Tsp1998-07-02: Difference between revisions
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! align="left" | Venue Type | ! align="left" | Venue Type | ||
| Theater | |||
|- | |||
! align="left" | Capacity | |||
| 6251 | |||
|- | |||
! align="left" | Lineup | |||
| Corgan, Iha, Wretzky, Aronoff, Garson, Morris, Hodges | |||
|- | |||
! align="left" | Order of Bands | |||
| The Smashing Pumpkins | |||
|- | |||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #1 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| ANA | |||
|- | |||
! align="left" | Equipment | |||
| WM-D3 | |||
|- | |||
! align="left" | Length | |||
| 127m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| ANA-M > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [https://archive.org/details/tsp1998-07-02.d3.flac16 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Surfaced on dime in March 2023. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| Hi8 | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | | Unknown | ||
|- | |- | ||
! align="left" | | ! align="left" | Length | ||
| | | 119m | ||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| Hi8-M > VHS-1 > DVD | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp1998-07-02.flac16 16-bit download] | |||
|- | |||
! align="left" | YouTube | |||
| [https://youtu.be/GTBvThVatRU Youtube Video] | |||
|- | |||
! align="left" | Notes | |||
| Upper balcony, James' side. To Sheila cuts in, cut within Shame, check presentation and most of 1979 is missing. Hi8-M > VHS-1 > FLAC audio transfer also circulates as well as AMT1/AUD1 video sync | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD # | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| Unknown | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | |||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
| Line 35: | Line 115: | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| No | | No | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | SBD #1 | |||
|- | |||
! align="left" | Source | |||
| SBD | |||
|- | |||
! align="left" | Format | |||
| ADAT | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| ~125m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Notes | |||
| Vault copy. | |||
|- | |- | ||
|} | |} | ||
== Setlist == | == Setlist == | ||
---- | ---- | ||
Set: | |||
* To Sheila | * To Sheila | ||
* Behold! the Night Mare | * Behold! the Night Mare | ||
| Line 44: | Line 145: | ||
* Tear | * Tear | ||
* Crestfallen | * Crestfallen | ||
* Ava Adore | |||
* Perfect | |||
* Thru the Eyes of Ruby | * Thru the Eyes of Ruby | ||
* Let Me Give the World to You | * Let Me Give the World to You | ||
* Tonight, Tonight | * Tonight, Tonight | ||
* Appels + Oranjes | * Appels + Oranjes | ||
* Bullet with Butterfly Wings | ** (percussion solo) | ||
** Zero (tease) | |||
** Bullet with Butterfly Wings | |||
* Shame | * Shame | ||
* For Martha | * For Martha | ||
Encore: | Encore: | ||
* (check presentation) | |||
* 1979 | * 1979 | ||
* Transmission [Joy Division] | * Transmission [Joy Division] [24:03] | ||
** Let's Dance [Bowie] (tease) | |||
** Drown (tease) | ** Drown (tease) | ||
=== Notes === | |||
* Let Me Give the World to You, Tonight, Tonight, and Appels + Oranjes performed acoustic | |||
* audience members are brought on stage at the end of Transmission | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | |||
'''To Sheila'''<br> | |||
> '''Behold! The Night Mare'''<br> | |||
> '''Pug'''<br> | |||
'''Tear'''<br> | |||
> '''Crestfallen'''<br> | |||
> '''Ava Adore'''<br> | |||
'''Perfect'''<br> | |||
> '''Thru the Eyes of Ruby'''<br> | |||
