Tsp1998-05-28B: Difference between revisions
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|- | |- | ||
! align="left" | Capacity | ! align="left" | Capacity | ||
| 1800 | | 1800 | ||
|- | |- | ||
! align="left" | Lineup | ! align="left" | Lineup | ||
Line 25: | Line 25: | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | FM # | ! bgcolor="#fff9de" colspan="2" align="left" | FM #1a | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 43: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | "Fallin' Out of Sleep" commercial bootleg | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| To Sheila, Once Upon a Time, Ava Adore, Crestfallen, Tear, Daphne Descends, Tonight Tonight, | | Likely edited from the live broadcast. To Sheila, Once Upon a Time, Ava Adore, Crestfallen, Tear, Daphne Descends, Tonight Tonight, Stumbeline, Shame, For Martha, and 1979. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | | ! bgcolor="#fff9de" colspan="2" align="left" | FM #1b | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
| | | FM | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | DAT | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
Line 63: | Line 60: | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 75m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | No | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | "17 Seconds" commercial bootleg | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | | ! align="left" | Notes | ||
| Likely edited from the live broadcast. To Sheila, Once Upon a Time, Ava Adore, Crestfallen, Tear, Daphne Descends, Tonight Tonight, Bullet with Butterfly Wings, Shame, and For Martha. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | FM #1c | |||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
| | | FM | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | DAT | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
Line 83: | Line 83: | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | ~35m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 89: | Line 89: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | "Another 17 Seconds" commercial bootleg | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Likely edited from the live broadcast. Stumbeline, 1979, and Transmission. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | FM #2 | |||
! bgcolor="#fff9de" colspan="2" align="left" | | |||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
| | | FM | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | DAT | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
Line 115: | Line 112: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | DDC-? > CDR | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp1998-05-28.FM.DAT.flac16 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Third broadcast. To Sheila, Once Upon a Time, Ava Adore, Crestfallen, Tear, Daphne Descends, Tonight Tonight, Stumbleine, Shame, For Martha, and 1979. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #1 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
| | | AUD | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | MD | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
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|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 126m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | MD-? > CDR | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | |||
! bgcolor="#fff9de" colspan="2" align="left" | | |||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
| | | AUD | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
Line 155: | Line 152: | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 121m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | "Transmission" commercial bootleg | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp1998-05-28.flac16 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Encore break and some banter cut. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | PRO # | ! bgcolor="#fff9de" colspan="2" align="left" | PRO #1 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 184: | Line 184: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| VHS-1>DVD | | VHS-1 > DVD | ||
|- | |||
! align="left" | Video Link | |||
| [https://www.youtube.com/watch?v=Hsoc2s5fhnM YouTube] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Missing Thru the Eyes of Ruby and Transmission. | | Missing Thru the Eyes of Ruby and Perfect, Transmission cut. VHS-?>DVD transfer also circulates. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | PRO # | ! bgcolor="#fff9de" colspan="2" align="left" | PRO #2 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 207: | Line 210: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| VHS-?>VCD | | VHS-? > VCD | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
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! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | FM #2 | ! bgcolor="#fff9de" colspan="2" align="left" | FM #1 | ||
|- | |||
! align="left" | Source | |||
| FM | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| ~120m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Notes | |||
| Live broadcast. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | FM #3 | |||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 226: | Line 249: | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | ~60m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | No | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Second broadcast, aired on May 30th. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD # | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
