Zwan2002-04-07: Difference between revisions
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|- | |- | ||
! align="left" | Venue Type | ! align="left" | Venue Type | ||
| | | Club | ||
|- | |||
! align="left" | Capacity | |||
| ~800 | |||
|- | |||
! align="left" | Lineup | |||
| Corgan, Chamberlin, Sweeney, Pajo, Lenchantin | |||
|- | |||
! align="left" | Order of Bands | |||
| Neptune Crush, Zwan | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
Line 25: | Line 34: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | AT-853 > Sound Professionals Battery Box > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 86m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 34: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | DDC-? > CDR | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | On stand, 25 feet from right stack. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ||
Line 49: | Line 57: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| DPA 4060 > Custom Battery Box | | DPA 4060 > Custom Battery Box (85) > M1(48k, line in) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 84m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 58: | Line 66: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT | | DAT-M > SHN | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/zwan2002-04-07.shnf 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| 15 feet back, directly in front of right stack. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MD | |||
|- | |||
! align="left" | Equipment | |||
| ECM-717 > MZ-R55 | |||
|- | |||
! align="left" | Length | |||
| 84m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| MD-M > SHN | |||
|- | |||
! align="left" | Notes | |||
| Analog transfer. | |||
|- | |||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| CSHEB > Battery Box > M1 | |||
|- | |||
! align="left" | Length | |||
| ~85m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Notes | |||
| Front of board. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| CSBMod>M1 | |||
|- | |||
! align="left" | Length | |||
| ~85m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | 10 feet in front of board. | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #6 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| SS-DSM-6S > PA-6LC2 > M1 | |||
|- | |||
! align="left" | Length | |||
| ~85m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Notes | |||
| 20 feet from right stack. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #7 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| DAC > DA-120F > TCD-D100 | |||
|- | |||
! align="left" | Length | |||
| ~85m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Notes | |||
| Mic stand, right stack. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #8 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| DPA 4023 > PS-2 > Zefiro Inbox > TCD-D8 | |||
|- | |||
! align="left" | Length | |||
| ~85m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Notes | |||
| 3 feet from right stack, on a pillar. | |||
|- | |- | ||
|} | |} | ||
Line 78: | Line 214: | ||
* For Your Love | * For Your Love | ||
* Yeah | * Yeah | ||
* All Day and All of the Night [Kinks] | * All Day and All of the Night [The Kinks] | ||
* Lyric | * Lyric | ||
Encore: | Encore: | ||
* Baby, Let's Rock | * Baby, Let's Rock | ||
Line 87: | Line 222: | ||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Jesus, I'''<br> | ||
> '''God’s Gonna Set This World on Fire'''<br> | |||
'''Signal This Strong'''<br> | |||
BC: Thank you very much, thank you. How are you?<br> | |||
Another band member: Woo!<br> | |||
BC: You know in Europe they don’t “woo.” It’s a different - they don’t do the “woo!” It’s more like a "huuh"! Like a expressionistic "huuuh". ''(grunting noise)''. That’s very American, a woo woo! I will say, um, I don’t know where they are, there are some people here from Germany tonight, thank you very much. There they are, they’re awesome, thank you.<br> | |||
Sweeney: ''(German accent)'' Ich habe eine wunderhundermuschi...for you Germans.<br> | |||
BC: Did that mean anything or...? Did you just say I wanna lick your pussy in German?<br> | |||
Sweeney: No.<br> | |||
BC: What did - what did you say?<br> | |||
Sweeney: Wund... Ich habe eine wunderhundermuschi. I cannot say it.<br> | |||
Sweeney or Pajo: ''(off mic)'' Alright, this next song’s called....<br> | |||
'''Endless Summer'''<br> | |||
BC: This is a song um...this is a song called Rivers We Can’t Cross.<br> | |||
'''Rivers We Can’t Cross'''<br> | |||
'''Love Lies in Ruin'''<br> | |||
(BC over opening guitar intro: Thank you very much, thank you.)<br> | |||
'''Ride a Black Swan'''<br> | |||
'''Settle Down'''<br> | |||
BC: We tried to go to the Arch today but we just didn’t make it. I’ve been to St. Louis like seven -<br> | |||
Pajo: Where is the Arch?<br> | |||
BC: I’ve been here like seven times, I’ve never been to the Arch, it’s like some sort of heresy. I always wanted to get raped. Huh? It's never happened yet. It’s like that pyramid fantasy I have. ''(Sweeney is tuning his badly out-of-tune guitar)'' Oh, that’s not gonna work there, Matt.<br> | |||
