Zwan2002-12-19: Difference between revisions
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{| border="2" cellpadding="4" cellspacing="0" style="margin: 0 0 1em 1em; border: 1px #aaa solid; border-collapse: collapse; font-size: 95%;" align="right" width=280px | {| border="2" cellpadding="4" cellspacing="0" style="margin: 0 0 1em 1em; border: 1px #aaa solid; border-collapse: collapse; font-size: 95%;" align="right" width=280px | ||
! bgcolor="#ffe156" colspan="2" | | ! bgcolor="#ffe156" colspan="2" | Zwan | ||
|- | |- | ||
! align="left" | Date | ! align="left" | Date | ||
Line 9: | Line 9: | ||
|- | |- | ||
! align="left" | Location | ! align="left" | Location | ||
| Toronto, CA | | Toronto, ON, CA | ||
|- | |- | ||
! align="left" | Venue Type | ! align="left" | Venue Type | ||
| Theater | |||
|- | |||
! align="left" | Capacity | |||
| 850 | |||
|- | |||
! align="left" | Lineup | |||
| Corgan, Chamberlin, Sweeney, Pajo, Lenchantin | |||
|- | |||
! align="left" | Order of Bands | |||
| Unknown | | Unknown | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #1 | ||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| DAB > DA Battery Box with bass rolloff > M1(44.1k) | |||
|- | |||
! align="left" | Length | |||
| 96m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DAT-M > SHN | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/zwan2002-12-19.shnf 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | On stand, left of soundboard. 50 feet from stage. | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| CSBMod > M1 | |||
|- | |||
! align="left" | Length | |||
| ~100m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DDC-? > CDR | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| Schoeps MK4 > KCY Active Cables > VMS5u > SBM-1 > M1 | |||
|- | |||
! align="left" | Length | |||
| 98m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DAT-M > SHN | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/zwan2002-12-19.flacf 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Mic stand, front left of soundboard. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4a | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| ECM-717 > TCD-D8 | |||
|- | |||
! align="left" | Length | |||
| 4m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DAT(M) > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [https://archive.org/details/zwan2002-12-19.soundcheck.aud4 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Soundcheck. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| CSB > Battery Box > M1 | |||
|- | |||
! align="left" | Length | |||
| 105m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DAT-M > SHN | |||
|- | |||
! align="left" | Notes | |||
| Could actually be AUD #2. | |||
|- | |||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4b | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| ECM-717 > TCD-D8 | |||
|- | |||
! align="left" | Length | |||
| ~100m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Notes | |||
| 10 feet from left stack. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #6 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MD | |||
|- | |||
! align="left" | Equipment | |||
| DAB > DA-120S > MT-877 | |||
|- | |||
! align="left" | Length | |||
| ~100m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Notes | |||
| 10 feet from left stack. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #7 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| SS-DSM-6S > PA-6LC3B > M1 | |||
|- | |||
! align="left" | Length | |||
| ~100m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Notes | |||
| 10 feet from left stack, mildly distorted. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #8 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MD | |||
|- | |||
! align="left" | Equipment | |||
