light'''<br> | |||
> '''Tonight, Tonight'''<br> | |||
BC: Thank you!<br> | |||
'''Tarantula'''<br> | |||
'''Disarm'''<br> | |||
'''Lucky 13''' (w/extended outro)<br> | |||
BC: Thank you very much! How’s everybody doin’, you alright, you alright up there? What about way up there, you alright up there? How ‘bout over there? Alright. I care about your experience. At least I pretend to care about your experience. Heh heh heh heh heh heh. You can stop throwing the mayonnaise packets now, I get the joke. Maybe I should just throw you some condoms so you won’t procreate. Anyway, heh heh, as some of you might know, tonight is the last stop of our American tour. ''(crowd cheers)'' Yes, we cheer that too. I have to say, Texas in general, been very kind to the Smashing Pumpkins through the years, thank you very much, Texas. As we all know, Texas knows how to fuckin’ rock on every level. Cowboys...win. ‘Course the Rangers still suck but that’s ‘cause A-Rod left but that’s totally different. That’s a different thing. Anyway, heh heh. As some of you might know, we are touring on an album we put out a little while ago called Zeitgeist. We have totally given up on the idea that you’re actually gonna buy this album. Okay? We’ve given up on that idea, no one buys albums anymore, okay? We get that, we get the message. But we’d like you to listen to the album, if you get a chance, please listen to our album and this is a song from that album, it’s called That’s the Way My Love Is.<br> | |||
'''That's the Way'''<br> | |||
> '''Hummer'''<br> | |||
BC: Thank you.<br> | |||
'''1979''' (Billy solo acoustic)<br> | |||
BC: Ladies and gentlemen, Mr. Jimmy Chamberlin. Jimmy just told me that this is the greatest gig he’s ever played. You’ve never been better, it’s the best. I know...I know as we get a little older...I know what inspires us. Lots of beautiful women. Not you?, I’m sorry, I won’t include you, just kidding! You looked offended, I didn’t.... Sometimes feminists get a little weird about the “beautiful” thing, you know? All women are beautiful! If it wasn’t for a woman, we wouldn’t be here to cause trouble. If it wasn’t for a woman...<br> | |||
Guy in crowd: You wouldn’t take a risk.<br> | |||
BC: Hahahaha! Yes, anyway...like to play a song from the Adore album. Some people may not know this but we actually put out records after Mellon Collie and the Infinite Sadness. Believe it or not! There was the Adore album. Machina 1, Machina 2. Then there was that other band that we did that didn’t go so well. Then Jimmy did the Jimmy Chamberlin Complex album. And of course I went on tour with Kelly Clarkson. And then now I’m back to the [unintelligible word, possibly “mat” or “mack”].<br> | |||
'''Perfect''' (Billy acoustic w/Jimmy tambourine)<br> | |||
'''Today'''<br> | |||
'''Stand Inside Your Love'''<br> | |||
'''Superchrist'''<br> | |||
> '''Doomsday Clock'''<br> | |||
'''Heavy Metal Machine / White Rabbit / White Horse / Iron Man'''<br> | |||
> '''On the Road Again'''<br> | |||
> '''I Love Rock 'n' Roll'''<br> | |||
(BC at beginning: Ladies and gentlemen, that’s the end of the show, we’d like to thank you very much. We’d now gite - la la bluh. Let’s bring it down for a second, Jimmy. We’ve now gotta get in our 67 foot limo...and into our jumbo jet and fly to our private island...where we can do designer drugs and uh, get on the internet. And pray. Anyway, we’d like you to put your hands together for us one last time. There you go, that’s right. Sing along! ''(singing)'' I love rock and roll...)<br> | |||
[encore break]<br> | |||
'''Pomp and Circumstances'''<br> | |||
