Tsp2000-04-21: Difference between revisions
No edit summary |
No edit summary |
||
| (8 intermediate revisions by 2 users not shown) | |||
| Line 34: | Line 34: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| AT-853C>Sound Professionals Battery Box with bass rolloff>M1 | | AT-853C > Sound Professionals Battery Box with bass rolloff > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| Line 43: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT-M>SHN | | DAT-M > SHN | ||
|- | |- | ||
! align="left" | Live Music Archive | ! align="left" | Live Music Archive | ||
| Line 60: | Line 60: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| SS-DSM-6S>TCD-D8 | | SS-DSM-6S > TCD-D8 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| ~ | | ~125m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Line 69: | Line 69: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DDC-?>CDR | | DDC-? > CDR | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Some copies have bad transitions. | | Some copies have bad transitions. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ||
| Line 85: | Line 83: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSBMod>M1 | | CSBMod > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 124m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Unknown | | Unknown | ||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DDC-? > CDR | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-04-21.csb.flac16 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Center, halfway between board and stage. | | Center, halfway between board and stage. Slightly superior to AUD #1. | ||
|- | |||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| Countryman ISOMAX II (cardiod) > Stewart BPS-1 > M1 | |||
|- | |||
! align="left" | Length | |||
| ~125m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | |||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
| Line 105: | Line 128: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSBMod>MZ-R55 | | CSBMod > MZ-R55 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| ~ | | ~125m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Line 133: | Line 156: | ||
* Disarm | * Disarm | ||
* Ava Adore | * Ava Adore | ||
* Rock On [Essex] | * Rock On [Essex] [8:38] | ||
* Zero | * Zero | ||
* Today | * Today | ||
* Blue Skies Bring Tears | * Blue Skies Bring Tears | ||
* Bullet with Butterfly Wings | * Bullet with Butterfly Wings | ||
** Once in a Lifetime [Talking Heads] | ** Once in a Lifetime [Talking Heads] [7:16] | ||
Encore One: | Encore One: | ||
* Blank Page | * Blank Page | ||
| Line 152: | Line 175: | ||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Pale Scales'''<br> | ||
> '''Heavy Metal Machine'''<br> | |||
'''The Everlasting Gaze'''<br> | |||
'''Crush'''<br> | |||
> '''Age of Innocence'''<br> | |||
> '''Glass and the Ghost Children'''<br> | |||
BC: Thank you very much, thank you very much, thank you very much. Good evening, people of Dayton-land, how are you tonight? Thank you very much for coming to our show tonight, um, I’m like to introduce to you, the, uh, the man, the myth, the alien that I started this band with, Mr. James Iha.<br> | |||
'''Blew Away'''<br> | |||
> '''Stand Inside Your Love'''<br> | |||
'''I of the Mourning'''<br> | |||
Le Deux Machina (tape)<br> | |||
'''To Sheila''' (Billy acoustic w/Iha)<br> | |||
BC: Thank you.<br> | |||
'''If There is a God''' (Billy acoustic w/Iha)<br> | |||
> '''Disarm''' (acoustic)<br> | |||
BC: On the drums, Mr. Jimmy Chamberlin.<br> | |||
'''Ava Adore''' (acoustic)<br> | |||
'''Rock On'''<br> | |||
(BC during James’ solo: Orville Wright on the lead guitar. Orville Wright. Orville Wright. Orville Wright. Bye Orville, bye.)<br> | |||