| SPPB > Sound Professionals Battery Box | |||
|- | |||
! align="left" | Length | |||
| ~100m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |- | ||
|} | |} | ||
== Setlist == | == Setlist == | ||
---- | ---- | ||
Soundcheck: | |||
* Lyric | |||
Set: | |||
* Mary Star of the Sea | * Mary Star of the Sea | ||
* Ride a Black Swan | * Ride a Black Swan | ||
Line 31: | Line 238: | ||
* El Sol | * El Sol | ||
* Declarations of Faith | * Declarations of Faith | ||
Settle Down | * Settle Down | ||
* Desire | * Desire | ||
* Of a Broken Heart | * Of a Broken Heart | ||
* Baby, Let's Rock | * Baby, Let's Rock | ||
* Endless Summer (abandoned) | |||
* Endless Summer | * Endless Summer | ||
* A New Poetry | * A New Poetry | ||
Encore: | Encore: | ||
* Jesus, I [Lyte] | * Jesus, I [Lyte] | ||
** God's Gonna Set This World on Fire | ** God's Gonna Set This World on Fire | ||
** (jam) (3:46) | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Mary Star of the Sea'''<br> | ||
(BC after lyrics, before coda: Welcome! We are Zwan.)<br> | |||
Sweeney: Thanks, we’re comin’ doowwnnn.<br> | |||
'''Ride a Black Swan'''<br> | |||
'''Honestly'''<br> | |||
BC: Thank you very much, thank you. This, uh, next song is a song that’s not on our new album but it’s a song we like very much, it’s called For Your Love.<br> | |||
'''For Your Love'''<br> | |||
'''Lyric'''<br> | |||
'''El Sol'''<br> | |||
'''Declarations of Faith'''<br> | |||
'''Settle Down'''<br> | |||
BC: Thank you, heh heh. ''(coughs)'' Like to now play for you, the, uh, the first song that I wrote for Zwan. This is the first song that I did write for Zwan. But I didn’t know that you were gonna play it, so.... Does that change anything for you or...? Huh? Shut up and play? This is a song called Desire.<br> | |||
'''Desire'''<br> | |||
BC: This is a song that, uh, features the lovely Paz on violin. The lovely David Pajo on the Herlitzer organ. ''(brief PA fuzz)'' Hello! The lovely Matt Sweeney on...what do you do? Heh heh heh. The lovely Jimmy Chamberlin on drums.<br> | |||
'''Of a Broken Heart'''<br> | |||
BC: Everybody having a good time? Thank you much, we’re having a very good time, it’s always an honor to play, thank you very much for coming. This next song is directed at all the lovely women in the audience who cause me so much pain. And to all the men who have to bear that pain. Exactly, this is called Baby, Let’s Rock.<br> | |||
'''Baby, Let’s Rock!'''<br> | |||
'''Endless Summer''' (abandoned right after drums - Paz is playing wrong notes)<br> | |||
BC: Are you nervous? Have you been to Canada before?<br> | |||
Paz: I feel like this is my first time.<br> | |||
BC: ''(laughing)'' I’m just gonna let that one go. Are you in tune or...?<br> | |||
'''Endless Summer'''<br> | |||
'''A New Poetry'''<br> | |||
BC: Thanks.<br> | |||
[encore break]<br> | |||
BC: Thank you.<br> | |||
'''Jesus, I'''<br> | |||
> '''God’s Gonna Set This World on Fire'''<br> | |||
> '''Jam'''<br> | |||
(BC: Thank you very much, we are...the Zwan. ... And merry Christmas, happy holidays to everyone. Uh, all of Zwan is atheists, we don’t really care for Christmas, but have a good one anyway. Dave’s actually into the devil. No, he’s a good Christian, I swear. ''(laughing)'' Stop, I can’t take it. Stop it. Stop it.)<br> | |||
</blockquote> | </blockquote> |
Latest revision as of 08:15, 10 May 2023
Zwan | |
---|---|
Date | 2002-12-19 |
Venue | Opera House |
Location | Toronto, ON, CA |
Venue Type | Theater |
Capacity | 850 |
Lineup | Corgan, Chamberlin, Sweeney, Pajo, Lenchantin |
Order of Bands | Unknown |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | DAB > DA Battery Box with bass rolloff > M1(44.1k) |
Length | 96m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > SHN |
Live Music Archive | 16-bit download |
