Tsp2008-08-16: Difference between revisions
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! align="left" | Venue Type | ! align="left" | Venue Type | ||
| Amphitheater | | Amphitheater | ||
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! align="left" | Capacity | |||
| Unknown | |||
|- | |- | ||
! align="left" | Lineup | ! align="left" | Lineup | ||
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! align="left" | Equipment | ! align="left" | Equipment | ||
| BSCS-L>FR2-LE( | | BSCS-L>FR2-LE(24/44.1) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 141m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
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|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | WAV-M>dEdit>FLAC | ||
|- | |- | ||
! align="left" | Live Music Archive | ! align="left" | Live Music Archive | ||
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! align="left" | Equipment | ! align="left" | Equipment | ||
| AKG ck93(mod)>RM 3-wire battery box>iRiver H120 | | AKG ck93(mod)>RM 3-wire battery box>iRiver H120(16/44.1) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 141m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
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|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | WAV-M>dEdit>FLAC | ||
|- | |- | ||
! align="left" | Live Music Archive | ! align="left" | Live Music Archive | ||
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! align="left" | Equipment | ! align="left" | Equipment | ||
| SS-DSM-6S>PA-6LC3>R-09HR( | | SS-DSM-6S>PA-6LC3>R-09HR(24/96) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 143m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
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! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | WAV-M>FLAC | ||
|- | |- | ||
! align="left" | Live Music Archive | ! align="left" | Live Music Archive | ||
| [http://www.archive.org/details/tsp2008-08-16.dsm6s.flac16 16-bit download] | | [http://www.archive.org/details/tsp2008-08-16.dsm6s.flac16 16-bit download] | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
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! align="left" | Equipment | ! align="left" | Equipment | ||
| | | SD744 | ||
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! align="left" | Length | ! align="left" | Length | ||
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! align="left" | Notes | ! align="left" | Notes | ||
| | | Front row, same area as taper of AUD #3. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ||
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* Tarantula | * Tarantula | ||
* G.L.O.W. | * G.L.O.W. | ||
* Siva | * Kill Your Parents | ||
** Siva | |||
* Eye | * Eye | ||
* Mayonaise | * Mayonaise | ||
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* Today | * Today | ||
* Bullet with Butterfly Wings | * Bullet with Butterfly Wings | ||
* The Beginning | * The Beginning Is the End Is the Beginning | ||
* Heavy Metal Machine | * Heavy Metal Machine (12:14) | ||
** White Rabbit [Jefferson Airplane] (tease) | ** White Rabbit [Jefferson Airplane] (tease) | ||
** White Horse [Laid Back] (tease) | ** White Horse [Laid Back] (tease) | ||
** Stranglehold [Nugent] (tease) | |||
** Wild Thing [Taylor] (tease) | |||
** Glass' Theme | ** Glass' Theme | ||
* Set the Controls for the Heart of the Sun [Pink Floyd] | * Set the Controls for the Heart of the Sun [Pink Floyd] [20:53] | ||
Encore: | Encore: | ||
* We Only Come Out at Night | * We Only Come Out at Night | ||
* In the Summertime [Mungo Jerry] (with | * In the Summertime [Mungo Jerry] | ||
=== Notes === | |||
* Once Upon a Time, Again, Again, Again (The Crux), and The Rose March performed acoustic | |||
* We Only Come Out at Night and In the Summertime with Kris Pooley on accordion | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | 2008 Intro<br> | ||
'''Tarantula'''<br> | |||
> '''G.L.O.W.'''<br> | |||
'''Kill Your Parents'''<br> | |||
> '''Siva'''<br> | |||
'''Eye'''<br> | |||
'''Mayonaise'''<br> | |||
> '''Tonight, Tonight'''<br> | |||
> '''Speed Kills'''<br> | |||
BC: Thank you.<br> | |||
'''Transformer'''<br> | |||
'''Superchrist'''<br> | |||
> '''United States / Star Spangled Banner'''<br> | |||
BC: Thank you very much, we’re just putting some of our crap onstage, we’ll be a second. ... Thank you very much for coming tonight, thank you. How y’all feeling out there, you alright? Yeaah. Alanis Morissette will be on in just a minute but before she gets on, uh... She’s good, she’s good. Then Radiohead’ll be on after that. Yeah, they’re real good. Then the Beatles, they’ll be out after that. Like to take a moment to introduce this great band I get to play in: on guitar, Mr. Jeff Schroeder. Gettin’ it done, people, gettin’ it done. On the bass guitar, Mrs. Ginger Pooley. Gettin’ it done every night. Every night. On the keyboards, Mistress Lisa. She’s available for all your domination needs after the show. Seriously. And on the drums, the one, the only, Mr. Jimmy Chamberlin.<br> | |||
