Zwan2003-01-22: Difference between revisions

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Line 13: Line 13:
! align="left" | Venue Type
! align="left" | Venue Type
| Club
| Club
|-
! align="left" | Capacity
| 1100
|-
! align="left" | Lineup
| Corgan, Chamberlin, Sweeney, Pajo, Lenchantin
|-
! align="left" | Order of Bands
| Assassins, Zwan
|-
|-
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
Line 25: Line 34:
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| Oktava MC-012 Cards > Denecke PS-2 > Denecke AD-20 > Sharp 722 MD
| Oktava MC012 > PS-2 > AD-20 > MS722
|-
|-
! align="left" | Length
! align="left" | Length
Line 34: Line 43:
|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| MD(?)
| MD-M > SHN
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/zwan2003-01-22.Quinto.shnf 16-bit recording]
|-
|-
! align="left" | Notes
! align="left" | Notes
| [http://www.archive.org/audio/etree-details-db.php?id=6124  show@archive.org]. 14' high on stand. FOB DFC
| 14 feet high, on stand. Front of board, DFC.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| CSBMod > M1(44.1k)
|-
! align="left" | Length
| ~110m
|-
! align="left" | Complete?
| Yes
|-
! align="left" | Lowest Circulating Generation
| DAT-M > SHN
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3a
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| KM140 > Apogee Minime(24bit/48k) > TCD-D100(48k)
|-
! align="left" | Length
| ~110m
|-
! align="left" | Complete?
| Yes
|-
! align="left" | Lowest Circulating Generation
| DAT-M > SHN
|-
! align="left" | Notes
| Mic stand, front of board. Taper used one pair of mics and split the signal into two recorders.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3b
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| WAV
|-
! align="left" | Equipment
| KM140 > Apogee Minime(24bit/48k) > laptop(24bit/48k)
|-
! align="left" | Length
| 107m
|-
! align="left" | Complete?
| Yes
|-
! align="left" | Lowest Circulating Generation
| WAV-M > FLAC
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/zwan2003-01-22.km140.flac16 16-bit recording] <br />[http://www.archive.org/details/zwan2003-01-22.km140.flac24 24-bit recording]
|-
! align="left" | Notes
| Mic stand, in front of soundboard. Taper used one pair of mics and split the signal into two recorders.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| MD
|-
! align="left" | Equipment
| DAB > custom battery Box(85 ) > attenuator > MT-90(mic in)
|-
! align="left" | Length
| 102m
|-
! align="left" | Complete?
| Yes
|-
! align="left" | Lowest Circulating Generation
| MD-M > dEdit > SHN
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/zwan2003-01-22.dab.shn 16-bit recording]
|-
! align="left" | Notes
| Small skip in God's Gonna Set This World on Fire.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| MD
|-
! align="left" | Equipment
| ECM-717 > Sharp MD
|-
! align="left" | Length
| ~110m
|-
! align="left" | Complete?
| Yes
|-
! align="left" | Lowest Circulating Generation
| MD-M > CDR
|-
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #6
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| MD
|-
! align="left" | Equipment
| ECM-MS907 > MZ-R37
|-
! align="left" | Length
| ~110m
|-
! align="left" | Complete?
| Unknown
|-
! align="left" | Notes
| Right side, mic taped to balcony.
|-
|-
|}
|}
== Setlist ==
== Setlist ==
----
----
Set:
* Jesus, I [Lyte]
* Jesus, I [Lyte]
** God's Gonna Set This World on Fire
** God's Gonna Set This World on Fire
Line 54: Line 204:
* Endless Summer
* Endless Summer
* Mary Star of the Sea
* Mary Star of the Sea
 
Encore One:
Encore 1:
* Riverview
* Riverview
* Spilled Milk
* Spilled Milk
 
Encore Two:
Encore 2:
* Of a Broken Heart
* Of a Broken Heart
* A Certain Kind of Change
* A Certain Kind of Change
=== Notes ===
* First performance of A Certain Kind of Change