Sweeney: I thought we were going for like short, tight, no long breaks between songs and shit.<br> | |||
BC: That was my other band.<br> | |||
Sweeney: Oh.<br> | |||
BC: This isn’t - this is a much more reckless operation. Like to play a song for you now called Cast a Stone.<br> | |||
'''Cast a Stone'''<br> | |||
'''For Your Love'''<br> | |||
(BC over opening guitar: We’d like to dim the lights for this one. There’s no one to dim the lights.)<br> | |||
BC: Thank you. Who’s here from St. Louis? Who’s actually lives in St. Louis? Heh heh heh. Where did all the rest of you come from?<br> | |||
Pajo: Mars, Uranus, Venus. Texas.<br> | |||
Sweeney: New Jersey?<br> | |||
Pajo: Ohhhh.<br> | |||
BC: You know Bruce Springsteen’s from New Jersey, Matt?<br> | |||
Sweeney: Really?<br> | |||
BC: Matt’s from New Jersey, he’s very proud. ''(no audience reaction)'' No one cares, Matt. Matt loves New Jersey. I mean, really, it’s like.... ''(cracking up)'' Some - some guy said “Good for him.” Heh. I think Matt loves New Jersey more than I love Illinois but would you say that’s fair?<br> | |||
Sweeney: Absolutely!<br> | |||
BC: Five seconds ago, you didn’t give a fuck about anything and now you care.<br> | |||
Sweeney: I know.<br> | |||
BC: Heh. Alright, this is a song called Yeah.<br> | |||
'''Yeah!'''<br> | |||
'''All Day and All of the Night'''<br> | |||
'''Lyric'''<br> | |||
(BC right before end: Thank you very much, thank you.)<br> | |||
[encore break]<br> | |||
Sweeney: So Billy, you say that you’re having trouble letting go? Going nuts. Full release. Billy hasn’t really let loose, he’s still feelin’ a little.... I think what you gotta do....<br> | |||
BC: Huh?<br> | |||
Sweeney: I think what you should do, don’t look at the neck of the guitar as much.<br> | |||
BC: Look more at your cock?<br> | |||
Sweeney: Yeah. I’ve been playing all night like this....<br> | |||
BC: Zwan: X-rated rock and roll. That’s gonna be our new t-shirt: “X-rated rock and roll.” That’s good, right?<br> | |||
Sweeney: No.<br> | |||
BC: Anyway, before we conclude this evening, we’d like to say thank you very much, it’s always a great honor whenever we play that people come. As I’ve noted a few times in the past, you know, when you’ve got tickets to the first show of a long stretch, it always says that you’re the biggest fans so we thank you very much. “First fan” is short for “fanatic” as you’ve learned on MTV. Heh heh heh heh heh heh. I used to be a star. Heh heh heh heh heh. ''(cracking up)'' I know I’m the star in your head tonight, Miller(?). I know it. Anyway, so uh...yeah, that’s - I’ve said everything I needed to say right now, that’s it. Shut up, yes. X-rated rock and roll, that’s what we’re gonna play.<br> | |||
'''Baby, Let’s Rock!'''<br> | |||
> '''A New Poetry'''<br> | |||
BC: Thanks a lot, thank you.<br> | |||
</blockquote> | </blockquote> | ||
== Photos and Memorabilia == | |||
[[Image:0204XX-Shirt.jpg|125px|left]] |
Latest revision as of 04:52, 23 October 2022
Zwan | |
---|---|
Date | 2002-04-07 |
Venue | Galaxy |
Location | St. Louis, MO, US |
Venue Type | Club |
Capacity | ~800 |
Lineup | Corgan, Chamberlin, Sweeney, Pajo, Lenchantin |
Order of Bands | Neptune Crush, Zwan |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | AT-853 > Sound Professionals Battery Box > M1 |
Length | 86m |
Complete? | Yes |
Lowest Circulating Generation | DDC-? > CDR |
Notes | On stand, 25 feet from right stack. |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | DPA 4060 > Custom Battery Box (85) > M1(48k, line in) |
Length | 84m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > SHN |
Live Music Archive | 16-bit download |
Notes | 15 feet back, directly in front of right stack. |
AUD #3 | |
Source | AUD |
Format | MD |
Equipment | ECM-717 > MZ-R55 |
Length | 84m |
Complete? | Yes |
Lowest Circulating Generation | MD-M > SHN |
Notes | Analog transfer. |
Unsurfaced Recordings | |
AUD #4 | |
Source | AUD |
Format | DAT |
Equipment | CSHEB > Battery Box > M1 |
Length | ~85m |
Complete? | Unknown |
Notes | Front of board. |
AUD #5 | |
Source | AUD |
Format | DAT |
Equipment | CSBMod>M1 |
Length | ~85m |
Complete? | Unknown |
Notes | 10 feet in front of board. |
AUD #6 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6S > PA-6LC2 > M1 |
Length | ~85m |
Complete? | Unknown |
Notes | 20 feet from right stack. |
AUD #7 | |
Source | AUD |
Format | DAT |
Equipment | DAC > DA-120F > TCD-D100 |
Length | ~85m |
Complete? | Unknown |
Notes | Mic stand, right stack. |
AUD #8 | |
Source | AUD |
Format | DAT |
Equipment | DPA 4023 > PS-2 > Zefiro Inbox > TCD-D8 |
Length | ~85m |
Complete? | Unknown |
Notes | 3 feet from right stack, on a pillar. |
Setlist
Set:
- Jesus, I [Lyte]
- God's Gonna Set This World on Fire
- Signal This Strong
- Endless Summer
- Rivers We Can't Cross
- Love Lies in Ruin
- Ride a Black Swan
- Settle Down
- Cast a Stone
- For Your Love
- Yeah
- All Day and All of the Night [The Kinks]
- Lyric
Encore:
- Baby, Let's Rock
- A New Poetry
Banter
Jesus, I
> God’s Gonna Set This World on Fire
Signal This Strong
BC: Thank you very much, thank you. How are you?
