Zwan2003-03-28B: Difference between revisions
No edit summary |
mNo edit summary |
||
(20 intermediate revisions by 3 users not shown) | |||
Line 9: | Line 9: | ||
|- | |- | ||
! align="left" | Location | ! align="left" | Location | ||
| New York | | New York, NY, US | ||
|- | |- | ||
! align="left" | Venue Type | ! align="left" | Venue Type | ||
| | | Ballroom | ||
|- | |||
! align="left" | Capacity | |||
| 3000 | |||
|- | |||
! align="left" | Lineup | |||
| Corgan, Chamberlin, Sweeney, Pajo, Lenchantin | |||
|- | |||
! align="left" | Order of Bands | |||
| The Children's Hour, Zwan | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
Line 25: | Line 34: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| RS33-3028 > | | RS33-3028 > battery box > MZ-R70 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| 98m | | 98m | ||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| MD-M > WAV | |||
|- | |||
! align="left" | Live Music Archive | |||
| [https://archive.org/details/zwan2003-03-28.aud1 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| 50 feet from stage, center. A few dropouts from master. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| WAV | |||
|- | |||
! align="left" | Equipment | |||
| DAB > DA-120F(85) > Nomad JBC | |||
|- | |||
! align="left" | Length | |||
| 96m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| WAV-M > dEdit > SHN | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/zwan2003-03-28.shnf 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Mics clipped to side of hat, 30 feet from right stacks on the barrier. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| KM140 > PSP-3 > M1 | |||
|- | |||
! align="left" | Length | |||
| 101m | |||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 34: | Line 95: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | DDC-? > CDR | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | 5 feet FoB, mic stand. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
Line 45: | Line 106: | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | VHSc | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | Unknown | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | ~100m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 57: | Line 118: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | VHSc-M > DVD | ||
|- | |||
! align="left" | Video Link | |||
| [https://youtu.be/WG0chnu8Gfw YouTube] | |||
|- | |||
! align="left" | Notes | |||
| Tape stopped between encores, occasional heads in frame. | |||
|- | |||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MD | |||
|- | |||
! align="left" | Equipment | |||
| SS-DSM-6S | |||
|- | |||
! align="left" | Length | |||
| ~100m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | 5 feet FoB, mic stand. | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MD | |||
|- | |||
! align="left" | Equipment | |||
| DAB > DA-120F > MS722 | |||
|- | |||
! align="left" | Length | |||
| ~100m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Notes | |||
| Center balcony. | |||
|- | |- | ||
|} | |} | ||
== Setlist == | == Setlist == | ||
Set: | |||
* Jesus, I [Lyte] | * Jesus, I [Lyte] | ||
** God's Gonna Set This World on Fire | ** God's Gonna Set This World on Fire | ||
Line 79: | Line 184: | ||
* Of a Broken Heart | * Of a Broken Heart | ||
* Declarations of Faith | * Declarations of Faith | ||
Settle Down | * Settle Down | ||
Encore One: | |||
Encore | |||
* A New Poetry | * A New Poetry | ||
Encore Two: | |||
Encore | |||
* Spilled Milk | * Spilled Milk | ||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Jesus, I'''<br> | ||
> '''God’s Gonna Set This World on Fire'''<br> | |||
'''Endless Summer'''<br> | |||
> '''For Your Love'''<br> | |||
BC: Thank you very much. We are Zwan, we’re very happy to be here with you tonight. This is a song called Lyric.<br> | |||
'''Lyric'''<br> | |||
> '''El Sol'''<br> | |||
> '''Honestly'''<br> | |||
BC: Thank you very much. How’s everybody doing, you alright? Matt’s mom is here somewhere but we don’t know where she is. Your mom is ashamed to admit she’s here. She doesn’t want anybody to know.<br> | |||
Sweeney: I really want David Pajo to meet my mom.<br> | |||
BC: This is a song that’s our oldest song. It’s called Desire.<br> | |||
'''Desire'''<br> | |||
'''Ride a Black Swan'''<br> | |||
> '''Mary Star of the Sea'''<br> | |||
BC: Thank you very much, thank you. ... Like to take a second to introduce the Zwan to you. On the guitar, Mr. David Pajo. On the other guitar, New York’s very own Matthew Sweeney. She’s not from New York but she’s still lovely, Paz. You’re not from New York, right? I wasn’t sure. And on the drums, Mr. Jimmy Chamberlin.<br> | |||
