Zwan2002-04-14: Difference between revisions

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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| DAB>DA Battery Box with bass rolloff>M1(44.1k, line in)
| DAB > DA Battery Box with bass rolloff > M1(44.1k, line in)
|-
|-
! align="left" | Length
! align="left" | Length
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|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| DAT-M>dEdit>FLAC
| DAT-M > dEdit > FLAC
|-
|-
! align="left" | Live Music Archive
! align="left" | Live Music Archive
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|-
|-
! align="left" | Notes
! align="left" | Notes
| Front of soundboard (30 feet from stage), mic stand.
| 30 feet from stage, mic stand.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| DPA 4060>Custom Battery Box>M1  
| DPA 4060 > Custom Battery Box > M1  
|-
|-
! align="left" | Length
! align="left" | Length
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|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| DAT-M>SHN
| DAT-M > FLAC
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/zwan2002-04-14.4060.flac16 16-bit download]
|-
|-
! align="left" | Notes
! align="left" | Notes
| Front of soundboard, mic stand, 30 feet back, 14 feet up. Mix of this source, AUD #3, and AUD #4 circulates. Spfc seems to label this as DPA-4060>BBox>D100.
| 30 feet from stage, mics 14 feet up. Mix of this source, AUD #3, and AUD #4 circulates. SPFC seems to label this as DPA-4060>BBox>D100.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| DPA 4061>M1
| DPA 4061 > M1
|-
|-
! align="left" | Length
! align="left" | Length
Line 90: Line 93:
! align="left" | Complete?
! align="left" | Complete?
| Yes
| Yes
|-
! align="left" | Lowest Circulating Generation
| DAT-M > SHN
|-
|-
! align="left" | Notes
! align="left" | Notes
| Left side, pillar, 2 ft from stack. Mix of this source, AUD #2, and AUD #4 circulates.
| Left side, pillar, 2 ft from stack. Mix of this source, AUD #2, and AUD #4 circulates.
|-
! align="left" | Lowest Circulating Generation
| DAT-M>SHN
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| DA Mics>DA Battery Box with bass rolloff>M1
| DA Mics > DA Battery Box with bass rolloff > M1
|-
|-
! align="left" | Length
! align="left" | Length
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|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| DAT-M>SHN
| DAT-M > SHN
|-
|-
! align="left" | Notes
! align="left" | Notes
| FoB, Mic stand, 30 feet back, 14 feet up. Mix of this source, AUD #2, and AUD #3 circulates.
| 30 feet from stage, 14 feet up. Mix of this source, AUD #2, and AUD #3 circulates.
|-
|-
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| CSHEB>Battery Box>M1
| CSHEB > Battery Box > M1
|-
|-
! align="left" | Length
! align="left" | Length
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| SS-DSM-6S>PA-6LC3B>M1
| SS-DSM-6S > PA-6LC3B > M1
|-
|-
! align="left" | Length
! align="left" | Length
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| SS-DSM-6S>PA-6LC2>M1
| SS-DSM-6S > PA-6LC2 > M1
|-
|-
! align="left" | Length
! align="left" | Length
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| CSBMod>M1
| CSBMod > M1
|-
|-
! align="left" | Length
! align="left" | Length
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|-
|-
! align="left" | Notes
! align="left" | Notes
| 10 feet from stage. Unsure if mics used were CSB or CSBMod.
| 10 feet from stage.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #9
! bgcolor="#fff9de" colspan="2" align="left" | AUD #9
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| AT-853>Sound Professionals Battery Box>M1
| AT-853 > Sound Professionals Battery Box > M1
|-
|-
! align="left" | Length
! align="left" | Length
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| CSB Clones>Battery Box>MS722
| CSB Clones > Battery Box > MS722
|-
|-
! align="left" | Length
! align="left" | Length
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! align="left" | Notes
! align="left" | Notes
| Taped from side.
| Taped from side.
|-
! bgcolor="#fff9de" colspan="2" align="left" | PRO #1
|-
! align="left" | Source
| PRO
|-
! align="left" | Format
| VID
|-
! align="left" | Equipment
| Unknown
|-
! align="left" | Length
| Unknown
|-
! align="left" | Complete?
| No
|-
! align="left" | Notes
