Tsp2007-09-21: Difference between revisions
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! align="left" | Order of Bands | ! align="left" | Order of Bands | ||
| Satellite Party, The Smashing Pumpkins | | Satellite Party, The Smashing Pumpkins | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
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! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| MD-M>dEdit>FLAC | | MD-M>dEdit>FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2007-09-21.csb.flac16 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
Line 60: | Line 60: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| Nakamichi CM300 | | Nakamichi CM300/CP1>TCD-D8 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 122m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 70: | Line 70: | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT-M>CDR | | DAT-M>CDR | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2007-09-21.flac16 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Mics "in a somewhat X-Y pattern", angled about 90 degrees. | | Mics "in a somewhat X-Y pattern", angled about 90 degrees. | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MiniDV | |||
|- | |||
! align="left" | Equipment | |||
| Sony PC1000 | |||
|- | |||
! align="left" | Length | |||
| 122m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| MiniDV-M>DVD | |||
|- | |||
! align="left" | Video Link | |||
| [https://youtu.be/03dPdathq0I YouTube] | |||
|- | |||
! align="left" | Notes | |||
| Dead center, 6-8 rows in front of the soundboard. Missing United States (audio-only with black screen is used on circulating transfer). Circulates with AUD #2 synced to it. | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| SP-CMC-4(hypers)>SP-SPSB-6(195)>JB3 | | SP-CMC-4(hypers)>SP-SPSB-6(195)>Nomad JB3 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 105: | Line 134: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| Schoeps MK41>Nbox>R-09( | | Schoeps MK41>Nbox>R-09(24/48) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 115: | Line 144: | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Missing first five minutes. 5-6 rows in front of the soundboard. | | Missing first five minutes. 5-6 rows in front of the soundboard. | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #2 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| VID | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| 3m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Notes | |||
| Taper is shut down partway through United States. | |||
|- | |- | ||
|} | |} | ||
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* Superchrist | * Superchrist | ||
* Doomsday Clock | * Doomsday Clock | ||
* Heavy Metal Machine | * Heavy Metal Machine (14:50 medley) | ||
** White Rabbit [Jefferson Airplane] (tease) | ** White Rabbit [Jefferson Airplane] (tease) | ||
** White Horse [Laid Back] (tease) | |||
** On the Road Again [Canned Heat] (tease) | ** On the Road Again [Canned Heat] (tease) | ||
Encore: | Encore: | ||
* Ava Adore | * Ava Adore | ||
* Today | * Today | ||
=== Notes === | |||
* Pet Aid 2007 | |||
* 1979, Winterlong, and To Sheila performed acoustic | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | Suspiria Intro<br> | ||
'''United States / Star Spangled Banner'''<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
> '''Hummer'''<br> | |||
(BC before starting guitar part: Good evening, everybody. Welcome!)<br> | |||
'''Bring the Light'''<br> | |||
BC: Thank you very much. It’s very nice to be here with you tonight, we appreciate you. Is everybody in a rock and roll mood? ''(crowd cheers)'' What does that mean? - heh heh. Is that like...? - I don’t know, anyway.... Heh heh. See, this guy there, he’s - he’s in the rock and roll ''(laughing)'' mood.<br> | |||
'''Stand Inside Your Love'''<br> | |||
'''Tonight, Tonight'''<br> | |||
'''Tarantula'''<br> | |||
'''Starla'''<br> | |||
'''Cherub Rock'''<br> | |||
> '''Glass and the Ghost Children'''<br> | |||
BC: Thank you very much, thank you. Anything you wanna know? Heh heh heh. Heh heh. Well, I could keep playing hits or I could talk but...probably better to play hits. Everybody having a good time?<br> | |||
'''1979''' (Billy solo acoustic)<br> | |||
'''Winterlong''' (Billy acoustic w/Lisa)<br> | |||
'''To Sheila''' (acoustic)<br> | |||
'''Superchrist'''<br> | |||
> '''Doomsday Clock'''<br> | |||
'''Heavy Metal Machine / White Rabbit / White Horse'''<br> | |||
> '''On the Road Again'''<br> | |||
BC: Thank you.<br> | |||
[encore break]<br> | |||
'''Ava Adore'''<br> | |||
