Zwan2001-11-18: Difference between revisions
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! align="left" | Equipment | ! align="left" | Equipment | ||
| Schoeps MK4>Rmod2K1>SBM-1>M1(48k) | | Schoeps MK4 > Rmod2K1 > SBM-1 > M1(48k) | ||
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! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT-M>FLAC | | DAT-M > FLAC | ||
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! align="left" | Live Music Archive | ! align="left" | Live Music Archive | ||
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| DPA 4061> | | DPA 4061 > battery box > M1(48k) | ||
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| DAT-M>CDR | | DAT-M > CDR | ||
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| CSBMod>MT-90 | | CSBMod > MT-90 | ||
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! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| MD-M>CDR | | MD-M > CDR | ||
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! align="left" | Notes | ! align="left" | Notes | ||
| One soundcheck only. Recorded from back of the venue with mics through the fence. Analog transfer. | | One soundcheck only. Recorded from back of the venue with mics through the fence. Analog transfer. | ||
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! bgcolor="#fff9de" colspan="2" align="left" | AMT # | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ||
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| | | 82m | ||
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! align="left" | Complete? | ! align="left" | Complete? | ||
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! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| VHS-2>VCD | | VHS-2 > VCD | ||
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! align="left" | Notes | ! align="left" | Notes | ||
| | | Missing What Have They Done to Me and Sorrow, Spilled Milk cuts. Also includes pre-show chat and first soundcheck. | ||
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! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
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| DPA 4061> | | DPA 4061 > battery box > M1 | ||
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| SS-DSM-6S>PA-6LC3B>TCD-D8 | | SS-DSM-6S > PA-6LC3B > TCD-D8 | ||
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| SS-DSM-6S>PA-6LC3B>MZ-R37 | | SS-DSM-6S > PA-6LC3B > MZ-R37 | ||
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| AT-853>Sound Professionals | | AT-853 > Sound Professionals battery box > MS722 | ||
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| Center, floor. Bass distortion. | | Center, floor. Bass distortion. | ||
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|} | |} | ||
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* The Empty Sea | * The Empty Sea | ||
* Glorious | * Glorious | ||
* How Things Are Supposed to Be | |||
* Cast a Stone | * Cast a Stone | ||
* Don't Let Me Down [The Beatles] | * Don't Let Me Down [The Beatles] | ||
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* What Have They Done to Me? | * What Have They Done to Me? | ||
* Sorrow | * Sorrow | ||
* | * Permanence | ||
* My Life and Times | * My Life and Times | ||
Encore One: | Encore One: | ||
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== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Chrysanthemum'''<br> | ||
'''Never Give Up'''<br> | |||
'''El Sol'''<br> | |||
'''The Empty Sea'''<br> | |||
> '''Glorious'''<br> | |||
BC: Thank you very much, thank you very much.<br> | |||
'''How Things Are Supposed to Be'''<br> | |||
> '''Cast a Stone'''<br> | |||
'''Don’t Let Me Down'''<br> | |||
'''Jesus, I / I’m Waiting for the Man'''<br> | |||
Sweeney: Hey Billy. Speaking of Jesus. Do you know what the difference between a priest and acne is? Does anybody?<br> | |||
BC: I don’t think they - I don’t think they can hear you, hold on a second.<br> | |||
Sweeney: Does anybody know what the difference between a priest and acne is? Anybody? Anybody? Well, the difference is that acne waits until you’re - excuse me?<br> | |||
Guy in crowd: They’re different!<br> | |||
Sweeney: Does it...? The difference is, the difference between a priest and acne is that acne waits until you’re 13 before it comes in your face.<br> | |||
