Tsp1996-01-02: Difference between revisions
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|- | |- | ||
! align="left" | Venue | ! align="left" | Venue | ||
| Phoenix | | The Phoenix | ||
|- | |- | ||
! align="left" | Location | ! align="left" | Location | ||
| Toronto, CA | | Toronto, ON, CA | ||
|- | |- | ||
! align="left" | Venue Type | ! align="left" | Venue Type | ||
| | | Theater | ||
|- | |- | ||
! align="left" | Capacity | ! align="left" | Capacity | ||
| | | 4500 | ||
|- | |||
! align="left" | Lineup | |||
| Corgan, Iha, Wretzky, Chamberlin, Melvoin | |||
|- | |||
! align="left" | Order of Bands | |||
| The Smashing Pumpkins | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
| Line 28: | Line 34: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| Sennheiser MKE 2002>Denon DTR-80P | | Sennheiser MKE 2002 > Denon DTR-80P | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| Line 37: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | DDC-3 > CDR | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp1996-01-02.MKE2002.flac16 16-bit recording] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| End of Cherub Rock cut. | | End of Cherub Rock cut. DDC-? > CDR transfer also circulates. | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| CSB > TCD-D8 | |||
|- | |||
! align="left" | Length | |||
| 120m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DDC-2 > CDR | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp1996-01-02.shn 16-bit recording] | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ||
| Line 57: | Line 89: | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | No | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| VHS | | Hi8 > VHS-? > DVD | ||
|- | |||
! align="left" | Video Link | |||
| [https://youtu.be/0nccgtJ8DaY YouTube] | |||
|- | |||
! align="left" | Notes | |||
| X.Y.U. cuts. | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | | ! bgcolor="#fff9de" colspan="2" align="left" | SBD #1 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
| | | SBD | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | ADAT | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | Unknown | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| 120m | | ~120m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |||
! align="left" | Notes | |||
| Vault copy. | |||
|- | |- | ||
|} | |} | ||
| Line 86: | Line 127: | ||
Set One: | Set One: | ||
* Tonight, Tonight | * Tonight, Tonight | ||
* In the Arms | * In the Arms of Sleep | ||
* Cupid de Locke | * Cupid de Locke | ||
* Thirty-three | * Thirty-three | ||
* Today | * Today | ||
* Lily | * Lily (My One and Only) | ||
* Take Me Down | * Take Me Down | ||
* Beautiful | * Beautiful | ||
| Line 96: | Line 137: | ||
* Galapogos | * Galapogos | ||
Set Two: | Set Two: | ||
* Mellon Collie and the Infinite Sadness (over PA) | |||
* Where Boys Fear to Tread | * Where Boys Fear to Tread | ||
* Zero | * Zero | ||
* Fuck You | * Fuck You | ||
* To Forgive | * To Forgive | ||
* Bullet with Butterfly Wings | * (improv) | ||
** Bullet with Butterfly Wings | |||
* Thru the Eyes of Ruby | * Thru the Eyes of Ruby | ||
* Porcelina of the Vast Oceans | * Porcelina of the Vast Oceans | ||
| Line 111: | Line 154: | ||
* Muzzle | * Muzzle | ||
Encore Two: | Encore Two: | ||
* Creep [Stone Temple Pilots] (tease) | |||
* Geek U.S.A. | * Geek U.S.A. | ||
* Cherub Rock | * Cherub Rock | ||
=== Notes === | |||
* Tonight, Tonight through Take Me Down performed acoustic | |||
* First performances of 1979, In the Arms of Sleep, and We Only Come Out at Night | |||
* Jonathan Melvoin's first show | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | D’arcy: ...but we hope it'll be worth waiting for.<br> | ||
BC: Thanks, big man.<br> | |||
'''Tonight, Tonight''' (acoustic)<br> | |||
BC: Thank you.<br> | |||
'''In the Arms of Sleep''' (acoustic)<br> | |||
BC: After you, James.<br> | |||
'''Cupid de Locke''' (acoustic)<br> | |||
BC: Thank you so much.<br> | |||
'''Thirty-three''' (acoustic)<br> | |||
BC: Thanks-suh.<br> | |||
Guy in crowd: Lovin’ it!<br> | |||
BC: Why, thank you. ''(coughing fit)'' I'm dying so this is our last show. Hope you like it.<br> | |||
'''Today''' (acoustic)<br> | |||
(BC just before drums start: Whoa.)<br> | |||
BC: Thanks.<br> | |||
'''Lily''' (acoustic)<br> | |||
BC: Well, thank you so much for coming.<br> | |||
Iha: Thank you.<br> | |||
BC: Just so you know we're playing two - we're like our own opening band so when we leave the stage, we are coming back. Except James, he's quit the electric part of the band.<br> | |||
Iha: And now I’m going to acoustic.<br> | |||