Another band member: Woo!
BC: You know in Europe they don’t “woo.” It’s a different - they don’t do the “woo!” It’s more like a "huuh"! Like a expressionistic "huuuh". (grunting noise). That’s very American, a woo woo! I will say, um, I don’t know where they are, there are some people here from Germany tonight, thank you very much. There they are, they’re awesome, thank you.
Sweeney: (German accent) Ich habe eine wunderhundermuschi...for you Germans.
BC: Did that mean anything or...? Did you just say I wanna lick your pussy in German?
Sweeney: No.
BC: What did - what did you say?
Sweeney: Wund... Ich habe eine wunderhundermuschi. I cannot say it.
Sweeney or Pajo: (off mic) Alright, this next song’s called....
Endless Summer
BC: This is a song um...this is a song called Rivers We Can’t Cross.
Rivers We Can’t Cross
Love Lies in Ruin
(BC over opening guitar intro: Thank you very much, thank you.)
Ride a Black Swan
Settle Down
BC: We tried to go to the Arch today but we just didn’t make it. I’ve been to St. Louis like seven -
Pajo: Where is the Arch?
BC: I’ve been here like seven times, I’ve never been to the Arch, it’s like some sort of heresy. I always wanted to get raped. Huh? It's never happened yet. It’s like that pyramid fantasy I have. (Sweeney is tuning his badly out-of-tune guitar) Oh, that’s not gonna work there, Matt.
Sweeney: I thought we were going for like short, tight, no long breaks between songs and shit.
BC: That was my other band.
Sweeney: Oh.
BC: This isn’t - this is a much more reckless operation. Like to play a song for you now called Cast a Stone.
Cast a Stone
For Your Love
(BC over opening guitar: We’d like to dim the lights for this one. There’s no one to dim the lights.)
BC: Thank you. Who’s here from St. Louis? Who’s actually lives in St. Louis? Heh heh heh. Where did all the rest of you come from?
Pajo: Mars, Uranus, Venus. Texas.
Sweeney: New Jersey?
Pajo: Ohhhh.
BC: You know Bruce Springsteen’s from New Jersey, Matt?
Sweeney: Really?
BC: Matt’s from New Jersey, he’s very proud. (no audience reaction) No one cares, Matt. Matt loves New Jersey. I mean, really, it’s like.... (cracking up) Some - some guy said “Good for him.” Heh. I think Matt loves New Jersey more than I love Illinois but would you say that’s fair?
Sweeney: Absolutely!
BC: Five seconds ago, you didn’t give a fuck about anything and now you care.
Sweeney: I know.
BC: Heh. Alright, this is a song called Yeah.
Yeah!
All Day and All of the Night
Lyric
(BC right before end: Thank you very much, thank you.)
[encore break]
Sweeney: So Billy, you say that you’re having trouble letting go? Going nuts. Full release. Billy hasn’t really let loose, he’s still feelin’ a little.... I think what you gotta do....
BC: Huh?
Sweeney: I think what you should do, don’t look at the neck of the guitar as much.
BC: Look more at your cock?
Sweeney: Yeah. I’ve been playing all night like this....
BC: Zwan: X-rated rock and roll. That’s gonna be our new t-shirt: “X-rated rock and roll.” That’s good, right?
Sweeney: No.
BC: Anyway, before we conclude this evening, we’d like to say thank you very much, it’s always a great honor whenever we play that people come. As I’ve noted a few times in the past, you know, when you’ve got tickets to the first show of a long stretch, it always says that you’re the biggest fans so we thank you very much. “First fan” is short for “fanatic” as you’ve learned on MTV. Heh heh heh heh heh heh. I used to be a star. Heh heh heh heh heh. (cracking up) I know I’m the star in your head tonight, Miller(?). I know it. Anyway, so uh...yeah, that’s - I’ve said everything I needed to say right now, that’s it. Shut up, yes. X-rated rock and roll, that’s what we’re gonna play.
Baby, Let’s Rock!
> A New Poetry
BC: Thanks a lot, thank you.