BC: Thank you very much, thank you. Before we go, we’d like to say thank you to all our fans, all of you, thank you very much. Have you had a good time up there, you alright? What about over there? Not so good? What about this corner, you’re okay? Heh heh. I think they’re cheering ‘cause of you. It’s this - see? It’s that Latin thing you got going. I’m gonna stop right there, that said. Okay.<br> | |||
'''Cherub Rock'''<br> | |||
[bow]<br> | |||
BC: Thank you very much, thank you, thank you. Hope you had a really good time tonight, be safe going home, thank you.<br> | |||
</blockquote> | </blockquote> |
Latest revision as of 20:22, 5 February 2021
The Smashing Pumpkins | |
---|---|
Date | 2007-11-18 |
Venue | Nokia Theater |
Location | Grand Prairie, TX, US |
Venue Type | Theater |
Capacity | 6500 |
Lineup | Corgan, Chamberlin, Schroeder, Reyes, Harriton |
Order of Bands | What Made Milwaukee Famous, The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | WAV |
Equipment | ECM-717>R-09(24/48) |
Length | 124m |
Complete? | No |
Lowest Circulating Generation | WAV-M>dEdit>FLAC |
Live Music Archive | 16-bit download 24-bit download |
Notes | Section 407, row K, seat 3 (balcony, DFC). |
AUD #2 | |
Source | AUD |
Format | WAV |
Equipment | SS-DSM-6S>PA-6LC3>M1(7-pin out)>Nomad JB3(optical in) |
Length | 122m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M>FLAC |
Live Music Archive | 16-bit download |
Notes | Section 103, row O, seat 13 (first row of seats behind pit, roughly DFC). |
AUD #3 | |
Source | AUD |
Format | WAV |
Equipment | AT-943(3-wire hyperplane mod)>Hyperplane 3-wire Battery Box>Microtrack(24/48) |
Length | 122m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M>dEdit>FLAC |
Live Music Archive | 24-bit download |
Notes | Section 30, row CCC, seat 7 (stage right, balcony, about halfway to the back of the venue). |
AUD #4 | |
Source | AUD |
Format | WAV |
Equipment | Schoeps MK4 > Nbox+ > FR-2 LE(24/44.1) |
Length | 122m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M > FLAC |
Live Music Archive | 24-bit download |
Notes | Floor, center. |
Unsurfaced Recordings | |
AUD #5 | |
Source | AUD |
Format | Unknown |
Equipment | Unknown |
Length | Unknown |
Complete? | Unknown |
Notes | Section 309 (stage right, balcony, about halfway to the back of the venue). |
AMT #1 | |
Source | AUD |
Format | MiniDV |
Equipment | Unknown |
Length | ~120m |
Complete? | No |
Notes | Section 309 (stage right, balcony, about halfway to the back of the venue). Tape flip in 1979. |
AMT #2 | |
Source | AUD |
Format | MiniDV |
Equipment | Sony DCR PC-1000 |
Length | ~120m |
Complete? | Unknown |
Notes | Directly in front of the filmer of AMT #1. |
Setlist
Soundcheck:
- Pomp and Circumstances
- Let Me Give the World to You
- Lucky 13
- Doomsday Clock
- Iron Man [Black Sabbath]
- Wild Thing [Taylor]
Set:
- United States
- Star Spangled Banner [Key] (tease)
- Bullet with Butterfly Wings
- Drown
- Bring the Light
- Tonight, Tonight
- Tarantula
- Disarm
- Lucky 13
- (unknown)
- That's the Way (My Love Is)
- Hummer
- 1979
- Perfect
- Today
- Stand Inside Your Love
- Superchrist
- Doomsday Clock
- Heavy Metal Machine
- White Rabbit [Jefferson Airplane] (tease)
- White Horse [Laid Back] (tease)
- Iron Man [Black Sabbath] (tease)
- On the Road Again [Canned Heat] (tease)
- I Love Rock 'n' Roll [The Arrows] (tease)
Encore:
- Pomp and Circumstances
- Cherub Rock
Notes
- Rescheduled from 2007-11-03
- Final performances of Lucky 13 and Pomp and Circumstances
- One of the balcony stacks blew out during Disarm
- 1979 and Perfect performed acoustic
Banter
High School Cadets Intro
United States / Star Spangled Banner
Bullet with Butterfly Wings
BC: Alriiight. We finally made it, thank you very much! We’d like to thank each and every one of you for coming tonight. Thank you, thank you, thank you.
