Bc2009-08-26: Difference between revisions
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{| border="2" cellpadding="4" cellspacing="0" style="margin: 0 0 1em 1em; border: 1px #aaa solid; border-collapse: collapse; font-size: 95%;" align="right" width=280px | {| border="2" cellpadding="4" cellspacing="0" style="margin: 0 0 1em 1em; border: 1px #aaa solid; border-collapse: collapse; font-size: 95%;" align="right" width=280px | ||
! bgcolor="#ffe156" colspan="2" | | ! bgcolor="#ffe156" colspan="2" | Spirits in the Sky | ||
|- | |- | ||
! align="left" | Date | ! align="left" | Date | ||
Line 6: | Line 6: | ||
|- | |- | ||
! align="left" | Venue | ! align="left" | Venue | ||
| | | Cellar Door | ||
|- | |- | ||
! align="left" | Location | ! align="left" | Location | ||
Line 12: | Line 12: | ||
|- | |- | ||
! align="left" | Venue Type | ! align="left" | Venue Type | ||
| | | Club | ||
|- | |- | ||
! align="left" | Capacity | ! align="left" | Capacity | ||
| | | 225 | ||
|- | |- | ||
! align="left" | Lineup | ! align="left" | Lineup | ||
| Corgan | | Corgan, Byrne, Navarro, Brown, Strawberry, Tulin, Weitz, Spevack, Dippold | ||
|- | |- | ||
! align="left" | Order of Bands | ! align="left" | Order of Bands | ||
| | | Spirits in the Sky | ||
|- | |||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #1 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| WAV | |||
|- | |||
! align="left" | Equipment | |||
| DAB>R-09(24/44.1) | |||
|- | |||
! align="left" | Length | |||
| ~100m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| WAV-M>FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/bc2009-08-26.dab.flac16 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Center, ~40 feet back. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MiniDV | |||
|- | |||
! align="left" | Equipment | |||
| Sony HDR-FX1 | |||
|- | |||
! align="left" | Length | |||
| ~100m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| MiniDV-M>DVD | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Circulates synced with AUD #1. | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | PRO #1 | |||
|- | |||
! align="left" | Source | |||
| WWW | |||
|- | |||
! align="left" | Format | |||
| FLV | |||
|- | |||
! align="left" | Equipment | |||
| PC | |||
|- | |||
! align="left" | Length | |||
| 3m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| FLV-M | |||
|- | |||
! align="left" | Notes | |||
| Pre-show interview by local news station. | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | - | ! bgcolor="#fff9de" colspan="2" align="left" | - | ||
|} | |} | ||
== Setlist == | == Setlist == | ||
Soundcheck: | |||
* (jam) | |||
* (unknown) | |||
* (unknown) | |||
* (unknown) | |||
* (unknown) | |||
* (unknown) | |||
Set One: | |||
* (interview) | |||
Set Two: | |||
* Can't Seem to Make You Mine [The Seeds] | |||
* Circular Change | |||
* Emerald Green Is the Color | |||
* Widow Wake My Mind | |||
* West Coast | |||
* Freak | |||
* Morning Dew [Dobson] | |||
* The Fellowship | |||
* The Time Has Come [Briggs] | |||
* A Stitch in Time | |||
* Caroline, Yes | |||
* A Song for a Son | |||
* The Trip | |||
* Astral Planes | |||
* Femme Fatale [The Velvet Underground] | |||
* Lucifer Sam [Pink Floyd] | |||
Encore: | |||
* Long Haired Lady [Quicksilver Messenger Service] | |||
=== Notes === | |||
* Moved from Tazzaria restaurant | |||
* First performances of Circular Change, Emerald Green Is the Color, Widow Wake My Mind, West Coast, Morning Dew, The Fellowship, The Time Has Come, A Stitch in Time, Caroline, Yes, The Trip, Astral Planes, Femme Fatale, Lucifer Sam, and Long Haired Lady | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | BC: Well, hi.<br> | ||
'''Can’t Seem to Make You Mine'''<br> | |||
'''Circular Change'''<br> | |||