(BC before coda: Long live rock and roll... Yes. Long live rock and roll. Maybe someday I’ll be lucky enough to have children and they’ll live long enough to see the end of ‘N Sync, Britney Spears, the Backstreet Boys and Mandy Moore. Maybe by the time they’re all 75, it’ll be the end of this pop fucking bullshit. We were a part of one revolution and it didn’t work so we have to start a new revolution and we have to overthrow this motherfucking crap, again. And we will win. We will win, we will fuckin’ win. ... ‘Cause what do you got? And do we got? We got two things. We got heart, we got motherfucking rock power. ''(screams)'')<br> | |||
'''Zero'''<br> | |||
BC: Thank you very much, thank you very much, thank you very much.<br> | |||
Iha: Thank you.<br> | |||
BC: Thank you, heh. Thanks over there. Thanks over there. Heh heh heh.<br> | |||
Iha: How is, how is everybody, how is everybody doing to-day?<br> | |||
BC: James. The day is over. It’s tonight.<br> | |||
Iha: Oh. Is it tonight tonight or is it today...today?<br> | |||
BC: It’s today today. Yesterday was yesterday but tomorrow will be...tonight when it’s the night.<br> | |||
Iha: I completely forgot.<br> | |||
'''Today'''<br> | |||
'''Blue Skies Bring Tears'''<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
> '''Once in a Lifetime'''<br> | |||
Iha: Thanks. Thanks.<br> | |||
BC: The revolution is faaaaaaaar from over.<br> | |||
[encore break]<br> | |||
'''Blank Page'''<br> | |||
BC: Thank you. Hey, uh...we’re puttin’ back up our website so I wanted to shoot you for our website.<br> | |||
Iha: Let me - let me see those hands. Woo. They’re crazy. Thank you very much for your participation. I’d like to make a quick introduction. He’s already been introduced but we’ll introduce him again: Mr. Jimmy Chamberlin on the drums. On the digital camera, Mr. Billy Corgan. Yes. And on the bass ''(pronounced like the fish)'' guitar and socialism, Ms. Melissa Auf der Maur. And now we go back to a golden age when dinosaurs roamed and grunge reigned. This is a nice old song, we hope you like it.<br> | |||
'''Cherub Rock'''<br> | |||
Iha: Thank you.<br> | |||
[encore break]<br> | |||
'''1979''' (acoustic, Jimmy plays guitar)<br> | |||
'''Mayonaise'''<br> | |||
BC: God bless you very much, god bless you, thank you so much.<br> | |||
Iha: Thank you.<br> | |||
</blockquote> | </blockquote> | ||
| Line 158: | Line 226: | ||
[[Image:00XXXX-Shirt.jpg|125px|left]] | [[Image:00XXXX-Shirt.jpg|125px|left]] | ||
[[Image:000421-Setlist.jpg|100px|left]] | [[Image:000421-Setlist.jpg|100px|left]] | ||
[[Image:Tsp2000-04-21.jpg|250px|left]] | |||
Latest revision as of 02:38, 28 September 2024
| The Smashing Pumpkins | |
|---|---|
| Date | 2000-04-21 |
| Venue | Hara Arena |
| Location | Dayton, OH, US |
| Venue Type | Arena |
| Capacity | 8000 |
| Lineup | Corgan, Iha, Chamberlin, Auf der Maur |
| Order of Bands | The Smashing Pumpkins |
| Surfaced Recordings | |
| AUD #1 | |
| Source | AUD |
| Format | DAT |
| Equipment | AT-853C > Sound Professionals Battery Box with bass rolloff > M1 |
| Length | 127m |
| Complete? | Yes |
| Lowest Circulating Generation | DAT-M > SHN |
| Live Music Archive | 16-bit download |
| Notes | Level adjustment in Heavy Metal Machine. Levels are somewhat low throughout recording. |
| AUD #2 | |
| Source | AUD |
| Format | DAT |
| Equipment | SS-DSM-6S > TCD-D8 |
| Length | ~125m |
| Complete? | Yes |
| Lowest Circulating Generation | DDC-? > CDR |
| Notes | Some copies have bad transitions. |
| AUD #3 | |
| Source | AUD |
| Format | DAT |
| Equipment | CSBMod > M1 |
| Length | 124m |
| Complete? | Unknown |
| Lowest Circulating Generation | DDC-? > CDR |
| Live Music Archive | 16-bit download |
| Notes | Center, halfway between board and stage. Slightly superior to AUD #1. |