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! align="left" | Format | ! align="left" | Format | ||
| ANA | | ANA | ||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| Unknown | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MCS | |||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
Line 268: | Line 308: | ||
| Unknown | | Unknown | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | PRO # | ! bgcolor="#fff9de" colspan="2" align="left" | PRO #3 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 288: | Line 328: | ||
| Unsure which songs this contains. VHS-1>DVD transfer exists. | | Unsure which songs this contains. VHS-1>DVD transfer exists. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | PRO # | ! bgcolor="#fff9de" colspan="2" align="left" | PRO #4 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 306: | Line 346: | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Unsure which songs this contains. Possibly the same as other PRO sources. | | Unsure which songs this contains. Possibly the same as other PRO sources. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | PRO # | ! bgcolor="#fff9de" colspan="2" align="left" | PRO #5 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 320: | Line 360: | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| ~ | | ~125m | ||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | SBD #1 | |||
|- | |||
! align="left" | Source | |||
| SBD | |||
|- | |||
! align="left" | Format | |||
| ADAT | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| ~125m | |||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Yes | | Yes | ||
|- | |||
! align="left" | Notes | |||
| Vault copy. | |||
|- | |- | ||
|} | |} | ||
== Setlist == | == Setlist == | ||
---- | ---- | ||
Pre-Set | |||
* (interview) | |||
Set: | Set: | ||
* To Sheila | * To Sheila | ||
Line 346: | Line 408: | ||
Encore: | Encore: | ||
* 1979 | * 1979 | ||
* Transmission [Joy Division] | * Transmission [Joy Division] [20:45] | ||
** Help [The Beatles] (tease) | ** Let's Dance [Bowie] (tease) | ||
** Help! [The Beatles] (tease) | |||
=== Notes === | |||
* Perfect, Tonight, Tonight, and Stumbleine performed acoustic | |||
* There were three separate broadcasts of this show; a live broadcast, a 60m version (broadcast May 30th), and a version of unknown length (broadcast at an unknown date) | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''To Sheila'''<br> | ||
> '''Once Upon a Time'''<br> | |||
> '''Ava Adore'''<br> | |||
'''Crestfallen / Eye'''<br> | |||
'''Tear'''<br> | |||
BC: Bonsoir. Thank you very much for coming. Hello to the people on the bridge. Hello to the people up there. They originally told us that we would actually be playing...with the plants. Guess that doesn't translate to French. We'd like to uh, we'd like to dedicate this song to Pakistan...since they decided to now start blowing up nuclear bombs as well. It's really nice to know that peace is at hand. Makes me feel nice and safe so um, here's to Pakistan.<br> | |||
'''Daphne Descends'''<br> | |||
> '''Thru the Eyes of Ruby'''<br> | |||
'''Perfect''' (acoustic)<br> | |||
BC: Thank you, thank you. So uh, this song we'd like to dedicate to you. No, not you, you. Like to dedicate this song to you, we appreciate your support very much and um, appreciate you for giving us a beautiful night.<br> | |||
'''Tonight, Tonight''' (acoustic)<br> | |||
'''Stumbleine''' (acoustic)<br> | |||
> '''drum/percussion solo'''<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
'''Shame'''<br> | |||
'''For Martha'''<br> | |||
(BC at 12:22: Thank you very much. On the piano, Mike the Cuddly Lion. On percussion left, Stephen the Ferocious Dragon. On ferocious dragon drums, Kenny Aronoff. On percussion far right, Daniel the Missile Launcher. My name is Jack, that’s Lucille Ball, and of course...is Jesus Christ. Thank you!)<br> | |||
[encore break]<br> | |||
Iha: Hello friends, you are breathers of light. And now we would like to play yet another song. We hope we rock you and we hope this has been a joyous moment in your life. And uh, let's go back to a certain year...nineteen...seventy...''(high pitched)'' I can't hear you! 1979!<br> | |||
'''1979'''<br> | |||
'''Transmission / Let’s Dance / Help!'''<br> | |||
(BC at 20:57: Bonsoir, merci. God bless you, thank you.)<br> | |||
</blockquote> | </blockquote> | ||
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[[Image:980528-17.jpg|125px|left]] | [[Image:980528-17.jpg|125px|left]] | ||
[[Image:980528-Stub.jpg|125px|left]] | [[Image:980528-Stub.jpg|125px|left]] | ||
[[Image:Tsp1998-05-28-vas-pass-sig.jpg|125px|left]] | |||
[[Image:Tsp1998-05-28-bootVID.jpg|125px|left]] | |||
[[Image:Tsp1998-05-28-comboot-17seconds.jpeg|125px|left]] | |||
[[Image:Tsp-1998-05120808-TourShirt_back.jpg|125px|left]] | |||
[[Image:tsp1998-05-28.jpg|250px|left]] |
Latest revision as of 05:42, 1 October 2024
The Smashing Pumpkins | |
---|---|
Date | 1998-05-28 |
Venue | Botanique Gardens |
Location | Brussels, BE |
Venue Type | Botanical Gardens |
Capacity | 1800 |
Lineup | Corgan, Iha, Wretzky, Aronoff, Garson, Morris, Hodges |
Order of Bands | Zop Hopop, The Smashing Pumpkins |
Surfaced Recordings | |
FM #1a | |
Source | FM |
Format | DAT |
Equipment | Unknown |
Length | 73m |
Complete? | No |
Lowest Circulating Generation | "Fallin' Out of Sleep" commercial bootleg |