== Banter ==
== Banter ==
<blockquote>
<blockquote>
(unknown)
'''Jesus, I'''<br>
> '''God’s Gonna Set This World on Fire'''<br>
'''Declarations of Faith'''<br>
BC: Thank you very much. ...  Thank you very much, thank you.  We are the Zwan.  Thank you very much for coming to our show, this is a song from our new album called El Sol.<br>
'''El Sol'''<br>
'''Never My Love'''<br>
> '''Settle Down'''<br>
'''Honestly'''<br>
'''A New Poetry'''<br>
BC: Thank you very much. ...  He says he loves you, don’t worry about it.  How’s everybody doing tonight, you alright?  Whoo.  Thank you.  That was a song called New Poetry that we kicked off our last record.  It’s not on the new record.  Don’t ask me why, this is the question I can’t answer anyway.  This next song, um, has Paz on violin.  A multitasker.  This is another song that’s not on the new record.  But it’s a good one, I think.  It’s called Friends as Lovers, Lovers as Friends.<br>
'''Friends as Lovers, Lovers as Friends'''<br>
BC: Thank you very much.<br>
'''Ride a Black Swan'''<br>
'''Endless Summer'''<br>
'''Mary Star of the Sea'''<br>
(BC after lyrics, before coda: Thank you very much, thank you, thank you.)<br>
BC: Thank you!  Thank you very much.<br>
[encore break]<br>
'''Riverview'''<br>
> '''Spilled Milk'''<br>
BC: Thank you!  Jimmy Chamberlin on the drums.  Papa Jimmy, Papa Jimmy.<br>
[encore break]<br>
BC: Thank you very much, thank you Chicago ''(pronounced “Chick-cago”)''.  My kind of town.  Chicago. ...  We’d like to play a song for you called Of a Broken Heart.  David’s on keyboards, Paz is on violin, Jimmy on drums, Matt on gee-tar.<br>
'''Of a Broken Heart'''<br>
BC: Thank you so much.  We’d like to, uh, if it’s okay with you, um....  ''(crowd cheers)''  Well, you don’t know what it is yet, don’t....  There’s a lot of wooing but you don’t know what the wooing is wooing, um....  We’d like to play a new song that, uh, we just, uh, came up with about a week ago and, uh...  ''(crowd cheers)''  That’s okay, yeah?  We like this song very much, it’s called A Certain Kind of Change.<br>
Sweeney ''(off mic)'': What’s it about?<br>
BC: Matt, you don’t care what it’s about.<br>
Sweeney: You already told me what it was about.<br>
BC: Your sh-, your shameless attempts at drawing attention to yourself have failed again.  Ladies and gentlemen, this is A Certain Kind of Change.<br>
'''A Certain Kind of Change'''<br>
BC: Thank you very much, thank you.
</blockquote>
</blockquote>
== Photos and Memorabilia ==
[[Image:0301XX-Shirt.jpg|125px|left]]