BC: I don’t know what that has to do with Jesus but...I’ll accept that. Heh heh. Yes, yes. Um, like to take this opportunity to shamelessly promote Fisher Skull’s new project, it’s out on CD. He’s uh, he’s found a young talent, a young buck from Louisville. He’s molding them into the next superstar, the album is called, uh, Whatever, Mortal, the artist is Papa M, so please go buy it, we shamelessly - there you go. We shamelessly promote Skullfisher’s new project.<br> | |||
Sweeney: Papa! Papa.<br> | |||
BC: Papa M, Papa M.<br> | |||
'''The Shining Path'''<br> | |||
'''What Have They Done to Me'''<br> | |||
'''Sorrow'''<br> | |||
Sweeney: ''(off mic)'' Ah, wait a minute. Oh, [unintelligible].<br> | |||
'''Permanence''' (abandoned while Jimmy still counting in)<br> | |||
BC: Wait.<br> | |||
Sweeney: ''(off mic and almost immediately)'' Alright, I got it.<br> | |||
'''Permanence''' (abandoned 10 seconds in)<br> | |||
(BC: [unintelligible word]!)<br> | |||
BC: You know it’s very strange ‘cause that was the first time I ever fucked up in all these years. It’s really strange. Why - why in Santa Ana?<br> | |||
'''Permanence'''<br> | |||
> '''My Life and Times'''<br> | |||
BC: Thank you very much.<br> | |||
[encore break]<br> | |||
'''Of a Broken Heart'''<br> | |||
> '''What the World Needs Now Is Love'''<br> | |||
BC: God bless you, thank you very much.<br> | |||
[encore break]<br> | |||
''(Jimmy checks his drums, which turns into a 25 second band jam)''<br> | |||
BC: I like that song.<br> | |||
''(Billy imitates the noises he was making during it, followed by him and Jimmy going back into the jam)''<br> | |||
'''Who We Be''' (tease - Sweeney variation on lyrics over Billy and Jimmy jamming)<br> | |||
(Sweeney: The projects, the sons. The burgers, the fries, the ketchup, the mustard.)<br> | |||
BC: There’s a lot more sittin’ next to a tree. Thank you very much.<br> | |||
> '''Spilled Milk'''<br> | |||
BC: We are Zwan, haha!<br> | |||
</blockquote> | </blockquote> | ||
== Photos and Memorabilia == | == Photos and Memorabilia == | ||
[[Image:2001-11-18_stub.jpg|125px|left]] | [[Image:2001-11-18_stub.jpg|125px|left]] |
Latest revision as of 21:23, 13 January 2021
Zwan | |
---|---|
Date | 2001-11-18 |
Venue | Galaxy Theater |
Location | Santa Ana, CA, US |
Venue Type | Club |
Capacity | 650 |
Lineup | Corgan, Chamberlin, Sweeney, Pajo |
Order of Bands | South of Houston, Zwan |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | Schoeps MK4 > Rmod2K1 > SBM-1 > M1(48k) |
Length | 101m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > FLAC |
Live Music Archive | 16-bit download |
Notes | 15 feet from stage, dead center, mics in hat. |
AUD #2a | |
Source | AUD |
Format | DAT |
Equipment | DPA 4061 > battery box > M1(48k) |
Length | 99m |
Complete? | No |
Lowest Circulating Generation | DAT-M > CDR |
Notes | Missing second encore. |
AUD #3 | |
Source | AUD |
Format | MD |
Equipment | CSBMod > MT-90 |
Length | 15m |
Complete? | No |
Lowest Circulating Generation | MD-M > CDR |
Notes | One soundcheck only. Recorded from back of the venue with mics through the fence. Analog transfer. |
AMT #1 | |
Source | AUD |
Format | VID |
Equipment | Unknown |
Length | 82m |
Complete? | No |
Lowest Circulating Generation | VHS-2 > VCD |
Notes | Missing What Have They Done to Me and Sorrow, Spilled Milk cuts. Also includes pre-show chat and first soundcheck. |
Unsurfaced Recordings | |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | DPA 4061 > battery box > M1 |
Length | 27m (soundcheck) 99m (show) |
Complete? | No |
Notes | Soundcheck(s?) recorded from crack at bottom of door at the side of venue, show taped from center, floor. Missing second encore. |
AUD #4 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6S > PA-6LC3B > TCD-D8 |
Length | ~100m |
Complete? | Unknown |
Notes | Center floor. Distortion. |
AUD #5 | |
Source | AUD |
Format | MD |
Equipment | SS-DSM-6S > PA-6LC3B > MZ-R37 |
Length | ~100m |
Complete? | Unknown |
Notes | Front of board. |
AUD #6 | |
Source | AUD |
Format | MD |
Equipment | AT-853 > Sound Professionals battery box > MS722 |
Length | ~100m |
Complete? | Unknown |
Notes | Center, floor. Bass distortion. |
Setlist
Soundcheck One:
- My Life and Times
Soundcheck Two:
- Of a Broken Heart
- What the World Needs Now Is Love [Bacharach/David]
- The Shining Path
- What Have They Done to Me
Set:
- Chrysanthenum
- Never Give Up
- El Sol
- The Empty Sea
- Glorious
- How Things Are Supposed to Be
- Cast a Stone
- Don't Let Me Down [The Beatles]
- Jesus, I [Lyte]
- I'm Waiting for the Man [The Velvet Underground] (tease)
- The Shining Path
- What Have They Done to Me?
