Tsp2000-05-12: Difference between revisions
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! align="left" | Order of Bands | ! align="left" | Order of Bands | ||
| The Smashing Pumpkins | | The Smashing Pumpkins | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| SS-DSM-6S>PA-6LC3B>M1 | | SS-DSM-6S > PA-6LC3B > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 46: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT-M>CDR | | DAT-M > CDR | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| 10 feet | | 10 feet in front of the soundboard. Age of Innocence cuts in. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ||
Line 60: | Line 57: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| SS-DSM-6S>PA-6LC3>M1 | | SS-DSM-6S > PA-6LC3 > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 69: | Line 66: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DDC-1>dEdit>FLAC | | DDC-1 > dEdit > FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-05-12.DSM-6S.PA-6LC3.flac16 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| 10 feet | | 10 feet in front of board. First minute distorted. | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| SS-DSM-6S > PA-6LC3(30) > TCD-D7 | |||
|- | |||
! align="left" | Length | |||
| 126m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DAT-M >CDR | |||
|- | |- | ||
! align="left" | Live Music Archive | ! align="left" | Live Music Archive | ||
| [http://www.archive.org/details/tsp2000-05-12 | | [http://www.archive.org/details/tsp2000-05-12.flac16 16-bit download] | ||
|- | |||
! align="left" | Notes | |||
| Section MID-L, row J, seat 9. Level adjustments during Age of Innocence and Glass and the Ghost Children. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD # | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| ECM-MS907>MZ-R30 | | ECM-MS907 > MZ-R30 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 121m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
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|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| MD-M>CDR | | MD-M > CDR | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
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|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | MiniDV | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | Unknown | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 120m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
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|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | VHS(X) > MKV | ||
|- | |||
! align="left" | YouTube | |||
| [https://youtu.be/B9TaTdtRdQo YouTube] | |||
|- | |||
! align="left" | Release | |||
| [[20220120-Release-2000-05-12AMT1]] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Handheld, shaky shot. Some pixilation exists due to digital zoom being used. People around the filmer sing through many songs. | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSBMod>M1 | | CSBMod > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| SPPB>Sound Professionals Battery Box>M1 | | SPPB > Sound Professionals Battery Box > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Distant due to balcony stacks not being on. | ||
|- | |- | ||
|} | |} | ||
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* Blue Skies Bring Tears | * Blue Skies Bring Tears | ||
* Bullet with Butterfly Wings | * Bullet with Butterfly Wings | ||
** Once in a Lifetime [ | ** Once in a Lifetime [Talking Heads] [6:59] | ||
Encore One: | Encore One: | ||
* Blank Page | * Blank Page | ||
* Cherub Rock | * Cherub Rock | ||
Encore Two: | Encore Two: | ||
* Drown | * Drown [9:32] | ||
** Today (tease) | ** Today (tease) | ||
=== Notes === | |||
* To Sheila, This Time, 1979, and Try, Try, Try performed acoustic | |||
* First performance of Snail since 1994-08-27 (356 shows) | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Age of Innocence'''<br> | ||
> '''Glass and the Ghost Children'''<br> | |||
'''The Everlasting Gaze'''<br> | |||
'''Rock On'''<br> | |||
BC: Good evening, good evening, good evening.<br> | |||
Iha: Hello, hello, hello.<br> | |||
BC: It’s nice to see everybody so soon again, thank you very much for coming. How’s everybody feel tonight? It’s alright? I’d like to, uh, many people may not know this but he’s actually from Texas, Mr. James Iha.<br> | |||
'''Blew Away'''<br> | |||
'''Stand Inside Your Love'''<br> | |||
'''Snail'''<br> | |||
'''I of the Mourning'''<br> | |||
Le Deux Machina (tape)<br> | |||
'''To Sheila''' (Billy acoustic w/Iha)<br> | |||
BC: Thank you, thank you.<br> | |||
'''This Time''' (abandoned after a few seconds)<br> | |||