'''Take Me Down''' (acoustic)<br> | |||
Iha: Thanks.<br> | |||
'''Beautiful'''<br> | |||
Iha: We'll attempt to rock out slightly for you on the next one.<br> | |||
'''Rocket'''<br> | |||
BC: Thank you. We'd like to play one more song and then we're gonna take our little break.<br> | |||
'''Galapogos'''<br> | |||
D’arcy: Thank you.<br> | |||
[set break]<br> | |||
Mellon Collie and the Infinite Sadness Intro<br> | |||
'''Where Boys Fear to Tread'''<br> | |||
> '''Zero'''<br> | |||
'''Fuck You'''<br> | |||
'''To Forgive'''<br> | |||
'''Bullet with Butterfly Wings'''<br> | |||
BC: Alright.<br> | |||
Iha: Toronto! I can't hear you Toronto! Let me see some fucking evil hands, alright. I'm just kidding, just kidding. So we're glad to be back in Toronto again, oh yet again. And it's very cold and colder than Chicago and uh, I just flew in and boy are my arms tired. That's an old joke though.<br> | |||
'''Thru the Eyes of Ruby''' (abandoned after 6-7 notes - Billy’s guitar is out of tune)<br> | |||
Iha: Whoa.<br> | |||
'''Thru the Eyes of Ruby''' (abandoned after 6-7 notes - Billy’s guitar is more out of tune now)<br> | |||
Iha: Damn!<br> | |||
'''Thru the Eyes of Ruby'''<br> | |||
BC: Like to take this moment to thank you for coming tonight.<br> | |||
Iha: We thank thee.<br> | |||
BC: This is our first show and uh, little rusty. But we thank - thank you again.<br> | |||
Iha: Little rusty. That's a plain American expression.<br> | |||
'''Porcelina of the Vast Oceans'''<br> | |||
> '''Jellybelly'''<br> | |||
'''1979'''<br> | |||
> '''Disarm'''<br> | |||
'''X.Y.U.'''<br> | |||
Iha: Fuck it.<br> | |||
[encore break]<br> | |||
BC: Alright, James! Ah, that sounds terrible!<br> | |||
'''We Only Come Out at Night'''<br> | |||
(BC after chorus #2: Hey, watch it.)<br> | |||
(BC after chorus #4: Thanks, Jimmy. Oh, that was splendid! That was great! Wow, you guys rock!)<br> | |||
BC: Heh, thank you. I believe the audience was a bit more key than we were but.... ''(James is noodling)''<br> | |||
Iha: How are we doing out there?<br> | |||
BC: Hey James, you learn some new jazz chords there?<br> | |||
'''Muzzle'''<br> | |||
BC: Thank you. Sorry we're so loose and un-tight, but thanks anyway.<br> | |||
[encore break]<br> | |||
BC: You guys fuckin' rule.<br> | |||
'''Creep''' (tease)<br> | |||
BC: ''(singing)'' We’re not half the band we used to be, half the band we used to be. ''(speaking)'' Right?<br> | |||
Iha: That was a [unintelligible].<br> | |||
BC: That's uh, that there was Mike McCready, isn’t he in that band? Mad Season?<br> | |||
Iha: [unintelligible]. You got mad flava, you got mad flava.<br> | |||
'''Geek U.S.A.'''<br> | |||
> '''Cherub Rock''' (abandoned after about 5 guitar notes)<br> | |||
> '''Cherub Rock'''<br> | |||
(Iha over big rock ending: Yeah! [unintelligible]! Aahhhhh! Motherfuckin’ [tape cuts])<br> | |||
</blockquote> | </blockquote> | ||
== Photos & Memorabilia == | |||
[[Image:Tsp1996-01-02-ticket.jpg|225px|left]] | |||
Latest revision as of 01:33, 11 May 2021
| The Smashing Pumpkins | |
|---|---|
| Date | 1996-01-02 |
| Venue | The Phoenix |
| Location | Toronto, ON, CA |
| Venue Type | Theater |
| Capacity | 4500 |
| Lineup | Corgan, Iha, Wretzky, Chamberlin, Melvoin |
| Order of Bands | The Smashing Pumpkins |
| Surfaced Recordings | |
| AUD #1 | |
| Source | AUD |
| Format | DAT |
| Equipment | Sennheiser MKE 2002 > Denon DTR-80P |
| Length | 121m |
| Complete? | No |
| Lowest Circulating Generation | DDC-3 > CDR |
| Live Music Archive | 16-bit recording |
| Notes | End of Cherub Rock cut. DDC-? > CDR transfer also circulates. |
| AUD #2 | |
| Source | AUD |
| Format | DAT |
| Equipment | CSB > TCD-D8 |
| Length | 120m |
| Complete? | Yes |
| Lowest Circulating Generation | DDC-2 > CDR |
| Live Music Archive | 16-bit recording |
| AMT #1 | |
| Source | AUD |
| Format | Hi8 |
| Equipment | Unknown |
| Length | 120m |
| Complete? | No |
| Lowest Circulating Generation | Hi8 > VHS-? > DVD |
| Video Link | YouTube |
| Notes | X.Y.U. cuts. |
| Unsurfaced Recordings | |
| SBD #1 | |
| Source | SBD |
| Format | ADAT |
| Equipment | Unknown |
| Length | ~120m |
| Complete? | Yes |
| Notes | Vault copy. |
Setlist
Set One:
- Tonight, Tonight
- In the Arms of Sleep
- Cupid de Locke
- Thirty-three
- Today
- Lily (My One and Only)
- Take Me Down
- Beautiful
- Rocket
- Galapogos
Set Two:
- Mellon Collie and the Infinite Sadness (over PA)
- Where Boys Fear to Tread
- Zero
- Fuck You
- To Forgive
- (improv)
- Bullet with Butterfly Wings
- Thru the Eyes of Ruby
- Porcelina of the Vast Oceans
- Jellybelly
- 1979
- Disarm
- X.Y.U.