'''Emerald Green is the Colour'''<br> | |||
BC: Thank you, vagina. I love vagina! People see. How you all doing, you okay? Hahaha, what am I doing? Has anyone here been to Regina, Canada? Yes. It was a little warm in Regina. It gets warm in Regina this time of year. Heh. Alright. Would you like to sing along? We’ll try something new. Okay, I’ma teach you this song. You know I’m a bit of a tyrant so if you get wrong, you’re out. Okay, here’s how it goes.<br> | |||
'''Widow Wake My Mind'''<br> | |||
BC: Thank you! ... This is a song...a song about your lovely west coast. ''(tuning guitar)'' Yeah, like to be in tune for you right now, hold on. Are you in tune? Wow. I know you are.<br> | |||
'''West Coast'''<br> | |||
BC: Thank you very much, thank you. We would like to play a song now that um, honors our departed brother Sky Saxon. Dedicate this song to Sky, this is a song called Freak.<br> | |||
'''Freak'''<br> | |||
'''Morning Dew'''<br> | |||
BC: Thank you! Hey, this ain’t no photo shoot, girlie. This ain’t no hill shit over here, okay? We ain’t rockin’ that a-way. You told me private photo shoot later. That’s what you told me. I saw you Twitter it now. Heh heh. Yeah! Okay. Go Cubs, yeah. Okay.<br> | |||
'''The Fellowship'''<br> | |||
BC: Well, ahem.... Yeah. I can’t tune my guitar. Fuck. Your electromagnetic energy is disturbing my.... Can I have uh, [2 unintelligible words] guitar a little louder, then I’m just gonna finger pick. Okay! I’d like to play a really beautiful song and you need to shut the fuck up, okay? Actually, I don’t care, do whatever you want. No, it’s just uh - you know, heh, I thought if we played small places it’d be really quiet but obviously that’s not gonna happen. Oops! Oops. Anyway, I’d like to play a song for you that’s by uh, a brilliant English folk singer. Um, with this album I believe in 1971. Hey, you people! Hey, you people! What’s going on over there? There’s like a naked lady, like, okaying this. I know you can’t see that but...it’s so crazy. That’s why it’s so loud over there. Have a little more guitar? Um, I’m gonna skip this one. Just too beautiful for you. You’re turning me ugly. Well, I’m already ugly so you’re turning me uglier. Let’s try this together, let’s have a moment of silence for my career, okay, here we go. Heh heh heh. Ahhh. [unintelligible word] back.<br> | |||
'''The Time Has Come''' (Billy solo acoustic)<br> | |||
BC: Alright. I’d like to see you talk against this next one. ''(tuning guitar throughout rest of banter)'' Oh man. You’re killing me. Ah, that’s okay, I don’t care, really I don’t. I’m too old, I don’t care anymore. ‘Member when I came out against moshing, you see how that worked. "Corgan’s set was plagued by tuning difficulties and unruly crowd." You’re just too hot. The guitar won’t tune. I hate the guitar anyway, it’s cool. Yeah. Alright, you can turn it back down now, heh heh.<br> | |||
'''A Stitch in Time''' (Billy acoustic / Spevack violin / Dippold mandolin)<br> | |||
BC: Don’t mess with me. Reminds me of the good old days. Heh heh. No, ‘67. ''(stoner voice)'' Heh heh heh, ‘69, that was a good year too. ''(normal)'' Alright, you feelin’ okay? Alright.<br> | |||
Guy in crowd: How you feelin’?!<br> | |||
BC: Feel like a million bucks. Might be sellin’ myself a little short there but I feel good. Just like Bon Jovi, I’m getting back on my horse and I’m gonna rock. I’m sure you all know this one.<br> | |||
'''Caroline, Yes''' (abandoned after first two words)<br> | |||
BC: Whoa, go fuck me. Visalia, man, killin’ it. I went out with a hooker here in ‘87, that’s - that was a short lived.... Yeah, ‘87, that was a good year. Although I talked to the police coming in and there are no hookers anywhere. They blame [unintelligible]. The hookers are in Fresno, is that what you said? Heh heh, heh, I didn’t say that, [unintelligible word or two]. I’m kidding, heh heh. Yeaah. Youse guys is rowdy. What night of the week is it? Wednesday? Okay, you good?<br> | |||