Notes | Likely edited from the live broadcast. To Sheila, Once Upon a Time, Ava Adore, Crestfallen, Tear, Daphne Descends, Tonight Tonight, Stumbeline, Shame, For Martha, and 1979. |
FM #1b | |
Source | FM |
Format | DAT |
Equipment | Unknown |
Length | 75m |
Complete? | No |
Lowest Circulating Generation | "17 Seconds" commercial bootleg |
Notes | Likely edited from the live broadcast. To Sheila, Once Upon a Time, Ava Adore, Crestfallen, Tear, Daphne Descends, Tonight Tonight, Bullet with Butterfly Wings, Shame, and For Martha. |
FM #1c | |
Source | FM |
Format | DAT |
Equipment | Unknown |
Length | ~35m |
Complete? | No |
Lowest Circulating Generation | "Another 17 Seconds" commercial bootleg |
Notes | Likely edited from the live broadcast. Stumbeline, 1979, and Transmission. |
FM #2 | |
Source | FM |
Format | DAT |
Equipment | Unknown |
Length | 73m |
Complete? | No |
Lowest Circulating Generation | DDC-? > CDR |
Live Music Archive | 16-bit download |
Notes | Third broadcast. To Sheila, Once Upon a Time, Ava Adore, Crestfallen, Tear, Daphne Descends, Tonight Tonight, Stumbleine, Shame, For Martha, and 1979. |
AUD #1 | |
Source | AUD |
Format | MD |
Equipment | Unknown |
Length | 126m |
Complete? | Yes |
Lowest Circulating Generation | MD-? > CDR |
AUD #2 | |
Source | AUD |
Format | Unknown |
Equipment | Unknown |
Length | 121m |
Complete? | Yes |
Lowest Circulating Generation | "Transmission" commercial bootleg |
Live Music Archive | 16-bit download |
Notes | Encore break and some banter cut. |
PRO #1 | |
Source | TV |
Format | VHS |
Equipment | Unknown |
Length | 86m |
Complete? | No |
Lowest Circulating Generation | VHS-1 > DVD |
Video Link | YouTube |
Notes | Missing Thru the Eyes of Ruby and Perfect, Transmission cut. VHS-?>DVD transfer also circulates. |
PRO #2 | |
Source | TV |
Format | VHS |
Equipment | Unknown |
Length | 54m |
Complete? | No |
Lowest Circulating Generation | VHS-? > VCD |
Notes | Missing Thru the Eyes of Ruby, Shame, For Martha, 1979, and Transmission. Interspersed with interview. |
Unsurfaced Recordings | |
FM #1 | |
Source | FM |
Format | DAT |
Equipment | Unknown |
Length | ~120m |
Complete? | Yes |
Notes | Live broadcast. |
FM #3 | |
Source | FM |
Format | ANA |
Equipment | Unknown |
Length | ~60m |
Complete? | No |
Notes | Second broadcast, aired on May 30th. |
AUD #3 | |
Source | AUD |
Format | ANA |
Equipment | Unknown |
Length | Unknown |
Complete? | Unknown |
AUD #4 | |
Source | AUD |
Format | MCS |
Equipment | Unknown |
Length | Unknown |
Complete? | Unknown |
AMT #1 | |
Source | AUD |
Format | VID |
Equipment | Unknown |
Length | Unknown |
Complete? | Unknown |
PRO #3 | |
Source | TV |
Format | VHS |
Equipment | Unknown |
Length | 115m |
Complete? | No |
Notes | Unsure which songs this contains. VHS-1>DVD transfer exists. |
PRO #4 | |
Source | TV |
Format | VHS |
Equipment | Unknown |
Length | Unknown |
Complete? | Unknown |
Notes | Unsure which songs this contains. Possibly the same as other PRO sources. |
PRO #5 | |
Source | PRO |
Format | VID |
Equipment | Pro-Cams |
Length | ~125m |
Complete? | Yes |
SBD #1 | |
Source | SBD |
Format | ADAT |
Equipment | Unknown |
Length | ~125m |
Complete? | Yes |
Notes | Vault copy. |
Setlist
Pre-Set
- (interview)
Set:
- To Sheila
- Once Upon a Time
- Ava Adore
- Crestfallen
- Eye (tease)
- Tear
- Daphne Descends
- Thru the Eyes of Ruby
- Perfect
- Tonight, Tonight
- Stumbleine
- (percussion solo)
- Bullet with Butterfly Wings
- Shame
- For Martha
Encore:
- 1979
- Transmission [Joy Division] [20:45]
- Let's Dance [Bowie] (tease)
- Help! [The Beatles] (tease)
Notes
- Perfect, Tonight, Tonight, and Stumbleine performed acoustic
- There were three separate broadcasts of this show; a live broadcast, a 60m version (broadcast May 30th), and a version of unknown length (broadcast at an unknown date)
Banter
To Sheila
> Once Upon a Time
> Ava Adore
Crestfallen / Eye
Tear
BC: Bonsoir. Thank you very much for coming. Hello to the people on the bridge. Hello to the people up there. They originally told us that we would actually be playing...with the plants. Guess that doesn't translate to French. We'd like to uh, we'd like to dedicate this song to Pakistan...since they decided to now start blowing up nuclear bombs as well. It's really nice to know that peace is at hand. Makes me feel nice and safe so um, here's to Pakistan.
Daphne Descends
> Thru the Eyes of Ruby
Perfect (acoustic)
BC: Thank you, thank you. So uh, this song we'd like to dedicate to you. No, not you, you. Like to dedicate this song to you, we appreciate your support very much and um, appreciate you for giving us a beautiful night.
Tonight, Tonight (acoustic)
Stumbleine (acoustic)
> drum/percussion solo
> Bullet with Butterfly Wings
Shame
For Martha
(BC at 12:22: Thank you very much. On the piano, Mike the Cuddly Lion. On percussion left, Stephen the Ferocious Dragon. On ferocious dragon drums, Kenny Aronoff. On percussion far right, Daniel the Missile Launcher. My name is Jack, that’s Lucille Ball, and of course...is Jesus Christ. Thank you!)
[encore break]
Iha: Hello friends, you are breathers of light. And now we would like to play yet another song. We hope we rock you and we hope this has been a joyous moment in your life. And uh, let's go back to a certain year...nineteen...seventy...(high pitched) I can't hear you! 1979!
1979
Transmission / Let’s Dance / Help!
(BC at 20:57: Bonsoir, merci. God bless you, thank you.)