Zwan2002-04-05: Difference between revisions
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! align="left" | Order of Bands | ! align="left" | Order of Bands | ||
| The Follow, Zwan | | The Follow, Zwan | ||
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! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
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! align="left" | Equipment | ! align="left" | Equipment | ||
| AT-853>Sound Professionals | | AT-853 > Sound Professionals battery box > M1 | ||
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! align="left" | Length | ! align="left" | Length | ||
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! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT-M>SHN | | DAT-M > SHN | ||
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! align="left" | Live Music Archive | ! align="left" | Live Music Archive | ||
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! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| VHSc-M>VHS-1>DVD | | VHSc-M > VHS-1 > DVD | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
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! align="left" | Equipment | ! align="left" | Equipment | ||
| | | mono mic > TCD-D8 | ||
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! align="left" | Equipment | ! align="left" | Equipment | ||
| ECM-717>MZ-R55 | | ECM-717 > MZ-R55 | ||
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! align="left" | Length | ! align="left" | Length | ||
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! align="left" | Equipment | ! align="left" | Equipment | ||
| ECM-MS907>MZ-R55 | | ECM-MS907 > MZ-R55 | ||
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! align="left" | Length | ! align="left" | Length | ||
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* All Day and All of the Night [The Kinks] | * All Day and All of the Night [The Kinks] | ||
* Signal This Strong | * Signal This Strong | ||
=== Notes === | |||
* Paz's first show | |||
* First performances of Dust My Broom, Lyric, Love Lies in Ruin, Ride a Black Swan, Rivers We Can't Cross, Settle Down, Baby, Let's Rock, To Wonder, To Suffer, A New Poetry, Yeah, Endless Summer, All Day and All of the Night, and Signal This Strong | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Dust My Broom'''<br> | ||
'''Lyric'''<br> | |||
BC: What’s wrong, what’s wrong? Turn up the vocals? Alright, turn up the vocals.<br> | |||
Sweeney: Should we do that one again with the - the vocal up mix?<br> | |||
'''Love Lies in Ruin'''<br> | |||
'''Ride a Black Swan'''<br> | |||
BC: Thank you very much, thank you.<br> | |||
'''Rivers We Can’t Cross'''<br> | |||
'''Settle Down'''<br> | |||
'''For Your Love'''<br> | |||
'''Jesus, I'''<br> | |||
BC: Thank you very much, thank you very much, we are Zwan. How is everybody going? ... Okay. I hate to get into physics but the closer you are to the stage, the less you hear the PA and that’s why you can’t hear any songs, I’m very sorry. It’s simple physics, high school. It’s the price you pay for getting close, you know? No one cares, I know, I understand, I didn’t care about physics either. Uh, we’d like to play you...hee hee. This is - this is a song about a homosexual gremlin. They’re always crawlin’ into...places they don’t belong.<br> | |||
'''Baby, Let’s Rock!'''<br> | |||
BC: That’s actually called Baby, Let’s Rock. Thank you, I don’t need your approval but I appreciate it when...when you give it.<br> | |||
'''Cast a Stone'''<br> | |||
'''To Wonder, To Suffer'''<br> | |||
BC: I found this shirt in my closet eight years ago, heh. Rockin’ the old school in here. Yeah, ‘93, that was a good year.<br> | |||
'''A New Poetry'''<br> | |||
BC: Thank you very much, thank you. Is it cold out there? It’s really cold up here. Not getting any younger, you know.<br> | |||
Sweeney: Not enough Pajo, did you say?<br> | |||
Pajo: Who wants a punch in the cock?<br> | |||
BC: ''(cracking up)'' What did you say?<br> | |||
Pajo: I said “Who wants a punch in the cock?”<br> | |||
BC: That’s why Louisville loves Pajo. How do you - now how do you say your name?<br> | |||