Drown
Bring the Light
> Tonight, Tonight
BC: Thank you!
Tarantula
Disarm
Lucky 13 (w/extended outro)
BC: Thank you very much! How’s everybody doin’, you alright, you alright up there? What about way up there, you alright up there? How ‘bout over there? Alright. I care about your experience. At least I pretend to care about your experience. Heh heh heh heh heh heh. You can stop throwing the mayonnaise packets now, I get the joke. Maybe I should just throw you some condoms so you won’t procreate. Anyway, heh heh, as some of you might know, tonight is the last stop of our American tour. (crowd cheers) Yes, we cheer that too. I have to say, Texas in general, been very kind to the Smashing Pumpkins through the years, thank you very much, Texas. As we all know, Texas knows how to fuckin’ rock on every level. Cowboys...win. ‘Course the Rangers still suck but that’s ‘cause A-Rod left but that’s totally different. That’s a different thing. Anyway, heh heh. As some of you might know, we are touring on an album we put out a little while ago called Zeitgeist. We have totally given up on the idea that you’re actually gonna buy this album. Okay? We’ve given up on that idea, no one buys albums anymore, okay? We get that, we get the message. But we’d like you to listen to the album, if you get a chance, please listen to our album and this is a song from that album, it’s called That’s the Way My Love Is.
That's the Way
> Hummer
BC: Thank you.
1979 (Billy solo acoustic)
BC: Ladies and gentlemen, Mr. Jimmy Chamberlin. Jimmy just told me that this is the greatest gig he’s ever played. You’ve never been better, it’s the best. I know...I know as we get a little older...I know what inspires us. Lots of beautiful women. Not you?, I’m sorry, I won’t include you, just kidding! You looked offended, I didn’t.... Sometimes feminists get a little weird about the “beautiful” thing, you know? All women are beautiful! If it wasn’t for a woman, we wouldn’t be here to cause trouble. If it wasn’t for a woman...
Guy in crowd: You wouldn’t take a risk.
BC: Hahahaha! Yes, anyway...like to play a song from the Adore album. Some people may not know this but we actually put out records after Mellon Collie and the Infinite Sadness. Believe it or not! There was the Adore album. Machina 1, Machina 2. Then there was that other band that we did that didn’t go so well. Then Jimmy did the Jimmy Chamberlin Complex album. And of course I went on tour with Kelly Clarkson. And then now I’m back to the [unintelligible word, possibly “mat” or “mack”].
Perfect (Billy acoustic w/Jimmy tambourine)
Today
Stand Inside Your Love
Superchrist
> Doomsday Clock
Heavy Metal Machine / White Rabbit / White Horse / Iron Man
> On the Road Again
> I Love Rock 'n' Roll
(BC at beginning: Ladies and gentlemen, that’s the end of the show, we’d like to thank you very much. We’d now gite - la la bluh. Let’s bring it down for a second, Jimmy. We’ve now gotta get in our 67 foot limo...and into our jumbo jet and fly to our private island...where we can do designer drugs and uh, get on the internet. And pray. Anyway, we’d like you to put your hands together for us one last time. There you go, that’s right. Sing along! (singing) I love rock and roll...)
[encore break]
Pomp and Circumstances
BC: Thank you very much, thank you. Before we go, we’d like to say thank you to all our fans, all of you, thank you very much. Have you had a good time up there, you alright? What about over there? Not so good? What about this corner, you’re okay? Heh heh. I think they’re cheering ‘cause of you. It’s this - see? It’s that Latin thing you got going. I’m gonna stop right there, that said. Okay.
Cherub Rock
[bow]
BC: Thank you very much, thank you, thank you. Hope you had a really good time tonight, be safe going home, thank you.