Zwan2002-04-10: Difference between revisions
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|- | |- | ||
! align="left" | Venue Type | ! align="left" | Venue Type | ||
| | | Club | ||
|- | |||
! align="left" | Capacity | |||
| ~800 | |||
|- | |||
! align="left" | Lineup | |||
| Corgan, Chamberlin, Sweeney, Pajo, Lenchantin | |||
|- | |||
! align="left" | Order of Bands | |||
| Full System Purge, Zwan | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
| Line 25: | Line 34: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | ECM-MS907 > RS 42-2459 > MZ-R70 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 104m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Line 34: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| MD | | MD-M > dEdit > SHN | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/zwan2002-04-10.shnf 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Even with soundboard, left side. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| DPA 4061 > M1 | |||
|- | |||
! align="left" | Length | |||
| 105m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DAT-M > SHN | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/zwan2002-04-10.shn 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Superior to AUD #1. | |||
|- | |||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| CSHEB > Battery Box > M1 | |||
|- | |||
! align="left" | Length | |||
| ~105m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Notes | |||
| Inside soundboard area. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| AT-853 > Sound Professionals Battery Box > M1 | |||
|- | |||
! align="left" | Length | |||
| ~105m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Notes | |||
| Mic stand, right stack. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| AKG C1000 > DA-P1 | |||
|- | |||
! align="left" | Length | |||
| ~105m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Notes | |||
| Mic stand. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #6 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| DPA 4023 > PS-2 > Zefiro Inbox > TCD-D8 | |||
|- | |||
! align="left" | Length | |||
| ~105m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | 3 feet from right stack, on a pillar. | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #7 | |||
|- | |- | ||
| | ! align="left" | Source | ||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MD | |||
|- | |||
! align="left" | Equipment | |||
| ECM-MS907 > MZ-R55 | |||
|- | |||
! align="left" | Length | |||
| ~105m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |- | ||
|} | |} | ||
| Line 58: | Line 193: | ||
* Settle Down | * Settle Down | ||
* Cast a Stone | * Cast a Stone | ||
Encore: | |||
* All Day and All of the Night [The Kinks] | |||
* Dust My Broom [Johnson] | |||
* (improv: "Egypt Jam") | |||
=== Notes === | |||
* | * Egypt Jam improv with Matt on drums, Jimmy on guitar | ||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''A New Poetry'''<br> | ||
> '''Lyric'''<br> | |||
'''Yeah!'''<br> | |||
BC: Thank you very much, thank you. Thank you very much, thank you. Uh, thank you very much to the Galaxy for having us for three nights, thank you, Galaxy. Thank you, St. Louis. This song is uh, this next song is called Endless Summer...and it’s about how the Cubs and the Cardinals are never going to win another World Series.<br> | |||
'''Endless Summer'''<br> | |||
'''Love Lies in Ruin'''<br> | |||
> '''Rivers We Can’t Cross'''<br> | |||
Sweeney: There was a great band from St. Louis called Drunks with Guns from back in the day but I betcha nobody here remembers them.<br> | |||
Guy in crowd: I do!<br> | |||
Sweeney: Really? ''And'' there’s a really good bookstore that’s selling crazy books.<br> | |||
'''Jesus, I'''<br> | |||
> '''God’s Gonna Set This World on Fire'''<br> | |||
BC: Name of that last song was Jesus. I don’t know if you caught the title. How’s everybody doing, you alright? Who here is from St. Louis? I have to tell you, everywhere I go in St. Louis, they wanna talk about Nelly. ''(some boos)'' No, I like Nelly. It could’ve been Nelly, no, he’s cool. No, it’s like ev - everyone wants to talk about Nelly, it’s crazy, it’s...he owns this town.<br> | |||
Pajo: I like Nelly.<br> | |||
BC: Heh. Okay, just forget I brought it up. It’s too complicated, you know. Are you ready, Pajo? Alright, you ready, Stevie?<br> | |||
Paz?: [unintelligible word]<br> | |||
BC: ''(laughing)'' Stevie.<br> | |||
Pajo: Stevie? You just go with that?<br> | |||
BC: Stevie. Stevie Sweeney, heh. This is a song called Baby, Let’s Rock.<br> | |||
'''Baby, Let’s Rock!'''<br> | |||
'''Ride a Black Swan'''<br> | |||
> '''For Your Love'''<br> | |||
'''Settle Down'''<br> | |||
BC: Thank you very much. ... Hey Matt? St. Louis has taken a lot out of me, man, heh heh.<br> | |||
Sweeney: [unintelligible]<br> | |||
BC: I feel - I feel a little scarred, heh heh heh.<br> | |||
Sweeney: [noises]<br> | |||
BC: How ‘bout you, you feel scarred?<br> | |||
Sweeney: [noises]<br> | |||
''(Billy laughing)''<br> | |||
BC: Gino, a punk, heh.<br> | |||
Sweeney: [noises]<br> | |||
