Tsp2007-07-18: Difference between revisions
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! align="left" | Length | ! align="left" | Length | ||
| | | ~130m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | No | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
Line 140: | Line 140: | ||
---- | ---- | ||
Set: | Set: | ||
* Gossamer | * Gossamer [26:17] | ||
* Today | * Today | ||
* Stand Inside Your Love | * Stand Inside Your Love | ||
Line 171: | Line 171: | ||
=== Notes === | === Notes === | ||
* If All Goes Wrong, Thirty-three, and To Sheila performed acoustic | * With Every Light, If All Goes Wrong, Thirty-three, and To Sheila performed acoustic | ||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | Suspiria Intro<br> | ||
'''Gossamer'''<br> | |||
'''Today'''<br> | |||
'''Stand Inside Your Love'''<br> | |||
'''Zero'''<br> | |||
> '''United States / Star Spangled Banner'''<br> | |||
'''Neverlost'''<br> | |||
'''Drown'''<br> | |||
> '''Hummer'''<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
BC: Thank you very, very much, thank you. Welcome, welcome. One and all. I promised myself I would not talk too much tonight so I’m not going to talk too much tonight. We’re all fully aware what happens when I talk too much. I’m best, uh, understood in song and I’m just gonna keep it that way. This is a little song called Blue Skies Bring Tears.<br> | |||
'''Blue Skies Bring Tears'''<br> | |||
'''With Every Light''' (acoustic)<br> | |||
BC: Like to play a new song for you now, a new - a new new new song, not from the album song, new new song.<br> | |||
'''If All Goes Wrong''' (Billy solo acoustic)<br> | |||
BC: The keyboard is broken?<br> | |||
Lisa: Yeah, I don’t even know what it’s doing [unintelligible]. [unintelligible], yeah.<br> | |||
BC: That’s the end of the show, thank you very much. It’s been a pleasure playing for you, good night. ... What is that? ''(crowd cheers)'' It’s a bomb. Oh, it’s not a bomb. It’s the new Bon Jovi album. He’s back. Working out? Yes, no?<br> | |||
Lisa: Yes.<br> | |||
BC: Okay. This is a little song I wrote one day. Might’ve heard it...when you were depressed.<br> | |||
'''Thirty-three''' (Billy 12-string w/Lisa)<br> | |||
'''To Sheila''' (acoustic)<br> | |||
BC: No worky worky? You all broke this? Get off the stage. It’s [unintelligible]. Go back to your land of synthesizer.<br> | |||
'''Blister in the Sun''' (tease)<br> | |||
BC: I was just kidding, come back ''(laughing)''. I need you to do something! I sing - can you transpose or can you do the B3 on this?<br> | |||
Lisa: [unintelligible]<br> | |||
BC: Can you - can you transpose or you don’t....?<br> | |||
Lisa: [unintelligible]<br> | |||
BC: It’s a little, uh, special version. Little special sauce.<br> | |||
'''Tonight, Tonight''' (w/B3 organ intro instead of the usual keyboard)<br> | |||
'''Tarantula'''<br> | |||
'''Starz'''<br> | |||
BC: Thank you very much. We’re uh, we’ve got a little bit of the flu, the San Francisco flu. Well, if this is our last song and I throw up all over the stage, I just wanna thank you. Not for the puking, for the enjoyable concert.<br> | |||
'''Starla'''<br> | |||
BC: Thank you, good night!<br> | |||
[encore break]<br> | |||
'''That's the Way'''<br> | |||
> '''Heavy Metal Machine / White Rabbit'''<br> | |||
[encore break]<br> | |||
'''Death From Above''' (Billy w/Lisa)<br> | |||
'''Shame'''<br> | |||
> '''short jam''' (includes at least two recognizable riffs)<br> | |||
