Tsp1998-07-22: Difference between revisions
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|- | |- | ||
! align="left" | Venue Type | ! align="left" | Venue Type | ||
| | | Amphitheater | ||
|- | |- | ||
! align="left" | | ! align="left" | Capacity | ||
| | | 15,000 | ||
|- | |||
! align="left" | Lineup | |||
| Corgan, Iha, Wretzky, Aronoff, Garson, Morris, Hodges | |||
|- | |||
! align="left" | Order of Bands | |||
| Unknown | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| ECM-737>D8 | | ECM-737 > TCD-D8 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 37: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT | | DAT-M > CDR | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp1998-07-22.shnf 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Dropout in Transmission. | | Dropout in Transmission. | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | |||
|- | |||
! align="left" | Source | |||
| AMT | |||
|- | |||
! align="left" | Format | |||
| Hi8 | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| 75m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| VHS-C(M) > MKV | |||
|- | |||
! align="left" | YouTube | |||
| [https://www.youtube.com/watch?v=ERg_P7Fz7os YouTube] | |||
|- | |||
! align="left" | Release | |||
| [[20230508-Release-1998-07-22AMT1]] | |||
|- | |||
! align="left" | Notes | |||
| VHC-C master transfer circulated May 2023. | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| Unknown | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | |||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
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|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | ANA | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
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|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | Unknown | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
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|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | VHS | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
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|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| ~ | | ~75m | ||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | SBD #1 | |||
|- | |||
! align="left" | Source | |||
| SBD | |||
|- | |||
! align="left" | Format | |||
| ADAT | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| ~75m | |||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
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|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Vault copy. | ||
|- | |- | ||
|} | |} | ||
== Setlist == | == Setlist == | ||
---- | ---- | ||
Set: | |||
* To Sheila | * To Sheila | ||
* Behold! the Night Mare | * Behold! the Night Mare | ||
Line 112: | Line 185: | ||
* Tonight, Tonight | * Tonight, Tonight | ||
* Perfect | * Perfect | ||
* Where Boys Fear to Tread (tease) | * (percussion solo) | ||
** Where Boys Fear to Tread (tease) | |||
** Zero (tease) | ** Zero (tease) | ||
** Bullet with Butterfly Wings | ** Bullet with Butterfly Wings | ||
* Transmission [Joy Division] | * Transmission [Joy Division] [18:34] | ||
** Let's Dance [Bowie] (tease) | |||
=== Notes === | |||
* HORDE festival | |||
* Tonight, Tonight and Perfect performed acoustic | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''To Sheila'''<br> | ||
> '''Behold! The Night Mare'''<br> | |||
> '''Ava Adore'''<br> | |||
'''Pug'''<br> | |||
> '''The Tale of Dusty and Pistol Pete'''<br> | |||
> '''Thru the Eyes of Ruby'''<br> | |||
BC: Thank you all very much, hope you're having a good time. This is our uh, our fourth and final date on the HORDE tour and we'd like to thank Blues Traveler for having us on the tour with them for these four shows. We think that Blues Traveler's attitude towards music for everybody is something to be applauded and we're - we’re proud of them for that and keeping that alive. Because in today's world with so much corporate fucking commercial bullshit, it's really hard to figure out what music's about anymore. And then we know that this audience in particular is very supportive of music for music's sake so we appreciate that and we'd like to thank you.<br> | |||