- Sorrow
- Permanence
- My Life and Times
Encore One:
- Of a Broken Heart
- What the World Needs Now Is Love [Bacharach/David]
Encore Two:
- Who We Be [DMX] (tease)
- Spilled Milk
Notes
- First performances of What the World Needs Now Is Love and Spilled Milk
- Final performance of Permanence
Banter
Chrysanthemum
Never Give Up
El Sol
The Empty Sea
> Glorious
BC: Thank you very much, thank you very much.
How Things Are Supposed to Be
> Cast a Stone
Don’t Let Me Down
Jesus, I / I’m Waiting for the Man
Sweeney: Hey Billy. Speaking of Jesus. Do you know what the difference between a priest and acne is? Does anybody?
BC: I don’t think they - I don’t think they can hear you, hold on a second.
Sweeney: Does anybody know what the difference between a priest and acne is? Anybody? Anybody? Well, the difference is that acne waits until you’re - excuse me?
Guy in crowd: They’re different!
Sweeney: Does it...? The difference is, the difference between a priest and acne is that acne waits until you’re 13 before it comes in your face.
BC: I don’t know what that has to do with Jesus but...I’ll accept that. Heh heh. Yes, yes. Um, like to take this opportunity to shamelessly promote Fisher Skull’s new project, it’s out on CD. He’s uh, he’s found a young talent, a young buck from Louisville. He’s molding them into the next superstar, the album is called, uh, Whatever, Mortal, the artist is Papa M, so please go buy it, we shamelessly - there you go. We shamelessly promote Skullfisher’s new project.
Sweeney: Papa! Papa.
BC: Papa M, Papa M.
The Shining Path
What Have They Done to Me
Sorrow
Sweeney: (off mic) Ah, wait a minute. Oh, [unintelligible].
Permanence (abandoned while Jimmy still counting in)
BC: Wait.
Sweeney: (off mic and almost immediately) Alright, I got it.
Permanence (abandoned 10 seconds in)
(BC: [unintelligible word]!)
BC: You know it’s very strange ‘cause that was the first time I ever fucked up in all these years. It’s really strange. Why - why in Santa Ana?
Permanence
> My Life and Times
BC: Thank you very much.
[encore break]
Of a Broken Heart
> What the World Needs Now Is Love
BC: God bless you, thank you very much.
[encore break]
(Jimmy checks his drums, which turns into a 25 second band jam)
BC: I like that song.
(Billy imitates the noises he was making during it, followed by him and Jimmy going back into the jam)
Who We Be (tease - Sweeney variation on lyrics over Billy and Jimmy jamming)
(Sweeney: The projects, the sons. The burgers, the fries, the ketchup, the mustard.)
BC: There’s a lot more sittin’ next to a tree. Thank you very much.
> Spilled Milk
BC: We are Zwan, haha!