Zwan2003-04-05B: Difference between revisions
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|- | |- | ||
! align="left" | Venue | ! align="left" | Venue | ||
| | | Electric Factory | ||
|- | |- | ||
! align="left" | Location | ! align="left" | Location | ||
Line 12: | Line 12: | ||
|- | |- | ||
! align="left" | Venue Type | ! align="left" | Venue Type | ||
| Club | |||
|- | |||
! align="left" | Capacity | |||
| ~2500 | |||
|- | |||
! align="left" | Lineup | |||
| Corgan, Chamberlin, Sweeney, Pajo, Lenchantin | |||
|- | |||
! align="left" | Order of Bands | |||
| The Children's Hour, Zwan | |||
|- | |||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #1 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| DAB > DA-120F > Nomad JBC(16/44.1) | |||
|- | |||
! align="left" | Length | |||
| 95m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| WAV-M > dEdit > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/zwan2003-04-05 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Above soundboard, mics taped to balcony. Skip at 2:11 in Spilled Milk. Screamer behind the taper. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| AKG460+CK61 > PS2 > Zefiro Inbox > TCD-D8 | |||
|- | |||
! align="left" | Length | |||
| 100m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DAT-M > SHN | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/zwan2003-04-05.akg460.shn 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Mic stand, x-y, right of board. Superior to AUD #1. | |||
|- | |||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| SM57 > DA-P1 | |||
|- | |||
! align="left" | Length | |||
| 50m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Notes | |||
| Mic stand, right of board. Incomplete. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| DPA 4061 > Zefiro Inbox > M1 | |||
|- | |||
! align="left" | Length | |||
| ~100m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Notes | |||
| Center balcony. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| Oktava MC012 > PSP-3 > M1 | |||
|- | |||
! align="left" | Length | |||
| ~100m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | | Unknown | ||
|- | |- | ||
! bgcolor="# | ! align="left" | Notes | ||
| Mics clamped to rail on balcony. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #6 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MD | |||
|- | |||
! align="left" | Equipment | |||
| DPA 4061 > battery box > MT-877 | |||
|- | |||
! align="left" | Length | |||
| ~100m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Notes | |||
| FoB. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #7 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MD | |||
|- | |||
! align="left" | Equipment | |||
| DAB > DA120F > MZ-R50 | |||
|- | |||
! align="left" | Length | |||
| ~100m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Notes | |||
| Five feet from right stack, brickwalled. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MiniDV | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| Unknown | |||
|- | |- | ||
! | ! align="left" | Complete? | ||
| No | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Shot from the side of the stage. | ||
|- | |- | ||
|} | |} | ||
== Setlist == | == Setlist == | ||
---- | ---- | ||
* | Set: | ||
* Lyric | |||
* Declarations of Faith | |||
* El Sol | |||
* Don't Let Me Down [The Beatles] | |||
* Honestly | |||
* Settle Down | |||
* Desire | |||
* Yeah | |||
* Jesus, I [Lyte] | |||
** God's Gonna Set This World on Fire | |||
* Heartsong | |||
* Riverview | |||
* Baby, Let's Rock | |||
* Mary Star of the Sea | |||
Encore One: | |||
* Endless Summer | |||
Encore Two: | |||
* Of a Broken Heart | * Of a Broken Heart | ||
* | * Spilled Milk | ||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Lyric'''<br> | ||
> '''Declarations of Faith'''<br> | |||
'''El Sol'''<br> | |||
Sweeney: We’re gonna do this next song Philly style.<br> | |||
'''Don’t Let Me Down'''<br> | |||
BC: Thank you very much, thank you.<br> | |||
Sweeney: We love the Stones.<br> | |||
BC: Heh heh heh.<br> | |||
'''Honestly'''<br> | |||
'''Settle Down'''<br> | |||
BC: Thank you very much. Thank you very much. Thank you very much. ''(laughing during next sentence)'' Thank you very much. Heh heh. Thank you very much. Thank you very much. Thank you very much. Heh heh heh. It’s nice to see everyone, thank you very much for coming.<br> | |||
'''Desire'''<br> | |||
> '''Yeah!'''<br> | |||
'''Jesus, I'''<br> | |||
> '''God’s Gonna Set This World on Fire'''<br> | |||
BC: I’m laughing because, heh, you know we gotta...''(trails off laughing)''. Oh, this is so funny. ''(laughing)'' This girl up front said she had an orgasm during that song. We’ll give that orgasm to jesus. Heh heh. Thank you very much. I’d like to introduce the Zwan to you. On the geetar - geetard? - Mr. David Pajo. On the super geetard, Mr. Matt Sweeney. On the bass and the violin and a lot of other things, Paz. And on the drums, Mr. Jimmy Chamberlin.<br> | |||
'''Heartsong'''<br> | |||
> '''Riverview'''<br> | |||
> '''Baby, Let’s Rock!'''<br> | |||
> '''Mary Star of the Sea'''<br> | |||
BC: Thank you very much, thank you.<br> | |||
[encore break]<br> | |||
'''Endless Summer'''<br> | |||
(BC over ending: Thank you very much! We are Zwan.)<br> | |||
[encore break]<br> | |||
'''Of a Broken Heart'''<br> | |||