BC: Hey, how come you don’t get any lights? What’d you do wrong? ''(laughing)'' David Pajo on guitar. ''(Pajo doodles for a minute)'' Oh, okay. Ah, it’s the last song.<br> | |||
'''Cast a Stone'''<br> | |||
BC: Thank you very much, thank you.<br> | |||
[encore break]<br> | |||
'''All Day and All of the Night'''<br> | |||
'''Dust My Broom'''<br> | |||
> '''Egypt Jam''' (with Matt on drums, Jimmy on guitar)<br> | |||
(BC toward end: Matt Sweeney on the drums.)<br> | |||
BC: Hey, I was only joking about Egypt. I swear to god I wasn’t serious. You just know tomorrow on the internet, there’s gonna be a whole debate about Egypt.<br> | |||
</blockquote> | </blockquote> | ||
== Photos and Memorabilia == | |||
[[Image:0204XX-Shirt.jpg|125px|left]] | |||
Latest revision as of 20:17, 2 November 2020
| Zwan | |
|---|---|
| Date | 2002-04-10 |
| Venue | Galaxy |
| Location | St. Louis, MO, US |
| Venue Type | Club |
| Capacity | ~800 |
| Lineup | Corgan, Chamberlin, Sweeney, Pajo, Lenchantin |
| Order of Bands | Full System Purge, Zwan |
| Surfaced Recordings | |
| AUD #1 | |
| Source | AUD |
| Format | MD |
| Equipment | ECM-MS907 > RS 42-2459 > MZ-R70 |
| Length | 104m |
| Complete? | Yes |
| Lowest Circulating Generation | MD-M > dEdit > SHN |
| Live Music Archive | 16-bit download |
| Notes | Even with soundboard, left side. |
| AUD #2 | |
| Source | AUD |
| Format | DAT |
| Equipment | DPA 4061 > M1 |
| Length | 105m |
| Complete? | Yes |
| Lowest Circulating Generation | DAT-M > SHN |
| Live Music Archive | 16-bit download |
| Notes | Superior to AUD #1. |
| Unsurfaced Recordings | |
| AUD #3 | |
| Source | AUD |
| Format | DAT |
| Equipment | CSHEB > Battery Box > M1 |
| Length | ~105m |
| Complete? | Unknown |
| Notes | Inside soundboard area. |
| AUD #4 | |
| Source | AUD |
| Format | DAT |
| Equipment | AT-853 > Sound Professionals Battery Box > M1 |
| Length | ~105m |
| Complete? | Unknown |
| Notes | Mic stand, right stack. |
| AUD #5 | |
| Source | AUD |
| Format | DAT |
| Equipment | AKG C1000 > DA-P1 |
| Length | ~105m |
| Complete? | Unknown |
| Notes | Mic stand. |
| AUD #6 | |
| Source | AUD |
| Format | DAT |
| Equipment | DPA 4023 > PS-2 > Zefiro Inbox > TCD-D8 |
| Length | ~105m |
| Complete? | Unknown |
| Notes | 3 feet from right stack, on a pillar. |
| AUD #7 | |
| Source | AUD |
| Format | MD |
| Equipment | ECM-MS907 > MZ-R55 |
| Length | ~105m |
| Complete? | Unknown |
Setlist
Set:
- A New Poetry
- Lyric
- Yeah
- Endless Summer
- Love Lies in Ruin
- Rivers We Can't Cross
- Jesus, I [Lyte]
- God's Gonna Set This World on Fire
- Baby, Let's Rock
- Ride a Black Swan
- For Your Love
- Settle Down
- Cast a Stone
Encore:
- All Day and All of the Night [The Kinks]
- Dust My Broom [Johnson]
- (improv: "Egypt Jam")
Notes
- Egypt Jam improv with Matt on drums, Jimmy on guitar
Banter
A New Poetry
> Lyric
Yeah!
BC: Thank you very much, thank you. Thank you very much, thank you. Uh, thank you very much to the Galaxy for having us for three nights, thank you, Galaxy. Thank you, St. Louis. This song is uh, this next song is called Endless Summer...and it’s about how the Cubs and the Cardinals are never going to win another World Series.
Endless Summer
Love Lies in Ruin
> Rivers We Can’t Cross
Sweeney: There was a great band from St. Louis called Drunks with Guns from back in the day but I betcha nobody here remembers them.
Guy in crowd: I do!
Sweeney: Really? And there’s a really good bookstore that’s selling crazy books.
Jesus, I
> God’s Gonna Set This World on Fire
BC: Name of that last song was Jesus. I don’t know if you caught the title. How’s everybody doing, you alright? Who here is from St. Louis? I have to tell you, everywhere I go in St. Louis, they wanna talk about Nelly. (some boos) No, I like Nelly. It could’ve been Nelly, no, he’s cool. No, it’s like ev - everyone wants to talk about Nelly, it’s crazy, it’s...he owns this town.
Pajo: I like Nelly.
BC: Heh. Okay, just forget I brought it up. It’s too complicated, you know. Are you ready, Pajo? Alright, you ready, Stevie?
Paz?: [unintelligible word]
BC: (laughing) Stevie.
Pajo: Stevie? You just go with that?
BC: Stevie. Stevie Sweeney, heh. This is a song called Baby, Let’s Rock.
Baby, Let’s Rock!
Ride a Black Swan
> For Your Love
Settle Down
BC: Thank you very much. ... Hey Matt? St. Louis has taken a lot out of me, man, heh heh.
Sweeney: [unintelligible]
BC: I feel - I feel a little scarred, heh heh heh.
Sweeney: [noises]
BC: How ‘bout you, you feel scarred?
Sweeney: [noises]
(Billy laughing)
BC: Gino, a punk, heh.
Sweeney: [noises]
BC: Hey, how come you don’t get any lights? What’d you do wrong? (laughing) David Pajo on guitar. (Pajo doodles for a minute) Oh, okay. Ah, it’s the last song.
Cast a Stone
BC: Thank you very much, thank you.
[encore break]
All Day and All of the Night
Dust My Broom
> Egypt Jam (with Matt on drums, Jimmy on guitar)
(BC toward end: Matt Sweeney on the drums.)
BC: Hey, I was only joking about Egypt. I swear to god I wasn’t serious. You just know tomorrow on the internet, there’s gonna be a whole debate about Egypt.
Photos and Memorabilia