BC: Thank you, thank you so much. Thank you very much for coming to our concert tonight, tonight. Um, as you know this is a - these two shows that we're playing here are for charity, so we appreciate...your donation. Can you turn on the lights for a second so we could see everybody?, it's kinda dark. ''(crowd cheers as lights go on)''<br> | |||
Iha: Oh.<br> | |||
BC: Oh yay.<br> | |||
Iha: Oh.<br> | |||
BC: Thank you.<br> | |||
Iha: Whoa.<br> | |||
BC: Thank you so much, thank you.<br> | |||
'''Let Me Give the World to You''' (acoustic)<br> | |||
(BC over opening guitar: This is a song called Let Me Give the World to You.)<br> | |||
BC: Heh heh. Alright, heh heh heh. That's the end of the show, thank you, goodnight. Okay, we'd like to play another old song for you right now. This is from our wildly successful album Mellon Collie and the Infinite Sadness. My uh, my voice is a little hoarse so you have to sing along and cover up my [unintelligible word]. Thank you.<br> | |||
Iha: And [2 unintelligible words], get up and dance.<br> | |||
BC: So we send this song out to all of you for coming to share this evening with us, we love you, we appreciate you so much, thank you.<br> | |||
'''Tonight, Tonight''' (acoustic)<br> | |||
BC: Thank you, thank you.<br> | |||
'''Appels + Oranjes''' (acoustic)<br> | |||
> '''drum/percussion solo'''<br> | |||
> '''Zero''' (tease)<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
> '''Shame'''<br> | |||
BC: Thank you so much for being a fantastic audience. We are forever in your debt, literally and spiritually. Like to play one more song for you and bid you adieu, ''(blows kiss)'', thank you.<br> | |||
'''For Martha'''<br> | |||
BC: God bless you, thank you, goodnight.<br> | |||
[encore break]<br> | |||
[check presentation cut]<br> | |||
BC: ''(mic not working properly)'' Hello. Hello! ''(mic working right now)'' Hello, heh heh, hi.<br> | |||
[tape cut]<br> | |||
'''1979'''<br> | |||
BC: ''(Stephen Hawking voice)'' Thank you. [tape cut] We've really enjoyed playing our new songs off our new album Adore for you. It's a really good album. Right?<br> | |||
Iha: [unintelligible word or two].<br> | |||
BC: Alright, that Let It Come Down is pretty good too.<br> | |||
Iha: I like that one too, heh heh.<br> | |||
BC: So uh, before we go on to this final song, we’d just like to say we love you very much and appreciate your support more than we could ever express. We hope you had a good time, we'll see you again soon. Now we go into space.<br> | |||
'''Transmission / Let's Dance / Drown'''<br> | |||
(Iha at 17:55, during pause before outro: [unintelligible].)<br> | |||
(BC at 18:32: This is the part where the strange aliens come and take over our planet.)<br> | |||
</blockquote> | </blockquote> | ||
== Photos & Memorabilia == | |||
[[Image:Tsp1998-07-02-ticket.jpg|225px|left]] | |||
[[Image:Tsp-1998-05120808-TourShirt_back.jpg|125px|left]] | |||
[[Image:tsp1996-07-02.jpg|250px|left]] | |||
Latest revision as of 02:07, 6 October 2024
| The Smashing Pumpkins | |
|---|---|
| Date | 1998-07-02 |
| Venue | Universal Amphitheater |
| Location | Universal City, CA, US |
| Venue Type | Theater |
| Capacity | 6251 |
| Lineup | Corgan, Iha, Wretzky, Aronoff, Garson, Morris, Hodges |
| Order of Bands | The Smashing Pumpkins |
| Surfaced Recordings | |
| AUD #1 | |
| Source | AUD |
| Format | ANA |
| Equipment | WM-D3 |
| Length | 127m |
| Complete? | Yes |
| Lowest Circulating Generation | ANA-M > FLAC |
| Live Music Archive | 16-bit download |
| Notes | Surfaced on dime in March 2023. |
| AMT #1 | |
| Source | AUD |
| Format | Hi8 |
| Equipment | Unknown |
| Length | 119m |
| Complete? | No |
| Lowest Circulating Generation | Hi8-M > VHS-1 > DVD |