'''Once Upon a Time''' (acoustic)<br> | |||
'''Again, Again, Again''' (acoustic)<br> | |||
BC: Thank you very much, thank you. ... It’s always nice to have people join the sad party. A little rolling sad party.<br> | |||
'''The Rose March''' (acoustic)<br> | |||
BC: Thank you. There you are, I see you. You don’t see me but I see you. Heh heh. Yeah, 4:20, he’s got one of those shirts, Jeff. You’re one of the lucky few, one of the lucky few. Collector’s edition. Well, it’s now time for the second half of the show. It’s almost over. Yeah. Rock and roll has a price. You’re lookin’ at it. Ha ha ha. Hey, but thanks a lot, it’s nice to see your faces. I’m gonna let you in on a little secret, a little SP secret, SP secret. Sometimes when we play, the audiences tend to be a little older, like 30 plus-ish, because they’re still in the 90s. It’s all good. It’s all good in the hood. When we play for a little older audiences, they get a little confused by what we’re doing. They don’t really understand my trip, you know? But when we play in front of a younger audience like tonight, they’re rockin’. There’s hope! There’s hope. Hey, old guy, the one flickin’ me off. I see you. It’s all good, brother, it’s all good, it’s all good. All I’m tryin’ to say is, we could sit up here and play a bunch of old songs and...''(crowd cheers)''...yeah, they’re good. I guess, heh heh, I guess that’s what you want us to do. See, if you knew me at all, you’d know that’s not a good cheer. Heh heh, this guy understands. Anyway, before we play this old song, yay, cheer...yes. The one I was, the one I was going to dedicate to you, but I’m not again anymore... Uh, you can boo all you want and I’m immune to it at this point. Heh heh. I’ve been booed beyond booed. Um, heh heh heh. I just wanna say, I just wanna say, I just wanna say, we love you and we live in the present, yes. Yes. And for those of you in doubt, we’re back, we’re insane...crazy! Wacky fun. All I’m trying to say is, we’ll be kicking your ass for a few more years here. So this is my gift to you.<br> | |||
'''Today'''<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
'''The Beginning is the End is the Beginning'''<br> | |||
'''Heavy Metal Machine / White Rabbit / White Horse / Stranglehold / Wild Thing'''<br> | |||
> '''Glass’ Theme'''<br> | |||
'''Set the Controls for the Heart of the Sun'''<br> | |||
[encore break]<br> | |||
'''We Only Come Out at Night''' (with Kris Pooley on accordion)<br> | |||
> '''In the Summertime''' (with Kris Pooley on accordion)<br> | |||
(BC after verse 2: Take it, Jimmy! ''(Jimmy kazoo solo)'' Go Jeff! ''(Jeff kazoo solo)'')<br> | |||
(BC alt verse 3 + outro: ''(singing)'' In the summertime and the weather is good, you can reach right and shoot yourself in the head, when the weather is fine, you can fuck all you want, and do what you want. In the summertime, you can tell everyone to fuck off. ''(speaking)'' Take it, Kris! ''(Kris accordion solo)'' Take it, Ginger! ''(Ginger kazoo solo)'' Alright, everybody all together! Everybody together! Come on! Where am I? Ha ha ha ha! Where the fuck am I? One more time, come on, one more time, everybody together! Where’s your kazoo? We got kazoos, fuck you then. Thank you very much! Thank you! Thank you [unintelligible], thank you!! Heh heh heh. Whoo! I love rock and roll.<br> | |||
</blockquote> | </blockquote> |
Latest revision as of 12:07, 24 November 2020
The Smashing Pumpkins | |
---|---|
Date | 2008-08-16 |
Venue | Charlottesville Pavilion |
Location | Charlottesville, VA, US |
Venue Type | Amphitheater |
Capacity | Unknown |
Lineup | Corgan, Chamberlin, Schroeder, Reyes, Harriton |
Order of Bands | The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | WAV |
Equipment | BSCS-L>FR2-LE(24/44.1) |
Length | 141m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M>dEdit>FLAC |
Live Music Archive | 16-bit download |
Notes | Last seated GA row, in front of soundboard. Mics 5 feet up, mid/side. |
AUD #2 | |
Source | AUD |
Format | WAV |
Equipment | AKG ck93(mod)>RM 3-wire battery box>iRiver H120(16/44.1) |
Length | 141m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M>dEdit>FLAC |
Live Music Archive | 16-bit download |
Notes | Front row. |
AUD #3 | |
Source | AUD |
Format | WAV |
Equipment | SS-DSM-6S>PA-6LC3>R-09HR(24/96) |
Length | 143m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M>FLAC |
Live Music Archive | 16-bit download |
Unsurfaced Recordings | |
AUD #4 | |
Source | AUD |
Format | Unknown |
Equipment | SD744 |
Length | Unknown |
Complete? | Unknown |
Notes | Mics in a hat. |
AUD #5 | |
Source | AUD |
Format | Hi-MD |
Equipment | CSB>MZ-RH1/MZ-NHF800 |
Length | Unknown |
Complete? | No |
Notes | Front row, same area as taper of AUD #3. |
AMT #1 | |
Source | AUD |
Format | HDV |
Equipment | Unknown |
Length | Unknown |
Complete? | Unknown |
Notes | Front row. |
Setlist
Soundcheck:
- Eye
- Heavy Metal Machine (multiple)
Set:
- Tarantula
- G.L.O.W.