'''Tonight, Tonight''' (acoustic)<br> | |||
BC: Thank you very much, this is a, this is another new song off our album Adore, it's called Perfect.<br> | |||
'''Perfect''' (acoustic)<br> | |||
> '''drum/percussion solo'''<br> | |||
> '''Where Boys Fear to Tread''' (tease)<br> | |||
> '''Zero''' (tease)<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
> '''Transmission / Let's Dance''' (tease)<br> | |||
(BC at 17:26: Goodnight! Goodnight. Goodnight everybody.)<br> | |||
</blockquote> | </blockquote> | ||
==Photos and Memorabilia== | ==Photos and Memorabilia== | ||
[[Image:980722-01.jpg| | [[Image:980722-01.jpg|125px|left]] | ||
[[Image:980722-02.jpg| | [[Image:980722-02.jpg|125px|left]] | ||
[[Image:980722-03.jpg|150px|left]] | [[Image:980722-03.jpg|125px|left]] | ||
[[Image:ZZZ000795-PO.jpg|125px|left]] | |||
[[Image:Tsp1998-07-22-ticket.JPG|150px|left]] | |||
[[Image:Tsp-1998-05120808-TourShirt_back.jpg|125px|left]] |
Latest revision as of 09:21, 8 May 2023
The Smashing Pumpkins | |
---|---|
Date | 1998-07-22 |
Venue | Riverbend Music Center |
Location | Cincinnati, OH, US |
Venue Type | Amphitheater |
Capacity | 15,000 |
Lineup | Corgan, Iha, Wretzky, Aronoff, Garson, Morris, Hodges |
Order of Bands | Unknown |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | ECM-737 > TCD-D8 |
Length | 77m |
Complete? | No |
Lowest Circulating Generation | DAT-M > CDR |
Live Music Archive | 16-bit download |
Notes | Dropout in Transmission. |
AMT #1 | |
Source | AMT |
Format | Hi8 |
Equipment | Unknown |
Length | 75m |
Complete? | No |
Lowest Circulating Generation | VHS-C(M) > MKV |
YouTube | YouTube |
Release | 20230508-Release-1998-07-22AMT1 |
Notes | VHC-C master transfer circulated May 2023. |
Unsurfaced Recordings | |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | Unknown |
Length | Unknown |
Complete? | Unknown |
AUD #3 | |
Source | AUD |
Format | ANA |
Equipment | Unknown |
Length | Unknown |
Complete? | Unknown |
AMT #2 | |
Source | AUD |
Format | VHS |
Equipment | Unknown |
Length | 75m |
Complete? | Unknown |
Notes | Mostly screen shot. |
PRO #1 | |
Source | PRO |
Format | VID |
Equipment | Pro-Cams |
Length | ~75m |
Complete? | Yes |
SBD #1 | |
Source | SBD |
Format | ADAT |
Equipment | Unknown |
Length | ~75m |
Complete? | Yes |
Notes | Vault copy. |
Setlist
Set:
- To Sheila
- Behold! the Night Mare
- Ava Adore
- Pug
- The Tale of Dusty and Pistol Pete
- Thru the Eyes of Ruby
- Tonight, Tonight
- Perfect
- (percussion solo)
- Where Boys Fear to Tread (tease)
- Zero (tease)
- Bullet with Butterfly Wings
- Transmission [Joy Division] [18:34]
- Let's Dance [Bowie] (tease)
Notes
- HORDE festival
- Tonight, Tonight and Perfect performed acoustic
Banter
To Sheila
> Behold! The Night Mare
> Ava Adore
Pug
> The Tale of Dusty and Pistol Pete
> Thru the Eyes of Ruby
BC: Thank you all very much, hope you're having a good time. This is our uh, our fourth and final date on the HORDE tour and we'd like to thank Blues Traveler for having us on the tour with them for these four shows. We think that Blues Traveler's attitude towards music for everybody is something to be applauded and we're - we’re proud of them for that and keeping that alive. Because in today's world with so much corporate fucking commercial bullshit, it's really hard to figure out what music's about anymore. And then we know that this audience in particular is very supportive of music for music's sake so we appreciate that and we'd like to thank you.
Tonight, Tonight (acoustic)
BC: Thank you very much, this is a, this is another new song off our album Adore, it's called Perfect.
Perfect (acoustic)
> drum/percussion solo
> Where Boys Fear to Tread (tease)
> Zero (tease)
> Bullet with Butterfly Wings
> Transmission / Let's Dance (tease)
(BC at 17:26: Goodnight! Goodnight. Goodnight everybody.)