Zwan2002-04-12: Difference between revisions

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|-
|-
! align="left" | Venue Type
! align="left" | Venue Type
| Club
|-
! align="left" | Capacity
| 473
|-
! align="left" | Lineup
| Corgan, Chamberlin, Sweeney, Pajo, Lenchantin
|-
! align="left" | Order of Bands
| The Frogs, Zwan
|-
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #1
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| DPA 4060 > Custom Battery Box > TCD-D100
|-
! align="left" | Length
| 95m
|-
! align="left" | Complete?
| Yes
|-
! align="left" | Lowest Circulating Generation
| DAT-M > SHN
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/zwan2002-04-12.shnf 16-bit download]
|-
! align="left" | Notes
| 30 feet in front of soundboard, mic stand 14 feet up.
|-
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| SS-DSM-6S > PA-6LC3B > M1
|-
! align="left" | Length
| ~95m
|-
! align="left" | Complete?
| Unknown
|-
! align="left" | Notes
| Mic stand, mildly distorted.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| AKG 460 > TCD-D8
|-
! align="left" | Length
| ~95m
|-
! align="left" | Complete?
| Unknown
|-
! align="left" | Notes
| Mic stand.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| CSBMod > M1
|-
! align="left" | Length
| ~95m
|-
! align="left" | Complete?
| Unknown
|-
! align="left" | Notes
| 10 feet from stage.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| CSHEB > Battery Box > M1
|-
! align="left" | Length
| ~95m
|-
! align="left" | Complete?
| Unknown
|-
! align="left" | Notes
| 10 feet from left stack.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #6
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| SS-DSM-6S > PA-6LC2 > M1
|-
! align="left" | Length
| ~95m
|-
! align="left" | Complete?
| Yes
|-
! align="left" | Notes
| Mic stand, 10 feet from left stack. Mildly distorted.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #7
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| AT-853 > Sound Professionals Battery Box > M1
|-
! align="left" | Length
| ~95m
|-
! align="left" | Complete?
| Unknown
| Unknown
|-
|-
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
! align="left" | Notes
| Mic stand, mildly distorted.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #8
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| MD
|-
! align="left" | Equipment
| CSB Clones > Battery Box > MS722
|-
! align="left" | Length
| ~95m
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" |  
! align="left" | Complete?
| Unknown
|-
|-
! align="left" | Notes
! align="left" | Notes
|  
| Taped from side.
|-
|-
|}
|}
Line 26: Line 198:
Set:
Set:
* Jesus, I [Lyte]
* Jesus, I [Lyte]
** Mary Star of the Sea (tease)
** Exodus [Marley] (tease)
** Exodus [Marley] (tease)
** God's Gonna Set This World on Fire
** God's Gonna Set This World on Fire
Line 38: Line 211:
* For Your Love
* For Your Love
* Yeah
* Yeah
* All Day and All of the Night [Kinks]
* All Day and All of the Night [The Kinks]
* Dust My Broom
* Dust My Broom [Johnson]
 
Encore:
Encore:
* Baby, Let's Rock
* Baby, Let's Rock
Line 47: Line 219:
== Banter ==
== Banter ==
<blockquote>
<blockquote>
(unknown)
'''Jesus, I'''<br>
> '''Mary Star of the Sea''' (tease)<br>
> '''Exodus''' (tease)<br>
> '''God’s Gonna Set This World on Fire'''<br>
'''Lyric'''<br>
'''Signal This Strong'''<br>
BC: Thank you very much, thank you.  ...  This is a song called Endless Summer.<br>
'''Endless Summer'''<br>
'''Rivers We Can’t Cross'''<br>
'''Love Lies in Ruin'''<br>
BC: Thank you very much, thank you.  Hi, we are Zwan.  Zwan, Zwan, Zwan, Zwan, Zwan, Zwan, Zwan.  Inner reverb. [2 unintelligible words] space again.  I’m having a hard time singing with that, I mean, that reverb.  Thank you, thank you.  Thanks everyone.  How’s everybody doing, you alright?  You know, ever since we put the show on sale, I got a lot of angry under 21 year old people screaming at me.<br>
''(audience booing, one guy yells “Fuck that, you fuckin’ fag!”)''<br>
Sweeney: You guys are just jealous that we’re all having a good time.<br>
BC: I told ‘em that people over 21 give better head.  I didn’t just say that.  X-rated rock and roll, heh heh.  Anyway, sorry about that.  That’s why I don’t talk.<br>
'''Ride a Black Swan'''<br>
'''Settle Down'''<br>
'''Cast a Stone'''<br>
'''For Your Love'''<br>
BC: Thank you very much, thank you.<br>
'''Yeah!'''<br>
> '''All Day and All of the Night'''<br>
'''Dust My Broom'''<br>
BC: Thanks.<br>
[encore break]<br>
BC: Before we start, thank you very much for coming tonight, ‘preciate it.  Thank you to the Double Door...staff, Double Door.<br>
Sweeney: Thank you for the Frogs.<br>
BC: Thank you to the Frogs.<br>
Sweeney: One can only hope for an audience as good as you for the Frogs.<br>
BC: Huh?<br>
Sweeney: One can only hope for an audience as good as them for the Frogs.<br>
BC: Understand but....<br>
Sweeney: [unintelligible]<br>
BC: ...is that New York cynicism or Chicago optimism?<br>
Sweeney: Chicago activism.<br>
BC: Heh heh heh heh.  This is a song called Baby, Let’s Rock.<br>
'''Baby, Let’s Rock!'''<br>
'''A New Poetry'''<br>
BC: Thank you very much.<br>
</blockquote>
</blockquote>
== Photos and Memorabilia ==
[[Image:0204XX-Shirt.jpg|125px|left]]
[[Image:zwan2002-04-xx.jpg|250px|left]]