- Kill Your Parents
- Siva
- Eye
- Mayonaise
- Tonight, Tonight
- Speed Kills
- Transformer
- Superchrist
- United States
- Star Spangled Banner [Key] (tease)
- Once Upon a Time
- Again, Again, Again (The Crux)
- The Rose March
- Today
- Bullet with Butterfly Wings
- The Beginning Is the End Is the Beginning
- Heavy Metal Machine (12:14)
- White Rabbit [Jefferson Airplane] (tease)
- White Horse [Laid Back] (tease)
- Stranglehold [Nugent] (tease)
- Wild Thing [Taylor] (tease)
- Glass' Theme
- Set the Controls for the Heart of the Sun [Pink Floyd] [20:53]
Encore:
- We Only Come Out at Night
- In the Summertime [Mungo Jerry]
Notes
- Once Upon a Time, Again, Again, Again (The Crux), and The Rose March performed acoustic
- We Only Come Out at Night and In the Summertime with Kris Pooley on accordion
Banter
2008 Intro
Tarantula
> G.L.O.W.
Kill Your Parents
> Siva
Eye
Mayonaise
> Tonight, Tonight
> Speed Kills
BC: Thank you.
Transformer
Superchrist
> United States / Star Spangled Banner
BC: Thank you very much, we’re just putting some of our crap onstage, we’ll be a second. ... Thank you very much for coming tonight, thank you. How y’all feeling out there, you alright? Yeaah. Alanis Morissette will be on in just a minute but before she gets on, uh... She’s good, she’s good. Then Radiohead’ll be on after that. Yeah, they’re real good. Then the Beatles, they’ll be out after that. Like to take a moment to introduce this great band I get to play in: on guitar, Mr. Jeff Schroeder. Gettin’ it done, people, gettin’ it done. On the bass guitar, Mrs. Ginger Pooley. Gettin’ it done every night. Every night. On the keyboards, Mistress Lisa. She’s available for all your domination needs after the show. Seriously. And on the drums, the one, the only, Mr. Jimmy Chamberlin.
Once Upon a Time (acoustic)
Again, Again, Again (acoustic)
BC: Thank you very much, thank you. ... It’s always nice to have people join the sad party. A little rolling sad party.
The Rose March (acoustic)
BC: Thank you. There you are, I see you. You don’t see me but I see you. Heh heh. Yeah, 4:20, he’s got one of those shirts, Jeff. You’re one of the lucky few, one of the lucky few. Collector’s edition. Well, it’s now time for the second half of the show. It’s almost over. Yeah. Rock and roll has a price. You’re lookin’ at it. Ha ha ha. Hey, but thanks a lot, it’s nice to see your faces. I’m gonna let you in on a little secret, a little SP secret, SP secret. Sometimes when we play, the audiences tend to be a little older, like 30 plus-ish, because they’re still in the 90s. It’s all good. It’s all good in the hood. When we play for a little older audiences, they get a little confused by what we’re doing. They don’t really understand my trip, you know? But when we play in front of a younger audience like tonight, they’re rockin’. There’s hope! There’s hope. Hey, old guy, the one flickin’ me off. I see you. It’s all good, brother, it’s all good, it’s all good. All I’m tryin’ to say is, we could sit up here and play a bunch of old songs and...(crowd cheers)...yeah, they’re good. I guess, heh heh, I guess that’s what you want us to do. See, if you knew me at all, you’d know that’s not a good cheer. Heh heh, this guy understands. Anyway, before we play this old song, yay, cheer...yes. The one I was, the one I was going to dedicate to you, but I’m not again anymore... Uh, you can boo all you want and I’m immune to it at this point. Heh heh. I’ve been booed beyond booed. Um, heh heh heh. I just wanna say, I just wanna say, I just wanna say, we love you and we live in the present, yes. Yes. And for those of you in doubt, we’re back, we’re insane...crazy! Wacky fun. All I’m trying to say is, we’ll be kicking your ass for a few more years here. So this is my gift to you.
Today
> Bullet with Butterfly Wings
The Beginning is the End is the Beginning
Heavy Metal Machine / White Rabbit / White Horse / Stranglehold / Wild Thing
> Glass’ Theme
Set the Controls for the Heart of the Sun
[encore break]
We Only Come Out at Night (with Kris Pooley on accordion)
> In the Summertime (with Kris Pooley on accordion)
(BC after verse 2: Take it, Jimmy! (Jimmy kazoo solo) Go Jeff! (Jeff kazoo solo))
(BC alt verse 3 + outro: (singing) In the summertime and the weather is good, you can reach right and shoot yourself in the head, when the weather is fine, you can fuck all you want, and do what you want. In the summertime, you can tell everyone to fuck off. (speaking) Take it, Kris! (Kris accordion solo) Take it, Ginger! (Ginger kazoo solo) Alright, everybody all together! Everybody together! Come on! Where am I? Ha ha ha ha! Where the fuck am I? One more time, come on, one more time, everybody together! Where’s your kazoo? We got kazoos, fuck you then. Thank you very much! Thank you! Thank you [unintelligible], thank you!! Heh heh heh. Whoo! I love rock and roll.