Notes | On stand, left of soundboard. 50 feet from stage. |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | CSBMod > M1 |
Length | ~100m |
Complete? | Unknown |
Lowest Circulating Generation | DDC-? > CDR |
AUD #3 | |
Source | AUD |
Format | DAT |
Equipment | Schoeps MK4 > KCY Active Cables > VMS5u > SBM-1 > M1 |
Length | 98m |
Complete? | Unknown |
Lowest Circulating Generation | DAT-M > SHN |
Live Music Archive | 16-bit download |
Notes | Mic stand, front left of soundboard. |
AUD #4a | |
Source | AUD |
Format | DAT |
Equipment | ECM-717 > TCD-D8 |
Length | 4m |
Complete? | No |
Lowest Circulating Generation | DAT(M) > FLAC |
Live Music Archive | 16-bit download |
Notes | Soundcheck. |
AUD #5 | |
Source | AUD |
Format | DAT |
Equipment | CSB > Battery Box > M1 |
Length | 105m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > SHN |
Notes | Could actually be AUD #2. |
Unsurfaced Recordings | |
AUD #4b | |
Source | AUD |
Format | DAT |
Equipment | ECM-717 > TCD-D8 |
Length | ~100m |
Complete? | Unknown |
Notes | 10 feet from left stack. |
AUD #6 | |
Source | AUD |
Format | MD |
Equipment | DAB > DA-120S > MT-877 |
Length | ~100m |
Complete? | Unknown |
Notes | 10 feet from left stack. |
AUD #7 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6S > PA-6LC3B > M1 |
Length | ~100m |
Complete? | Unknown |
Notes | 10 feet from left stack, mildly distorted. |
AUD #8 | |
Source | AUD |
Format | MD |
Equipment | SPPB > Sound Professionals Battery Box |
Length | ~100m |
Complete? | Unknown |
Setlist
Soundcheck:
- Lyric
Set:
- Mary Star of the Sea
- Ride a Black Swan
- Honestly
- For Your Love
- Lyric
- El Sol
- Declarations of Faith
- Settle Down
- Desire
- Of a Broken Heart
- Baby, Let's Rock
- Endless Summer (abandoned)
- Endless Summer
- A New Poetry
Encore:
- Jesus, I [Lyte]
- God's Gonna Set This World on Fire
- (jam) (3:46)
Banter
Mary Star of the Sea
(BC after lyrics, before coda: Welcome! We are Zwan.)
Sweeney: Thanks, we’re comin’ doowwnnn.
Ride a Black Swan
Honestly
BC: Thank you very much, thank you. This, uh, next song is a song that’s not on our new album but it’s a song we like very much, it’s called For Your Love.
For Your Love
Lyric
El Sol
Declarations of Faith
Settle Down
BC: Thank you, heh heh. (coughs) Like to now play for you, the, uh, the first song that I wrote for Zwan. This is the first song that I did write for Zwan. But I didn’t know that you were gonna play it, so.... Does that change anything for you or...? Huh? Shut up and play? This is a song called Desire.
Desire
BC: This is a song that, uh, features the lovely Paz on violin. The lovely David Pajo on the Herlitzer organ. (brief PA fuzz) Hello! The lovely Matt Sweeney on...what do you do? Heh heh heh. The lovely Jimmy Chamberlin on drums.
Of a Broken Heart
BC: Everybody having a good time? Thank you much, we’re having a very good time, it’s always an honor to play, thank you very much for coming. This next song is directed at all the lovely women in the audience who cause me so much pain. And to all the men who have to bear that pain. Exactly, this is called Baby, Let’s Rock.
Baby, Let’s Rock!
Endless Summer (abandoned right after drums - Paz is playing wrong notes)
BC: Are you nervous? Have you been to Canada before?
Paz: I feel like this is my first time.
BC: (laughing) I’m just gonna let that one go. Are you in tune or...?
Endless Summer
A New Poetry
BC: Thanks.
[encore break]
BC: Thank you.
Jesus, I
> God’s Gonna Set This World on Fire
> Jam
(BC: Thank you very much, we are...the Zwan. ... And merry Christmas, happy holidays to everyone. Uh, all of Zwan is atheists, we don’t really care for Christmas, but have a good one anyway. Dave’s actually into the devil. No, he’s a good Christian, I swear. (laughing) Stop, I can’t take it. Stop it. Stop it.)