| Live Music Archive | 16-bit download |
| YouTube | Youtube Video |
| Notes | Upper balcony, James' side. To Sheila cuts in, cut within Shame, check presentation and most of 1979 is missing. Hi8-M > VHS-1 > FLAC audio transfer also circulates as well as AMT1/AUD1 video sync |
| Unsurfaced Recordings | |
| AUD #2 | |
| Source | AUD |
| Format | DAT |
| Equipment | Unknown |
| Length | Unknown |
| Complete? | Unknown |
| AUD #3 | |
| Source | AUD |
| Format | MCS |
| Equipment | Unknown |
| Length | 83m |
| Complete? | No |
| SBD #1 | |
| Source | SBD |
| Format | ADAT |
| Equipment | Unknown |
| Length | ~125m |
| Complete? | Yes |
| Notes | Vault copy. |
Setlist
Set:
- To Sheila
- Behold! the Night Mare
- Pug
- Tear
- Crestfallen
- Ava Adore
- Perfect
- Thru the Eyes of Ruby
- Let Me Give the World to You
- Tonight, Tonight
- Appels + Oranjes
- (percussion solo)
- Zero (tease)
- Bullet with Butterfly Wings
- Shame
- For Martha
Encore:
- (check presentation)
- 1979
- Transmission [Joy Division] [24:03]
- Let's Dance [Bowie] (tease)
- Drown (tease)
Notes
- Let Me Give the World to You, Tonight, Tonight, and Appels + Oranjes performed acoustic
- audience members are brought on stage at the end of Transmission
Banter
To Sheila
> Behold! The Night Mare
> Pug
Tear
> Crestfallen
> Ava Adore
Perfect
> Thru the Eyes of Ruby
BC: Thank you, thank you so much. Thank you very much for coming to our concert tonight, tonight. Um, as you know this is a - these two shows that we're playing here are for charity, so we appreciate...your donation. Can you turn on the lights for a second so we could see everybody?, it's kinda dark. (crowd cheers as lights go on)
Iha: Oh.
BC: Oh yay.
Iha: Oh.
BC: Thank you.
Iha: Whoa.
BC: Thank you so much, thank you.
Let Me Give the World to You (acoustic)
(BC over opening guitar: This is a song called Let Me Give the World to You.)
BC: Heh heh. Alright, heh heh heh. That's the end of the show, thank you, goodnight. Okay, we'd like to play another old song for you right now. This is from our wildly successful album Mellon Collie and the Infinite Sadness. My uh, my voice is a little hoarse so you have to sing along and cover up my [unintelligible word]. Thank you.
Iha: And [2 unintelligible words], get up and dance.
BC: So we send this song out to all of you for coming to share this evening with us, we love you, we appreciate you so much, thank you.
Tonight, Tonight (acoustic)
BC: Thank you, thank you.
Appels + Oranjes (acoustic)
> drum/percussion solo
> Zero (tease)
> Bullet with Butterfly Wings
> Shame
BC: Thank you so much for being a fantastic audience. We are forever in your debt, literally and spiritually. Like to play one more song for you and bid you adieu, (blows kiss), thank you.
For Martha
BC: God bless you, thank you, goodnight.
[encore break]
[check presentation cut]
BC: (mic not working properly) Hello. Hello! (mic working right now) Hello, heh heh, hi.
[tape cut]
1979
BC: (Stephen Hawking voice) Thank you. [tape cut] We've really enjoyed playing our new songs off our new album Adore for you. It's a really good album. Right?
Iha: [unintelligible word or two].
BC: Alright, that Let It Come Down is pretty good too.
Iha: I like that one too, heh heh.
BC: So uh, before we go on to this final song, we’d just like to say we love you very much and appreciate your support more than we could ever express. We hope you had a good time, we'll see you again soon. Now we go into space.
Transmission / Let's Dance / Drown
(Iha at 17:55, during pause before outro: [unintelligible].)
(BC at 18:32: This is the part where the strange aliens come and take over our planet.)
Photos & Memorabilia
