Tsp1998-07-14: Difference between revisions
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! align="left" | Venue Type | ! align="left" | Venue Type | ||
| Amphitheater | |||
|- | |||
! align="left" | Capacity | |||
| 17,997 | |||
|- | |||
! align="left" | Lineup | |||
| Corgan, Iha, Wretzky, Aronoff, Garson, Morris, Hodges | |||
|- | |||
! align="left" | Order of Bands | |||
| Unknown | | Unknown | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #1 | ||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| MKE2 > M1(48k) | |||
|- | |||
! align="left" | Length | |||
| 75m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DDC-2 > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/sp1998-07-14.flac16 16-bit recording] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Occasional screamers. DDC-2 > CDR and DDC-? > CDR transfers also circulate. | ||
|- | |||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| ANA | |||
|- | |||
! align="left" | Equipment | |||
| built-in > HS-JS175W | |||
|- | |||
! align="left" | Length | |||
| ~75m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| ANA | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| ~75m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Notes | |||
| Poor quality. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MCS | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| ~75m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | SBD #1 | |||
|- | |||
! align="left" | Source | |||
| SBD | |||
|- | |||
! align="left" | Format | |||
| ADAT | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| ~75m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Notes | |||
| Vault copy. | |||
|- | |- | ||
|} | |} | ||
== Setlist == | == Setlist == | ||
---- | ---- | ||
Set: | |||
* To Sheila | * To Sheila | ||
* Behold! the Night Mare | * Behold! the Night Mare | ||
Line 32: | Line 139: | ||
* Thru the Eyes of Ruby | * Thru the Eyes of Ruby | ||
* Perfect | * Perfect | ||
* Tonight, | * Tonight, Tonight | ||
* | * (percussion solo) | ||
* Bullet with Butterfly Wings | ** Where Boys Fear to Tread (tease) | ||
** Zero (tease) | |||
** Bullet with Butterfly Wings | |||
* Shame | * Shame | ||
* For Martha | * For Martha | ||
=== Notes === | |||
* HORDE Festival | |||
* Perfect and Tonight, Tonight performed acoustic | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | Iha: Hi.<br> | ||
'''To Sheila'''<br> | |||
> '''Behold! The Night Mare'''<br> | |||
> '''Ava Adore'''<br> | |||
'''Tear'''<br> | |||
> '''Crestfallen'''<br> | |||
> '''Pug'''<br> | |||
> '''Thru the Eyes of Ruby'''<br> | |||
BC: Thank you very much, thank you. We don't talk much 'cause we're generally pretty politically incorrect, so uh, but thanks for coming and uh, nice to see all of you, hope you're having a good day. Thanks to Blues Traveler for uh, letting us uh, play?<br> | |||
'''Perfect''' (abandoned immediately when Billy’s 2nd note is wrong)<br> | |||
BC: ''(off mic)'' Now you’re fuckin’ me up.<br> | |||
'''Perfect''' (acoustic)<br> | |||
BC: Thank you very much.<br> | |||
'''Tonight, Tonight''' (acoustic)<br> | |||
'''drum/percussion solo'''<br> | |||
> '''Where Boys Fear to Tread''' (tease)<br> | |||
> '''Zero''' (tease)<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
> '''Shame'''<br> | |||
BC: We have one more song for you, we'd like to thank you for a nice night, thank you very much. I hope you enjoy the rest of your evening.<br> | |||
'''For Martha'''<br> | |||
</blockquote> | </blockquote> | ||
==Photos and Memorabillia== | |||
[[Image:ZZZ000795-PO.jpg|125px|left]] | |||
[[Image:Tsp-1998-05120808-TourShirt_back.jpg|125px|left]] |
Latest revision as of 20:33, 13 March 2021
The Smashing Pumpkins | |
---|---|
Date | 1998-07-14 |
Venue | Sandstone Amphitheater |
Location | Bonner Springs, KS, US |
Venue Type | Amphitheater |
Capacity | 17,997 |
Lineup | Corgan, Iha, Wretzky, Aronoff, Garson, Morris, Hodges |
Order of Bands | Unknown |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | MKE2 > M1(48k) |
Length | 75m |
Complete? | Yes |
Lowest Circulating Generation | DDC-2 > FLAC |
Live Music Archive | 16-bit recording |
Notes | Occasional screamers. DDC-2 > CDR and DDC-? > CDR transfers also circulate. |
Unsurfaced Recordings | |
AUD #2 | |
Source | AUD |
Format | ANA |
Equipment | built-in > HS-JS175W |
Length | ~75m |
Complete? | Unknown |
AUD #3 | |
Source | AUD |
Format | ANA |
Equipment | Unknown |
Length | ~75m |
Complete? | Unknown |
Notes | Poor quality. |
AUD #4 | |
Source | AUD |
Format | MCS |
Equipment | Unknown |
Length | ~75m |
Complete? | Unknown |
SBD #1 | |
Source | SBD |
Format | ADAT |
Equipment | Unknown |
Length | ~75m |
Complete? | Yes |
Notes | Vault copy. |
Setlist
Set:
- To Sheila
- Behold! the Night Mare
- Ava Adore
- Tear
- Crestfallen
- Pug
- Thru the Eyes of Ruby
- Perfect
- Tonight, Tonight
- (percussion solo)
- Where Boys Fear to Tread (tease)
- Zero (tease)
- Bullet with Butterfly Wings
- Shame
- For Martha
Notes
- HORDE Festival
- Perfect and Tonight, Tonight performed acoustic
Banter
Iha: Hi.
To Sheila
> Behold! The Night Mare
> Ava Adore
Tear
> Crestfallen
> Pug
> Thru the Eyes of Ruby
BC: Thank you very much, thank you. We don't talk much 'cause we're generally pretty politically incorrect, so uh, but thanks for coming and uh, nice to see all of you, hope you're having a good day. Thanks to Blues Traveler for uh, letting us uh, play?
Perfect (abandoned immediately when Billy’s 2nd note is wrong)
BC: (off mic) Now you’re fuckin’ me up.
Perfect (acoustic)
BC: Thank you very much.
Tonight, Tonight (acoustic)
drum/percussion solo
> Where Boys Fear to Tread (tease)
> Zero (tease)
> Bullet with Butterfly Wings
> Shame
BC: We have one more song for you, we'd like to thank you for a nice night, thank you very much. I hope you enjoy the rest of your evening.
For Martha