BC: I’ll start again, thank you.<br> | |||
'''This Time''' (Billy solo acoustic)<br> | |||
BC: Thank you, thank you. Hey, can I ask you a question? Woo. This isn’t one of those bullshit concert questions, this is a real question. Um, I’ve been here for two days and uh...I’m sorry, somebody else wants to talk. Okay. Um, I’ve been here for a couple of days driving around and uh, usually when we’re in a town for a couple of days, I’ll hear on the radio. I didn’t really hear us on the radio, are they playing us on the radio here? Okay, wait. Those who say that you’re hearing us on the radio, please say yes. Those who say that you’re not hearing on the radio, please say no. That’s what I thought. Well....<br> | |||
Iha: Marketing research says....<br> | |||
BC: Well, that’s cool, um. Thank you. I just, uh, I just encourage everybody to, uh, if we’re not on the radio, you gotta call ‘em up and complain and say play ‘em on the damn radio. Because we’re rich rock stars and we need more money.<br> | |||
'''1979''' (acoustic, Jimmy plays guitar)<br> | |||
'''Suffer''' (tease, acoustic)<br> | |||
> '''Try, Try, Try''' (acoustic)<br> | |||
'''Zero'''<br> | |||
> '''Heavy Metal Machine'''<br> | |||
'''Mayonaise'''<br> | |||
'''Blue Skies Bring Tears'''<br> | |||
'''Bullet with Butterfly Wings'''<br> | |||
> '''Once in a Lifetime'''<br> | |||
(BC spoken word part: Rail rail rhyme rhyme. Real! God bless you, thank you. God bless you, thank you. We love you, we love you, we love you, we love you. You are loved, yes. Now please help me finish the song. From the bottom of your rusty stomach, I want you to scream with me, it feels very good, I promise. Are you ready? Are you too tired? Are you ready? All together, ready? ''(screams and band goes back into song)'')<br> | |||
[encore break]<br> | |||
'''Blank Page'''<br> | |||
> '''Cherub Rock'''<br> | |||
Iha: Thanks. Thanks a lot. You guys are great. Thank you.<br> | |||
[encore break]<br> | |||
Iha: Thank you very much. Thanks.<br> | |||
BC: We salute you, Texas.<br> | |||
Iha: [unintelligible.] I’m extremely and I - it must be worse being in the mosh pit out there - but what, uh, we appreciate your enthusiasm [unintelligible].<br> | |||
BC: Yes. Hello, is there anybody out there? Hello! I just want to - to say thank you because we’ve been, we’ve been playing, uh, for almost 13 years now and uh...thank god it won’t be 13 more but um, heh heh heh. Yes, yes. Uh, heh heh heh. Anyway, I just wanted to say that you reach a point where, you know, we feel we can come out and do a good show even if it was a bunch of dead people but the real, the real difference is when we get a lot of energy from everybody, it brings out the best in us. And our band - our band since 1990 has always been about everybody that comes to see us. We owe you - we owe you the world, we owe you everything and we can’t thank you enough for your support and uh...everything, thank you.<br> | |||
'''Drown'''<br> | |||
> '''Today''' (tease)<br> | |||
Iha: Thanks a lot. That’s all, drive safe. Thanks a lot, drive safe. Have a nice night.<br> | |||
</blockquote> | </blockquote> | ||
== Photos & Memorabilia == | == Photos & Memorabilia == | ||
[[Image:00XXXX-Shirt.jpg|125px|left]] | [[Image:00XXXX-Shirt.jpg|125px|left]] | ||
[[Image:Tsp2000-05-12.jpg|250px|left]] |
Latest revision as of 02:36, 28 September 2024
The Smashing Pumpkins | |
---|---|
Date | 2000-05-12 |
Venue | Bronco Bowl |
Location | Dallas, TX, US |
Venue Type | Coliseum |
Capacity | 3100 |
Lineup | Corgan, Iha, Chamberlin, Auf der Maur |
Order of Bands | The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6S > PA-6LC3B > M1 |
Length | 121m |
Complete? | No |
Lowest Circulating Generation | DAT-M > CDR |
Notes | 10 feet in front of the soundboard. Age of Innocence cuts in. |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6S > PA-6LC3 > M1 |
Length | 122m |
Complete? | Yes |
Lowest Circulating Generation | DDC-1 > dEdit > FLAC |
Live Music Archive | 16-bit download |
Notes | 10 feet in front of board. First minute distorted. |
AUD #3 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6S > PA-6LC3(30) > TCD-D7 |
Length | 126m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M >CDR |
Live Music Archive | 16-bit download |
Notes | Section MID-L, row J, seat 9. Level adjustments during Age of Innocence and Glass and the Ghost Children. |
AUD #4 | |
Source | AUD |
Format | MD |
Equipment | ECM-MS907 > MZ-R30 |
Length | 121m |
Complete? | Yes |
Lowest Circulating Generation | MD-M > CDR |
AMT #1 | |
Source | AUD |
Format | MiniDV |
Equipment | Unknown |
Length | 120m |
Complete? | Yes |