Latest revision as of 06:06, 5 December 2020

Zwan
Date 2003-01-22
Venue Metro
Location Chicago, IL, US
Venue Type Club
Capacity 1100
Lineup Corgan, Chamberlin, Sweeney, Pajo, Lenchantin
Order of Bands Assassins, Zwan
Surfaced Recordings
AUD #1
Source AUD
Format MD
Equipment Oktava MC012 > PS-2 > AD-20 > MS722
Length 110m
Complete? Yes
Lowest Circulating Generation MD-M > SHN
Live Music Archive 16-bit recording
Notes 14 feet high, on stand. Front of board, DFC.
AUD #2
Source AUD
Format DAT
Equipment CSBMod > M1(44.1k)
Length ~110m
Complete? Yes
Lowest Circulating Generation DAT-M > SHN
AUD #3a
Source AUD
Format DAT
Equipment KM140 > Apogee Minime(24bit/48k) > TCD-D100(48k)
Length ~110m
Complete? Yes
Lowest Circulating Generation DAT-M > SHN
Notes Mic stand, front of board. Taper used one pair of mics and split the signal into two recorders.
AUD #3b
Source AUD
Format WAV
Equipment KM140 > Apogee Minime(24bit/48k) > laptop(24bit/48k)
Length 107m
Complete? Yes
Lowest Circulating Generation WAV-M > FLAC
Live Music Archive 16-bit recording
24-bit recording
Notes Mic stand, in front of soundboard. Taper used one pair of mics and split the signal into two recorders.
AUD #4
Source AUD
Format MD
Equipment DAB > custom battery Box(85 ) > attenuator > MT-90(mic in)
Length 102m
Complete? Yes
Lowest Circulating Generation MD-M > dEdit > SHN
Live Music Archive 16-bit recording
Notes Small skip in God's Gonna Set This World on Fire.
AUD #5
Source AUD
Format MD
Equipment ECM-717 > Sharp MD
Length ~110m
Complete? Yes
Lowest Circulating Generation MD-M > CDR
Unsurfaced Recordings
AUD #6
Source AUD
Format MD
Equipment ECM-MS907 > MZ-R37
Length ~110m
Complete? Unknown
Notes Right side, mic taped to balcony.

Setlist

Set:

  • Jesus, I [Lyte]
    • God's Gonna Set This World on Fire
  • Declarations of Faith
  • El Sol
  • Never My Love [The Association]
  • Settle Down
  • Honestly
  • A New Poetry
  • Friends as Lovers, Lovers as Friends
  • Ride a Black Swan
  • Endless Summer
  • Mary Star of the Sea

Encore One:

  • Riverview
  • Spilled Milk

Encore Two:

  • Of a Broken Heart
  • A Certain Kind of Change

Notes

  • First performance of A Certain Kind of Change

Banter

Jesus, I
> God’s Gonna Set This World on Fire
Declarations of Faith
BC: Thank you very much. ... Thank you very much, thank you. We are the Zwan. Thank you very much for coming to our show, this is a song from our new album called El Sol.
El Sol
Never My Love
> Settle Down
Honestly
A New Poetry
BC: Thank you very much. ... He says he loves you, don’t worry about it. How’s everybody doing tonight, you alright? Whoo. Thank you. That was a song called New Poetry that we kicked off our last record. It’s not on the new record. Don’t ask me why, this is the question I can’t answer anyway. This next song, um, has Paz on violin. A multitasker. This is another song that’s not on the new record. But it’s a good one, I think. It’s called Friends as Lovers, Lovers as Friends.
Friends as Lovers, Lovers as Friends
BC: Thank you very much.
Ride a Black Swan
Endless Summer
Mary Star of the Sea
(BC after lyrics, before coda: Thank you very much, thank you, thank you.)
BC: Thank you! Thank you very much.
[encore break]
Riverview
> Spilled Milk
BC: Thank you! Jimmy Chamberlin on the drums. Papa Jimmy, Papa Jimmy.
[encore break]
BC: Thank you very much, thank you Chicago (pronounced “Chick-cago”). My kind of town. Chicago. ... We’d like to play a song for you called Of a Broken Heart. David’s on keyboards, Paz is on violin, Jimmy on drums, Matt on gee-tar.
Of a Broken Heart
BC: Thank you so much. We’d like to, uh, if it’s okay with you, um.... (crowd cheers) Well, you don’t know what it is yet, don’t.... There’s a lot of wooing but you don’t know what the wooing is wooing, um.... We’d like to play a new song that, uh, we just, uh, came up with about a week ago and, uh... (crowd cheers) That’s okay, yeah? We like this song very much, it’s called A Certain Kind of Change.
Sweeney (off mic): What’s it about?
BC: Matt, you don’t care what it’s about.
Sweeney: You already told me what it was about.
BC: Your sh-, your shameless attempts at drawing attention to yourself have failed again. Ladies and gentlemen, this is A Certain Kind of Change.
A Certain Kind of Change
BC: Thank you very much, thank you.

Photos and Memorabilia

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