'''Heartsong'''<br> | |||
'''Of a Broken Heart'''<br> | |||
'''Declarations of Faith'''<br> | |||
'''Settle Down'''<br> | |||
(BC over ending: Thank you very much! Settle down now.)<br> | |||
[encore break]<br> | |||
'''A New Poetry'''<br> | |||
BC: God bless you, thank you.<br> | |||
[encore break]<br> | |||
BC: [unintelligible] can’t hear you.<br> | |||
Sweeney: Oh. Thanks for coming out. And well, uh...it’s nice to be in New York for a couple of hours for me. Very nice.<br> | |||
BC: Before we play our final big ending extravaganza, thank you one more time. We realize there’s a war going on, you could all be home just watching CNN ‘til...all here (?). So thanks for, heh, thanks for coming to watch us. Okay. This is Spilled Milk.<br> | |||
'''Spilled Milk'''<br> | |||
(BC towards end of song: The Zwan says thank you, thank you again.)<br> | |||
</blockquote> | </blockquote> | ||
== Photos and Memorabilia == | |||
[[Image:030328-Poster.jpg|125px|left]] | |||
[[Image:zwan2003-03-28.png|250px|left]] |
Latest revision as of 06:58, 22 October 2024
Zwan | |
---|---|
Date | 2003-03-28 |
Venue | Hammerstein Ballroom |
Location | New York, NY, US |
Venue Type | Ballroom |
Capacity | 3000 |
Lineup | Corgan, Chamberlin, Sweeney, Pajo, Lenchantin |
Order of Bands | The Children's Hour, Zwan |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | MD |
Equipment | RS33-3028 > battery box > MZ-R70 |
Length | 98m |
Complete? | No |
Lowest Circulating Generation | MD-M > WAV |
Live Music Archive | 16-bit download |
Notes | 50 feet from stage, center. A few dropouts from master. |
AUD #2 | |
Source | AUD |
Format | WAV |
Equipment | DAB > DA-120F(85) > Nomad JBC |
Length | 96m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M > dEdit > SHN |
Live Music Archive | 16-bit download |
Notes | Mics clipped to side of hat, 30 feet from right stacks on the barrier. |
AUD #3 | |
Source | AUD |
Format | DAT |
Equipment | KM140 > PSP-3 > M1 |
Length | 101m |
Complete? | Yes |
Lowest Circulating Generation | DDC-? > CDR |
Notes | 5 feet FoB, mic stand. |
AMT #1 | |
Source | AUD |
Format | VHSc |
Equipment | Unknown |
Length | ~100m |
Complete? | Yes |
Lowest Circulating Generation | VHSc-M > DVD |
Video Link | YouTube |
Notes | Tape stopped between encores, occasional heads in frame. |
Unsurfaced Recordings | |
AUD #4 | |
Source | AUD |
Format | MD |
Equipment | SS-DSM-6S |
Length | ~100m |
Complete? | Unknown |
Notes | 5 feet FoB, mic stand. |
AUD #5 | |
Source | AUD |
Format | MD |
Equipment | DAB > DA-120F > MS722 |
Length | ~100m |
Complete? | Unknown |
Notes | Center balcony. |
Setlist
Set:
- Jesus, I [Lyte]
- God's Gonna Set This World on Fire
- Endless Summer
- For Your Love
- Lyric
- El Sol
- Honestly
- Desire
- Ride a Black Swan
- Mary Star of the Sea
- Heartsong
- Of a Broken Heart
- Declarations of Faith
- Settle Down
Encore One:
- A New Poetry
Encore Two:
- Spilled Milk
Banter
Jesus, I
> God’s Gonna Set This World on Fire
Endless Summer
> For Your Love
BC: Thank you very much. We are Zwan, we’re very happy to be here with you tonight. This is a song called Lyric.
Lyric
> El Sol
> Honestly
BC: Thank you very much. How’s everybody doing, you alright? Matt’s mom is here somewhere but we don’t know where she is. Your mom is ashamed to admit she’s here. She doesn’t want anybody to know.
Sweeney: I really want David Pajo to meet my mom.
BC: This is a song that’s our oldest song. It’s called Desire.
Desire
Ride a Black Swan
> Mary Star of the Sea
BC: Thank you very much, thank you. ... Like to take a second to introduce the Zwan to you. On the guitar, Mr. David Pajo. On the other guitar, New York’s very own Matthew Sweeney. She’s not from New York but she’s still lovely, Paz. You’re not from New York, right? I wasn’t sure. And on the drums, Mr. Jimmy Chamberlin.
Heartsong
Of a Broken Heart
Declarations of Faith
Settle Down
(BC over ending: Thank you very much! Settle down now.)
[encore break]
A New Poetry
BC: God bless you, thank you.
[encore break]
BC: [unintelligible] can’t hear you.
Sweeney: Oh. Thanks for coming out. And well, uh...it’s nice to be in New York for a couple of hours for me. Very nice.
BC: Before we play our final big ending extravaganza, thank you one more time. We realize there’s a war going on, you could all be home just watching CNN ‘til...all here (?). So thanks for, heh, thanks for coming to watch us. Okay. This is Spilled Milk.
Spilled Milk
(BC towards end of song: The Zwan says thank you, thank you again.)