Pajo: Pa-hoe.<br> | |||
BC: Pa-hoe?<br> | |||
Pajo: No no, it’s, it’s Pa-hoe. Pa-hoe. Pa-hoe. No no.<br> | |||
BC: Pa-hoe?<br> | |||
Pajo: No, it’s like Pa-hoe.<br> | |||
BC: Pa-hoe?<br> | |||
Pajo: Pa-hoe.<br> | |||
Sweeney: Pa-hoe, hold it, hold it.<br> | |||
BC: Wait. Pa-hoe?<br> | |||
Paz: What’d you call me?<br> | |||
BC: Come on, Pa-hoe.<br> | |||
Pajo: No, it’s...<br> | |||
BC: Say it again.<br> | |||
Pajo: Pa-hoe.<br> | |||
BC: Pa-hoe.<br> | |||
Pajo: No.<br> | |||
Audience: Pa-hoe! Pa-hoe!<br> | |||
BC: How’s - how do you say his name?<br> | |||
Audience: Pa-hoe!!<br> | |||
Pajo: No no.<br> | |||
BC: That’s not it?<br> | |||
Pajo: Pa-hoe.<br> | |||
BC: Pa-joe?<br> | |||
Pajo: No.<br> | |||
BC: Heh. Pa-hoe?<br> | |||
Pajo: Pa-hoe.<br> | |||
BC: Pa-hoe.<br> | |||
Pajo: No. Yeah!<br> | |||
'''Yeah!'''<br> | |||
BC: Thank you very much, thank you.<br> | |||
Sweeney: Dude, when are we gonna get fuckin’ Zwan picks? This is such a drag.<br> | |||
BC: I used to be in this band, I don’t know if you remember, so we’ve got a lot of these picks left over. Lucky - lucky for you got the special James Iha batch. Pa-hoe.<br> | |||
Sweeney: Are they like not calling us back when we call and ask for Zwan picks?<br> | |||
BC: Pa-hoe. Thank you very much, we’d like to play you one more selection. Thank you very much for coming tonight, we appreciate it, thank you up there, thank you. This young man is not enthused, I’m very sorry if we disappointed. We did our best, you know. Thank you, thank you.<br> | |||
'''Endless Summer'''<br> | |||
(BC immediately before end: It’s an endless summer!)<br> | |||
[encore break]<br> | |||
BC: Thank you very much, thank you. Thank you.<br> | |||
'''All Day and All of the Night'''<br> | |||
'''Signal This Strong'''<br> | |||
BC: Thank you very much.<br> | |||
</blockquote> | </blockquote> | ||
== Photos and Memorabilia == | == Photos and Memorabilia == | ||
[[Image:0204XX-Shirt.jpg|125px|left]] | [[Image:0204XX-Shirt.jpg|125px|left]] |
Latest revision as of 19:20, 2 November 2020
Zwan | |
---|---|
Date | 2002-04-05 |
Venue | Blue Note |
Location | Columbia, MO, US |
Venue Type | Club |
Capacity | 950 |
Lineup | Corgan, Chamberlin, Sweeney, Pajo, Lenchantin |
Order of Bands | The Follow, Zwan |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | AT-853 > Sound Professionals battery box > M1 |
Length | 96m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > SHN |
Live Music Archive | 16-bit download |
Notes | 60 feet back, center, mic stand 12 feet up. |
AMT #1a | |
Source | AUD |
Format | VHSc |
Equipment | HR-S5900U |
Length | 85m |
Complete? | No |
Lowest Circulating Generation | VHSc-M > VHS-1 > DVD |
Notes | Missing encore. Circulates synced with AUD #1. |
Unsurfaced Recordings | |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | M1 |
Length | ~100m |
Complete? | Unknown |
AUD #3 | |
Source | AUD |
Format | DAT |
Equipment | mono mic > TCD-D8 |
Length | ~100m |
Complete? | Unknown |
AUD #4 | |
Source | AUD |
Format | MD |
Equipment | ECM-717 > MZ-R55 |
Length | ~100m |
Complete? | Unknown |
AUD #5 | |
Source | AUD |
Format | MD |
Equipment | ECM-MS907 > MZ-R55 |
Length | ~100m |
Complete? | Unknown |
Notes | Balcony, left side. |
AMT #1 | |
Source | AUD |
Format | VHSc |
Equipment | HR-S5900U |
Length | ~95m |
Complete? | Yes |
Setlist
Soundcheck:
- Settle Down
- Jesus, I [Lyte]
- All Day and All of the Night [The Kinks]
- I Know My Time Is Coming Round
Set:
- Dust My Broom [Johnson]
- Lyric
- Love Lies in Ruin
- Ride a Black Swan
- Rivers We Can't Cross
- Settle Down
- For Your Love
- Jesus, I [Lyte]
- Baby, Let's Rock
- Cast a Stone
- To Wonder, To Suffer
- A New Poetry
- Yeah
- Endless Summer
Encore:
- All Day and All of the Night [The Kinks]
- Signal This Strong
Notes
- Paz's first show
- First performances of Dust My Broom, Lyric, Love Lies in Ruin, Ride a Black Swan, Rivers We Can't Cross, Settle Down, Baby, Let's Rock, To Wonder, To Suffer, A New Poetry, Yeah, Endless Summer, All Day and All of the Night, and Signal This Strong
Banter
Dust My Broom
Lyric
BC: What’s wrong, what’s wrong? Turn up the vocals? Alright, turn up the vocals.