'''Caroline, Yes''' (Billy acoustic / Spevack violin / Dippold mandolin)<br> | |||
''(Billy and Dippold jam for a minute)''<br> | |||
BC: ''(singing)'' Visalia.... ''(speaking)'' I was tryin’ to make a Visalia song.<br> | |||
'''A Song for a Son''' (Billy acoustic / Spevack violin / Dippold mandolin)<br> | |||
BC: A Song for a Son. Let’s bring the band back up now. Tyler? Alright. ...<br> | |||
'''The Trip'''<br> | |||
'''Astral Planes''' (abandoned - Mike counts the song off but somebody’s not ready)<br> | |||
BC: Rookie mistake. Let’s give it up for Mikey.<br> | |||
'''Astral Planes'''<br> | |||
'''Femme Fatale'''<br> | |||
'''Lucifer Sam'''<br> | |||
BC: Thank you very much, thank you!<br> | |||
[encore break]<br> | |||
'''Long Haired Lady'''<br> | |||
BC: Thank you very much.<br> | |||
[bow]<br> | |||
BC: Listen. If you want me to sign your boob, you can’t look at Dave Navarro all night, okay? Okay? You gotta pick one rock star, you know what I’m sayin’? Alright everybody, thanks for coming, thanks a lot.<br> | |||
</blockquote> | </blockquote> | ||
== Photos & Memorabilia == | |||
[[Image:bcspiritsinthesky.jpg|250px|left]] |
Latest revision as of 01:06, 29 September 2024
Spirits in the Sky | |
---|---|
Date | 2009-08-26 |
Venue | Cellar Door |
Location | Visalia, CA, US |
Venue Type | Club |
Capacity | 225 |
Lineup | Corgan, Byrne, Navarro, Brown, Strawberry, Tulin, Weitz, Spevack, Dippold |
Order of Bands | Spirits in the Sky |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | WAV |
Equipment | DAB>R-09(24/44.1) |
Length | ~100m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M>FLAC |
Live Music Archive | 16-bit download |
Notes | Center, ~40 feet back. |
AMT #1 | |
Source | AUD |
Format | MiniDV |
Equipment | Sony HDR-FX1 |
Length | ~100m |
Complete? | Yes |
Lowest Circulating Generation | MiniDV-M>DVD |
Notes | Circulates synced with AUD #1. |
PRO #1 | |
Source | WWW |
Format | FLV |
Equipment | PC |
Length | 3m |
Complete? | No |
Lowest Circulating Generation | FLV-M |
Notes | Pre-show interview by local news station. |
Unsurfaced Recordings | |
- |
Setlist
Soundcheck:
- (jam)
- (unknown)
- (unknown)
- (unknown)
- (unknown)
- (unknown)
Set One:
- (interview)
Set Two:
- Can't Seem to Make You Mine [The Seeds]
- Circular Change
- Emerald Green Is the Color
- Widow Wake My Mind
- West Coast
- Freak
- Morning Dew [Dobson]
- The Fellowship
- The Time Has Come [Briggs]
- A Stitch in Time
- Caroline, Yes
- A Song for a Son
- The Trip
- Astral Planes
- Femme Fatale [The Velvet Underground]
- Lucifer Sam [Pink Floyd]
Encore:
- Long Haired Lady [Quicksilver Messenger Service]
Notes
- Moved from Tazzaria restaurant
- First performances of Circular Change, Emerald Green Is the Color, Widow Wake My Mind, West Coast, Morning Dew, The Fellowship, The Time Has Come, A Stitch in Time, Caroline, Yes, The Trip, Astral Planes, Femme Fatale, Lucifer Sam, and Long Haired Lady
Banter
BC: Well, hi.
Can’t Seem to Make You Mine
Circular Change
Emerald Green is the Colour
BC: Thank you, vagina. I love vagina! People see. How you all doing, you okay? Hahaha, what am I doing? Has anyone here been to Regina, Canada? Yes. It was a little warm in Regina. It gets warm in Regina this time of year. Heh. Alright. Would you like to sing along? We’ll try something new. Okay, I’ma teach you this song. You know I’m a bit of a tyrant so if you get wrong, you’re out. Okay, here’s how it goes.
Widow Wake My Mind
BC: Thank you! ... This is a song...a song about your lovely west coast. (tuning guitar) Yeah, like to be in tune for you right now, hold on. Are you in tune? Wow. I know you are.