| Filmed for the band using single swing camera
|-
|-
|}
|}
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* Love Lies in Ruin
* Love Lies in Ruin
* Jesus, I [Lyte]
* Jesus, I [Lyte]
** Mary Star of the Sea (tease)
** Who Do You Love [Diddley] (tease)
** God's Gonna Set This World on Fire
** God's Gonna Set This World on Fire
* Yeah
* Yeah
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== Banter ==
== Banter ==
<blockquote>
<blockquote>
(unknown)
BC: Lights.<br>
'''A New Poetry'''<br>
'''To Wonder, To Suffer'''<br>
Sweeney: ''(grunt) (a few gorilla noises)''<br>
'''Ride a Black Swan'''<br>
> '''Cast a Stone'''<br>
'''All Day and All of the Night'''<br>
BC: ''(off mic)'' What’s the next song?  I can’t see.  ''(on mic)'' Thank you very much, thank you.  Thank you.  Hey, what a beautiful day today, huh?  On a warm day, this is still the greatest city in the world so....<br>
Sweeney: Goin’ hard for the easy - the easy applause line.<br>
BC: Yeah but none of these people are from Chicago.<br>
Sweeney: Oh okay.<br>
BC: Who here is not from Chicago?  Who here is willing to admit they’re from Chicago?  Heh heh.  That would be the category for the rest of them.  This is a song called Love Lies in Ruin.<br>
'''Love Lies in Ruin'''<br>
Sweeney: Let’s see the slippers.  Still can’t see.<br>
'''Jesus, I'''<br>
> '''Mary Star of the Sea''' (tease)<br>
> '''Who Do You Love''' (tease)<br>
> '''God’s Gonna Set This World on Fire'''<br>
BC: That’s right.<br>
'''Yeah!'''<br>
(BC after Sweeney starts song: That’s a little slow there, Matty.  I’m so scared of you starting this song.)<br>
> '''Lyric'''<br>
BC: Thank you so very much, thank you.  Hey uh, Fred, that linding - that blinding light is...not good.  And then I - then when you load lights out the back everyone up front is all squinting and...and look like they’re in pain.  It might be the song, actually.  [unintelligible]  Boy, it’s hot, huh?  ''(Jimmy starts something resembling a heartbeat)''  Let’s all take a deep breath and just relax.  Now the rock is is - it’s old.  Just kidding, I’m crawling back to it slowly.  ''(Jimmy stops)''  Is that my heartbeat?<br>
'''Talking In Your Sleep''' (tease)<br>
(BC sings two lines of chorus: I hear the secrets that you keep / when Pajo’s talking in his sleep.)<br>
BC: You know you mentioned you talk in your sleep.  You talk in your sleep, did you know that?  One night, you kept calling me Ass Colony.  It was kind of embarrassing but then I kind of got into it.  Sorry Matt, Matt doesn’t like when I joke.  This is a song called Endless Summer.<br>
'''Endless Summer'''<br>
> '''For Your Love'''<br>
BC: Heh, I’m so tired, just can’t summon up the energy.  I think if these good people could just cheer.  ''(crowd cheers)''  Not that good, we need sort of less than that.  A stomping like that ''(demonstrates)''.  More stomping.  Never mind.<br>
'''Rivers We Can’t Cross'''<br>
(BC talking while Pajo and Sweeney jam: Jimmy’s taking a leak?  Heh, we don’t know how long that’s gonna take.  Let’s get to know each other, shall we?  On the guitar, Mr. David Pajo.  On the bass, the enchanted Peace.  On the guitar, Matt Sweeney.  ''(song proper starts)'')<br>
(BC during bridge: I hear a si - hahaha.  Gotta start over.  ''(singing)'' I hear a silence.  ''(normal)'' No, it’s still shit, right?  I’m just laughing to myself.  I can laugh to myself, [3 unintelligible words].  I have so many sad years, now you don’t want me to be happy.  Sorry, I love you, Matt.  Okay, go back to the bottom.  ''(band restarts bridge)'')<br>
'''Settle Down'''<br>
BC: We are Zwan, god bless you, thank you.<br>
[encore break]<br>
BC: Thank you very much, thank you.  Thank you.  Well, summer is here and the time is right....  I can’t thank you enough, thank you very much.  No, thank you.  And uh, thank you for being so patient and hot and all that.  No, I don’t really care what I’m saying, I’m just like a fucking robot up here. No, I’m just kidding.  Like to play a song called Un....  The enchanted Peace says this song is called Baby, Milk Me.  Okay, sorry, we’ll just get on with it.<br>
'''Baby, Let’s Rock!'''<br>
> '''Spilled Milk'''<br>
BC: Zwan!  Thanks for letting us jam, thank you very much.  Like you people.  Jimmy Chamberlin, man.  [unintelligible word], Jimmy.  Thank you all.<br>
</blockquote>
</blockquote>