BC: God bless Jimi. ''(referring to Jimi Hendrix and the short jam)'' Not you, Jimmy, that Jimi. God bless you too, Jimmy. Well, that’s the end of the show. It brings a tear to my...eye. Look, half the audience has left, they had to go home and score some weed. All your rides have left, they’ve already gone, they’re all waiting outside. ... Isn’t there like a Grateful Dead tribute band thing you’ve gotta go to or something? A Robert Hunter poetry reading? Or are you Deadheads? Alright, alright. I’m gonna leave it all on the stage right now. Don’t say you weren’t warned. One more song - is that like four more years or...? ... Alright, but you gotta like, uh, you gotta e-mail that fuckhead from the San Francisco Chronicle and tell him this was a good show. I’m sorry, the journalist. He’s not a fuckhead, he’s a journalist. It’s a big difference. Heh. See, once I start talking, it’s all goes.... I retract the term “fuckhead.” I’m gonna go to rehab because whenever, you know in America when someone makes a mistake, they just go to rehab now. Like that guy Isaiah Washington who used the negative homosexual slur, he just went to rehab and it’s just like it’s all good. So I’m gonna go to rehab for calling the San Francisco Chronicle writer a fuckhead. I’m checking in tomorrow so don’t blame me. Oh, it’s so funny. I know you got a plane to catch, alright. Okay. Jimmy, do I have it in me? Not really?<br> | |||
'''Silverfuck / The End'''<br> | |||
BC: That’s the end of the show.<br> | |||
</blockquote> | </blockquote> | ||
== Photos & Memorabilia == | |||
[[Image:Tsp2007-xx-FillmorePoster_(1).jpg|150px|left]] | |||
[[Image:Tsp2007-FillmoreShirt_back.jpg|150px|left]] |
Latest revision as of 12:11, 15 November 2020
The Smashing Pumpkins | |
---|---|
Date | 2007-07-18 |
Venue | The Fillmore |
Location | San Francisco, CA, US |
Venue Type | Club |
Capacity | 1200 |
Lineup | Corgan, Chamberlin, Schroeder, Reyes, Harriton |
Order of Bands | War Tapes, The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | MD |
Equipment | ECM-959DT>MZ-R3 |
Length | 137m |
Complete? | No |
Lowest Circulating Generation | MD-M>CDR>dEdit>FLAC |
Live Music Archive | 16-bit download |
Notes | Blue Skies Bring Tears cuts in due to a disc change, mic comes partially unplugged during That's the Way (My Love Is), That's the Way (My Love Is) and Heavy Metal Machine are cut due to the recorder shutting off, Death from Above, Shame, and Silverfuck are badly overdriven, Silverfuck cuts after about a minute due to battery loss. |
AMT #1 | |
Source | AUD |
Format | VID |
Equipment | Unknown |
Length | 84m |
Complete? | No |
Lowest Circulating Generation | Master>DVD |
Notes | Third row, slightly left of Ginger. Transferred via a Phillips standalone recorder. Missing Stand Inside Your Love, Zero, Bullet with Butterfly Wings, Tarantula, Shame and Silverfuck. Gossamer, United States, Blue Skies Bring Tears, With Every Light, Starz, Starla, That's the Way (My Love Is), Heavy Metal Machine and Death from Above are cut. |
AMT #2 | |
Source | AUD |
Format | AVI |
Equipment | Sony DSC-30 |
Length | ~130m |
Complete? | No |
Lowest Circulating Generation | AVI-M>DVD |
Notes | Rear of floor, Jeff's side. Ends halfway through Death From Above due to dead batteries. |
Unsurfaced Recordings | |
AMT #3 | |
Source | AUD |
Format | AVCHD |
Equipment | Sony HDR-SR5 |
Length | Unknown |
Complete? | Unknown |
AMT #4 | |
Source | AUD |
Format | VID |
Equipment | Unknown |
Length | Unknown |
Complete? | No |
Notes | "Most of show". |
Setlist
Set:
- Gossamer [26:17]
- Today
- Stand Inside Your Love
- Zero
- United States
- Star Spangled Banner [Key] (tease)
- Neverlost
- Drown
- Hummer
- Bullet with Butterfly Wings
- Blue Skies Bring Tears
- With Every Light
- If All Goes Wrong
- Thirty-three
- To Sheila
- Blister in the Sun [Violent Femmes] (tease)
- Tonight, Tonight
- Tarantula
- Starz
- Starla
Encore One:
- That's the Way (My Love Is)
- Heavy Metal Machine
- White Rabbit [Jefferson Airplane] (tease)
Encore Two:
- Death from Above
- Shame
- Silverfuck
- The End [The Doors] (tease)
Notes
- With Every Light, If All Goes Wrong, Thirty-three, and To Sheila performed acoustic
Banter
Suspiria Intro
Gossamer
Today
Stand Inside Your Love
Zero
> United States / Star Spangled Banner
Neverlost
Drown
> Hummer
> Bullet with Butterfly Wings
BC: Thank you very, very much, thank you. Welcome, welcome. One and all. I promised myself I would not talk too much tonight so I’m not going to talk too much tonight. We’re all fully aware what happens when I talk too much. I’m best, uh, understood in song and I’m just gonna keep it that way. This is a little song called Blue Skies Bring Tears.