Latest revision as of 04:16, 6 October 2024

Zwan
Date 2002-04-12
Venue Double Door
Location Chicago, IL, US
Venue Type Club
Capacity 473
Lineup Corgan, Chamberlin, Sweeney, Pajo, Lenchantin
Order of Bands The Frogs, Zwan
Surfaced Recordings
AUD #1
Source AUD
Format DAT
Equipment DPA 4060 > Custom Battery Box > TCD-D100
Length 95m
Complete? Yes
Lowest Circulating Generation DAT-M > SHN
Live Music Archive 16-bit download
Notes 30 feet in front of soundboard, mic stand 14 feet up.
Unsurfaced Recordings
AUD #2
Source AUD
Format DAT
Equipment SS-DSM-6S > PA-6LC3B > M1
Length ~95m
Complete? Unknown
Notes Mic stand, mildly distorted.
AUD #3
Source AUD
Format DAT
Equipment AKG 460 > TCD-D8
Length ~95m
Complete? Unknown
Notes Mic stand.
AUD #4
Source AUD
Format DAT
Equipment CSBMod > M1
Length ~95m
Complete? Unknown
Notes 10 feet from stage.
AUD #5
Source AUD
Format DAT
Equipment CSHEB > Battery Box > M1
Length ~95m
Complete? Unknown
Notes 10 feet from left stack.
AUD #6
Source AUD
Format DAT
Equipment SS-DSM-6S > PA-6LC2 > M1
Length ~95m
Complete? Yes
Notes Mic stand, 10 feet from left stack. Mildly distorted.
AUD #7
Source AUD
Format DAT
Equipment AT-853 > Sound Professionals Battery Box > M1
Length ~95m
Complete? Unknown
Notes Mic stand, mildly distorted.
AUD #8
Source AUD
Format MD
Equipment CSB Clones > Battery Box > MS722
Length ~95m
Complete? Unknown
Notes Taped from side.

Setlist

Set:

  • Jesus, I [Lyte]
    • Mary Star of the Sea (tease)
    • Exodus [Marley] (tease)
    • God's Gonna Set This World on Fire
  • Lyric
  • Signal This Strong
  • Endless Summer
  • Rivers We Can't Cross
  • Love Lies in Ruin
  • Ride a Black Swan
  • Settle Down
  • Cast a Stone
  • For Your Love
  • Yeah
  • All Day and All of the Night [The Kinks]
  • Dust My Broom [Johnson]

Encore:

  • Baby, Let's Rock
  • A New Poetry

Banter

Jesus, I
> Mary Star of the Sea (tease)
> Exodus (tease)
> God’s Gonna Set This World on Fire
Lyric
Signal This Strong
BC: Thank you very much, thank you. ... This is a song called Endless Summer.
Endless Summer
Rivers We Can’t Cross
Love Lies in Ruin
BC: Thank you very much, thank you. Hi, we are Zwan. Zwan, Zwan, Zwan, Zwan, Zwan, Zwan, Zwan. Inner reverb. [2 unintelligible words] space again. I’m having a hard time singing with that, I mean, that reverb. Thank you, thank you. Thanks everyone. How’s everybody doing, you alright? You know, ever since we put the show on sale, I got a lot of angry under 21 year old people screaming at me.
(audience booing, one guy yells “Fuck that, you fuckin’ fag!”)
Sweeney: You guys are just jealous that we’re all having a good time.
BC: I told ‘em that people over 21 give better head. I didn’t just say that. X-rated rock and roll, heh heh. Anyway, sorry about that. That’s why I don’t talk.
Ride a Black Swan
Settle Down
Cast a Stone
For Your Love
BC: Thank you very much, thank you.
Yeah!
> All Day and All of the Night
Dust My Broom
BC: Thanks.
[encore break]
BC: Before we start, thank you very much for coming tonight, ‘preciate it. Thank you to the Double Door...staff, Double Door.
Sweeney: Thank you for the Frogs.
BC: Thank you to the Frogs.
Sweeney: One can only hope for an audience as good as you for the Frogs.
BC: Huh?
Sweeney: One can only hope for an audience as good as them for the Frogs.
BC: Understand but....
Sweeney: [unintelligible]
BC: ...is that New York cynicism or Chicago optimism?
Sweeney: Chicago activism.
BC: Heh heh heh heh. This is a song called Baby, Let’s Rock.
Baby, Let’s Rock!
A New Poetry
BC: Thank you very much.

Photos and Memorabilia

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