== Photos and Memorabilia ==
== Photos and Memorabilia ==
[[Image:0204XX-Shirt.jpg|125px|left]]
[[Image:0204XX-Shirt.jpg|125px|left]]

Latest revision as of 06:31, 24 August 2022

Zwan
Date 2002-04-14
Venue Double Door
Location Chicago, IL, US
Venue Type Club
Capacity 473
Lineup Corgan, Chamberlin, Sweeney, Pajo, Lenchantin
Order of Bands The Impossible Recording Machine, Zwan
Surfaced Recordings
AUD #1
Source AUD
Format DAT
Equipment DAB > DA Battery Box with bass rolloff > M1(44.1k, line in)
Length 108m
Complete? Yes
Lowest Circulating Generation DAT-M > dEdit > FLAC
Live Music Archive 16-bit download
Notes 30 feet from stage, mic stand.
AUD #2
Source AUD
Format DAT
Equipment DPA 4060 > Custom Battery Box > M1
Length 108m
Complete? Yes
Lowest Circulating Generation DAT-M > FLAC
Live Music Archive 16-bit download
Notes 30 feet from stage, mics 14 feet up. Mix of this source, AUD #3, and AUD #4 circulates. SPFC seems to label this as DPA-4060>BBox>D100.
AUD #3
Source AUD
Format DAT
Equipment DPA 4061 > M1
Length 108m
Complete? Yes
Lowest Circulating Generation DAT-M > SHN
Notes Left side, pillar, 2 ft from stack. Mix of this source, AUD #2, and AUD #4 circulates.
AUD #4
Source AUD
Format DAT
Equipment DA Mics > DA Battery Box with bass rolloff > M1
Length 108m
Complete? Yes
Lowest Circulating Generation DAT-M > SHN
Notes 30 feet from stage, 14 feet up. Mix of this source, AUD #2, and AUD #3 circulates.
Unsurfaced Recordings
AUD #5
Source AUD
Format DAT
Equipment CSHEB > Battery Box > M1
Length ~115m
Complete? Unknown
Notes Two feet from left stack, on a pillar.
AUD #6
Source AUD
Format DAT
Equipment SS-DSM-6S > PA-6LC3B > M1
Length ~115m
Complete? Unknown
Notes Mic stand, in front of the soundboard, mildly distorted.
AUD #7
Source AUD
Format DAT
Equipment SS-DSM-6S > PA-6LC2 > M1
Length 109m
Complete? Yes
Notes Mic stand, 30 feet in front of the soundboard, next to a stuffed bear, mildly distorted.
AUD #8
Source AUD
Format DAT
Equipment CSBMod > M1
Length ~115m
Complete? Unknown
Notes 10 feet from stage.
AUD #9
Source AUD
Format DAT
Equipment AT-853 > Sound Professionals Battery Box > M1
Length ~115m
Complete? Unknown
Notes Mic stand, in front of the soundboard, mildly distorted.
AUD #10
Source AUD
Format MD
Equipment CSB Clones > Battery Box > MS722
Length ~115m
Complete? Unknown
Notes Taped from side.
PRO #1
Source PRO
Format VID
Equipment Unknown
Length Unknown
Complete? No
Notes Filmed for the band using single swing camera

Setlist

Set:

  • A New Poetry
  • To Wonder, To Suffer
  • Ride a Black Swan
  • Cast a Stone
  • All Day and All of the Night [The Kinks]
  • Love Lies in Ruin
  • Jesus, I [Lyte]
    • Mary Star of the Sea (tease)
    • Who Do You Love [Diddley] (tease)
    • God's Gonna Set This World on Fire
  • Yeah
  • Lyric
  • Talking in Your Sleep [The Romantics] (tease)
  • Endless Summer
  • For Your Love
  • Rivers We Can't Cross
  • Settle Down

Encore:

  • Baby, Let's Rock
  • Spilled Milk

Banter

BC: Lights.
A New Poetry
To Wonder, To Suffer
Sweeney: (grunt) (a few gorilla noises)
Ride a Black Swan
> Cast a Stone
All Day and All of the Night
BC: (off mic) What’s the next song? I can’t see. (on mic) Thank you very much, thank you. Thank you. Hey, what a beautiful day today, huh? On a warm day, this is still the greatest city in the world so....
Sweeney: Goin’ hard for the easy - the easy applause line.
BC: Yeah but none of these people are from Chicago.
Sweeney: Oh okay.
BC: Who here is not from Chicago? Who here is willing to admit they’re from Chicago? Heh heh. That would be the category for the rest of them. This is a song called Love Lies in Ruin.
Love Lies in Ruin
Sweeney: Let’s see the slippers. Still can’t see.
Jesus, I
> Mary Star of the Sea (tease)
> Who Do You Love (tease)
> God’s Gonna Set This World on Fire
BC: That’s right.
Yeah!
(BC after Sweeney starts song: That’s a little slow there, Matty. I’m so scared of you starting this song.)
> Lyric
BC: Thank you so very much, thank you. Hey uh, Fred, that linding - that blinding light is...not good. And then I - then when you load lights out the back everyone up front is all squinting and...and look like they’re in pain. It might be the song, actually. [unintelligible] Boy, it’s hot, huh? (Jimmy starts something resembling a heartbeat) Let’s all take a deep breath and just relax. Now the rock is is - it’s old. Just kidding, I’m crawling back to it slowly. (Jimmy stops) Is that my heartbeat?
Talking In Your Sleep (tease)
(BC sings two lines of chorus: I hear the secrets that you keep / when Pajo’s talking in his sleep.)
BC: You know you mentioned you talk in your sleep. You talk in your sleep, did you know that? One night, you kept calling me Ass Colony. It was kind of embarrassing but then I kind of got into it. Sorry Matt, Matt doesn’t like when I joke. This is a song called Endless Summer.
Endless Summer
> For Your Love
BC: Heh, I’m so tired, just can’t summon up the energy. I think if these good people could just cheer. (crowd cheers) Not that good, we need sort of less than that. A stomping like that (demonstrates). More stomping. Never mind.
Rivers We Can’t Cross
(BC talking while Pajo and Sweeney jam: Jimmy’s taking a leak? Heh, we don’t know how long that’s gonna take. Let’s get to know each other, shall we? On the guitar, Mr. David Pajo. On the bass, the enchanted Peace. On the guitar, Matt Sweeney. (song proper starts))
(BC during bridge: I hear a si - hahaha. Gotta start over. (singing) I hear a silence. (normal) No, it’s still shit, right? I’m just laughing to myself. I can laugh to myself, [3 unintelligible words]. I have so many sad years, now you don’t want me to be happy. Sorry, I love you, Matt. Okay, go back to the bottom. (band restarts bridge))
Settle Down
BC: We are Zwan, god bless you, thank you.
[encore break]
BC: Thank you very much, thank you. Thank you. Well, summer is here and the time is right.... I can’t thank you enough, thank you very much. No, thank you. And uh, thank you for being so patient and hot and all that. No, I don’t really care what I’m saying, I’m just like a fucking robot up here. No, I’m just kidding. Like to play a song called Un.... The enchanted Peace says this song is called Baby, Milk Me. Okay, sorry, we’ll just get on with it.
Baby, Let’s Rock!
> Spilled Milk
BC: Zwan! Thanks for letting us jam, thank you very much. Like you people. Jimmy Chamberlin, man. [unintelligible word], Jimmy. Thank you all.

Photos and Memorabilia

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