Encore One:
- We Only Come Out at Night
- Muzzle
Encore Two:
- Creep [Stone Temple Pilots] (tease)
- Geek U.S.A.
- Cherub Rock
Notes
- Tonight, Tonight through Take Me Down performed acoustic
- First performances of 1979, In the Arms of Sleep, and We Only Come Out at Night
- Jonathan Melvoin's first show
Banter
D’arcy: ...but we hope it'll be worth waiting for.
BC: Thanks, big man.
Tonight, Tonight (acoustic)
BC: Thank you.
In the Arms of Sleep (acoustic)
BC: After you, James.
Cupid de Locke (acoustic)
BC: Thank you so much.
Thirty-three (acoustic)
BC: Thanks-suh.
Guy in crowd: Lovin’ it!
BC: Why, thank you. (coughing fit) I'm dying so this is our last show. Hope you like it.
Today (acoustic)
(BC just before drums start: Whoa.)
BC: Thanks.
Lily (acoustic)
BC: Well, thank you so much for coming.
Iha: Thank you.
BC: Just so you know we're playing two - we're like our own opening band so when we leave the stage, we are coming back. Except James, he's quit the electric part of the band.
Iha: And now I’m going to acoustic.
Take Me Down (acoustic)
Iha: Thanks.
Beautiful
Iha: We'll attempt to rock out slightly for you on the next one.
Rocket
BC: Thank you. We'd like to play one more song and then we're gonna take our little break.
Galapogos
D’arcy: Thank you.
[set break]
Mellon Collie and the Infinite Sadness Intro
Where Boys Fear to Tread
> Zero
Fuck You
To Forgive
Bullet with Butterfly Wings
BC: Alright.
Iha: Toronto! I can't hear you Toronto! Let me see some fucking evil hands, alright. I'm just kidding, just kidding. So we're glad to be back in Toronto again, oh yet again. And it's very cold and colder than Chicago and uh, I just flew in and boy are my arms tired. That's an old joke though.
Thru the Eyes of Ruby (abandoned after 6-7 notes - Billy’s guitar is out of tune)
Iha: Whoa.
Thru the Eyes of Ruby (abandoned after 6-7 notes - Billy’s guitar is more out of tune now)
Iha: Damn!
Thru the Eyes of Ruby
BC: Like to take this moment to thank you for coming tonight.
Iha: We thank thee.
BC: This is our first show and uh, little rusty. But we thank - thank you again.
Iha: Little rusty. That's a plain American expression.
Porcelina of the Vast Oceans
> Jellybelly
1979
> Disarm
X.Y.U.
Iha: Fuck it.
[encore break]
BC: Alright, James! Ah, that sounds terrible!
We Only Come Out at Night
(BC after chorus #2: Hey, watch it.)
(BC after chorus #4: Thanks, Jimmy. Oh, that was splendid! That was great! Wow, you guys rock!)
BC: Heh, thank you. I believe the audience was a bit more key than we were but.... (James is noodling)
Iha: How are we doing out there?
BC: Hey James, you learn some new jazz chords there?
Muzzle
BC: Thank you. Sorry we're so loose and un-tight, but thanks anyway.
[encore break]
BC: You guys fuckin' rule.
Creep (tease)
BC: (singing) We’re not half the band we used to be, half the band we used to be. (speaking) Right?
Iha: That was a [unintelligible].
BC: That's uh, that there was Mike McCready, isn’t he in that band? Mad Season?
Iha: [unintelligible]. You got mad flava, you got mad flava.
Geek U.S.A.
> Cherub Rock (abandoned after about 5 guitar notes)
> Cherub Rock
(Iha over big rock ending: Yeah! [unintelligible]! Aahhhhh! Motherfuckin’ [tape cuts])
Photos & Memorabilia