Blue Skies Bring Tears
With Every Light (acoustic)
BC: Like to play a new song for you now, a new - a new new new song, not from the album song, new new song.
If All Goes Wrong (Billy solo acoustic)
BC: The keyboard is broken?
Lisa: Yeah, I don’t even know what it’s doing [unintelligible]. [unintelligible], yeah.
BC: That’s the end of the show, thank you very much. It’s been a pleasure playing for you, good night. ... What is that? (crowd cheers) It’s a bomb. Oh, it’s not a bomb. It’s the new Bon Jovi album. He’s back. Working out? Yes, no?
Lisa: Yes.
BC: Okay. This is a little song I wrote one day. Might’ve heard it...when you were depressed.
Thirty-three (Billy 12-string w/Lisa)
To Sheila (acoustic)
BC: No worky worky? You all broke this? Get off the stage. It’s [unintelligible]. Go back to your land of synthesizer.
Blister in the Sun (tease)
BC: I was just kidding, come back (laughing). I need you to do something! I sing - can you transpose or can you do the B3 on this?
Lisa: [unintelligible]
BC: Can you - can you transpose or you don’t....?
Lisa: [unintelligible]
BC: It’s a little, uh, special version. Little special sauce.
Tonight, Tonight (w/B3 organ intro instead of the usual keyboard)
Tarantula
Starz
BC: Thank you very much. We’re uh, we’ve got a little bit of the flu, the San Francisco flu. Well, if this is our last song and I throw up all over the stage, I just wanna thank you. Not for the puking, for the enjoyable concert.
Starla
BC: Thank you, good night!
[encore break]
That's the Way
> Heavy Metal Machine / White Rabbit
[encore break]
Death From Above (Billy w/Lisa)
Shame
> short jam (includes at least two recognizable riffs)
BC: God bless Jimi. (referring to Jimi Hendrix and the short jam) Not you, Jimmy, that Jimi. God bless you too, Jimmy. Well, that’s the end of the show. It brings a tear to my...eye. Look, half the audience has left, they had to go home and score some weed. All your rides have left, they’ve already gone, they’re all waiting outside. ... Isn’t there like a Grateful Dead tribute band thing you’ve gotta go to or something? A Robert Hunter poetry reading? Or are you Deadheads? Alright, alright. I’m gonna leave it all on the stage right now. Don’t say you weren’t warned. One more song - is that like four more years or...? ... Alright, but you gotta like, uh, you gotta e-mail that fuckhead from the San Francisco Chronicle and tell him this was a good show. I’m sorry, the journalist. He’s not a fuckhead, he’s a journalist. It’s a big difference. Heh. See, once I start talking, it’s all goes.... I retract the term “fuckhead.” I’m gonna go to rehab because whenever, you know in America when someone makes a mistake, they just go to rehab now. Like that guy Isaiah Washington who used the negative homosexual slur, he just went to rehab and it’s just like it’s all good. So I’m gonna go to rehab for calling the San Francisco Chronicle writer a fuckhead. I’m checking in tomorrow so don’t blame me. Oh, it’s so funny. I know you got a plane to catch, alright. Okay. Jimmy, do I have it in me? Not really?
Silverfuck / The End
BC: That’s the end of the show.