Lowest Circulating Generation | VHS(X) > MKV |
YouTube | YouTube |
Release | 20220120-Release-2000-05-12AMT1 |
Notes | Handheld, shaky shot. Some pixilation exists due to digital zoom being used. People around the filmer sing through many songs. |
Unsurfaced Recordings | |
AUD #5 | |
Source | AUD |
Format | DAT |
Equipment | CSBMod > M1 |
Length | 73m |
Complete? | No |
Notes | Blew Away through Once in a Lifetime. |
AUD #6 | |
Source | AUD |
Format | DAT |
Equipment | SPPB > Sound Professionals Battery Box > M1 |
Length | 125m |
Complete? | No |
Notes | Cherub Rock cut. |
AUD #7 | |
Source | AUD |
Format | DAT |
Equipment | CSC>TCD-D7 |
Length | Unknown |
Complete? | Unknown |
Notes | Distant due to balcony stacks not being on. |
Setlist
Set:
- Age of Innocence
- Glass and the Ghost Children
- The Everlasting Gaze
- Rock On [Essex]
- Blew Away
- Stand Inside Your Love
- Snail
- I of the Mourning
- To Sheila
- This Time (false start)
- This Time
- 1979
- Suffer (tease)
- Try, Try, Try
- Zero
- Heavy Metal Machine
- Mayonaise
- Blue Skies Bring Tears
- Bullet with Butterfly Wings
- Once in a Lifetime [Talking Heads] [6:59]
Encore One:
- Blank Page
- Cherub Rock
Encore Two:
- Drown [9:32]
- Today (tease)
Notes
- To Sheila, This Time, 1979, and Try, Try, Try performed acoustic
- First performance of Snail since 1994-08-27 (356 shows)
Banter
Age of Innocence
> Glass and the Ghost Children
The Everlasting Gaze
Rock On
BC: Good evening, good evening, good evening.
Iha: Hello, hello, hello.
BC: It’s nice to see everybody so soon again, thank you very much for coming. How’s everybody feel tonight? It’s alright? I’d like to, uh, many people may not know this but he’s actually from Texas, Mr. James Iha.
Blew Away
Stand Inside Your Love
Snail
I of the Mourning
Le Deux Machina (tape)
To Sheila (Billy acoustic w/Iha)
BC: Thank you, thank you.
This Time (abandoned after a few seconds)
BC: I’ll start again, thank you.
This Time (Billy solo acoustic)
BC: Thank you, thank you. Hey, can I ask you a question? Woo. This isn’t one of those bullshit concert questions, this is a real question. Um, I’ve been here for two days and uh...I’m sorry, somebody else wants to talk. Okay. Um, I’ve been here for a couple of days driving around and uh, usually when we’re in a town for a couple of days, I’ll hear on the radio. I didn’t really hear us on the radio, are they playing us on the radio here? Okay, wait. Those who say that you’re hearing us on the radio, please say yes. Those who say that you’re not hearing on the radio, please say no. That’s what I thought. Well....
Iha: Marketing research says....
BC: Well, that’s cool, um. Thank you. I just, uh, I just encourage everybody to, uh, if we’re not on the radio, you gotta call ‘em up and complain and say play ‘em on the damn radio. Because we’re rich rock stars and we need more money.
1979 (acoustic, Jimmy plays guitar)
Suffer (tease, acoustic)
> Try, Try, Try (acoustic)
Zero
> Heavy Metal Machine
Mayonaise
Blue Skies Bring Tears
Bullet with Butterfly Wings
> Once in a Lifetime
(BC spoken word part: Rail rail rhyme rhyme. Real! God bless you, thank you. God bless you, thank you. We love you, we love you, we love you, we love you. You are loved, yes. Now please help me finish the song. From the bottom of your rusty stomach, I want you to scream with me, it feels very good, I promise. Are you ready? Are you too tired? Are you ready? All together, ready? (screams and band goes back into song))
[encore break]
Blank Page
> Cherub Rock
Iha: Thanks. Thanks a lot. You guys are great. Thank you.
[encore break]
Iha: Thank you very much. Thanks.
BC: We salute you, Texas.
Iha: [unintelligible.] I’m extremely and I - it must be worse being in the mosh pit out there - but what, uh, we appreciate your enthusiasm [unintelligible].
BC: Yes. Hello, is there anybody out there? Hello! I just want to - to say thank you because we’ve been, we’ve been playing, uh, for almost 13 years now and uh...thank god it won’t be 13 more but um, heh heh heh. Yes, yes. Uh, heh heh heh. Anyway, I just wanted to say that you reach a point where, you know, we feel we can come out and do a good show even if it was a bunch of dead people but the real, the real difference is when we get a lot of energy from everybody, it brings out the best in us. And our band - our band since 1990 has always been about everybody that comes to see us. We owe you - we owe you the world, we owe you everything and we can’t thank you enough for your support and uh...everything, thank you.
Drown
> Today (tease)
Iha: Thanks a lot. That’s all, drive safe. Thanks a lot, drive safe. Have a nice night.