BC: Thank you. We’ve now come to the end of the show. ''(crowd boos)'' Yes, it’s the end of the show. ''(crowd boos louder)'' Heh heh. Hey, I’ve played, heh, I’ve played a lot of concerts and usually when I say it’s the end of the show, people cheer, you know what I’m sayin’? Heh heh heh. Heh heh heh heh. Listen, I’d like to say a few things if you’ll indulge me for a second. First of all, thank you very much for a really nice, beautiful evening, thank you, god bless you. Second of all, when we were wee children way back in 1988, on our very fourth - I think it was our fourth show ever - we opened for a little band called Jane’s Addiction. They had a little buzz going and it’s always an honor to share the stage with Perry. We are forever indebted to Perry for so many wonderful things, great music, Lollapalooza.... Plus he’s Jewish. ''(large cheer)'' See? Heh heh heh heh heh. I’m converting now to Judaism, I think that sealed the deal. Anyway, heh, it’s a great honor to be here with you tonight, to be with Perry, to be with his band. See ya in Seattle.<br> | |||
'''Today'''<br> | |||
</blockquote> | </blockquote> | ||
== Photos & Memorabilia == | |||
[[Image:Tsp2007-09-21-poster_(1).jpeg|225px|left]] | |||
[[Image:Tsp2007-09-21.jpg|250px|left]] |
Latest revision as of 04:14, 30 September 2024
The Smashing Pumpkins | |
---|---|
Date | 2007-09-21 |
Venue | The Amphitheater at Clark County |
Location | Ridgefield, WA, US |
Venue Type | Amphitheater |
Capacity | 18,000 |
Lineup | Corgan, Chamberlin, Schroeder, Reyes, Harriton |
Order of Bands | Satellite Party, The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | Hi-MD |
Equipment | CSB (bass filter on)>MZ-RH1/MZ-NHF800 |
Length | 121m |
Complete? | Yes |
Lowest Circulating Generation | MD-M>dEdit>FLAC |
Live Music Archive | 16-bit download |
Notes | Recorded in PCM mode. Section 204, row N, seat 14 (dead center, 3/4ths back). |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | Nakamichi CM300/CP1>TCD-D8 |
Length | 122m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M>CDR |
Live Music Archive | 16-bit download |
Notes | Mics "in a somewhat X-Y pattern", angled about 90 degrees. |
AMT #1 | |
Source | AUD |
Format | MiniDV |
Equipment | Sony PC1000 |
Length | 122m |
Complete? | Yes |
Lowest Circulating Generation | MiniDV-M>DVD |
Video Link | YouTube |
Notes | Dead center, 6-8 rows in front of the soundboard. Missing United States (audio-only with black screen is used on circulating transfer). Circulates with AUD #2 synced to it. |
Unsurfaced Recordings | |
AUD #3 | |
Source | AUD |
Format | WAV |
Equipment | SP-CMC-4(hypers)>SP-SPSB-6(195)>Nomad JB3 |
Length | 120m |
Complete? | Yes |
Notes | 4th row, near center. |
AUD #4 | |
Source | AUD |
Format | WAV |
Equipment | Schoeps MK41>Nbox>R-09(24/48) |
Length | ~115m |
Complete? | No |
Notes | Missing first five minutes. 5-6 rows in front of the soundboard. |
AMT #2 | |
Source | AUD |
Format | VID |
Equipment | Unknown |
Length | 3m |
Complete? | No |
Notes | Taper is shut down partway through United States. |
Setlist
Set:
- United States
- Bullet with Butterfly Wings
- Hummer
- Bring the Light
- Stand Inside Your Love
- Tonight, Tonight
- Tarantula
- Starla
- Cherub Rock
- Glass and the Ghost Children
- 1979
- Winterlong
- To Sheila
- Superchrist
- Doomsday Clock
- Heavy Metal Machine (14:50 medley)
- White Rabbit [Jefferson Airplane] (tease)
- White Horse [Laid Back] (tease)
- On the Road Again [Canned Heat] (tease)
Encore:
- Ava Adore
- Today
Notes
- Pet Aid 2007
- 1979, Winterlong, and To Sheila performed acoustic
Banter
Suspiria Intro
United States / Star Spangled Banner
> Bullet with Butterfly Wings
> Hummer
(BC before starting guitar part: Good evening, everybody. Welcome!)
Bring the Light
BC: Thank you very much. It’s very nice to be here with you tonight, we appreciate you. Is everybody in a rock and roll mood? (crowd cheers) What does that mean? - heh heh. Is that like...? - I don’t know, anyway.... Heh heh. See, this guy there, he’s - he’s in the rock and roll (laughing) mood.
Stand Inside Your Love
Tonight, Tonight
Tarantula
Starla
Cherub Rock
> Glass and the Ghost Children
BC: Thank you very much, thank you. Anything you wanna know? Heh heh heh. Heh heh. Well, I could keep playing hits or I could talk but...probably better to play hits. Everybody having a good time?
1979 (Billy solo acoustic)
Winterlong (Billy acoustic w/Lisa)
To Sheila (acoustic)
Superchrist
> Doomsday Clock
Heavy Metal Machine / White Rabbit / White Horse
> On the Road Again
BC: Thank you.
[encore break]
Ava Adore
BC: Thank you. We’ve now come to the end of the show. (crowd boos) Yes, it’s the end of the show. (crowd boos louder) Heh heh. Hey, I’ve played, heh, I’ve played a lot of concerts and usually when I say it’s the end of the show, people cheer, you know what I’m sayin’? Heh heh heh. Heh heh heh heh. Listen, I’d like to say a few things if you’ll indulge me for a second. First of all, thank you very much for a really nice, beautiful evening, thank you, god bless you. Second of all, when we were wee children way back in 1988, on our very fourth - I think it was our fourth show ever - we opened for a little band called Jane’s Addiction. They had a little buzz going and it’s always an honor to share the stage with Perry. We are forever indebted to Perry for so many wonderful things, great music, Lollapalooza.... Plus he’s Jewish. (large cheer) See? Heh heh heh heh heh. I’m converting now to Judaism, I think that sealed the deal. Anyway, heh, it’s a great honor to be here with you tonight, to be with Perry, to be with his band. See ya in Seattle.
Today