Tsp2000-10-08

The Smashing Pumpkins
Date	2000-10-08
Venue	Palacio de Deportes de la Comunidad de Madrid
Location	Madrid, ES
Venue Type	Arena
Capacity	10,100
Lineup	Corgan, Iha, Chamberlin, Auf der Maur, Garson, Holmes
Order of Bands	The Smashing Pumpkins
Surfaced Recordings
AUD #1
Source	AUD
Format	MD
Equipment	ECM-737 > MZ-R37(S)
Length	122m
Complete?	Yes
Lowest Circulating Generation	MD-? > CDR
Notes	This may be mislabelled AUD2. Copy provided from trader who had this in their possession is same as AUD2
AUD #2
Source	AUD
Format	MD
Equipment	CSB
Length	121m
Complete?	No
Lowest Circulating Generation	MD-M > CDR
Live Music Archive	16-bit download
Notes	Impatient & whistling crowd during the acoustic set. Glass and the Ghost Children starts just after the piano solo. Mics may have been CSBMod as opposed to CSB.
Unsurfaced Recordings
AUD #3
Source	AUD
Format	MD
Equipment	ECM-DS70p > MZ-R37(S)
Length	74m
Complete?	No
Notes	First ten songs.
AUD #4
Source	AUD
Format	ANA
Equipment	built-in > Sanyo-M1119
Length	58m
Complete?	No

Setlist

Set One:

• Glass and the Ghost Children
• Today
• Stand Inside Your Love
• Home
• To Sheila
• Blue Skies Bring Tears
  • (drum solo)

Set Two:

• Glass' Theme
• The Everlasting Gaze
• Bullet with Butterfly Wings
• Dross
• Speed Kills
• Rock On [Essex]
  • Heavy Metal Machine
• Disarm
• Tonight, Tonight
• Try, Try, Try
• Drown [4:10]
  • Porcelina of the Vast Oceans [7:45]

Encore One:

• Cherub Rock

Encore Two:

• I of the Mourning
• 1979

Notes

• Glass and the Ghost Children, Today, Stand Inside Your Love, Home, Thirty-three, To Sheila, Disarm, and 1979 performed acoustic

Banter

Glass and the Ghost Children (acoustic)
> Today (acoustic)
Stand Inside Your Love (acoustic)
Home (acoustic)
To Sheila (acoustic)
Blue Skies Bring Tears (acoustic)
Glass’ Theme
> The Everlasting Gaze
> Bullet with Butterfly Wings
Dross
> Speed Kills
> Rock On (partial)
(BC after Iha intro: Right about now, senoritas and senors.... We take pause to rock on a little harder, a little softer. It’s a seeming contradiction but no, it really is the same thing if you think about it. As light moves dark, as white meets black, so the rock does need the breakdown. How you feelin’, how you feelin’? ... Yes indeed, yes indeed. This is what happens when you get old, you resort to cheap histronics. Histrionics. Histrionics.)
> Heavy Metal Machine
Disarm (acoustic)
> Tonight, Tonight
BC: Thank you very much, thank you very much, thank you very much. We are the Smashing Pumpkins. Thank you very much for having us back in your lovely city. I know you’re a feminist but there’s reasons for it, you know? The fairer sex. Yes. Like to take a moment to introduce the band to you. On the piano, Mr. Mike Garson. On the fake piano, Mr. Chris Holmes. On the Gloria Steinem bass, Melissa Auf der Maur. Toro, toro. I see you absorb much culture in your travels. On the geetar, Mr. James Iha. On the avenging toro drums, Mr. Jimmy Chamberlin.
Iha: Mike, you gotta come up with a special for this one. And on vocals and guitar, Mr. Billy Corgan. Olé! Olé! Olé.
Try, Try, Try
> Drown
> Porcelina of the Vast Oceans
[encore break]
Iha: Gracias.
Cherub Rock
BC: Thank you! Thank you, goodnight.
[encore break]
I of the Mourning
BC: Muchos gracias. ... Thank you very much for a good concert, thank you very much. Before we play our last song tonight, we’d like to say thank you very much to all the Smashing Pumpkins fans...for ten years. Did everybody have a good time? No, bad time?
Jimmy: Good time?
Iha: (weird accent) It was the worst concert I ever seen in the world.
1979 (acoustic, Jimmy plays guitar)

Photos and Memorabillia