| Unsurfaced Recordings | |
| AUD #4 | |
| Source | AUD |
| Format | DAT |
| Equipment | Countryman ISOMAX II (cardiod) > Stewart BPS-1 > M1 |
| Length | ~125m |
| Complete? | Yes |
| AUD #5 | |
| Source | AUD |
| Format | MD |
| Equipment | CSBMod > MZ-R55 |
| Length | ~125m |
| Complete? | Unknown |
Setlist
Soundcheck:
- Blue Skies Bring Tears
- Drown
Set:
- Pale Scales
- Heavy Metal Machine
- The Everlasting Gaze
- Crush
- Age of Innocence
- Glass and the Ghost Children
- Blew Away
- Stand Inside Your Love
- I of the Mourning
- To Sheila
- If There Is a God
- Disarm
- Ava Adore
- Rock On [Essex] [8:38]
- Zero
- Today
- Blue Skies Bring Tears
- Bullet with Butterfly Wings
- Once in a Lifetime [Talking Heads] [7:16]
Encore One:
- Blank Page
- Cherub Rock
Encore Two:
- 1979
- Mayonaise
Notes
- To Sheila, If There is a God, Disarm, Ava Adore, and 1979 performed acoustic
- Last performance of Crush until 2007-06-05
Banter
Pale Scales
> Heavy Metal Machine
The Everlasting Gaze
Crush
> Age of Innocence
> Glass and the Ghost Children
BC: Thank you very much, thank you very much, thank you very much. Good evening, people of Dayton-land, how are you tonight? Thank you very much for coming to our show tonight, um, I’m like to introduce to you, the, uh, the man, the myth, the alien that I started this band with, Mr. James Iha.
Blew Away
> Stand Inside Your Love
I of the Mourning
Le Deux Machina (tape)
To Sheila (Billy acoustic w/Iha)
BC: Thank you.
If There is a God (Billy acoustic w/Iha)
> Disarm (acoustic)
BC: On the drums, Mr. Jimmy Chamberlin.
Ava Adore (acoustic)
Rock On
(BC during James’ solo: Orville Wright on the lead guitar. Orville Wright. Orville Wright. Orville Wright. Bye Orville, bye.)
(BC before coda: Long live rock and roll... Yes. Long live rock and roll. Maybe someday I’ll be lucky enough to have children and they’ll live long enough to see the end of ‘N Sync, Britney Spears, the Backstreet Boys and Mandy Moore. Maybe by the time they’re all 75, it’ll be the end of this pop fucking bullshit. We were a part of one revolution and it didn’t work so we have to start a new revolution and we have to overthrow this motherfucking crap, again. And we will win. We will win, we will fuckin’ win. ... ‘Cause what do you got? And do we got? We got two things. We got heart, we got motherfucking rock power. (screams))
Zero
BC: Thank you very much, thank you very much, thank you very much.
Iha: Thank you.
BC: Thank you, heh. Thanks over there. Thanks over there. Heh heh heh.
Iha: How is, how is everybody, how is everybody doing to-day?
BC: James. The day is over. It’s tonight.
Iha: Oh. Is it tonight tonight or is it today...today?
BC: It’s today today. Yesterday was yesterday but tomorrow will be...tonight when it’s the night.
Iha: I completely forgot.
Today
Blue Skies Bring Tears
> Bullet with Butterfly Wings
> Once in a Lifetime
Iha: Thanks. Thanks.
BC: The revolution is faaaaaaaar from over.
[encore break]
Blank Page
BC: Thank you. Hey, uh...we’re puttin’ back up our website so I wanted to shoot you for our website.
Iha: Let me - let me see those hands. Woo. They’re crazy. Thank you very much for your participation. I’d like to make a quick introduction. He’s already been introduced but we’ll introduce him again: Mr. Jimmy Chamberlin on the drums. On the digital camera, Mr. Billy Corgan. Yes. And on the bass (pronounced like the fish) guitar and socialism, Ms. Melissa Auf der Maur. And now we go back to a golden age when dinosaurs roamed and grunge reigned. This is a nice old song, we hope you like it.
Cherub Rock
Iha: Thank you.
[encore break]
1979 (acoustic, Jimmy plays guitar)
Mayonaise
BC: God bless you very much, god bless you, thank you so much.
Iha: Thank you.
Photos & Memorabilia