BC: Thank you very much. Matt. Matt. You know Zwan has a problem?<br> | |||
Sweeney: Yeah?<br> | |||
BC: You know what Zwan’s problem is?<br> | |||
Sweeney: We’re not Philly style enough? Ah wait, let me see, what else? No, I don’t know.<br> | |||
BC: Heh. Zwan has a problem because normally we get on a bus and we drive to the next city but tonight we’re stuck in Philadelphia. ''(crowd cheers)'' And Zwan’s problem is where are we gonna go out tonight? ''(crowd cheers)''<br> | |||
Sweeney: That’s not an answer!<br> | |||
BC: Is that a problem?<br> | |||
Sweeney: No but they answered “Where are we gonna go out tonight?” “WOO!!!”<br> | |||
BC: Now is everyone inviting us to their house.<br> | |||
Sweeney: ‘Cause I heard where the party was.<br> | |||
BC: You know where the party is? You always know where the party is.<br> | |||
Sweeney: It’s in your mouth.<br> | |||
BC: Thanks Matt. Anyway, before we play our last song, Philadelphia, you rock, thank you very much.<br> | |||
'''Spilled Milk'''<br> | |||
(BC over opening guitar riff: We send you a little Spilled Milk.)<br> | |||
</blockquote> | </blockquote> |
Latest revision as of 07:47, 27 September 2020
Zwan | |
---|---|
Date | 2003-04-05 |
Venue | Electric Factory |
Location | Philadelphia, PA, US |
Venue Type | Club |
Capacity | ~2500 |
Lineup | Corgan, Chamberlin, Sweeney, Pajo, Lenchantin |
Order of Bands | The Children's Hour, Zwan |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | DAB > DA-120F > Nomad JBC(16/44.1) |
Length | 95m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M > dEdit > FLAC |
Live Music Archive | 16-bit download |
Notes | Above soundboard, mics taped to balcony. Skip at 2:11 in Spilled Milk. Screamer behind the taper. |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | AKG460+CK61 > PS2 > Zefiro Inbox > TCD-D8 |
Length | 100m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > SHN |
Live Music Archive | 16-bit download |
Notes | Mic stand, x-y, right of board. Superior to AUD #1. |
Unsurfaced Recordings | |
AUD #3 | |
Source | AUD |
Format | DAT |
Equipment | SM57 > DA-P1 |
Length | 50m |
Complete? | No |
Notes | Mic stand, right of board. Incomplete. |
AUD #4 | |
Source | AUD |
Format | DAT |
Equipment | DPA 4061 > Zefiro Inbox > M1 |
Length | ~100m |
Complete? | Unknown |
Notes | Center balcony. |
AUD #5 | |
Source | AUD |
Format | DAT |
Equipment | Oktava MC012 > PSP-3 > M1 |
Length | ~100m |
Complete? | Unknown |
Notes | Mics clamped to rail on balcony. |
AUD #6 | |
Source | AUD |
Format | MD |
Equipment | DPA 4061 > battery box > MT-877 |
Length | ~100m |
Complete? | Unknown |
Notes | FoB. |
AUD #7 | |
Source | AUD |
Format | MD |
Equipment | DAB > DA120F > MZ-R50 |
Length | ~100m |
Complete? | Unknown |
Notes | Five feet from right stack, brickwalled. |
AMT #1 | |
Source | AUD |
Format | MiniDV |
Equipment | Unknown |
Length | Unknown |
Complete? | No |
Notes | Shot from the side of the stage. |
Setlist
Set:
- Lyric
- Declarations of Faith
- El Sol
- Don't Let Me Down [The Beatles]
- Honestly
- Settle Down
- Desire
- Yeah
- Jesus, I [Lyte]
- God's Gonna Set This World on Fire
- Heartsong
- Riverview
- Baby, Let's Rock
- Mary Star of the Sea
Encore One:
- Endless Summer
Encore Two:
- Of a Broken Heart
- Spilled Milk
Banter
Lyric
> Declarations of Faith
El Sol
Sweeney: We’re gonna do this next song Philly style.
Don’t Let Me Down
BC: Thank you very much, thank you.
Sweeney: We love the Stones.
BC: Heh heh heh.
Honestly
Settle Down
BC: Thank you very much. Thank you very much. Thank you very much. (laughing during next sentence) Thank you very much. Heh heh. Thank you very much. Thank you very much. Thank you very much. Heh heh heh. It’s nice to see everyone, thank you very much for coming.
Desire
> Yeah!
Jesus, I
> God’s Gonna Set This World on Fire
BC: I’m laughing because, heh, you know we gotta...(trails off laughing). Oh, this is so funny. (laughing) This girl up front said she had an orgasm during that song. We’ll give that orgasm to jesus. Heh heh. Thank you very much. I’d like to introduce the Zwan to you. On the geetar - geetard? - Mr. David Pajo. On the super geetard, Mr. Matt Sweeney. On the bass and the violin and a lot of other things, Paz. And on the drums, Mr. Jimmy Chamberlin.
Heartsong
> Riverview
> Baby, Let’s Rock!
> Mary Star of the Sea
BC: Thank you very much, thank you.
[encore break]
Endless Summer
(BC over ending: Thank you very much! We are Zwan.)
[encore break]
Of a Broken Heart
BC: Thank you very much. Matt. Matt. You know Zwan has a problem?
Sweeney: Yeah?
BC: You know what Zwan’s problem is?
Sweeney: We’re not Philly style enough? Ah wait, let me see, what else? No, I don’t know.
BC: Heh. Zwan has a problem because normally we get on a bus and we drive to the next city but tonight we’re stuck in Philadelphia. (crowd cheers) And Zwan’s problem is where are we gonna go out tonight? (crowd cheers)
Sweeney: That’s not an answer!
BC: Is that a problem?
Sweeney: No but they answered “Where are we gonna go out tonight?” “WOO!!!”
BC: Now is everyone inviting us to their house.
Sweeney: ‘Cause I heard where the party was.
BC: You know where the party is? You always know where the party is.
Sweeney: It’s in your mouth.
BC: Thanks Matt. Anyway, before we play our last song, Philadelphia, you rock, thank you very much.
Spilled Milk
(BC over opening guitar riff: We send you a little Spilled Milk.)