West Coast
BC: Thank you very much, thank you. We would like to play a song now that um, honors our departed brother Sky Saxon. Dedicate this song to Sky, this is a song called Freak.
Freak
Morning Dew
BC: Thank you! Hey, this ain’t no photo shoot, girlie. This ain’t no hill shit over here, okay? We ain’t rockin’ that a-way. You told me private photo shoot later. That’s what you told me. I saw you Twitter it now. Heh heh. Yeah! Okay. Go Cubs, yeah. Okay.
The Fellowship
BC: Well, ahem.... Yeah. I can’t tune my guitar. Fuck. Your electromagnetic energy is disturbing my.... Can I have uh, [2 unintelligible words] guitar a little louder, then I’m just gonna finger pick. Okay! I’d like to play a really beautiful song and you need to shut the fuck up, okay? Actually, I don’t care, do whatever you want. No, it’s just uh - you know, heh, I thought if we played small places it’d be really quiet but obviously that’s not gonna happen. Oops! Oops. Anyway, I’d like to play a song for you that’s by uh, a brilliant English folk singer. Um, with this album I believe in 1971. Hey, you people! Hey, you people! What’s going on over there? There’s like a naked lady, like, okaying this. I know you can’t see that but...it’s so crazy. That’s why it’s so loud over there. Have a little more guitar? Um, I’m gonna skip this one. Just too beautiful for you. You’re turning me ugly. Well, I’m already ugly so you’re turning me uglier. Let’s try this together, let’s have a moment of silence for my career, okay, here we go. Heh heh heh. Ahhh. [unintelligible word] back.
The Time Has Come (Billy solo acoustic)
BC: Alright. I’d like to see you talk against this next one. (tuning guitar throughout rest of banter) Oh man. You’re killing me. Ah, that’s okay, I don’t care, really I don’t. I’m too old, I don’t care anymore. ‘Member when I came out against moshing, you see how that worked. "Corgan’s set was plagued by tuning difficulties and unruly crowd." You’re just too hot. The guitar won’t tune. I hate the guitar anyway, it’s cool. Yeah. Alright, you can turn it back down now, heh heh.
A Stitch in Time (Billy acoustic / Spevack violin / Dippold mandolin)
BC: Don’t mess with me. Reminds me of the good old days. Heh heh. No, ‘67. (stoner voice) Heh heh heh, ‘69, that was a good year too. (normal) Alright, you feelin’ okay? Alright.
Guy in crowd: How you feelin’?!
BC: Feel like a million bucks. Might be sellin’ myself a little short there but I feel good. Just like Bon Jovi, I’m getting back on my horse and I’m gonna rock. I’m sure you all know this one.
Caroline, Yes (abandoned after first two words)
BC: Whoa, go fuck me. Visalia, man, killin’ it. I went out with a hooker here in ‘87, that’s - that was a short lived.... Yeah, ‘87, that was a good year. Although I talked to the police coming in and there are no hookers anywhere. They blame [unintelligible]. The hookers are in Fresno, is that what you said? Heh heh, heh, I didn’t say that, [unintelligible word or two]. I’m kidding, heh heh. Yeaah. Youse guys is rowdy. What night of the week is it? Wednesday? Okay, you good?
Caroline, Yes (Billy acoustic / Spevack violin / Dippold mandolin)
(Billy and Dippold jam for a minute)
BC: (singing) Visalia.... (speaking) I was tryin’ to make a Visalia song.
A Song for a Son (Billy acoustic / Spevack violin / Dippold mandolin)
BC: A Song for a Son. Let’s bring the band back up now. Tyler? Alright. ...
The Trip
Astral Planes (abandoned - Mike counts the song off but somebody’s not ready)
BC: Rookie mistake. Let’s give it up for Mikey.
Astral Planes
Femme Fatale
Lucifer Sam
BC: Thank you very much, thank you!
[encore break]
Long Haired Lady
BC: Thank you very much.
[bow]
BC: Listen. If you want me to sign your boob, you can’t look at Dave Navarro all night, okay? Okay? You gotta pick one rock star, you know what I’m sayin’? Alright everybody, thanks for coming, thanks a lot.