Sweeney: Should we do that one again with the - the vocal up mix?
Love Lies in Ruin
Ride a Black Swan
BC: Thank you very much, thank you.
Rivers We Can’t Cross
Settle Down
For Your Love
Jesus, I
BC: Thank you very much, thank you very much, we are Zwan. How is everybody going? ... Okay. I hate to get into physics but the closer you are to the stage, the less you hear the PA and that’s why you can’t hear any songs, I’m very sorry. It’s simple physics, high school. It’s the price you pay for getting close, you know? No one cares, I know, I understand, I didn’t care about physics either. Uh, we’d like to play you...hee hee. This is - this is a song about a homosexual gremlin. They’re always crawlin’ into...places they don’t belong.
Baby, Let’s Rock!
BC: That’s actually called Baby, Let’s Rock. Thank you, I don’t need your approval but I appreciate it when...when you give it.
Cast a Stone
To Wonder, To Suffer
BC: I found this shirt in my closet eight years ago, heh. Rockin’ the old school in here. Yeah, ‘93, that was a good year.
A New Poetry
BC: Thank you very much, thank you. Is it cold out there? It’s really cold up here. Not getting any younger, you know.
Sweeney: Not enough Pajo, did you say?
Pajo: Who wants a punch in the cock?
BC: (cracking up) What did you say?
Pajo: I said “Who wants a punch in the cock?”
BC: That’s why Louisville loves Pajo. How do you - now how do you say your name?
Pajo: Pa-hoe.
BC: Pa-hoe?
Pajo: No no, it’s, it’s Pa-hoe. Pa-hoe. Pa-hoe. No no.
BC: Pa-hoe?
Pajo: No, it’s like Pa-hoe.
BC: Pa-hoe?
Pajo: Pa-hoe.
Sweeney: Pa-hoe, hold it, hold it.
BC: Wait. Pa-hoe?
Paz: What’d you call me?
BC: Come on, Pa-hoe.
Pajo: No, it’s...
BC: Say it again.
Pajo: Pa-hoe.
BC: Pa-hoe.
Pajo: No.
Audience: Pa-hoe! Pa-hoe!
BC: How’s - how do you say his name?
Audience: Pa-hoe!!
Pajo: No no.
BC: That’s not it?
Pajo: Pa-hoe.
BC: Pa-joe?
Pajo: No.
BC: Heh. Pa-hoe?
Pajo: Pa-hoe.
BC: Pa-hoe.
Pajo: No. Yeah!
Yeah!
BC: Thank you very much, thank you.
Sweeney: Dude, when are we gonna get fuckin’ Zwan picks? This is such a drag.
BC: I used to be in this band, I don’t know if you remember, so we’ve got a lot of these picks left over. Lucky - lucky for you got the special James Iha batch. Pa-hoe.
Sweeney: Are they like not calling us back when we call and ask for Zwan picks?
BC: Pa-hoe. Thank you very much, we’d like to play you one more selection. Thank you very much for coming tonight, we appreciate it, thank you up there, thank you. This young man is not enthused, I’m very sorry if we disappointed. We did our best, you know. Thank you, thank you.
Endless Summer
(BC immediately before end: It’s an endless summer!)
[encore break]
BC: Thank you very much, thank you. Thank you.
All Day and All of the Night
Signal This Strong
BC: Thank you very much.